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Edward Onslow Ford

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a more appropriate external setting in Manchester later the same year. Victoria sat for Ford a number of times for the Manchester monument. At her request, those studies became the basis of several portrait busts of the queen by Ford, in both marble and bronze, which she used as gifts. Ford delivered the last of these early in January 1901, weeks before she died. He subsequently produced a number of small-scale copies, in bronze, of the work which is considered a sensitive and sympathetic study of the elderly Victoria and the last sculptured likeness of her for which she sat.
1492: 1092: 1450: 1011: 1402: 1181: 147:(27 July 1852 – 23 December 1901) was an English sculptor. Much of Ford's early success came with portrait heads or busts. These were considered extremely refined, showing his subjects at their best and led to him receiving a number of commissions for public monuments and statues, both in Britain and overseas. Ford also produced a number of bronze statuettes of free-standing figures loosely drawn from mythology or of allegorical subjects. These 'ideal' figures became characteristic of the 1313: 620:, dated 1 January 1902, states that he died of pneumonia exacerbated by a weak heart. However the suddenness of his death, and his debt issues, led to some speculation about suicide. He was survived by his mother, his wife, four sons, and a daughter. Two of his sons had worked with Ford in his studio and they completed some of his unfinished works, most notably the marble sculpture, 580:. With the intended cemetery location in mind, Ford designed the monument with a tall and elaborate base in bronze and coloured marble featuring a mourning figure and winged lions supporting a marble figure of the drowned Shelley. The work was shown at the Royal Academy in 1891, to considerable praise, before being installed at Oxford. 583:
For Queen Victoria's Diamond Jubilee in 1897, Ford was commissioned to create a monumental statue of the Queen for Manchester. The work was not completed until after her death and received poor reviews when exhibited, indoors, at the Royal Academy in May 1901 but was greatly praised when unveiled in
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were both originally on lotus-shaped pedestals, share the use of Egyptian motifs and iconography and are related by subject matter. Although created four years apart, Ford clearly considered the two works a pair and they each appear in several portraits of him, indicating both their significance to
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The modest scale of these works by Ford indicate they were not intended for grand country houses but rather for smaller domestic settings and, like other New Sculpture artists, Ford supported the commercial production of bronze statuettes and smaller copies of his work for the home market with
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Much of Ford's early success came in portraiture. His portrait busts are extremely refined and show his subjects at their best. He sculpted many portrait busts which are noted for their tasteful conception, delicate modelling, and verisimilitude. The best, perhaps, are the heads of
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in Surrey during 1959. Ford oversaw the production of small copies in bronze of the complete Gordon figure and of the camel alone for the domestic retail market. The full-size statue was exhibited in the Egyptian Hall of
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him personally and their place as his most widely exhibited works. The two were only exhibited together once, at the Paris International Exhibition of 1900, during Ford's lifetime but since 2008 both have been in the
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On returning to England around 1874, Ford settled at Blackheath and established a studio concentrating on portrait sculptures. In 1875, he submitted a portrait bust he had sculpted of his wife to the
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Around 1900, following an extended period of over-work and stress from financial worries, Ford developed heart disease but continued working at pace and died suddenly at his home in
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and other works by him becoming popular reproductions. Another characteristic of New Sculpture which Ford embraced was the use of polychromatic materials. For example,
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in 1884 and became president of the Guild in 1885. He was elected an Associate Member of the Royal Academy in 1888 and became a full Academician in 1895.
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in St John's Wood, near his home. The monument comprises a stone pillar with a bronze seated figure in mourning at the front, based on Ford's statue
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there, the first in an extended series of bronze statuettes of adolescent girls in poses loosely derived from mythology or allegorical themes.
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movement that had developed in Britain from about 1880 onwards as a reaction to the blandness of much other Victorian sculpture.
188:. Before leaving Munich, Ford married a fellow student Anne Gwendoline, the third daughter of Baron Frans von Kreusser, in 1873. 3028: 2669:"Near 801 Govan Road, junction with Burleigh Street, Sir William Pearce, statue (Category B Listed Building) (LB33343)" 2204: 490: 177: 594: 481:, either by promoting imperial values or as memorials to military figures. A memorial statue by Ford from 1890, depicting 3109: 3053: 2945: 2914: 2883: 2751: 2642: 2583: 2552: 2496: 2465: 2406: 2334: 675: 507: 1529: 1355: 2787: 2155: 2109: 2024: 1503: 2967: 529:
Ford received several commissions for monuments in India. These included the 1898 statue of the Maharaja of Mysore,
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British Sculpture 1470 to 2000 A Concise Catalogue of the Collection at the Victoria and Albert Museum
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had a neighbouring studio and together they worked on a number of experimental techniques, notably in
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In 1881 Ford moved his studio operation to Sydney Mews, among a block of studios off the Fulham Road.
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in north London, the son of businessman Edward Ford and Martha Lydia Gardner. His family moved to
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Alongside his portrait work, Ford received his first public commission in 1881 for the statue of
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movement that developed in Britain from about 1880 and of which Ford was a leading exponent.
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in London. From 1875 to 1884 Ford exhibited portrait sculptures each year at the Academy.
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bronze on a black stone base,1899, in Aberdeen Archives Art Gallery and Museum collection
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in Rome but was deemed too large for the intended location and eventually installed at
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Cast 1902 & erected in Khartoum, relocated to England in 1959 with a new plinth
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Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951
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Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951
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which were commissioned by the Maharajah of Durbhanga, Lachmeswar Singh Bahadur.
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Erected 1895 in London, removed 1931, sold and relocated to Liphook in 1964.
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in Munich until 1874, during which time he shared a studio with the sculptor
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A monument was erected to Ford's memory which was designed by the architect
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has coloured resins with semi-precious stones and elements in silver, while
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in south London for a time and a statuette of the camel was shown at the
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now at King Edward Street in London. Other notable commissions included
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in Leeds holds an archive of Ford's papers and correspondence. The
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in 1886 and Ford's subsequent variations on the subject, including
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was commissioned by Lady Shelley, the widow of the poets' son,
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A Handbook for Travellers in India, Pakistan, Burma and Ceylon
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Detail of the Edward Onslow Ford Memorial, London, relief by
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in University College, Oxford (1892). The standing statue of
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Sculpture Victorious: Art in the Age of Invention, 1837–1901
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held a memorial exhibition for Ford in 1905, from which the
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while he was still a child. After he had spent some time at
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in 1889. Ford's 1895 equestrian statue of the army officer
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British Sculpture in India: New Views & Old Memories
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Martina Droth, Jason Edwards & Michael Hatt (2014).
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Processional cross for Saint Matthew's Church, Sheffield
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A number of Ford's monumental commissions celebrate the
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are striking likenesses, as is the marble statue of Sir
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Jason Edwards, Amy Harris & Greg Sullivan (2021).
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at the Royal Academy and the following year exhibited
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University of Glasgow History of Art / HATII (2011).
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University of Glasgow History of Art / HATII (2011).
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In 1885 Ford exhibited a full-size bronze male nude,
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there during 1870 and 1871. Ford then studied under
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London: Smith, Elder & Co. p. 39. 282:which Ford would use throughout his career. 2579:"Memorial to Christopher Marlowe (1085044)" 2381:Diane Bilbey with Marjorie Trusted (2002). 2242: 2240: 2224: 2222: 2220: 2218: 2141: 1650:Marble pulpit with bronze panels, c. 1888, 1319:Henry Fitzalan-Howard, 15th Duke of Norfolk 3135:83 artworks by or after Edward Onslow Ford 3021:Monuments of St Paul's Cathedral 1796–1916 2766: 2695:Survey of London: volume 45: Knightsbridge 2139: 2137: 2135: 2133: 2131: 2129: 2127: 2125: 2123: 2121: 2033: 1880: 176:, he went to Antwerp to study painting at 49: 2819: 2604: 2228: 2173: 2171: 2169: 2167: 2095: 1878: 1876: 1874: 1872: 1870: 1868: 1866: 1864: 1862: 1860: 1118:Equestrian statue on pedestal with panels 748:Royal Society of Painters in Watercolours 2357:"Archive Collections Edward Onslow Ford" 2237: 2215: 2145: 2093: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 2075: 1920: 1916: 1914: 1912: 1910: 1908: 1906: 1834: 1832: 1830: 1828: 1706: 1704: 1702: 1700: 1698: 1616: 990:Statue on podium with supporting figures 689: 614:on 23 December 1901. Ford's obituary in 593: 533:in full state regalia, installed in the 195: 2349: 2148:The Monument Guide to England and Wales 2118: 1976: 1974: 1972: 1970: 1968: 1799: 1797: 1795: 1793: 1791: 1789: 651:, and a wreathed bust of Ford at rear. 553:and two full-size statues representing 14: 3147: 2804:"The Unveiling of the Huxley Memorial" 2519:"Art Collection Online: William Adams" 2164: 1857: 1763: 1761: 1759: 3105:"Church of St Mary le More (1182404)" 2072: 2008: 1903: 1825: 1695: 1593:Statue of rider and camel on pedestal 889:Statue of rider and camel on pedestal 2205:Laurence Frederic Rushbrook Williams 1965: 1786: 1174:Second plaque and barometer to rear 940:Statue on pedestal with 4 statuettes 491:Royal School of Military Engineering 302:was acquired by the Trusties of the 285: 63:, completed in bronze the same year. 2941:"Queen Victoria Monument (1246945)" 2638:"Freshfield Family Grave (1391038)" 2276:"Edward Onslow Ford RA (1852–1901)" 1756: 605: 445: 24: 3110:National Heritage List for England 3054:National Heritage List for England 2946:National Heritage List for England 2915:National Heritage List for England 2884:National Heritage List for England 2752:National Heritage List for England 2697:, Institute of Historical Research 2643:National Heritage List for England 2584:National Heritage List for England 2553:National Heritage List for England 2497:National Heritage List for England 2492:"Statue of Rowland Hill (1064655)" 2466:National Heritage List for England 2335:National Heritage List for England 587:Ford was a founding member of the 518:, who was killed in action at the 508:Arts and Crafts Exhibition Society 25: 3211: 3180:Masters of the Art Worker's Guild 3170:19th-century English male artists 3128: 1504:Sedgwick Museum of Earth Sciences 3190:People from Islington (district) 2879:"Town Hall, Sheffield (1246902)" 2716:"Hamilton MacCallum (1841–1896)" 2607:"Shelley Memorial All Washed Up" 1817:Dictionary of National Biography 1569: 1528: 1490: 1448: 1400: 1354: 1311: 1269: 1222: 1179: 1135: 1102:Hugh Rose, 1st Baron Strathnairn 1090: 1050: 1009: 960: 906: 865: 822: 778: 735: 399: 384: 365: 350: 335: 191: 59:, 1893. The work in progress is 3093: 3068: 3037: 3012: 2985: 2960: 2929: 2898: 2867: 2842: 2796: 2735: 2708: 2682: 2657: 2626: 2598: 2567: 2536: 2511: 2480: 2449: 2424: 2399: 2318: 2293: 2268: 2247:Barbara Pezzini (24 May 2019). 2197: 1983:"Ford and the Decorative Arts, 1202:Statue on pedestal with plaques 1058:Sir William Pearce, 1st Baronet 209:Royal Academy Summer Exhibition 3165:19th-century English sculptors 2910:"De Clarke Monument (1395455)" 1940: 1730: 1612: 1556:White, red & yellow marble 1287:Natural History Museum, London 570:Sir Percy Shelley, 3rd Baronet 427:uses copper and brass strips. 13: 1: 2665:Historic Environment Scotland 1688: 1671:Bronze statue on pedestal of 174:Blackheath Proprietary School 159: 2231:Nineteenth-century Sculpture 2017:The Oxford Dictionary of Art 1843:. Antique Collectors' Club. 1773:Victoria & Albert Museum 1652:St Mary-le-More, Wallingford 1553:Bust with plaque & panel 1162:Plaque with seating surround 541:, the 1899 seated statue of 154: 34:English sculptor (1852–1901) 7: 2993:"Adam Sedgwick (1785–1873)" 2814:(1592): 10–12, 3 May 1900, 2605:Josh Pull (22 April 2005). 2055:1893 by Edward Onslow Ford" 2019:. Oxford University Press. 1991:1893 by Edward Onslow Ford" 1927:"Ford, Edward Onslow"  1807:"Ford, Edward Onslow"  1234:Maharaja Lakshmeshwar Singh 543:Maharaja Lakshmeshwar Singh 489:, Chatham, the home of the 203:by Edward Onslow Ford, 1895 133:Anne Gwendoline von Kreuzer 10: 3216: 2436:National Museums Liverpool 1632:The Resurrection of Christ 982:University College, Oxford 795:King Edward Street, London 664:Victoria and Albert Museum 578:University College, Oxford 178:Royal Academy of Fine Arts 26: 2689:John Greenacombe (2000), 2411:National Portrait Gallery 2150:. Macdonald Illustrated. 1804:Walter Armstrong (1912). 1431:Bronze and Portland stone 1428:Seated statue on pedestal 1333:Seated statue on pedestal 1249:Seated statue on pedestal 1121:Bronze and Portland stone 724: 718: 715: 676:National Portrait Gallery 129: 119: 111: 103: 87: 68: 48: 41: 2385:. V&A Publications. 1675:, c. 1884, Gordon Park, 1348:Edward William Mountford 1016:Freshfield family grave 630:St George and the Dragon 2782:. Frontier Publishing. 2301:"Monument: Onslow Ford" 1933:Encyclopædia Britannica 1713:"Edward Onslow Ford RA" 1658:Chamarajendra Wadiyar X 1646:Balliol College, Oxford 840:National Museum Cardiff 531:Chamarajendra Wadiyar X 472:William Ewart Gladstone 235:, the duke of Norfolk, 3175:English male sculptors 2361:Henry Moore Foundation 2233:. Thames & Hudson. 2178:Jason Edwards (2013). 2045:Jason Edwards (2013). 1981:Jason Edwards (2013). 1885:Susan Beattie (1983). 1739:"Edwin Roscoe Mullins" 1656:Statue on pedestal of 1636:Saint Albans Cathedral 1624: 682:on Merseyside and the 680:Lady Lever Art Gallery 656:Henry Moore Foundation 602: 485:on a camel, stands at 442:collection in London. 204: 55:Edward Onslow Ford by 3200:Sculptors from London 3080:The Courtauld Gallery 2854:The Courtauld Gallery 2015:Ian Chilvers (2004). 1839:James Mackay (1977). 1673:James Davidson Gordon 1620: 1578:Charles George Gordon 874:Charles George Gordon 690:Selected public works 645:Andrea Carlo Lucchesi 600:Andrea Carlo Lucchesi 597: 464:Guildhall Art Gallery 233:Matthew Ridley Corbet 199: 1544:St. Paul's Cathedral 1383:Sarcophagus and base 1365:Lady Mary & Sir 1205:Bronze and limestone 976:Percy Bysshe Shelley 566:Percy Bysshe Shelley 537:botanical garden in 241:Lawrence Alma-Tadema 217:John Everett Millais 186:Edwin Roscoe Mullins 57:John McLure Hamilton 3185:Artists from London 2051:exhibited 1889 and 1987:exhibited 1889 and 1374:Locksbrook Cemetery 1325:Sheffield Town Hall 1281:Thomas Henry Huxley 1063:Govan Road, Glasgow 922:Christopher Marlowe 761:8 busts in roundels 695: 574:Protestant Cemetery 377:The Egyptian Singer 249:Hubert von Herkomer 29:Gordon Onslow Ford 3195:Royal Academicians 2229:HW Janson (1985). 1662:Maharaja of Mysore 1625: 1416:Piccadilly Gardens 1187:Ralph Ward Jackson 1070:Statue on pedestal 1021:Brookwood Cemetery 805:Bronze and granite 802:Statue on pedestal 750:building, 190–195 694: 684:Walker Art Gallery 649:The Muse of Poetry 634:John Seymour Lucas 603: 504:The Crystal Palace 265:Frederick Bramwell 205: 140:Edward Onslow Ford 43:Edward Onslow Ford 3030:978-1-78551-360-2 2972:Westminster Abbey 2180:"Ford and Empire" 2146:Jo Darke (1991). 2047:"The Statuettes, 1887:The New Sculpture 1610: 1609: 1466:Westminster Abbey 1147:Hamilton Macallum 1073:Bronze on granite 1036:Marble and bronze 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Bagh 1154:Beer, Devon 1111:, Hampshire 722:Designation 719:Dimensions 641:J W Simpson 545:Bahadur of 322:(1893) and 104:Nationality 18:Onslow Ford 3149:Categories 2392:1851773959 2049:The Singer 1985:The Singer 1896:0300033591 1850:0902028553 1689:References 1420:Manchester 1194:Hartlepool 1152:Sea Hill, 932:Canterbury 758:1881-1883 752:Piccadilly 742:8 artists 617:The Sketch 572:, for the 431:The Singer 425:The Singer 373:The Singer 316:The Singer 170:Blackheath 160:Early life 75:1852-07-27 1542:Crypt of 1440:Q26539302 1369:Monument 1261:Q68455460 1242:, Kolkata 1214:Q26542291 1082:Q17812525 952:Q19354026 897:Grade II* 882:, Chatham 814:Q23016273 622:Snowdrift 547:Darbhanga 539:Bangalore 166:Islington 155:Biography 115:Sculpture 2612:Cherwell 2053:Applause 1989:Applause 1952:Tate Etc 1666:Lal Bagh 1664:, 1898, 1644:, 1897, 1601:Grade II 1586:, Woking 1576:General 1550:c. 1901 1546:, London 1436:Grade II 1391:Grade II 1210:Grade II 1159:c. 1896 1041:Grade II 1031:Aedicula 1023:, Surrey 1001:Q4793800 972:Memorial 948:Grade II 918:Memorial 872:General 810:Grade II 769:Grade II 754:, London 726:Wikidata 716:Material 535:Lal Bagh 466:and the 435:Applause 421:Applause 392:Applause 320:Applause 318:(1889), 314:(1887), 306:for the 267:for the 120:Movement 61:Applause 2830:4013805 2528:8 March 2432:"Peace" 2260:30 June 1814:(ed.). 1341:Grade I 1257:Grade I 1109:Liphook 1078:Grade B 854:73.5cm 746:Former 551:Kolkata 522:in the 409:, 1895 107:British 3139:Art UK 3027:  2998:Art UK 2828:  2808:Nature 2786:  2721:Art UK 2389:  2254:Art UK 2154:  2108:  2023:  1893:  1847:  1769:"Fate" 1677:Mysore 1660:, the 1513:Statue 1477:Bronze 1376:, Bath 1336:Marble 1298:Marble 1252:Marble 851:Marble 730:Notes 699:Image 674:, the 499:Woking 394:, 1893 379:, 1889 360:, 1887 345:, 1886 247:, Sir 243:, Sir 239:, Sir 130:Spouse 2826:S2CID 1810:. 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Index

Onslow Ford
Gordon Onslow Ford

John McLure Hamilton
New Sculpture
RA
New Sculpture
Islington
Blackheath
Blackheath Proprietary School
Royal Academy of Fine Arts
Michael WagmĂĽller
Edwin Roscoe Mullins

George Henschel
Royal Academy Summer Exhibition
John Everett Millais
Thomas Huxley
Herbert Spencer
Sir WQ Orchardson
Matthew Ridley Corbet
Briton Rivière
Lawrence Alma-Tadema
Walter Armstrong
Hubert von Herkomer
Arthur Hacker
Dagnan-Bouveret
Arthur Balfour
Frederick Bramwell
Royal Institution

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