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being then in high reputation, he entered the school of that eminent master, whose instruction enabled him in a few years to dispense with further assistance. Elliger painted historical subjects in the style of De
Lairesse, which were judiciously composed and correctly drawn. Like his instructor, he
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was particularly attentive to propriety of costume, and style of architecture. He was employed by the
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His principal works are at
Amsterdam, where he died in 1735. In the
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210:. Vol. I (3rd ed.). London: George Bell & Sons.
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the
Younger (1666–1735), was a Dutch painter from Germany.
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Emigrants from the Holy Roman Empire to the Dutch
Republic
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208:Bryan's Dictionary of Painters and Engravers (A–K)
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153:and Ottomar Elliger (III) also became painters.
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235:This article about a German painter is a
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206:. In Graves, Robert Edmund (ed.).
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136:The Daughter of Herodias dancing;
93:as the son of the Danish painter
316:18th-century German male artists
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331:18th-century Dutch male artists
204:"Elliger, Ottomar, the younger"
116:Marriage of Peleus and Thetis.
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311:18th-century German painters
296:17th-century German painters
239:. You can help Knowledge by
172:Ottomar Elliger (II) in the
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326:18th-century Dutch painters
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110:, for whom he painted the
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132:The Feast of Cleopatra,
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341:German painter stubs
321:Artists from Hamburg
306:German male painters
99:Michiel van Musscher
23:Ottomar Elliger (II)
336:Dutch male painters
112:Death of Alexander,
108:Elector of Mayence
103:Gerard de Lairesse
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124:Woman with Fruit;
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128:Cassel Gallery
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144:Allegory,
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202:(1886).
114:and the
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174:RKD
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