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Novelas ejemplares

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tienen de volver a su patria". He falls in love with a young and beautiful girl called Leonora. Despite being from a poor family, she comes from a noble one, and he decides to love and protect her, seeing her worthy character through her poverty. He takes every precaution to protect her from the outside world and from other men, allowing no-one to pass through the second inner door apart from the female servants and the black eunuch, the only male allowed into her presence. By doing this and by bringing her presents, he protected her from the industry and the cursed humanity that could perturb her serenity: "por ninguna vía la industria ni la malicia humana podía perturbar su sosiego".
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The novellas are usually grouped into two series: those characterized by an idealized nature and those of a realistic nature. Those idealized in nature, which are the closest to the Italian models, are characterized by plots dealing with amorous entanglements, by improbable plots, by the presence of
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When he re-emerges from convalescence Tomás is physically restored but delusional—chiefly, Tomás is convinced that his body is composed entirely of glass. His unshakable belief, combined with his clever, memorable aphorisms in conversation with everyone he meets, make Tomás famous throughout Spain,
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Tomás Rodaja, a young boy, is found by strangers, apparently abandoned. He impresses them with his wit and intelligence and they take him on as a sort of adoptive son. Tomás is sent to school, where he becomes famous for his learning; he grows up, travels all over Europe, and eventually settles in
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Ricaredo's and Isabela's wedding is interrupted by the servant's son, who fell in love with her. The Queen sends Isabela back to Spain, calling the wedding off. The servant, blinded by anger, poisons Isabela. She receives treatment in time, but the poison's side effects diminish her beauty and she
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A seven-year-old girl named Isabela is kidnapped by an Englishman. She serves him as a servant, and his son falls in love with her because of her beauty. Since their love is mutual, they go to the Queen so she can approve of their union. She is impressed by Isabela's beauty and makes the boy prove
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Story of a young man who falls in love with a gypsy. She asks him to be with her as a gypsy for two years. Later it is discovered that she is the lost daughter of the governor. He gets thrown into jail but is later released when it's revealed that he is of knightly descent. The two marry and live
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Filipo de Carrizales, a former soldier, who after much financial success abroad in "las Indias" (the term the author uses for America—particularly Peru), settles in Sevilla, succumbing to the desire every man has to return to his homeland; as Cervantes writes, "tocado del natural deseo que todos
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Since there are multiple versions of two of these stories, it is believed that Cervantes introduced some variations in these novels for moral, social and aesthetic purposes (hence the name 'exemplary'). The more primitive versions were found in the manuscript, now lost, called by the name of its
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Story with a compact and pointed plot, often realistic and satiric in tone. Originating in Italy during the Middle Ages, it was often based on local events; individual tales often were gathered into collections. The novella developed into a psychologically subtle and structured short tale, with
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This plan is foiled by a younger man, Loaysa, who manages to enter and seduce Leonora by means of a very intricate plan. In the closing moments, Carrizales finds his wife asleep in bed with Loaysa, and instead of blaming them, he blames himself. Ashamed at the way he treated Leonora, he quietly
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The story of Ricardo and Leonisa. When their ship sinks, Ricardo believes that Leonisa is dead. He discovers she is alive later, when she is being sold off as a slave. The Cadi wants her for himself, surprised by her beauty and charm, thinking of getting rid of his wife so he can keep her, but
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My genius and my inclination prompt me to this kind of writing; the more so as I consider (and with truth) that I am the first who has written novels in the Spanish language, though many have hitherto appeared among us, all of them translated from foreign authors. But these are my own, neither
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With time, Tomás recovers his sanity, only to discover to his horror throngs of people who never leave him alone, wanting to see the famous 'Vidriera'. Repulsed by fame and unable to continue as a lawyer, Tomás joins the army as an infantryman, eventually dying in an obscure battle.
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A prologue to the subsequent story. A soldier tells a friend the story of how he was deceived into marriage, even though he himself was less than truthful to his bride. The story ends with him describing how he overheard the dialogue that is related in the next story.
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becomes ugly. She returns to Spain, ready to enter a convent, since Ricaredo never comes. Ricaredo is about to marry another woman, but during a Turkish war he is wounded, and everyone believes he is dead. He returns to Spain, meets up with Isabela, and marries her.
160:. These were the most popular of the novellas at the time. The realistic in nature cater to the descriptions of realistic characters and environments, with intentional criticism in many cases. The realistic in nature are the best-known stories today: 342:
In love with Tomás, a young woman procures an intended love potion, with which she laces a quince that Tomás eats. The potion does not work, instead putting Tomás in a grave state for months (the woman flees and is never heard from again).
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Cervantes' novellas inspired several English Jacobean dramas, whose authors might have read them either in French translation or in the Spanish original. Plays based on the novellas include Beaumont and Fletcher's
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himself worthy of her. He fights off Turkish ships and releases Spanish prisoners. He meets Isabela's parents but keeps quiet about knowing her. Her parents meet up with her.
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where he becomes known as 'Vidriera'—from the Spanish vidrio, which means 'glass'. Eventually, Tomás is invited to court, transported in a carriage packed with hay.
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imitated nor stolen from anyone; my genius has engendered them, my pen has brought them forth, and they are growing up in the arms of the press.
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retreats and dies. Leonora decides not to marry Loaysa and instead joins a convent. Loaysa in turn flees to "las indias" (the new world).
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idealized characters and psychological development, and the low reflection of reality. They include:
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writers frequently using a frame story to unify tales around a theme, as in Giovanni Boccaccio's
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that follow the model established in Italy. The series was written by 
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Wilson, E.M. "Cervantes and English Literature of the Seventeenth Century."
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The Cervantean Heritage: Reception and Influence of Cervantes in Britain.
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Cervantes boasted in his foreword to have been the first to write
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The story of two young thieves who make their way to
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The Exemplary Novels of Miguel de Cervantes Saavedra
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The novellas were well received. 13: 229:, unpublished at the time (1605). 14: 818: 519: 534: 613:Ocho comedias y ocho entremeses 468:Cervantes Saavedra, Miguel de. 184:(which leads directly into the 486: 461: 428: 1: 498: 797:1613 short story collections 619:El retablo de las maravillas 7: 776:Action of 26 September 1575 544:public domain audiobook at 253:Rule a Wife and Have a Wife 10: 823: 405:("The Deceitful Marriage") 771:Miguel de Cervantes Prize 758: 726:El coloquio de los perros 588: 436:"Definition of 'novella'" 416:El coloquio de los perros 233:Influence and adaptations 190:El coloquio de los perros 120:in the Spanish language: 76: 68: 58: 47: 37: 21: 807:Spanish satirical novels 636:El juez de los divorcios 492:Wilson 37-45; Ardila, 5. 422: 219:El curioso impertinente 719:La fuerza de la sangre 684:El licenciado Vidriera 677:Rinconete y Cortadillo 508:London: Legenda, 2009. 402:El casamiento engañoso 357:La fuerza de la sangre 332:El licenciado Vidriera 299:Rinconete y Cortadillo 227:Rinconete y Cortadillo 181:El casamiento engañoso 169:El licenciado Vidriera 163:Rinconete y Cortadillo 157:La fuerza de la sangre 127: 631:La cueva de Salamanca 599:The Siege of Numantia 504:Ardila, J.A.G., ed. 474:The Project Gutenberg 122: 223:Historia del cautivo 203:one-time possessor, 705:El celoso extremeño 691:La española inglesa 582:Miguel de Cervantes 515:50.1 (1948): 27-52. 513:Bulletin Hispanique 440:merriam-webster.com 364:El celoso extremeño 315:La española inglesa 205:Porras de la Cámara 145:La española inglesa 97:Miguel de Cervantes 53:Novelas exemplares' 48:Original title 42:Miguel de Cervantes 18: 17:Novelas ejemplares 712:La ilustre fregona 530:and the Fairy Tale 395:La señora Cornelia 381:La ilustre fregona 196:La ilustre fregona 151:La señora Cornelia 105:Novelas ejemplares 88:Novelas ejemplares 16: 784: 783: 766:Casa de Cervantes 742:Viaje del Parnaso 591:(chronologically) 388:Las dos doncellas 286:El amante liberal 266:The short stories 259:The Spanish Gypsy 241:Love's Pilgrimage 139:Las dos doncellas 133:El amante liberal 101:Juan de la Cuesta 84: 83: 77:Publication place 72:Juan de la Cuesta 814: 699: 663:Exemplary Novels 656: 644: 627: 575: 568: 561: 552: 551: 538: 537: 493: 490: 484: 483: 481: 480: 465: 459: 458: 448: 446: 432: 26: 19: 15: 822: 821: 817: 816: 815: 813: 812: 811: 787: 786: 785: 780: 754: 693: 650: 648:El viejo celoso 638: 621: 590: 584: 579: 535: 522: 501: 496: 491: 487: 478: 476: 466: 462: 444: 442: 434: 433: 429: 425: 268: 235: 33: 12: 11: 5: 820: 810: 809: 804: 799: 782: 781: 779: 778: 773: 768: 762: 760: 756: 755: 753: 752: 745: 738: 731: 730: 729: 722: 715: 708: 701: 687: 680: 673: 659: 658: 657: 645: 633: 628: 609: 602: 594: 592: 586: 585: 578: 577: 570: 563: 555: 549: 548: 532: 521: 520:External links 518: 517: 516: 509: 500: 497: 495: 494: 485: 460: 426: 424: 421: 420: 419: 407: 406: 398: 391: 384: 368: 367: 360: 336: 335: 319: 318: 303: 302: 290: 289: 277: 276: 267: 264: 234: 231: 210:La tía fingida 82: 81: 78: 74: 73: 70: 66: 65: 60: 56: 55: 49: 45: 44: 39: 35: 34: 27: 9: 6: 4: 3: 2: 819: 808: 805: 803: 800: 798: 795: 794: 792: 777: 774: 772: 769: 767: 764: 763: 761: 757: 751: 750: 746: 744: 743: 739: 737: 736: 732: 727: 723: 720: 716: 713: 709: 706: 702: 697: 692: 688: 685: 681: 678: 674: 671: 667: 666: 665: 664: 660: 654: 649: 646: 642: 637: 634: 632: 629: 625: 620: 617: 616: 615: 614: 610: 608: 607: 603: 601: 600: 596: 595: 593: 587: 583: 576: 571: 569: 564: 562: 557: 556: 553: 547: 543: 542: 533: 531: 529: 524: 523: 514: 510: 507: 503: 502: 489: 475: 471: 464: 457: 455: 441: 437: 431: 427: 418: 417: 413: 412: 411: 404: 403: 399: 397: 396: 392: 390: 389: 385: 383: 382: 378: 377: 376: 372: 366: 365: 361: 359: 358: 354: 353: 352: 348: 344: 340: 334: 333: 329: 328: 327: 323: 317: 316: 312: 311: 310: 308: 301: 300: 296: 295: 294: 288: 287: 283: 282: 281: 275: 274: 270: 269: 263: 261: 260: 255: 254: 249: 248: 243: 242: 230: 228: 224: 220: 216: 212: 211: 206: 200: 198: 197: 192: 191: 187: 183: 182: 177: 176: 171: 170: 165: 164: 159: 158: 153: 152: 147: 146: 141: 140: 135: 134: 126: 121: 119: 114: 112: 111: 106: 102: 98: 94: 90: 89: 79: 75: 71: 67: 64: 61: 57: 54: 50: 46: 43: 40: 36: 31: 25: 20: 747: 740: 733: 670:La gitanilla 662: 661: 611: 604: 597: 540: 527: 512: 505: 488: 477:. 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Index


Miguel de Cervantes
Spanish
novellas
Miguel de Cervantes
Juan de la Cuesta
Don Quixote
El amante liberal
Las dos doncellas
La española inglesa
La señora Cornelia
La fuerza de la sangre
Rinconete y Cortadillo
El licenciado Vidriera
La gitanilla
El casamiento engañoso
fantasy
El coloquio de los perros
La ilustre fregona
Porras de la Cámara
La tía fingida
Love's Pilgrimage
The Chances
Rule a Wife and Have a Wife
The Spanish Gypsy
La gitanilla
El amante liberal
Rinconete y Cortadillo
Seville
La española inglesa

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