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Film historian Laura Mayne called the film "an atmospheric thriller which follows a mentally unstable young farmer as he kidnaps a woman whom he believes to be his dead mother. He holds her hostage in a farmhouse with his terrified sister while he plays out his dark, Oedipal fantasies. The film is
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wrote, "Had this been done with some sensitivity, it could have been an interesting drama. However, the treatment here is depressing, catering to the basest elements of melodramatic structure, and it ends up a second-rate production."
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In an isolated
Yorkshire farm house, a deranged young man imagines a car crash victim is his long deceased mother. Meanwhile, his sister Molly attempts to summon help for the unconscious woman, but against her brother's wishes.
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expressionistic in its use of light and shadow, while jarring camerawork lends credence to Lee
Patterson's portrayal of a tormented young man, aesthetic qualities that are rarely associated with this level of production.
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said: "Unattractive and singularly pointless little melodrama which neither edifies nor entertains."
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rated the film as "mediocre", writing: "Resolutely glum."
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This article related to a
British film of the 1960s is a
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480:(7th ed.). London: Paladin. p. 746.
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