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had ever been known before. LaRocca named this band 'The Old
Dixieland Jass Band'. He had an instrumentation different from anything before, an instrumentation that made the old songs sound new. Besides himself at the cornet, LaRocca had Larry Shields, clarinet, Eddie Edwards, trombone, Ragas, piano, and Sbarbaro, drums. They all came to be famous players and the Dixieland Band has gone down now in musical history.
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1009:. This musical innovation represented one of the first experimental exercises in jazz. At the time, their music was liberating; the barnyard sounds were experiments in altering the tonal qualities of the instruments, and clattering wood blocks broke up the rhythm. The music was very lively when compared to the pop music of the time.
1241:"Soudan" (also known as "Oriental Jass" and "Oriental Jazz"), 1920, recorded in London, England, in May 1920 and released as English Columbia 829; was composed by Czech composer Gabriel Sebek in 1906 as "In the Soudan: A Dervish Chorus" or "Oriental Scene for Piano, Op. 45". The B side was "Me-Ow" by the London Dance Orchestra
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717:, who was infuriated that his daughter was being romanced by the lead singer of the band. In London, they made twenty more recordings for the British branch of Columbia. While in London, they recorded the second, more commercially successful, version of their hit song "Soudan" (also known as "Oriental Jass").
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Many of the tunes first composed and recorded by the
Original Dixieland Jass Band, such as "Tiger Rag" and "Margie", were recorded by many of the major jazz bands and orchestras of the twentieth century, black and white. "Tiger Rag" was recorded by many artists, from Louis Armstrong to Duke Ellington
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Other New
Orleans musicians, including Nunez, Tom Brown, and Frank Christian, followed ODJB's example and went to New York to play jazz as well, giving the band competition. LaRocca decided to take the band to London, where they would once again enjoy being the only authentic New Orleans jazz band in
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Bix
Beiderbecke recorded nine compositions associated with the ODJB from 1924 to 1930: "Fidgety Feet", his first recording in 1924, "Tiger Rag", "Sensation", "Lazy Daddy", "Ostrich Walk", "Clarinet Marmalade", "Singin' the Blues" with Frankie Trumbauer and Eddie Lang, "Margie", and "At the Jazz Band
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Their concept of arrangement was somewhat limited, and their recordings can seem rather repetitive. The lack of a bass player is scarcely compensated for by the piano on their earlier, acoustically recorded sessions. Nonetheless, ODJB arrangements were wild, impolite, and definitely had a jazz feel,
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Only four years before I learned to play the trumpet in the Waif's Home, or in 1909, the first great jazz orchestra was formed in New
Orleans by a cornet player named Dominick James LaRocca. They called him 'Nick' LaRocca. His orchestra had only five pieces but they were the hottest five pieces that
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Durante had his friend, Johnny Stein (the previous drummer and leader of the group), assemble a group of like-minded New
Orleans musicians to accompany his act at the Alamo. Stein did so, with a band consisting of fellow veterans of the Laine bands in New Orleans, other than pianist Durante. In late
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On March 3, 1916 the musicians began their job at
Schiller's Cafe in Chicago under the name Stein's Dixie Jass Band. The band was a hit and received offers of higher pay elsewhere. Since Stein as leader was the only musician under contract by name, the rest of the band broke off, sent to New Orleans
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ODJB was the first band to record jazz successfully, establishing and creating jazz as a new musical idiom and genre of music. Bix
Beiderbecke was influenced by the ODJB to become a jazz musician and was heavily influenced by Nick LaRocca's cornet and trumpet style. Louis Armstrong acknowledged the
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In 1936, the musicians played a reunion performance on network radio. Victor invited them back into the recording studio, and over the next two years the band recorded 25 sides for Victor as "The
Original Dixieland Five." The group toured briefly before disbanding again. Clarinetist Larry Shields
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The band returned to the United States in July 1920 and toured for four years. This version of the band played in a more commercial style, adding a saxophone to the arrangements in the manner of other popular orchestras. In 1927 LaRocca was replaced by 19-year-old trumpeter Henry Levine, who later
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In the wake of the group's success of the Victor record, the ODJB returned to
Columbia in May, recording two selections of popular tunes of the day chosen for them by the label (possibly hoping to avoid the copyright problems which arose after Victor recorded two of the band's supposedly original
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The Original Dixieland Jazz Band recording of "Tiger Rag" was no. 1 for two weeks on the U.S. Hit Parade charts beginning on December 11, 1918. The Mills Brothers recorded "Tiger Rag" in 1931 with lyrics and spent four weeks at no. 1 on the charts in 1931–1932 with their version of the ODJB song.
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Numerous jazz bands were formed in the wake of the success of ODJB that copied and replicated its style and sound. Also bands were brought from Chicago and California (such as the Frisco Jass Band) in an attempts to join the jazz craze. Established bands of different types and bandleaders such as
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Compared to later jazz, the ODJB recordings have only modest improvisation in mostly ensemble tunes. Clarinetist Larry Shields is perhaps the most interesting player, showing a good fluid tone, and if his melodic variations and breaks now seem overly familiar, this is because they were imitated
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had long held cotton and citrus fruit trade with New Orleans. This resulted in the establishment of a direct shipping line between the two port cities which enabled a vast number of Sicilians to migrate to New Orleans, and other American cities, between the late 1800s and early 1900s. With this
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and Kate Lester and was produced by William Brady. Nick LaRocca, Larry Shields, Tony Sbarbaro, and Henry Ragas appeared in the film as a band, with LaRocca on cornet, Shields on clarinet, Ragas on piano, and Sbarbaro on drums. The film was released on December 10, 1917, produced by Peerless
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709:, peering through opera glasses at the band "as though there were bugs on us", according to LaRocca. The audience loosened up, however, after the king laughed and loudly applauded their rendition of "The Tiger Rag". The British tour ended with the band being chased to the
341:", on February 26, 1917 at Victor's New York studios. These titles were released as Victor 18255 in May 1917, the first issued jazz record. The band's recordings, first marketed as a novelty, were a surprise hit, and gave many Americans their first taste of jazz. Musician
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acts. ODJB, on the other hand, played for dancing and hence, were the first "jass" band to get a following of fans in New York and then record at a time when the American recording industry was essentially centered in the northeastern United States, primarily in
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composition "That Teasin' Rag". The record labels subsequently were changed to "Introducing 'That Teasin' Rag' by Joe Jordan". A court case dispute over the authorship of "Livery Stable Blues" resulted in the judge declaring the tune in the "public domain".
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The Original Dixieland Jazz Band was posthumously inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have "qualitative or historical significance."
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Robinson's compositions for the band recorded and released in 1920, include the classic "Margie" and "Palesteena (Lena from Palesteena)", were among the most popular and best-selling hits of 1920. "Aggravatin' Papa" was composed with lyricist
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The band's 1917 composition "Tiger Rag" became one of the most popular and ubiquitous of jazz standards. There were 136 cover versions of ODJB's copyright jazz standard and classic "Tiger Rag" by 1942. It has been standard ever since.
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1918 promotional postcard of the ODJB showing (from left), drummer Tony Sbarbaro (aka Tony Spargo), trombonist Edwin "Daddy" Edwards, cornetist Dominick James "Nick" LaRocca, clarinetist Larry Shields, and pianist Henry
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590:"Margie" was a no. 9 hit for ODJB in 1921 with J. Russel Robinson on piano. Eddie Cantor had the biggest hit version of the ODJB classic, spending five weeks at no. 1 in 1921. The song also was featured in the movie
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into the Original Dixieland Jass Band. The band attracted the attention of theatrical agent Max Hart, who booked the band in New York City. At the start of 1917 the band began an engagement playing for dancing at
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the metropolis, and again present themselves as the Originators of Jazz because they were the first band to record the new genre of music dubbed jass or jazz. The band's April 7, 1919 appearance in the revue
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On April 3, 1992, the City Council of New Orleans issued a proclamation honoring the members of the band. In 2003, the 1918 ODJB recording of "Tiger Rag" was placed on the U.S. Library of Congress
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had a no. 7 hit in 1921. Claude Hopkins and His Orchestra reached no. 5 in 1934 with Orlando Peterson on vocals. Don Redman and His Orchestra got to no. 15 in 1939 with a cover of the ODJB song.
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in a landmark 1927 recording by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet and Eddie Lang on guitar, as Okeh 40772-B, recorded on February 4, 1927.
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and her Jazz Band in 1921, which were released on the Okeh label. Robinson was a member of the band until it broke up in 1923. He rejoined the band when it reformed in 1936.
1453:. In 2006, the Original Dixieland Jazz Band's recording of "Darktown Strutters' Ball", released in 1917 as Columbia single A2297, was inducted into the Grammy Hall of Fame.
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in 1917, then returned to Victor the following year, while enjoying continued popularity in New York. Trombonist Edwards was drafted for World War I in 1918 and replaced by
1380:"Bow Wow Blues (My Mama Treats Me Like a Dog)", 1922, Victor 18850. The B side was "Railroad Blues" by the Benson Orchestra of Chicago under pianist and composer Roy Bargy
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recorded one of the earliest cover versions of an ODJB tune when he released a recording of "Livery Stable Blues" by Handy's Orchestra of Memphis for Columbia in 1917.
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series on HBO includes performances of three songs recorded by the Original Dixieland Jazz Band: "Livery Stable Blues", "Mournin' Blues", and "Margie", performed by
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387:, "the King of Ragtime Writers", was published by Will Rossiter in Chicago. It was a tribute to the Original Dixieland Jazz Band, who were featured on the cover.
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migration, Sicilian sound was brought to New Orleans and integrated with regional African-American music. The band would capitalize on this growing integration.
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ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist
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ODJB's songs were recorded by other musicians, such as Fletcher Henderson and His Orchestra, one of the most popular and influential jazz bands of the 1920s.
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to Glenn Miller to Benny Goodman. "Tiger Rag", in particular, became popular with many colleges and universities having a tiger as a mascot. In the biography
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214 by the reformed band. "Sensation Rag" also was released as V-Disc 214B2. V-Discs were non-commercial recordings issued only to the U.S. armed forces.
427:, and in 1920 the same group recorded again for Gennett as Jimmy Durante's Jazz Band. They later billed themselves as "Durante's Jazz and Novelty Band".
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argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre.
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to use the ODJB name for many years. Nick LaRocca's son, Jimmy LaRocca, continues to lead bands under the name The Original Dixieland Jazz Band.
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1222:", 1918, Victor 18513, "Mournin' Blues" also appeared as "Mornin' Blues" on some releases. The full B side title was "Clarinet Marmalade Blues".
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1238:"At the Jazz Band Ball" (1919 version)/"Barnyard Blues" (1919 version), 1919, recorded in London, England, April 16, 1919, English Columbia 735
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and the Nighthawks Orchestra. The soundtrack won the Grammy Award for Best Compilation Soundtrack for Visual Media at the 54th Grammy Awards.
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and was the theme of the television series of the same name in 1961–1962. Cantor also recorded ODJB's "Palesteena (Lena from Palesteena)".
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1231:"Oriental Jazz" (or "Jass"), 1919, recorded November 24, 1917 and issued as Aeolian Vocalion 12097 in April 1919 with "Indigo Blues" by
921:"Tiger Rag" and "Sensation" released on V Disc by the ODJB, No. 214B, VP 435, Hot Jazz, June, 1944, with Eddie Edwards and Tony Sbarbaro
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received particularly positive attention on this tour, and Benny Goodman has commented that Shields was an important early influence.
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1065:"Clarinet Marmalade" – recorded in 1926, released on Vocalion and Brunswick. In 1931, Henderson recorded a new version for Columbia.
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The Eddie Edwards composition "Sensation Rag" (aka "Sensation") was performed at the 1938 landmark Benny Goodman jazz concert at
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1339:"Home Again Blues"/"Crazy Blues"/"It's Right Here For You (If You Don't Get It, Tain't No Fault O' Mine)", 1921, Victor 18729
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when ODJB played that venue. Durante was very impressed with the band and invited them to play at a club called the Alamo in
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1395:"Old Joe Blade", 1936, Victor 26039-B, Nick LaRocca and the Original Dixieland Band featuring J. Russel Robinson on vocals
1398:"Good-Night, Sweet Dreams, Good-Night"/"In My Little Red Book", 1938, Bluebird B-7444, which featured vocals by Lola Bard
1162:", 1917, Victor 18255. This was the second pressing. The original title of the A side was "Dixieland Jass Band One-Step".
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1392:"Who Loves You?"/"Did You Mean It?", 1936, Victor 25420, featuring vocals by Chris Fletcher and trumpet by Nick LaRocca
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When the New Orleans Jazz style swept New York by storm in 1917 with the arrival of the Original Dixieland Jazz Band,
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about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by trombonist
1907:"'Boardwalk Empire' soundtrack full listing, including Regina Spektor's take on 'My Man': Hear it here -- EXCLUSIVE"
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220:. Shortly before they were to leave, Christian backed out, and Nick LaRocca was hired as a last-minute replacement.
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In the 1940s and 1950s, Edwards and Sbarbaro both formed bands without other original members under the ODJB name;
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was one of the players in Edwards's version of the band. In 1944, a new version of "Tiger Rag" was released as
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While a couple of other New Orleans bands had passed through New York City slightly earlier, they were part of
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Wie der Jazz begann: 1916-1923, von der "Original Dixieland Jazz Band" bis zu King Olivers "Creole Jazz Band"
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under the name of the New Orleans Jazz Band. They recorded the same two numbers a couple of months later for
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1062:"Beale Street Mama" – by J. Russel Robinson, recorded by Henderson in 1923 as an instrumental on Paramount.
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1653:"Victor 18255 (Black label (popular) 10-in. double-faced) - Discography of American Historical Recordings"
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Shortly after arriving in New York, a letter dated January 29, 1917, offered the band an audition for the
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The band's seminal 78-rpm recordings include the following (on Victor, Columbia, and Aeolian Vocalion):
705:. The concert did not start auspiciously, with the assembled aristocracy, which included French Marshal
1389:"Original Dixieland One-Step/Barnyard Blues" (new version of "Livery Stable Blues"), 1936, Victor 25502
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was the first official live jazz performance by any band in the United Kingdom and was followed by a
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1198:", 1917, Columbia A2297; the ODJB recording of "Darktown Strutters' Ball" was inducted into the
1080:"Aggravatin' Papa" – collaboration with Robinson, recorded in 1923 with Alberta Hunter on vocals
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166:". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
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1083:"Singin' the Blues (Till My Daddy Comes Home)" – recorded in 1931 with Rex Stewart on cornet
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1259:"Broadway Rose"/"Sweet Mama (Papa's Getting Mad)"/"Strut, Miss Lizzie", 1920, Victor 18722
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U.S. Library of Congress, National Jukebox, featuring original ODJB recordings on Victor.
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The world's first jazz record: ODJB 1917 Victor release of "Livery Stable Blues", 18255-B
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1205:"At the Jazz Band Ball" (1918 version)/"Ostrich Walk" (1918 version), 1918, Victor 18457
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newsreel segment titled "Birth of Swing," released to U.S. theaters February 19, 1937.
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Stewart, Jack. "The Original Dixieland Jazz Band's Place in the Development of Jazz".
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1408:"Sensation" (1943 version), 1944, V-Disc 214B2, with Eddie Edwards and Tony Sbarbaro
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Nick LaRocca and the reunited Original Dixieland Jass Band performed "Tiger Rag" in
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1411:"Shake It and Break It"/"When You and I Were Young, Maggie", 1946, Commodore C-613
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In 1917, the band made the first appearance of a jazz band in a motion picture, a
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Both LaRocca and Sbarbaro were children of immigrants from the Italian region of
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158:" became the first jazz record ever issued. The group composed and recorded many
1744:"The Sicily-New Orleans Connection: Jazz is the Art of Encounter par Excellence"
464:(after the first Victor session, not before as has sometimes been reported) and
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1342:"Tell Me/Mammy o' Mine", 1921, recorded in the UK and released as Columbia 804
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and that style still is referred to as the style of music known as Dixieland.
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The band broke up in the late 1920s and its originators scattered. During the
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in 1923 with Fletcher Henderson's Dance Orchestra and also by Bessie Smith,
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After their initial recording for the Victor Company, the ODJB recorded for
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West End Chronicles: 300 Years of Glamour and Excess in the Heart of London
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1386:"You Stayed Away Too Long/Slipping Through My Fingers", 1935, Vocalion 3099
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Victor second pressing release of "Dixie Jass Band One-Step", 18255-A, 1917
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1442:", co-written by ODJB pianist J. Russel Robinson, was inducted into the
1071:"Fidgety Feet" – by Nick LaRocca, recorded in 1927, released on Vocalion
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989:", featured instruments doing barnyard imitations and the fully loaded
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523:, has been covered over a hundred times. "Margie" has been recorded by
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1988:
Stewart, Jack. "The Original Dixieland Jazz Band's Place in History".
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The Original Dixieland Jass Band's 1921 recording of "Jazz Me Blues."
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2020:. Baton Rouge: Louisiana State University Press, 1960. Reprinted by
1686:""When You Hear that Dixieland Jazz Band Play" - Hogan Jazz Archive"
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jazz band that made the first jazz recordings in early 1917. Their "
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In 1918, the song "When You Hear That Dixieland Jazz Band Play" by
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The Original Dixieland Jass Band's 1918 recording of "Tiger Rag."
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The first release of "Tiger Rag" on Aeolian Vocalion, B1206, 1917
1208:"Skeleton Jangle"/"Tiger Rag" (1918 version), 1918, Victor 18472
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the following year and he was replaced by pianist and composer
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1836:"By royal approval: Buckingham Palace's place in jazz history"
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214B1, issued June, 1944, with Eddie Edwards and Tony Sbarbaro
1068:"Livery Stable Blues" – recorded in 1927, released on Columbia
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In early 1916, a promoter from Chicago approached clarinetist
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674:"Tiger Rag" sheet music, 1918, Original Dixieland Jazz Band,
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sued, since the "One Step" incorporated portions of his 1909
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and His Orchestra reached no. 7 with their version in 1920.
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1714:"First Recording in Jazz History has strong Sicilian roots"
1225:"Fidgety Feet (War Cloud)"/"Lazy Daddy", 1918, Victor 18564
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The band consisted of five musicians who had played in the
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A Trumpet Around the Corner: The Story of New Orleans Jazz
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Rag/Look at 'Em Doing It Now", 1917, Aeolian Vocalion 1242
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widely by musicians who followed in the band's footsteps.
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noted that ODJB's classic, "Margie", was a "specialty" of
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Original Dixieland Jass Band's original 1917 recording of
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Original Dixieland Jazz Band: Grammy Hall of Fame Awards
1983:
208:, was enjoying success. They then assembled trombonist
1383:"Toddlin' Blues"/"Some of These Days", 1923, Okeh 4738
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The Original Dixieland Jass Band's 1921 recording of "
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The Original Dixieland Jass Band's 1921 recording of "
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brought this kind of repertoire to the NBC radio show
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began billing their groups as "jass" or "jazz" bands.
1806:""Buckingham Palace hits right note with jazz fans",
1074:"Sensation" – recorded in 1927, released on Vocalion
472:, and pianist Henry Ragas died of influenza in the
326:. The session took place on Wednesday, January 31,
1228:"Lasses Candy"/"Satanic Blues", 1919, Columbia 759
1077:"Tiger Rag" – recorded in 1931, released on Crown
765:Back in New Orleans, LaRocca licensed bandleader
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1169:"/"Barnyard Blues", 1917, Aeolian Vocalion A1205
834:Productions, and distributed by World Pictures.
1675:. London and New York: Routledge, 2008, p. 257.
724:The Chamber Music Society of Lower Basin Street
2076:Works by or about Original Dixieland Jass Band
1672:Popular American Recording Pioneers: 1895-1925
515:"Margie", composed by J. Russel Robinson with
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2018:The Story of the Original Dixieland Jazz Band
774:The Story of the Original Dixieland Jazz Band
330:. Nothing from this test session was issued.
1984:Jimmy LaRocca's Original Dixieland Jazz Band
1789:"Jazz Band Ball: New Orleans to Hammersmith"
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885:. Unsourced material may be challenged and
527:, who also covered the band's "Tiger Rag",
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1997:New Orleans International Music Colloquium
1992:, Vol. VI, No. 1 (May, 1991), p. 7-8.
1039:The Famous 1938 Carnegie Hall Jazz Concert
2035:Original Dixieland Jazz Band Discography.
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905:Learn how and when to remove this message
735:", joined ODJB for a brief time in 1921.
333:The band then recorded two sides for the
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1377:"/"Dangerous Blues", 1921, Victor 18798
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1585:. Univ. Press of Mississippi. p. 141.
1354:I've Got My Captain Working for Me Now
1349:"/"My Baby's Arms", 1921, Columbia 805
2347:Musical groups disestablished in 1936
2337:Musical groups disestablished in 1925
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1606:. Mel Bay Publications, 2004, p. 25.
1558:. The Red Hot Archive. Archived from
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2342:Musical groups reestablished in 1936
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883:adding citations to reliable sources
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602:and His Band reached no. 4 in 1921.
488:and Addie Britt and was recorded by
2006:. Berlin: Colloquium Verlag, 1991.
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1669:Graczyk, Tim, with Frank Hoffmann.
1352:"I've Lost My Heart in Dixieland"/"
1118:Dixieland Jass Band One-Step (1917)
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244:
13:
2332:Musical groups established in 1916
1980:files of their vintage recordings.
1401:"Tiger Rag" (1943 version), 1944,
1329:Problems playing these files? See
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1158:"/"Introducing That Teasin' Rag"/"
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1834:Bates, Stephen (August 3, 2009).
1420:The soundtrack album to the 2011
1015:John Coltrane: His Life and Music
654:recorded the song in 1938 with a
415:1918 they recorded two sides for
1859:. Da Capo Press. pp. 9–10.
1712:Viale, Valerio (10 March 2017).
1529:
1517:
1311:
1286:
1144:Problems playing this file? See
1122:
972:Problems playing this file? See
954:
855:
846:
811:The Good for Nothing (1917 film)
297:Problems playing this file? See
275:
29:
2317:Jazz ensembles from New Orleans
1945:
1919:
1899:
1873:
1846:
1827:
1798:
1781:
1754:
1180:", 1917, Aeolian Vocalion A1206
539:and His Orchestra in 1935, the
117:Tony Sbarbaro (aka Tony Spargo)
2235:"Look At 'Em Doing It!" (1917)
1953:"Grammy Hall of Fame Database"
1736:
1678:
1663:
1645:
1616:
1596:
1573:
1548:
1415:
665:
425:Original New Orleans Jazz Band
391:Original New Orleans Jazz Band
335:Victor Talking Machine Company
1:
1967:
1690:Specialcollections.tulane.edu
1091:
650:also have recorded the song.
337:, "Livery Stable Blues" and "
2195:Dixieland Jazz Band One-Step
2116:Original Dixieland Jass Band
2070:Original Dixieland Jass Band
2061:Original Dixieland Jazz Band
2052:Original Dixieland Jass Band
1928:"Bucks County Courier Times"
1761:Glinert, Ed (June 5, 2008).
1488:
1263:
1196:(Back Home Again in) Indiana
1099:
779:
727:. Jazz pianist and composer
399:was part of the audience at
360:(Back Home Again in) Indiana
339:Dixieland Jass Band One-Step
324:Columbia Graphophone Company
148:Original Dixieland Jass Band
23:Original Dixieland Jass Band
7:
1932:Buckscountycouriertimes.com
1510:
1493:"Darktown Strutters' Ball"
1451:National Recording Registry
1438:In 1977, the ODJB classic "
1347:I'm Forever Blowing Bubbles
738:
10:
2373:
929:
808:
658:arrangement that featured
439:. The Sicilian capital of
411:where Jimmy played piano.
183:
2258:"Bluin' the Blues" (1918)
2186:
2122:
1853:Armstrong, Louis (1993).
1787:Edwards, Tom (May 1950).
1777:– via Google Books.
1767:. Penguin Books Limited.
1604:A Concise History of Jazz
1462:
1433:
1053:
448:Later history of the band
162:, the most famous being "
108:
104:
90:
64:
54:
46:
41:
28:
21:
2357:Vocalion Records artists
2322:Columbia Records artists
2255:"Skeleton Jangle" (1918)
1624:"The First Jazz Records"
1579:Charters, Samuel. 2008.
1541:
1282:Saint Louis Blues (1921)
1192:Darktown Strutters' Ball
1156:Dixie Jass Band One-Step
1134:Dixie Jass Band One-Step
561:Dutch Swing College Band
362:" as catalogue #A-2297.
356:Darktown Strutters' Ball
2294:"Toddlin' Blues" (1923)
1808:London Evening Standard
519:, with lyrics added by
127:D. James "Nick" LaRocca
2352:Victor Records artists
2297:"Old Joe Blade" (1936)
2270:"Satanic Blues" (1919)
2252:"Mournin' Blues (1918)
1974:The ODJB on RedHotJazz
1275:
1111:
1036:released on the album
985:Their first release, "
943:
922:
802:
679:
592:The Eddie Cantor Story
457:
264:
254:
193:
50:New Orleans, Louisiana
42:Background information
2261:"Fidgety Feet" (1918)
2216:At the Jazz Band Ball
1370:", 1921, Victor 18772
1363:", 1921, Columbia 824
1356:", 1921, Columbia 815
1274:
1256:", 1920, Victor 18717
1215:", 1918, Victor 18483
1167:At the Jazz Band Ball
1110:
1017:, published in 1999,
942:
920:
809:Further information:
787:
733:Stairway to the Stars
673:
455:
263:
252:
191:
122:Edwin "Eddie" Edwards
2267:"Lasses Candy (1919)
2072:Red Hot Jazz Archive
1912:Entertainment Weekly
1657:Adp.library.ucsb.edu
1307:Jazz Me Blues (1921)
1211:"Bluin' the Blues"/"
879:improve this section
825:(1917), directed by
822:The Good for Nothing
785:importance of ODJB:
2327:Dixieland ensembles
2264:"Lazy Daddy" (1918)
2202:Livery Stable Blues
1748:Lavocedinewyork.com
1602:John Robert Brown,
1444:Grammy Hall of Fame
1202:on February 8, 2006
1200:Grammy Hall of Fame
1160:Livery Stable Blues
987:Livery Stable Blues
695:command performance
287:Livery Stable Blues
271:Livery Stable Blues
156:Livery Stable Blues
2247:Clarinet Marmalade
2163:J. Russel Robinson
1990:The Jazz Archivist
1885:2015-02-06 at the
1814:Thisislondon.co.uk
1718:Italoamericano.org
1375:Royal Garden Blues
1276:
1220:Clarinet Marmalade
1218:"Mournin' Blues"/"
1112:
944:
923:
772:In 1960 the book,
680:
478:J. Russel Robinson
458:
431:Sicilian influence
423:under the name of
401:Reisenweber's Cafe
317:Camden, New Jersey
265:
255:
235:Reisenweber's Cafe
194:
16:American jazz band
2304:
2303:
2282:Singin' the Blues
1915:. 10 August 2011.
1891:The March of Time
1810:(August 3, 2009)"
1724:on 14 August 2018
1508:
1507:
1440:Singin' the Blues
1316:
1298:Saint Louis Blues
1291:
1250:Singin' the Blues
1127:
959:
915:
914:
907:
840:The March of Time
827:Carlyle Blackwell
795:Louis Armstrong,
703:Buckingham Palace
691:London Hippodrome
543:Swing Club Band,
474:1918 flu pandemic
280:
144:
143:
2364:
2109:
2102:
2095:
2086:
2085:
2080:Internet Archive
2002:Lange, Horst H.
1961:
1960:
1959:on July 7, 2015.
1955:. Archived from
1949:
1943:
1942:
1940:
1938:
1926:Gribbin, Eddie.
1923:
1917:
1916:
1903:
1897:
1877:
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1870:
1856:Swing That Music
1850:
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1793:Jazz Illustrated
1785:
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1720:. Archived from
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1630:. Archived from
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1536:Music portal
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950:Tiger Rag (1918)
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805:Film appearances
800:
797:Swing That Music
729:Frank Signorelli
652:Jimmie Lunceford
575:, Cab Calloway,
553:Django Reinhardt
466:Aeolian-Vocalion
462:Columbia Records
282:
281:
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245:First recordings
241:, in Manhattan.
216:, and cornetist
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1524:Jazz portal
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1366:"Jazz Me Blues/
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525:Louis Armstrong
502:Lucille Hegamin
470:Emile Christian
450:
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405:Columbus Circle
393:
368:Wilbur Sweatman
354:compositions) "
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2012:3-7678-0779-3
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2209:Ostrich Walk
2187:Compositions
2175:
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2154:
2149:Alcide Nunez
2147:
2142:Nick LaRocca
2140:
2133:
2126:
2115:
2017:
2016:Brunn, H.O.
2003:
1996:
1989:
1957:the original
1947:
1935:. Retrieved
1931:
1921:
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1817:. Retrieved
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1726:. Retrieved
1722:the original
1717:
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1647:
1636:. Retrieved
1632:the original
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200:and drummer
198:Alcide Nunez
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178:Nick LaRocca
175:
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110:Past members
66:Years active
2232:Rag" (1917)
2230:Reisenweber
2156:Henry Ragas
1893:Newsreels,
1556:"Tom Brown"
1416:Soundtracks
1233:Ford Dabney
1185:Reisenweber
995:wood blocks
926:"Tiger Rag"
711:Southampton
666:London tour
636:Jimmy Smith
620:Jo Stafford
616:Bing Crosby
565:Fats Domino
549:Red Nichols
529:Ray Charles
521:Benny Davis
510:Mamie Smith
378:W. C. Handy
372:Earl Fuller
214:Henry Ragas
137:Henry Ragas
86:, 1936–1938
2311:Categories
2289:Palesteena
1968:References
1795:1 (6): 11.
1638:2008-12-24
1591:1604733187
1566:2007-10-27
1331:media help
1254:Palesteena
1146:media help
1092:Recordings
974:media help
819:entitled,
745:Depression
678:, New York
640:Joe Venuti
581:Gene Krupa
577:Jim Reeves
573:Don Redman
541:Billy Kyle
517:Con Conrad
343:Joe Jordan
308:vaudeville
299:media help
212:, pianist
2223:Tiger Rag
1976:Contains
1728:14 August
1499:Columbia
1264:1921–1946
1178:Tiger Rag
1100:1917–1920
932:Tiger Rag
866:does not
780:Influence
767:Phil Zito
756:Teddy Roy
713:docks by
686:Joy Bells
676:Leo Feist
656:Sy Oliver
600:Ted Lewis
533:Al Jolson
206:Tom Brown
164:Tiger Rag
152:Dixieland
2291:" (1920)
2284:" (1920)
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2225:" (1917)
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2056:AllMusic
2024:, 1977.
1937:July 31,
1883:Archived
1880:Synopsis
1819:July 31,
1511:See also
1359:"Sphinx/
999:cowbells
991:trap set
793:—
739:Break-up
486:Roy Turk
2078:at the
2065:Discogs
1999:, 2005.
1889:(PDF),
1235:'s Band
1088:Ball".
887:removed
872:sources
689:at the
441:Palermo
421:Gennett
358:" and "
347:ragtime
184:Origins
173:bands.
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1054:Covers
1007:gourds
799:, 1936
760:V-Disc
646:, and
583:, and
559:, the
504:, and
437:Sicily
409:Harlem
95:Victor
91:Labels
55:Genres
47:Origin
1542:Notes
1502:2006
1490:1917
1003:gongs
237:, on
78:–1925
36:Ragas
2026:ISBN
2008:ISBN
1978:.ram
1939:2021
1861:ISBN
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1769:ISBN
1730:2018
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870:any
868:cite
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328:1917
315:and
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