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1104:. Oxy-fuel is probably the most common method of welding when it comes to creating steel sculptures because it is the easiest to use for shaping the steel as well as making clean and less noticeable joins of the steel. The key to Oxy-fuel welding is heating each piece of metal to be joined evenly until all are red and have a shine to them. Once that shine is on each piece, that shine will soon become a 'pool' where the metal is liquified and the welder must get the pools to join, fusing the metal. Once cooled off, the location where the pools joined are now one continuous piece of metal. Also used heavily in Oxy-fuel sculpture creation is forging.
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8507:. Compared to areas colonized by the Spanish, sculpture got off to an extremely slow start in the British colonies, with next to no place in churches, and was only given impetus by the need to assert nationality after independence. American sculpture of the mid- to late-19th century was often classical, often romantic, but showed a bent for a dramatic, narrative, almost journalistic realism. Public buildings during the last quarter of the 19th century and the first half of the 20th century often provided an architectural setting for sculpture, especially in relief. By the 1930s the
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9108:, attempting to model of a fleeting moment of ordinary life. Modern classicism showed a lesser interest in naturalism and a greater interest in formal stylization. Greater attention was paid to the rhythms of volumes and spaces—as well as greater attention to the contrasting qualities of surface (open, closed, planar, broken etc.) while less attention was paid to story-telling and convincing details of anatomy or costume. Greater attention was given to psychological effect than to physical realism, and influences from earlier styles worldwide were used.
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2670:; free-standing statues were now mostly made in bronze, which always had value as scrap. The Severe style lasted from around 500 in reliefs, and soon after 480 in statues, to about 450. The relatively rigid poses of figures relaxed, and asymmetrical turning positions and oblique views became common, and deliberately sought. This was combined with a better understanding of anatomy and the harmonious structure of sculpted figures, and the pursuit of naturalistic representation as an aim, which had not been present before. Excavations at the
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2831:, and those from other centres where small pottery figures were produced on an industrial scale, some religious but others showing animals and elegantly dressed ladies. Sculptors became more technically skilled in representing facial expressions conveying a wide variety of emotions and the portraiture of individuals, as well representing different ages and races. The reliefs from the Mausoleum are rather atypical in that respect; most work was free-standing, and group compositions with several figures to be seen in the round, like the
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Buddhist art throughout the Asian continent up to the present. Though dating is uncertain, it appears that strongly
Hellenistic styles lingered in the East for several centuries after they had declined around the Mediterranean, as late as the 5th century CE. Some aspects of Greek art were adopted while others did not spread beyond the Greco-Buddhist area; in particular the standing figure, often with a relaxed pose and one leg flexed, and the flying cupids or victories, who became popular across Asia as
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2787:. It is thus much longer than the previous periods, and includes at least two major phases: a "Pergamene" style of experimentation, exuberance and some sentimentality and vulgarity, and in the 2nd century BCE a classicising return to a more austere simplicity and elegance; beyond such generalizations dating is typically very uncertain, especially when only later copies are known, as is usually the case. The initial Pergamene style was not especially associated with
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7883:—ending around 350 CE (with its conquest by Ethiopia's Aksum). Beyond pottery items, the Kerma culture also made furniture that contained sculptures, such as gold cattle hoofs as the legs of beds. Sculpture during the Kingdom of Kush included full-sized statues (especially of kings and queens), smaller figurines (most commonly depicting royal servants), and reliefs in stone, which were influenced by the contemporary ancient Egyptian sculptural tradition.
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reliefs and on pediments combined complexity and harmony in a way that had a permanent influence on
Western art. Relief could be very high indeed, as in the Parthenon illustration below, where most of the leg of the warrior is completely detached from the background, as were the missing parts; relief this high made sculptures more subject to damage. The Late Classical style developed the free-standing female nude statue, supposedly an innovation of
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2115:, which is well suited to very bright sunlight. The main figures in reliefs adhere to the same figure convention as in painting, with parted legs (where not seated) and head shown from the side, but the torso from the front, and a standard set of proportions making up the figure, using 18 "fists" to go from the ground to the hair-line on the forehead. This appears as early as the
79:
5695:, the first emperor of a unified China from 221 to 210 BCE, as a grand imperial version of the figures long placed in tombs to enable the deceased to enjoy the same lifestyle in the afterlife as when alive, replacing actual sacrifices of very early periods. Smaller figures in pottery or wood were placed in tombs for many centuries afterwards, reaching a peak of quality in
5715:. Buddhism is also the context of all large portrait sculpture; in total contrast to some other areas, in medieval China even painted images of the emperor were regarded as private. Imperial tombs have spectacular avenues of approach lined with real and mythological animals on a scale matching Egypt, and smaller versions decorate temples and palaces.
6461:. However, such figures in bronze and stone are rare and greatly outnumbered by pottery figurines and stone seals, often of animals or deities very finely depicted. After the collapse of the Indus Valley civilization there is little record of sculpture until the Buddhist era, apart from a hoard of copper figures of (somewhat controversially)
976:", along with more freehand methods. Pointing involved setting up a grid of string squares on a wooden frame surrounding the original, and then measuring the position on the grid and the distance between grid and statue of a series of individual points, and then using this information to carve into the block from which the copy is made.
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1162:: hot casting can be done by ladling molten glass into moulds that have been created by pressing shapes into sand, carved graphite or detailed plaster/silica moulds. Kiln casting glass involves heating chunks of glass in a kiln until they are liquid and flow into a waiting mould below it in the kiln. Hot glass can also
1994:, which are sculpted in high relief on two sides of a rectangular block, with the heads effectively in the round (and also five legs, so that both views seem complete). Even before dominating the region they had continued the cylinder seal tradition with designs which are often exceptionally energetic and refined.
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In
Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms— they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general
3133:
sculpture became largely an extension of the
Hellenistic style, from which specifically Roman elements are hard to disentangle, especially as so much Greek sculpture survives only in copies of the Roman period. By the 2nd century BCE, "most of the sculptors working at Rome" were Greek, often enslaved
2730:
The High
Classical style continued to develop realism and sophistication in the human figure, and improved the depiction of drapery (clothes), using it to add to the impact of active poses. Facial expressions were usually very restrained, even in combat scenes. The composition of groups of figures in
229:
Sculpture has been central in religious devotion in many cultures, and until recent centuries, large sculptures, too expensive for private individuals to create, were usually an expression of religion or politics. Those cultures whose sculptures have survived in quantities include the cultures of the
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is arguably the main strength of Roman sculpture. There are no survivals from the tradition of masks of ancestors that were worn in processions at the funerals of the great families and otherwise displayed in the home, but many of the busts that survive must represent ancestral figures, perhaps from
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Hellenistic sculpture greatly expanded the range of subjects represented, partly as a result of greater general prosperity, and the emergence of a very wealthy class who had large houses decorated with sculpture, although we know that some examples of subjects that seem best suited to the home, such
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period (3rd millennium BCE), where marble figures, usually female and small, are represented in an elegantly simplified geometrical style. Most typical is a standing pose with arms crossed in front, but other figures are shown in different poses, including a complicated figure of a harpist seated on
1971:
The conquest of the whole of
Mesopotamia and much surrounding territory by the Assyrians created a larger and wealthier state than the region had known before, and very grandiose art in palaces and public places, no doubt partly intended to match the splendour of the art of the neighbouring Egyptian
1375:
could become wealthy, and ennobled, and enter the circle of princes, after a period of sharp argument over the relative status of sculpture and painting. Much decorative sculpture on buildings remained a trade, but sculptors producing individual pieces were recognised on a level with painters. From
1108:
is the process of heating metal to a certain point to soften it enough to be shaped into different forms. One very common example is heating the end of a steel rod and hitting the red heated tip with a hammer while on an anvil to form a point. In between hammer swings, the forger rotates the rod and
562:
is an example of a tradition of monumental sculpture in wood that would leave no traces for archaeology. The ability to summon the resources to create monumental sculpture, by transporting usually very heavy materials and arranging for the payment of what are usually regarded as full-time sculptors,
554:
and art history the appearance, and sometimes disappearance, of large or monumental sculpture in a culture is regarded as of great significance, though tracing the emergence is often complicated by the presumed existence of sculpture in wood and other perishable materials of which no record remains;
9499:
During the late 1950s and the 1960s abstract sculptors began experimenting with a wide array of new materials and different approaches to creating their work. Surrealist imagery, anthropomorphic abstraction, new materials and combinations of new energy sources and varied surfaces and objects became
7466:
are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of
6887:
sculptures from the
Philippines are dominated by Anitist designs mirroring the medium used and the culture involved, while being highlighted by the environments where such sculptures are usually placed on. Christian and Islamic sculptures from the Philippines have different motifs compared to other
6500:
from the 1st to 3rd centuries CE reflected both native Indian traditions and the
Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. The style was developed and diffused through most of India under
6210:
equivalents, and after
Buddhism declined in Japan in the 15th century, monumental sculpture became largely architectural decoration and less significant. However sculptural work in the decorative arts was developed to a remarkable level of technical achievement and refinement in small objects such
4502:
The period was marked by a great increase in patronage of sculpture by the state for public art and by the wealthy for their homes; especially in Italy, public sculpture remains a crucial element in the appearance of historic city centres. Church sculpture mostly moved inside just as outside public
3773:
was above all the sculptural mode of the period. Compositions usually had little depth, and needed to be flexible to squeeze themselves into the shapes of capitals, and church typanums; the tension between a tightly enclosing frame, from which the composition sometimes escapes, is a recurrent theme
10738:
was not a problem as pieces were instantly recognisable. In the early 21st century the value of metal rose to such an extent that theft of massive bronze sculpture for the value of the metal became a problem; sculpture worth millions being stolen and melted down for the relatively low value of the
5393:
in the 4th century BCE, and the
Islamic conquests of the 7th century CE. Greco-Buddhist art is characterized by the strong idealistic realism of Hellenistic art and the first representations of the Buddha in human form, which have helped define the artistic (and particularly, sculptural) canon for
594:
was invented. From the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, and the
9166:
Classical training was rooted out of art education in Western Europe (and the Americas) by 1970 and the classical variants of the 20th century were marginalized in the history of modernism. But classicism continued as the foundation of art education in the Soviet academies until 1990, providing a
8535:
sculpture replaced the figure in public settings and architects almost completely stopped using sculpture in or on their designs. Modern sculptors (21st century) use both classical and abstract inspired designs. Beginning in the 1980s, there was a swing back toward figurative public sculpture; by
7530:
are not known for their sculpture. However, one style from the region is pole sculptures, carved in human shapes and decorated with geometric forms, while the tops are carved with figures of animals, people, and various objects. These poles are, then, placed next to graves and are associated with
3235:
After moving through a late 2nd-century "baroque" phase, in the 3rd century, Roman art largely abandoned, or simply became unable to produce, sculpture in the classical tradition, a change whose causes remain much discussed. Even the most important imperial monuments now showed stumpy, large-eyed
3154:
is very variously dated, but taken as a very rare survival of Italic style under the Republic, in the preferred medium of bronze. Similarly stern and forceful heads are seen on coins of the Late Republic, and in the Imperial period coins as well as busts sent around the Empire to be placed in the
2440:
in Athens, where the remains of the pediment of around 520 using figures in the round were fortunately used as infill for new buildings after the Persian sack in 480 BCE, and recovered from the 1880s on in fresh unweathered condition. Other significant remains of architectural sculpture come from
1236:
Wood is light, so suitable for masks and other sculpture intended to be carried, and can take very fine detail. It is also much easier to work than stone. It has been very often painted after carving, but the paint wears less well than the wood, and is often missing in surviving pieces. Painted
666:
of about 3,000 years ago. East Asian portrait sculpture was entirely religious, with leading clergy being commemorated with statues, especially the founders of monasteries, but not rulers, or ancestors. The Mediterranean tradition revived, initially only for tomb effigies and coins, in the Middle
6157:
but also in the history of Buddhist statues in Japan. Jōchō redefined the body shape of Buddha statues by perfecting the technique of "yosegi zukuri" (寄木造り) which is a combination of several woods. The peaceful expression and graceful figure of the Buddha statue that he made completed a Japanese
2119:
from Dynasty I. However, there as elsewhere the convention is not used for minor figures shown engaged in some activity, such as the captives and corpses. Other conventions make statues of males darker than females ones. Very conventionalized portrait statues appear from as early as Dynasty II,
4561:
pose, borrowed from classical sculpture. It differs from previous representations of the subject in that David is depicted before his battle with Goliath and not after the giant's defeat. Instead of being shown victorious, as Donatello and Verocchio had done, David looks tense and battle ready.
1220:
has been extremely widely practiced, but survives much less well than the other main materials, being vulnerable to decay, insect damage, and fire. It therefore forms an important hidden element in the art history of many cultures. Outdoor wood sculpture does not last long in most parts of the
674:
Animals are, with the human figure, the earliest subject for sculpture, and have always been popular, sometimes realistic, but often imaginary monsters; in China animals and monsters are almost the only traditional subjects for stone sculpture outside tombs and temples. The kingdom of plants is
3265:
found in both monuments the same "stubby proportions, angular movements, an ordering of parts through symmetry and repetition and a rendering of features and drapery folds through incisions rather than modelling... The hallmark of the style wherever it appears consists of an emphatic hardness,
1053:
is a group of manufacturing processes by which a liquid material (bronze, copper, glass, aluminum, iron) is (usually) poured into a mould, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solid casting is then ejected or broken out to complete the process,
3975:, and does not entirely fit with the development of style in sculpture in either its start or finish. The facades of large churches, especially around doors, continued to have large typanums, but also rows of sculpted figures spreading around them. The statues on the Western (Royal) Portal at
1018:
is often called simply a "bronze". Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mould. Their strength and lack of brittleness (ductility) is an advantage when figures in action are to be created,
7523:-speaking peoples of the same region make pieces of wood with broad, flat surfaces and arms and legs are shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.
9708:
4074:
altar reliefs in groups of panels over much of Europe for economical parishes who could not afford stone retables. Small carvings, for a mainly lay and often female market, became a considerable industry in Paris and some other centres. Types of ivories included small devotional
8918:
1360:. Some sculptors maintained large workshops. Even in the Renaissance the physical nature of the work was perceived by Leonardo da Vinci and others as pulling down the status of sculpture in the arts, though the reputation of Michelangelo perhaps put this long-held idea to rest.
5220:'s nudes the idealist aspect of the movement. The Neoclassical period was one of the great ages of public sculpture, though its "classical" prototypes were more likely to be Roman copies of Hellenistic sculptures. In sculpture, the most familiar representatives are the Italian
5054:(1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired
661:
In other cultures such as Egypt and the Near East public statues were almost exclusively the preserve of the ruler, with other wealthy people only being portrayed in their tombs. Rulers are typically the only people given portraits in Pre-Columbian cultures, beginning with the
4880:(1543) was his first sculpture, and shows his talent at its best. As these examples show, the period extended the range of secular subjects for large works beyond portraits, with mythological figures especially favoured; previously these had mostly been found in small works.
3138:(146 BCE), and sculptors continued to be mostly Greeks, often slaves, whose names are very rarely recorded. Vast numbers of Greek statues were imported to Rome, whether as booty or the result of extortion or commerce, and temples were often decorated with re-used Greek works.
2721:, a colossal bronze figure that stood next to the Parthenon; all of these are lost but are known from many representations. He is also credited as the creator of some life-size bronze statues known only from later copies whose identification is controversial, including the
4046:
around 1400. Late Gothic sculpture continued in the North, with a fashion for very large wooden sculpted altarpieces with increasingly virtuoso carving and large numbers agitated expressive figures; most surviving examples are in Germany, after much iconoclasm elsewhere.
3798:
are superb examples, very different in style, of metal casting, the former highly intricate and energetic, drawing on manuscript painting, while the font shows the Mosan style at its most classical and majestic. The bronze doors, a triumphal column and other fittings at
8822:
10662:
are usually carved out of a single block of snow about 6 to 15 feet (1.8 to 4.6 m) on each side and weighing about 20–30 tons. The snow is densely packed into a form after having been produced by artificial means or collected from the ground after a snowfall.
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9416:
at the beginning of the century paved the way for later abstract sculpture. In revolt against the naturalism of Rodin and his late-19th-century contemporaries, Brâncuși distilled subjects down to their essences as illustrated by the elegantly refined forms of his
3032:
2858:
initially controlled most of the South. Hellenistic art, and artists, spread very widely, and was especially influential in the expanding Roman Republic and when it encountered Buddhism in the easternmost extensions of the Hellenistic area. The massive so-called
7461:
Historically, with the exception of some monumental Egyptian sculpture, most African sculpture was created in wood and other organic materials that have not survived from earlier than a few centuries ago; older pottery figures are found from a number of areas.
5463:
3777:
Objects in precious materials such as ivory and metal had a very high status in the period, much more so than monumental sculpture — we know the names of more makers of these than painters, illuminators or architect-masons. Metalwork, including decoration in
901:. Owing to the permanence of the material, evidence can be found that even the earliest societies indulged in some form of stone work, though not all areas of the world have such abundance of good stone for carving as Egypt, Greece, India and most of Europe.
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Native Chinese religions do not usually use cult images of deities, or even represent them, and large religious sculpture is nearly all Buddhist, dating mostly from the 4th to the 14th century, and initially using Greco-Buddhist models arriving via the
3358:
690:
One form of sculpture found in many prehistoric cultures around the world is specially enlarged versions of ordinary tools, weapons or vessels created in impractical precious materials, for either some form of ceremonial use or display or as offerings.
9167:
foundation for expressive figurative art throughout eastern Europe and parts of the Middle East. By 2000, the European classical tradition retains a wide appeal to the public but awaits an educational tradition to revive its contemporary development.
6134:
terracotta figures of humans and animals in a simplistic style were erected outside important tombs. The arrival of Buddhism in the 6th century brought with it sophisticated traditions in sculpture, Chinese styles mediated via Korea. The 7th-century
3764:
Romanesque art was characterised by a very vigorous style in both sculpture and painting. The capitals of columns were never more exciting than in this period, when they were often carved with complete scenes with several figures. The large wooden
3207:
were cheaper pottery versions of marble reliefs and the taste for relief was from the imperial period expanded to the sarcophagus. All forms of luxury small sculpture continued to be patronized, and quality could be extremely high, as in the silver
350:
Another basic distinction is between subtractive carving techniques, which remove material from an existing block or lump, for example of stone or wood, and modelling techniques which shape or build up the work from the material. Techniques such as
3273:
was adopted by the Roman state and the great majority of the people, leading to the end of large religious sculpture, with large statues now only used for emperors. However, rich Christians continued to commission reliefs for sarcophagi, as in the
12256:
7475:
rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European
1596:
9645:
2867:
in modern Lebanon, was probably made there at the start of the period by expatriate Greek artists for a Hellenized Persian governor. The wealth of the period led to a greatly increased production of luxury forms of small sculpture, including
2197:
6524:
are probably slightly later. Later large-scale sculpture remains almost exclusively religious, and generally rather conservative, often reverting to simple frontal standing poses for deities, though the attendant spirits such as apsaras and
8542:
7300:, there are animals within the dense arabesques in high relief, and figures of animals and men in mostly low relief are found in conjunction with decoration on many later pieces in various materials, including metalwork, ivory and ceramics.
6480:
he erected around India, carrying his edicts and topped by famous sculptures of animals, mostly lions, of which six survive. Large amounts of figurative sculpture, mostly in relief, survive from Early Buddhist pilgrimage stupas, above all
2615:
7249:
2162:, and so we have a good number of less conventionalized statues of well-off administrators and their wives, many in wood as Egypt is one of the few places in the world where the climate allows wood to survive over millennia. The so-called
5864:
5592:
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for the two World Wars, but from the 1950s the public and commissioning bodies became more comfortable with Modernist sculpture and large public commissions both abstract and figurative became common. Picasso was commissioned to make a
2681:
The "High Classical" period lasted only a few decades from about 450 to 400, but has had a momentous influence on art, and retains a special prestige, despite a very restricted number of original survivals. The best known works are the
2166:, plain hairless heads, are especially naturalistic. Early tombs also contained small models of the slaves, animals, buildings and objects such as boats necessary for the deceased to continue his lifestyle in the afterworld, and later
1074:). Casting is most often used for making complex shapes that would be otherwise difficult or uneconomical to make by other methods. The oldest surviving casting is a copper Mesopotamian frog from 3200 BCE. Specific techniques include
8475:
labourers. Later, artists trained in the Western academic tradition followed European styles until in the late 19th century they began to draw again on indigenous influences, notably in the Mexican baroque grotesque style known as
7495:
which thrived between 500 BCE and 500 CE in modern Nigeria, with clay figures typically with elongated bodies and angular shapes. Later West African cultures developed bronze casting for reliefs to decorate palaces like the famous
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but based in Florence, excelled in the later part of the century, also creating life-size sculptures, of which two joined the collection in the Piazza della Signoria. He and his followers devised elegant elongated examples of the
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1376:
the 18th century or earlier sculpture also attracted middle-class students, although it was slower to do so than painting. Women sculptors took longer to appear than women painters, and were less prominent until the 20th century.
3740:
was the first medieval style to be used in the whole of Western Europe. The new cathedrals and pilgrim's churches were increasingly decorated with architectural stone reliefs, and new focuses for sculpture developed, such as the
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1586:, made of lime plaster and reeds, and about half life-size; there are 15 statues, some with two heads side by side, and 15 busts. Small clay figures of people and animals are found at many sites across the Near East from the
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periods there was the beginnings of a production of monumental statues, in courts and major churches. This gradually spread; by the late 10th and 11th century there are records of several apparently life-size sculptures in
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6231:. In the 19th century there were export industries of small bronze sculptures of extreme virtuosity, ivory and porcelain figurines, and other types of small sculpture, increasingly emphasizing technical accomplishment.
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2735:, and developed increasingly complex and subtle poses that were interesting when viewed from a number of angles, as well as more expressive faces; both trends were to be taken much further in the Hellenistic period.
1180:
Pottery is one of the oldest materials for sculpture, as well as clay being the medium in which many sculptures cast in metal are originally modelled for casting. Sculptors often build small preliminary works called
2147:, a typical scheme, though here exceptionally large. Small figures of deities, or their animal personifications, are very common, and found in popular materials such as pottery. Most larger sculpture survives from
10585:
7373:
3004:
2427:
During the 6th century Greek sculpture developed rapidly, becoming more naturalistic, and with much more active and varied figure poses in narrative scenes, though still within idealized conventions. Sculptured
4459:, which took him from 1425 to 1452, and are dazzlingly confident classicizing compositions with varied depths of relief allowing extensive backgrounds. The intervening years had seen Ghiberti's early assistant
362:, meaning either or both of sculpture that is large, or that is attached to a building. But the term properly covers many types of small works in three dimensions using the same techniques, including coins and
2252:
1403:
has consistently rejected nearly all figurative sculpture, except for very small figures in reliefs and some animal figures that fulfill a useful function, like the famous lions supporting a fountain in the
589:
The collecting of sculpture, including that of earlier periods, goes back some 2,000 years in Greece, China and Mesoamerica, and many collections were available on semi-public display long before the modern
9354:
revolutionized the art of sculpture when he began creating his constructions fashioned by combining disparate objects and materials into one constructed piece of sculpture; the sculptural equivalent of the
6158:
style of sculpture of Buddha statues called "Jōchō yō" (Jōchō style, 定朝様) and determined the style of Japanese Buddhist statues of the later period. His achievement dramatically raised the social status of
657:
c. 2144–2124 BCE. In ancient Greece and Rome, the erection of a portrait statue in a public place was almost the highest mark of honour, and the ambition of the elite, who might also be depicted on a coin.
6360:
3174:
The Romans did not generally attempt to compete with free-standing Greek works of heroic exploits from history or mythology, but from early on produced historical works in relief, culminating in the great
12264:
10418:
9500:
characteristic of much new modernist sculpture. Collaborative projects with landscape designers, architects, and landscape architects expanded the outdoor site and contextual integration. Artists such as
8731:
7056:
6042:
3990:
portal, from 1215 to 1220, show a more naturalistic style and increasing detachment from the wall behind, and some awareness of the classical tradition. These trends were continued in the west portal at
2328:
10370:
7490:
in modern Sudan was in close and often hostile contact with Egypt, and produced monumental sculpture mostly derivative of styles to the north. In West Africa, the earliest known sculptures are from the
10650:
is a form of ephemeral sculpture that uses ice as the raw material. It is popular in China, Japan, Canada, Sweden, and Russia. Ice sculptures feature decoratively in some cuisines, especially in Asia.
10667:
take the form of indoor sound installations, outdoor installations such as aeolian harps, automatons, or be more or less near conventional musical instruments. Sound sculpture is often site-specific.
1901:
of about 3000–2800 BCE, part human and part lioness. A little later there are a number of figures of large-eyed priests and worshippers, mostly in alabaster and up to a foot high, who attended temple
10981:
3541:
reliefs, as well as smaller objects such as the consular diptych. Such objects, often in valuable materials, were also the main sculptural traditions (as far as is known) of the civilizations of the
7964:
3923:
3823:
forms; surviving examples are mostly in brass. Many wax impressions from impressive seals survive on charters and documents, although Romanesque coins are generally not of great aesthetic interest.
2791:, from which it takes its name, but the very wealthy kings of that state were among the first to collect and also copy Classical sculpture, and also commissioned much new work, including the famous
2279:
1154:
may be used for sculpture through a wide range of working techniques, though the use of it for large works is a recent development. It can be carved, though with considerable difficulty; the Roman
7762:
6022:
4908:
4195:
2843:
sprawled asleep, presumably after drink, is an example of the moral relaxation of the period, and the readiness to create large and expensive sculptures of subjects that fall short of the heroic.
2487:
7393:
3583:, though producing superb ivory reliefs and architectural decorative carving, never returned to monumental sculpture, or even much small sculpture in the round. However, in the West during the
8335:
6472:. Thus the great tradition of Indian monumental sculpture in stone appears to begin, relative to other cultures, and the development of Indian civilization, relatively late, with the reign of
3418:
9841:
7904:
9092:). Several different directions in the classical tradition were taken as the century turned, but the study of the live model and the post-Renaissance tradition was still fundamental to them.
6734:
1166:
and/or hot sculpted with hand tools either as a solid mass or as part of a blown object. More recent techniques involve chiseling and bonding plate glass with polymer silicates and UV light.
6950:
6921:
1693:
1546:
in Europe figurative sculpture greatly reduced, and remained a less common element in art than relief decoration of practical objects until the Roman period, despite some works such as the
5242:
5032:
continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Bernini's
4976:
2475:
226:) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
7303:
Figures of animals in the round were often acceptable for works used in private contexts if the object was clearly practical, so medieval Islamic art contains many metal animals that are
9729:
8446:, where a group of elaborate and highly stylized formal styles developed forming the basis of a tradition that continues today. In addition to the famous totem poles, painted and carved
8602:
6894:
2878:
2593:
6791:
4596:
4243:
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2894:
1960:, or ones probably commemorating victories and showing feasts, are also found from temples, which unlike more official ones lack inscriptions that would explain them; the fragmentary
11135:
Cook, 147; he notes that ancient Greek copyists seem to have used many fewer points than some later ones, and copies often vary considerably in the composition as well as the finish.
8886:
6888:
Christian and Islamic sculptures elsewhere. In later periods Chinese influence predominated in Vietnam, Laos and Cambodia, and more wooden sculpture survives from across the region.
2927:
7940:
1316:
became famous, they appear to have retained much the same social status as other artisans, and perhaps not much greater financial rewards, although some signed their works. In the
6765:
5118:
12799:
10014:
9551:, which reduces sculpture to its most essential and fundamental features, predominated. Some works of the period are: the Cubi works of David Smith, and the welded steel works of
9035:
8632:
331:. Relief is the usual sculptural medium for large figure groups and narrative subjects, which are difficult to accomplish in the round, and is the typical technique used both for
1253:
Three dimensional work incorporating unconventional materials such as cloth, fur, plastics, rubber and nylon, that can thus be stuffed, sewn, hung, draped or woven, are known as
8708:
8185:
5909:
11120:
8798:
4568:
1816:
10538:
8583:
4499:, but only succeeded in making a 24-foot (7.3 m) clay model which was destroyed by French archers in 1499, and his other ambitious sculptural plans were never completed.
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of statues for the first time. Like other works of his, and other Mannerists, it removes far more of the original block than Michelangelo would have done. Cellini's bronze
1716:
1539:
in France, where around 12–17,000 years ago a masterful sculptor used a spatula-like stone tool and fingers to model a pair of large bison in clay against a limestone rock.
9496:(1967). His design was ambiguous and somewhat controversial, and what the figure represents is not clear; it could be a bird, a horse, a woman or a totally abstract shape.
4167:
1944:, relatively small figures in the round, and reliefs of various sizes, including cheap plaques of moulded pottery for the home, some religious and some apparently not. The
1481:, the people of this culture developed finely-crafted stone tools, manufacturing pendants, bracelets, ivory beads, and bone-flutes, as well as three-dimensional figurines.
7615:
3884:
2518:
1972:
empire. Unlike earlier states, the Assyrians could use easily carved stone from northern Iraq, and did so in great quantity. The Assyrians developed a style of extremely
1952:
plaque of a naked winged goddess with the feet of a bird of prey, and attendant owls and lions. It comes from the 18th or 19th century BCE, and may also be moulded. Stone
10477:
8969:
5718:
Small Buddhist figures and groups were produced to a very high quality in a range of media, as was relief decoration of all sorts of objects, especially in metalwork and
4304:
3736:
Beginning in roughly 1000 A.D., there was a rebirth of artistic production in all Europe, led by general economic growth in production and commerce, and the new style of
3195:("Altar of Peace", 13 BCE) represents the official Greco-Roman style at its most classical and refined. Among other major examples are the earlier re-used reliefs on the
11650:
6562:
5288:
5267:
2915:
2544:
2128:, and some other periods such as Dynasty XII, the idealized features of rulers, like other Egyptian artistic conventions, changed little until after the Greek conquest.
1639:
8201:
5848:
5514:
3658:
2309:
9883:
972:
The copying of an original statue in stone, which was very important for ancient Greek statues, which are nearly all known from copies, was traditionally achieved by "
7227:
6529:
often have sensuously curving poses. Carving is often highly detailed, with an intricate backing behind the main figure in high relief. The celebrated bronzes of the
4010:, with unmistakable influence from Roman sarcophagi and sophisticated and crowded compositions, including a sympathetic handling of nudity, in relief panels on their
2506:
10036:
5530:
3600:. No Anglo-Saxon example has survived, and survivals of large non-architectural sculpture from before the year 1000 are exceptionally rare. Much the finest is the
3322:
9947:
9159:
in Germany and Matveyev in Russia. Over the 70 years of the USSR, new generations of sculptors were trained and chosen within their system, and a distinct style,
3392:
9013:
1304:
Worldwide, sculptors have usually been tradespeople whose work is unsigned; in some traditions, for example China, where sculpture did not share the prestige of
5137:
3863:
9363:
led to things occasionally being described as "sculpture" that would not have been so previously, such as "involuntary sculpture" in several senses, including
7183:
7086:
1535:, although they are outnumbered by engraved pieces, which are sometimes classified as sculpture. Two of the largest prehistoric sculptures can be found at the
5077:
as in the late Middle Ages. Statues of rulers and the nobility became increasingly popular. In the 18th century much sculpture continued on Baroque lines—the
3869:
3795:
14104:
11357:
9667:
8859:
6861:. Both of these include many reliefs as well as figures in the round; Borobudur has 2,672 relief panels, 504 Buddha statues, many semi-concealed in openwork
3674:
2224:
872:
527:
brought the sculpture of religious figures to East Asia, where there seems to have been no earlier equivalent tradition, though again simple shapes like the
10978:
7813:
6611:
4660:
5232:. The European neoclassical manner also took hold in the United States, where its pinnacle occurred somewhat later and is exemplified in the sculptures of
4027:
2212:
1088:
is a process where different pieces of metal are fused together to create different shapes and designs. There are many different forms of welding, such as
571:, some more than twice human size, have disturbed many ideas held about early Chinese civilization, since only much smaller bronzes were previously known.
389:
of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the
9686:
7211:
7105:
4087:, used as engagement presents. The very wealthy collected extravagantly elaborate jewelled and enamelled metalwork, both secular and religious, like the
9797:
8944:
7357:
5099:
4840:, which in sculpture essentially meant Michelangelo, and much of the struggle to achieve this was played out in commissions to fill other places in the
9969:
8004:
6869:
5786:
5569:
222:
Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than
12773:
8771:
7127:
2111:
of ancient Egypt is world-famous, but refined and delicate small works exist in much greater numbers. The Egyptians used the distinctive technique of
2032:
207:, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by
15028:
14807:
8033:
4124:
11003:
10101:
7010:
5090:
3707:
730:
The materials used in sculpture are diverse, changing throughout history. The classic materials, with outstanding durability, are metal, especially
355:, stamping and moulding use an intermediate matrix containing the design to produce the work; many of these allow the production of several copies.
12008:
10515:
7157:
6085:
2945:
7337:
2420:". They seem to have served a number of functions, perhaps sometimes representing deities and sometimes the person buried in a grave, as with the
2000:
14757:
14557:
11077:
the first living figure to be portrayed; under the emperors portraits of the Imperial family became standard. See Burnett, 34–35; Howgego, 63–70.
9076:
Modern classicism contrasted in many ways with the classical sculpture of the 19th century which was characterized by commitments to naturalism (
10496:
10445:
9426:
Brâncuși's impact, with his vocabulary of reduction and abstraction, is seen throughout the 1930s and 1940s, and exemplified by artists such as
6409:
5065:
brought an almost total stop to religious sculpture in much of Northern Europe, and though secular sculpture, especially for portrait busts and
4710:
3236:
figures in a harsh frontal style, in simple compositions emphasizing power at the expense of grace. The contrast is famously illustrated in the
794:(spelter). But a vast number of other materials have been used as part of sculptures, in ethnographic and ancient works as much as modern ones.
707:, and in early Mesopotamia large pottery shapes were produced in stone. Bronze was used in Europe and China for large axes and blades, like the
11255:
10304:
is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. Works include
6325:
4226:
4084:
3783:
1054:
although a final stage of "cold work" may follow on the finished cast. Casting may be used to form hot liquid metals or various materials that
311:, which are at least partly attached to a background surface. Relief is often classified by the degree of projection from the wall into low or
8283:
7550:. Southern Africa's oldest known clay figures date from 400 to 600 CE and have cylindrical heads with a mixture of human and animal features.
6841:
The sculpture of the region tends to be characterised by a high degree of ornamentation, as seen in the great monuments of Hindu and Buddhist
3346:
12678:
7639:
4626:
10058:
8240:
6260:
6187:
of Buddhist statues, created realistic and dynamic statues to suit the tastes of samurai, and Japanese Buddhist sculpture reached its peak.
2139:
another deity; however the other deities are frequently shown in paintings and reliefs. The famous row of four colossal statues outside the
13991:
12601:
12560:
11271:
7627:
7556:
5313:
4955:
3141:
A native Italian style can be seen in the tomb monuments, which very often featured portrait busts, of prosperous middle-class Romans, and
2827:
as children with animals, were in fact placed in temples or other public places. For a much more popular home decoration market there were
1772:
582:
seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the
179:. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the
5818:
Gold stag with eagle's head, and ten further heads in the antlers. An object inspired by the art of the Siberian Altai mountain, possibly
1666:
8158:
7655:
7519:
Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The
6291:
5744:
4872:
is certainly a masterpiece, designed with eight angles of view, another Mannerist characteristic, but is indeed mannered compared to the
2973:
1797:
13430:
11073:
began the Hellenistic tradition of ruler-portraits on coins, and the Romans began to show dead politicians in the 1st century BCE, with
8442:
and a variety of other uses, with distinct variation between different cultures and regions. The most developed styles are those of the
7590:
7571:
4934:
4773:
2424:. They are clearly influenced by Egyptian and Syrian styles, but the Greek artists were much more ready to experiment within the style.
801:, but commonly lose their paint to time, or restorers. Many different painting techniques have been used in making sculpture, including
563:
is considered a mark of a relatively advanced culture in terms of social organization. Recent unexpected discoveries of ancient Chinese
11026:
9902:
8489:
4278:
2206:(Mycerinus) and queen, Old Kingdom, Dynasty 4, 2490–2472 BCE. The formality of the pose is reduced by the queen's arm round her husband
1645:
8465:
and other mostly church sculptures in a variety of hybrid styles. The most famous of such examples in Canada is the altar area of the
1913:
period generally had large, staring eyes, and long beards on the men. Many masterpieces have also been found at the Royal Cemetery at
14812:
14097:
11179:
11117:
7782:
4455:
survive. Ghiberti's doors are still in place, but were undoubtedly eclipsed by his second pair for the other entrance, the so-called
4080:
11204:
5722:. In the earlier periods, large quantities of sculpture were cut from the living rock in pilgrimage cave-complexes, and as outside
2016:
271:. Modernist sculpture moved away from traditional processes and the emphasis on the depiction of the human body, with the making of
12863:
12593:
11679:
8313:
8298:
7797:
4617:
1225:
tradition developed. Many of the most important sculptures of China and Japan in particular are in wood, and the great majority of
8259:
5950:
1197:
have often been as popular as they are in modern Western culture. Stamps and moulds were used by most ancient civilizations, from
14520:
12844:
9147:. As the century progressed, modern classicism was adopted as the national style of the two great European totalitarian empires:
5356:
4588:
2135:
were always regarded as deities, but other deities are much less common in large statues, except when they represent the pharaoh
6653:
3904:
12361:
12346:
8992:
1990:
showing a campaign. They produced very little sculpture in the round, except for colossal guardian figures of the human-headed
6130:
figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century CE,
3819:, a container for water to wash with, appears to have been introduced to Europe in the 11th century, and often took fantastic
3746:
13378:
13349:
13334:
13289:
13257:
13245:
13231:
13203:
13186:
13014:
12940:
12734:
12715:
12710:, Author Edward Lucie-Smith, Edition illustrated, Publisher Harry N. Abrams, 1997, Original from the University of Michigan,
11779:
11473:
11427:
11403:
11306:
11239:
11039:
10384:
9935:
8116:
905:(also called rock engravings) are perhaps the earliest form: images created by removing part of a rock surface which remains
840:
makes his unusually ephemeral sculptures from almost entirely natural materials in natural settings. Some sculpture, such as
12289:
10727:
in the rain chemically reacts with the calcium compounds in the stones (limestone, sandstone, marble and granite) to create
5191:
4262:
3782:, became very sophisticated, and many spectacular shrines made to hold relics have survived, of which the best known is the
3113:, themselves greatly influenced by their Greek trading partners. An Etruscan speciality was near life size tomb effigies in
2815:(illustrated at top), which we know was part of a group actually commissioned for Pergamon in about 228 BCE, from which the
2567:
14834:
14090:
13877:
13466:
12817:
11053:
8170:
7516:
and so with a narrative element rare in African sculpture, and royal regalia included impressive gold sculptured elements.
6801:
6432:
6306:
6275:
2156:
7889:
7292:
decoration in relief or openwork, based on vegetable motifs, but tending to geometrical abstract forms. In the very early
4695:
3769:
was a German innovation right at the start of the period, as were free-standing statues of the enthroned Madonna, but the
14956:
14272:
10080:
9152:
8101:
6126:
were "flame-rimmed" with extravagant extensions to the rim that can only be called sculptural, and very stylized pottery
4434:
3933:
3800:
542:
Small sculptures as personal possessions go back to the earliest prehistoric art, and the use of very large sculpture as
8128:
6872:, often gilded, both large for temples and monasteries, and small figurines for private homes. Traditional sculpture in
5494:
5445:, which was to extend to the rest of South-East Asia. The influence of Greco-Buddhist art also spread northward towards
5073:
has no significant sculptural component outside goldsmithing. Partly in direct reaction, sculpture was as prominent in
1395:, which initially accepted large sculptures. In Christianity and Buddhism, sculpture became very significant. Christian
14966:
14856:
11091:
8508:
8411:
6582:
4721:
4101:
3638:
2702:
12321:
11149:
11001:"Gods in Color: Painted Sculpture of Classical Antiquity" September 2007 to January 2008, The Arthur M. Sackler Museum
9659:
8271:
6637:
477:
15024:
14790:
14039:
13364:
13320:
13303:
13217:
13171:
13154:
13140:
13123:
13106:
13092:
13078:
13063:
13049:
13032:
13000:
12983:
12969:
12955:
12926:
12909:
12892:
12661:
10944:
10392:
9778:
8742:
6400:
5549:
5200:
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3632:
reliefs of Christian Great Britain, were northern sculptural traditions that bridged the period of Christianization.
17:
4147:
3750:
15087:
15020:
14991:
14934:
11353:
9606:
During the 1960s and 1970s figurative sculpture by modernist artists in stylized forms was made by artists such as
8897:
7749:
7327:. The degree of acceptability of such relaxations of strict Islamic rules varies between periods and regions, with
6139:
and its contents have survived more intact than any East Asian Buddhist temple of its date, with works including a
4470:
1965:
515:, of which none have survived, were evidently rather small, even in the largest temples. The same is often true in
8523:
and others became popular. By the 1950s, traditional sculpture education would almost be completely replaced by a
8143:
5834:. Possibly from the "Hun people who lived in the prairie in Northern China". Dated to the 4th-3rd century BCE, or
3774:
in Romanesque art. Figures still often varied in size in relation to their importance portraiture hardly existed.
3125:
began to conquer Greek territory, at first in Southern Italy and then the entire Hellenistic world except for the
578:, appear to have had no monumental sculpture at all, though producing very sophisticated figurines and seals. The
10577:
8809:
8722:
4945:
4868:
3995:
of a few years later, where the figures are almost in the round, as became usual as Gothic spread across Europe.
3758:
7671:
1340:. Goldsmiths and jewellers, dealing with precious materials and often doubling as bankers, belonged to powerful
10200:
8675:
8496:
8466:
8029:
6960:
5891:
4055:
and others continued the style well into the 16th century, gradually absorbing Italian Renaissance influences.
3425:
3246:
2901:
2755:
1193:. Many cultures have produced pottery which combines a function as a vessel with a sculptural form, and small
481:
140:
15082:
14944:
14633:
12914:
10764:
10549:
9260:
9240:
8643:
7931:
7717:
5930:
5704:
4825:
4503:
monuments became common. Portrait sculpture, usually in busts, became popular in Italy around 1450, with the
4438:
4187:
4015:
12761:
12729:, Author Ann Lee Morgan, Publisher Oxford University Press, 2007, Original from the University of Michigan,
11709:
9058:
876:
Modern plaster recreation of the original painted appearance of a Late Archaic Greek marble figure from the
586:, seem to have devoted enormous resources to very large-scale monumental sculpture from a very early stage.
14961:
14795:
14597:
14008:
13848:
13308:
6756:
4039:
3497:
3278:, and very small sculpture, especially in ivory, was continued by Christians, building on the style of the
3275:
2953:
2342:
1532:
758:
statues. More common and less expensive materials were used for sculpture for wider consumption, including
503:
are common in many cultures, though they are often not the colossal statues of deities which characterized
13408:
9447:
7756:
at Lalibela containing intricate carvings, was built in the 10th–13th centuries as proven by archaeology.
4862:
to "a sack of melons", though it had a long-lasting effect in apparently introducing relief panels on the
3967:
French ivory Virgin and Child, end of 13th century, 25 cm high, curving to fit the shape of the ivory tusk
2779:
in 146 BCE or with the final defeat of the last remaining successor-state to Alexander's empire after the
14951:
14929:
14750:
12568:
11000:
9927:
9875:
8737:
8450:
were complemented by carved posts inside and out, as well as mortuary figures and other items. Among the
6820:
Sculpture of Guardian at the entrance of the Mandapam of Sri Jalagandeeswarar Temple, Vellore, Tamil Nadu
5390:
5329:
5019:
4987:
4966:
3716:, 1166, the first large hollow casting of a figure since antiquity, 1.78 metres tall and 2.79 metres long
2239:
1159:
13135:, 1st ed. 1982 (many later editions), Macmillan, London, page refs to 1984 Macmillan 1st ed. paperback.
12750:
12006:
4398:
3537:
were opposed to monumental religious sculpture, though Roman traditions continued in portrait busts and
856:, tools, machine parts, hardware and consumer packaging to fashion their works. Sculptors sometimes use
14976:
14861:
13395:
10050:
9766:
9700:
9096:
was the most renowned European sculptor of the early 20th century. He is often considered a sculptural
9027:
8814:
8589:
6880:. As elsewhere in the region, most of the wood sculptures of the Bagan and Ava periods have been lost.
6672:
5486:
5259:
4761:
2937:
2835:
and the Pergamon group celebrating victory over the Gauls became popular, having been rare before. The
2796:
2760:
2695:
2638:
2536:
2404:
cultures developed sculpture further, under influence from Syria and elsewhere, but it is in the later
1734:
861:
755:
31:
13164:
Byzantine art in the making: main lines of stylistic development in Mediterranean art, 3rd–7th century
8841:), Paris 1881. Copy from 1953 in bronze by C & A Nicci (Rome/Italy) placed in Rottneros Park near
7512:
are a form of small metal sculptures produced over the period 1400–1900, some apparently representing
5730:
painters, sculptors of all sorts were regarded as artisans and very few names are recorded. From the
4836:
sculpture was very largely an attempt to find an original style that would top the achievement of the
4529:
Michelangelo was an active sculptor from about 1500 to 1520, and his great masterpieces including his
4443:
Renaissance sculpture proper is often taken to begin with the famous competition for the doors of the
4070:
so large they had to be moved outside the church. By the 15th century there was an industry exporting
1973:
1344:
and had considerable status, often holding civic office. Many sculptors also practised in other arts;
667:
Ages, but expanded greatly in the Renaissance, which invented new forms such as the personal portrait
11378:
P. Mellars, Archeology and the Dispersal of Modern Humans in Europe: Deconstructing the Aurignacian,
10959:
10192:
10133:
8624:
8246:
7463:
6983:
6436:
6354:
sword fitting with a "Rabbit Viewing the Autumn Moon", bronze, gold and silver, between 1670 and 1744
5696:
5129:
5050:
5033:
4637:
4465:
3749:
with figures and often narrative scenes. Outstanding abbey churches with sculpture include in France
3725:
3613:
3184:
2698:
2091:
2060:
1982:
675:
important only in jewellery and decorative reliefs, but these form almost all the large sculpture of
575:
508:
335:, which is attached to buildings, and for small-scale sculpture decorating other objects, as in much
45:
10671:
have become another format for contemporary artists since the late 1990s, such as those produced by
9481:
Modernist sculptors largely missed out on the huge boom in public art resulting from the demand for
7728:. Christian imagery decorated churches during the Asksumite period and later eras. For instance, at
5089:, and interior decorative schemes in wood or plaster such as those in French domestic interiors and
5058:
and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
4858:
from the master himself, but it was little more popular than it is now, and maliciously compared by
4514:
and others more often depicted knobbly-faced men of affairs, but also young children. The portrait
2191:, c. 3100 BCE, which already shows the canonical Egyptian profile view and proportions of the figure
253:
represented the agonies and passions of the Christian faith. The revival of classical models in the
15015:
15008:
14986:
14609:
13459:
13020:
10924:
10684:
10436:
10117:
9758:
9627:
9413:
9144:
8320:
8304:
7454:
6569:
6452:
6228:
5915:
4365:
3200:
2043:
696:
583:
449:
12673:
7736:
were carved into the Church of Bet Golgotha; by tradition these were made during the reign of the
2412:
developed. These are large standing statues of naked youths, found in temples and tombs, with the
1209:
14939:
14800:
14457:
14265:
13524:
13489:
10949:
10939:
10852:
10631:
10196:
7384:
7289:
6592:
6456:
6404:
6396:
4921:
3742:
3597:
3329:
3084:
2671:
2385:
2361:
1392:
914:
622:. Small sculpted fittings for furniture and other objects go well back into antiquity, as in the
417:
404:
Modern and contemporary art have added a number of non-traditional forms of sculpture, including
378:
332:
230:
ancient Mediterranean, India and China, as well as many in Central and South America and Africa.
13908:
13862:
12557:
11268:
10723:
can also cause damage to certain building materials and historical monuments. This results when
6718:
6540:–1250) from south India, many designed to be carried in processions, include the iconic form of
4390:
4381:
3841:
and others, which has been attributed to one of the relatively few artists whose name is known,
3011:
2801:
2674:
since 1829 have revealed the largest group of remains, from about 460, of which many are in the
2666:
There are fewer original remains from the first phase of the Classical period, often called the
1602:
1485:
1040:
473:, where the concentration of resources on large sculpture may have had serious political effects
14971:
14914:
14738:
14239:
13889:
12654:
Rodin's Art: The Rodin Collection of the Iris & Gerald B. Cantor Center for the Visual Arts
10502:
10072:
9572:
9560:
9540:
9505:
9328:
9270:
9255:
9085:
8869:
8804:
8593:
6497:
5839:
5657:
5521:
5434:
5406:
5209:
5186:
5062:
4548:
4406:
4357:
4332:
4048:
4011:
3791:
3570:
3176:
2466:
2320:
1579:
1421:
595:
ability to transport and store the increasingly large works is a factor in their construction.
156:
13240:, Penguin (Pelican, now Yale, History of Art), 1968 (nb 1st ed.; early datings now superseded)
11393:
8090:
cultures. In the Andean region, sculptures were typically small, but often show superb skill.
2481:
Cycladic statue 2700–2300 BCE. Head from the figure of a woman, H. 27 centimetres (11 in)
358:
The term "sculpture" is often used mainly to describe large works, which are sometimes called
14998:
14919:
14904:
14665:
14552:
14515:
13984:
13931:
13615:
11463:
10934:
10483:
10353:
10267:
10184:
10176:
9615:
9568:
9544:
9296:
8638:
8381:
8342:
8227:
7848:
7753:
7741:
7547:
6383:
6049:
5771:
5707:
and later figures for temples and tombs. These came to replace earlier equivalents in wood.
5651:
5560:
5172:
5074:
5037:
4841:
4474:
4288:
4182:
3460:
3266:
heaviness and angularity—in short, an almost complete rejection of the classical tradition".
3229:
3225:
2860:
2374:
2230:
1961:
1823:
1782:
1587:
1555:
1345:
1274:
1198:
579:
126:
14784:
11023:
10144:
7311:
burners or supporters for fountains, as in the stone lions supporting the famous one in the
6254:; earthenware with carved and applied decoration; height: 61 cm, diameter: 55.8 cm
5683:
decoration, but avoid the human figure, unlike the huge figures only recently discovered at
5433:, in today's northern Pakistan, before spreading further into India, influencing the art of
3849:
are well-preserved examples of small ivories, of which many pieces or fragments remain from
3845:, who also illuminated manuscripts. Like many pieces it was originally partly coloured. The
2469:
in Copenhagen, Denmark, has done extensive research and recreation of the original colours.
1324:
sometimes signed their work, and were sought after by different cities, especially from the
14871:
14824:
14621:
14510:
14329:
14071:
14016:
13916:
13819:
13554:
13549:
10929:
10872:
10639:
10361:
10321:
10306:
10002:
9735:
9308:
8833:
8389:
8231:
8134:
7721:
7331:, Persia and India often leading relaxation, and is typically highest in courtly contexts.
7093:
7044:
6957:
6884:
6029:
5897:
5165:
5045:
5014:
4749:
4543:
4537:
4531:
4452:
4426:
4337:
4311:
4092:
4071:
4031:
3808:
3151:
2370:
2108:
2098:
1870:
1738:
910:
719:
663:
499:
One of the most common purposes of sculpture is in some form of association with religion.
421:
359:
267:
114:
11172:
10731:, which then flakes off. Severe air pollution also causes damage to historical monuments.
8066:
and metal as the civilizations in these areas became more technologically proficient. The
5770:
A tomb guardian usually placed inside the doors of the tomb to protect or guide the soul,
5085:
style was better suited to smaller works, and arguably found its ideal sculptural form in
397:, normally a statue that is no more than 18 inches (46 cm) tall, and for reliefs the
307:, not attached except possibly at the base to any other surface, and the various types of
8:
15077:
14924:
14888:
14866:
14745:
14660:
14299:
13590:
13452:
13424:
10754:
10376:
9077:
9003:
8454:
of the far north, traditional carving styles in ivory and soapstone are still continued.
8443:
8067:
8041:
7971:
7527:
6144:
6143:
of 623 in bronze, showing the historical Buddha flanked by two bodhisattvas and also the
5414:
5248:
5213:
4898:
4877:
4491:
4482:
3972:
3681:
3488:
3237:
3196:
3147:
2847:
2795:
whose sculpture is now mostly in Berlin and which exemplifies the new style, as do the
2772:
2622:
2397:
2081:
1937:
1547:
1516:
1501:
1470:
1444:
374:
13266:
Sickman, Laurence, in: Sickman L., & A. Soper, "The Art and Architecture of China",
12860:
12590:
11671:
10734:
At any time many contemporary sculptures have usually been on display in public places;
8935:
8457:
The arrival of European Catholic culture readily adapted local skills to the prevailing
8011:
6313:
3616:
around 800. These continued to grow in popularity, especially in Germany and Italy. The
1391:, which did not accept figurative sculpture until the 19th century, before expanding to
957:
is a soft mineral that is easy to carve for smaller works and still relatively durable.
546:, especially to impress the viewer with the power of a ruler, goes back at least to the
15072:
15046:
14829:
14655:
14505:
14258:
14066:
13937:
13883:
13841:
13682:
13544:
13111:
12988:
11249:
10910:
10808:
10655:
10573:
9832:
9808:
9439:
9405:
9163:, developed, that returned to the 19th century's emphasis on melodrama and naturalism.
9116:
8693:
8570:
8149:
7820:
7285:
6176:
6081:
5598:
5540:
5505:
5470:
5418:
5399:
5370:
5347:
5298:
5273:
5229:
4854:
4821:
4584:
4579:
4511:
4444:
4131:
4108:
3976:
3787:
3437:
3180:
3080:
2140:
1845:
1841:
1606:
782:, wax (a very common material for models for casting, and receiving the impressions of
393:, a representation of a person from the chest up. Small forms of sculpture include the
303:
A distinction exists between sculpture "in the round", free-standing sculpture such as
82:
71:
67:
13340:
Sobania, Neal W. (2012). "Lalibela", in Akyeampong, Emmanuel; Gates, Henry Louis Jr.,
13325:
Sobania, Neal W. (2012), "Lalibela", in Akyeampong, Emmanuel; Gates, Henry Louis Jr.,
12842:
8983:
7744:
in the 12th century, but they were more likely crafted in the 15th century during the
6750:
5151:
4253:
1948:
is an unusually elaborate and relatively large (20 x 15 inches, 50 x 37 cm)
15003:
14981:
14909:
14650:
14464:
14383:
14314:
14221:
13969:
13961:
13951:
13895:
13585:
13539:
13374:
13360:
13345:
13330:
13316:
13299:
13285:
13271:
13253:
13227:
13213:
13199:
13182:
13167:
13150:
13136:
13119:
13102:
13088:
13074:
13059:
13045:
13028:
13010:
13007:
Guardians of the Tradition: Historians and Historical Writing in Ethiopia and Eritrea
12996:
12979:
12965:
12951:
12936:
12922:
12905:
12888:
12730:
12711:
12657:
12349:
11775:
11744:
11469:
11449:
11423:
11399:
11331:
11302:
11235:
11035:
10919:
10716:
10643:
10627:
10164:
10160:
10153:
10112:
9692:
9580:
9471:
9431:
9187:
9160:
9156:
9124:
8975:
8906:
8698:
8562:
8192:
8083:
8037:
7745:
7320:
6991:
6588:
6477:
6183:
class virtually ruled Japan for the first time. Jocho's successors, sculptors of the
5735:
5699:. The tradition of unusually large pottery figures persisted in China, through Tang
5474:
5254:
5143:
5024:
5005:
4940:
4876:
s of Michelangelo and Donatello. Originally a goldsmith, his famous gold and enamel
4859:
4849:
4701:
4602:
4507:
4486:
4478:
4206:
4007:
3895:
3730:
3456:
3441:
3313:
3142:
2992:
2683:
2086:
1854:
1754:
1567:
1551:
1524:
1474:
1425:
1396:
1329:
1305:
1226:
918:
619:
615:
504:
437:
413:
386:
367:
212:
38:
12813:
11907:
Kitzinger, 9 (both quotes), more generally his Ch 1; Strong, 250–57, 264–66, 272–80.
11330:
Burford, Alison, "Greece, ancient, §IV, 1: Monumental sculpture: Overview, 5 c)" in
9867:
9371:, leading, with interest in historic pottery from around the world, to a revival of
8536:
2000, many of the new public pieces in the United States were figurative in design.
6830:
5389:, which developed over a period of close to 1000 years in Central Asia, between the
3232:
and small figurines were produced in great quantity and often considerable quality.
3179:
with continuous narrative reliefs winding around them, of which those commemorating
3121:
lid propped up on one elbow in the pose of a diner in that period. As the expanding
1473:, which was located in Europe and southwest Asia and active at the beginning of the
14883:
14685:
14680:
14670:
14469:
14339:
14024:
13667:
13605:
13534:
13504:
13494:
10954:
10889:
10857:
10838:
10803:
10783:
10778:
10759:
10695:
10672:
10544:
10295:
10255:
10244:
10168:
10107:
10064:
10020:
9908:
9889:
9719:
9584:
9556:
9552:
9525:
9509:
9459:
9455:
9344:
9292:
9223:
9203:
9132:
9112:
9049:
9041:
8785:
8652:
8648:
8566:
8481:
7868:
7840:
7789:
7733:
7709:
7509:
7234:
6206:
Almost all subsequent significant large sculpture in Japan was Buddhist, with some
5727:
5626:
5608:, in 1963 and in 2008 after they were dynamited and destroyed in March 2001 by the
5110:
5086:
5070:
4887:, often mythological subjects with nudes, were a popular Renaissance form at which
4837:
4814:
4574:
4448:
4202:
4019:
3874:
3720:
3621:
3566:
3542:
3365:
3279:
3168:
3043:
2828:
2780:
2717:
2707:
2600:
2583:
2454:
2413:
2401:
2377:
2023:
1919:
1699:
1364:
1353:
1089:
1075:
1024:
1015:
973:
877:
837:
825:
704:
650:
607:
445:
429:
390:
296:
272:
250:
242:
176:
13438:
Current research on polychromy on ancient sculpture at the Ny Carlsberg Glyptotek
10207:
or 'earth art' environmental scale sculpture works exemplified by artists such as
9246:
9228:
9199:
9081:
8777:
8763:
7520:
6123:
3891:
15041:
14851:
14819:
14713:
14690:
14405:
14161:
14046:
13944:
13855:
13412:
13159:
13037:
12867:
12848:
12682:
12597:
12564:
12325:
12297:
12012:
11275:
11124:
11057:
11030:
11007:
10985:
10664:
10635:
10619:
10592:
10569:
10271:
10263:
10208:
10172:
10042:
9979:
9939:
9631:
9619:
9533:
9517:
9492:
9427:
9324:
9232:
9207:
9136:
9101:
8998:
8679:
8574:
8552:
8477:
7995:
7991:
7923:
7880:
7876:
7862:
7804:
7773:
7487:
7273:
7017:
6842:
6664:
6553:
6521:
6168:
5819:
5793:
5688:
5482:
5324:
5125:
4683:
4648:
4154:
4003:
3992:
3937:
3827:
3779:
3665:
3645:
3593:
3562:
3534:
3384:
3338:
3262:
3130:
3126:
3109:
Early Roman art was influenced by the art of Greece and that of the neighbouring
3070:
3054:–140 CE. Roman copy after a Greek bronze original of 330–320 BCE. Vatican Museums
3016:
2806:
2784:
2775:
in 323 BCE, and ending either with the final conquest of the Greek heartlands by
2768:
2723:
2694:, active from about 465–425, who was in his own day more famous for his colossal
2525:
2512:
Mycenae, 1600−1500 BCE. Silver rhyton with gold horns and rosette on the forehead
2244:
2148:
2007:
1957:
1910:
1890:
1618:
1512:
1508:
1489:
1349:
1337:
1258:
1175:
1145:
962:
890:
512:
409:
405:
382:
234:
14250:
11050:
10609:
9651:
6244:
6119:
3075:
2854:, and increasingly being adopted by European elites, especially in Italy, where
2743:
2416:
as the clothed female equivalent, with elaborately dressed hair; both have the "
1590:, and represent the start of a more-or-less continuous tradition in the region.
1536:
187:(the removal of material) and modelling (the addition of material, as clay), in
14705:
14695:
14592:
14474:
14309:
14032:
13998:
13636:
13600:
13559:
13191:
12637:
The Indian Contribution to Architectural Decoration in Spanish Colonial America
12140:
10862:
10659:
10468:
10301:
10248:
10212:
9803:
9784:
9607:
9564:
9392:
9388:
9320:
9195:
9175:
9120:
9105:
8892:
8829:
8671:
8620:
8557:
8548:
7695:
7532:
7344:
7293:
7189:
7112:
6003:
5937:
5454:
5382:
5374:
5360:
5221:
5217:
5195:
5078:
4884:
4552:
4063:
3854:
3846:
3737:
3712:
3702:
3650:
3258:
3217:
3204:
3122:
3024:
2836:
2811:
2792:
2776:
2748:
2650:
2634:
2421:
2405:
2271:
2260:
2188:
2116:
1987:
1977:
1493:
1309:
1254:
1044:
894:
845:
708:
683:, and are very important in most Eurasian traditions, where motifs such as the
642:
627:
623:
238:
161:
134:
8960:
5010:
4062:
became popular for the wealthy, and grand multi-level tombs evolved, with the
3986:) show an elegant but exaggerated columnar elongation, but those on the south
602:, most often in ceramics, are as popular today (though strangely neglected by
151:
105:
15066:
14844:
14733:
14723:
14645:
14484:
14479:
14378:
14154:
13924:
13870:
13831:
13763:
13753:
13514:
13434:. Vol. 24 (11th ed.). Cambridge University Press. pp. 488–517.
13419:
12897:
12015:
11113:
11074:
10833:
10793:
10788:
10724:
10647:
10529:
10459:
10424:
10333:
10329:
10311:
10287:
10275:
10236:
10232:
10216:
10188:
10180:
10129:
9994:
9975:
9824:
9673:
9588:
9521:
9513:
9501:
9467:
9451:
9419:
9384:
9380:
9376:
9351:
9278:
9211:
9191:
9097:
9093:
9089:
8950:
8865:
8842:
8751:
8504:
8431:
8070:
produced more monumental sculpture, from the massive block-like works of the
8051:
7987:
7896:
7875:
beginning around 2500 BCE to the monumental statuary and architecture of the
7872:
7847:, 15th century (traditionally believed to have been made during the reign of
7824:
7737:
7725:
7713:
7691:
7646:
7596:
7539:
7501:
7497:
7480:
art, which was inspired by their lack of concern for naturalistic depiction.
7399:
7328:
7134:
6877:
6697:
6549:
6425:
6298:
6172:
6136:
6053:
6033:
5823:
5755:
5751:
5692:
5661:
5426:
5398:. Greek foliage decoration was also influential, with Indian versions of the
5066:
4173:
3999:
3963:
3804:
3754:
3685:
3625:
3580:
3228:". For a much wider section of the population, moulded relief decoration of
3221:
3150:
or the later mausolea outside the city. The famous bronze head supposedly of
2980:
2885:
2855:
2816:
2655:
2417:
2039:
1945:
1941:
1886:
1858:
1409:
1333:
1117:
1093:
1039:
it is soft enough to be worked with hammers and other tools as well as cast;
958:
922:
898:
857:
853:
849:
841:
833:
817:
783:
676:
470:
328:
11871:
Henig, 73–82; Strong, 48–52, 80–83, 108–17, 128–32, 141–59, 177–82, 197–211.
11087:
9019:
8062:
in the south. In both areas, sculpture was initially of stone, and later of
7439:
6485:; these probably developed out of a tradition using wood that also embraced
5216:
exemplifies the penetrating portrait sculpture the style could produce, and
4555:
could not be ignored by subsequent sculptors. His iconic David (1504) has a
4095:, until they ran short of money, when they were melted down again for cash.
3159:
of provincial cities were the main visual form of imperial propaganda; even
2823:, possibly a 2nd-century marble original, is still larger and more complex,
287:
14728:
14410:
14334:
14144:
14124:
13803:
13595:
12318:
11844:'s prosecution details his depredations of art collections at great length.
11145:
10828:
10818:
10614:
10521:
10325:
10283:
10279:
10240:
10220:
10091:
9714:
9611:
9529:
9482:
9396:
9171:
9148:
8924:
8747:
8714:
8528:
8516:
8500:
8499:
after Europeans' arrival reflects the country's 18th-century foundation in
8377:
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were famous, and they made many new Buddha statues at many temples such as
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was firmly established. These were put in tombs as a resting place for the
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are often used for small luxury works, and sometimes in larger ones, as in
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13044:, Pelican History of Art, 4th ed 1970, Penguin (now Yale History of Art),
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BBC: Barbara Hepworth sculpture stolen from Dulwich Park, 20 December 2011
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Hahn, Joachim, "Prehistoric Europe, §II: Palaeolithic 3. Portable art" in
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or plaster is applied to the wood, and then the paint is applied to that.
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10599:, stainless steel, 121.2 metres (398 feet), the world's tallest sculpture
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7255:"the Buddha calling the earth to witness", The Buddha's hands are in the
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tomb figures to later Buddhist statues such as the near life-size set of
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in the 10th century BCE, Mesopotamian art survives in a number of forms:
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Detail of Crucifixion of Jesus Christ, Spanish, wood and polychrome, 1793
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12870:. Example of theft of large bronze sculpture for the value of the metal.
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bringing his painting's 'oversized figures' into monumental sculptures.
8846:
7871:, the development of sculpture stretches from the simple pottery of the
6094:
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that arrived in the late 18th century gave great emphasis to sculpture.
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of the deity, but very few of these have survived. Sculptures from the
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of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay
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led contemporary abstract sculpture in new directions. Artists created
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2465:). Most Greek sculpture originally included at least some colour; the
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347:, upright slabs, usually of stone, often also containing inscriptions.
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13359:, 1995 (2nd ed), Yale University Press (Penguin/Yale History of Art),
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9720:
Groupe de femmes (Groupe de trois femmes, Groupe de trois personnages)
7323:
such as dagger hilts and cups may be formed as animals, especially in
5734:
onwards, statuettes of religious and secular figures were produced in
2218:
Wooden tomb models, Dynasty XI; a high administrator counts his cattle
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or tombs; by Dynasty IV (2680–2565 BCE) at the latest the idea of the
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of sculpture for religious motives, from the Early Christians and the
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13298:, 3rd ed. 1998, Yale University Press (Penguin/Yale History of Art),
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Some of the modern classical became either more decorative/art deco (
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The origins of Greco-Buddhist art are to be found in the Hellenistic
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churches, probably of precious metal around a wooden frame, like the
3545:, as seen in the objects found in the 6th-century burial treasure at
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gradually forms a sharpened point from the blunt end of a steel rod.
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The very large or "colossal" statue has had an enduring appeal since
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for a huge 50-foot (15 m)-high public sculpture, the so-called
8480:. Aboriginal peoples also adapted church sculpture in variations on
3529:, Germany, the first great example of the revival of large sculpture
3244:
in the earlier full Greco-Roman style taken from elsewhere, and the
495:, the first portrait medal, a medium essentially made for collecting
448:. There is also a view that buildings are a type of sculpture, with
37:"Sculpting" redirects here. For sculpting in computer graphics, see
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who added motion and monumentality to the theme of purity of line.
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2690:) executed by a team led by the most famous ancient Greek sculptor
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241:, and Greece is widely seen as producing great masterpieces in the
12328:, Niigata Prefectural Museum of History, accessed August 15, 2012.
11395:
History of Humanity: Prehistory and the beginnings of civilization
10360:
1962, 6'8 x 6'8 x 6'8 (the height of a standard US door opening),
6317:
4269:
1804:
687:
and vine scroll have passed east and west for over two millennia.
370:, a term for small carvings in stone that can take detailed work.
14532:
14442:
14319:
14304:
14171:
14134:
13773:
13687:
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11701:
11465:
Gardner's Art through the Ages: The Western Perspective, Volume 1
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10432:
10410:
10383:
1964, bismuth, chromium, gold, and rhodium on gold-plated brass;
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9463:
9458:
and by the 1940s abstract sculpture was impacted and expanded by
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is said to be one of the greatest Buddhist sculptors not only in
5995:
5726:. These were mostly originally painted. In notable contrast to
5647:
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5457:, and ultimately the sculpted figure in China, Korea, and Japan.
5041:
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4292:
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was dominant in the courts of most of the Near East, and some of
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12978:, 2010, British Museum Press (British Museum objects in focus),
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1807:
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also do not approve of religious sculpture. There has been much
444:. A collection of sculpture in a garden setting can be called a
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11774:
Alexander The Great and the Hellenistic Age, p. xiii. Green P.
10877:
10728:
9182:) or more abstractly stylized or more expressive (and Gothic) (
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8878:
8874:
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8764:
19th–early 20th century, early Modernism and continuing realism
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4473:, as well as reliefs. A leading figure in the later period was
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Many sculptors seek new ways and materials to make art. One of
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611:
591:
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308:
304:
262:
14082:
13118:, 3rd ed. 1981, Yale University Press Pelican History of Art,
13073:, 2nd ed. 1994, Yale University Press Pelican History of Art,
10904:
7542:
appear to have had a special significance and were mounted on
4447:
in 1403, from which the trial models submitted by the winner,
3269:
This revolution in style shortly preceded the period in which
3240:
of 315 in Rome, which combines sections in the new style with
1936:
From the many subsequent periods before the ascendency of the
1527:
of about 13,000 years ago is one of the finest of a number of
1031:
is the softest and most precious metal, and very important in
14361:
14149:
13798:
13783:
13748:
13697:
13641:
13569:
12474:
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10735:
10707:
Sculptures are sensitive to environmental conditions such as
9155:, who co-opted the work of earlier artists such as Kolbe and
9069:
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8451:
8351:
8107:
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6203:, where many Buddha statues had been lost in wars and fires.
6188:
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5831:
5639:
5478:
5278:
4515:
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3831:
3688:
3493:
2888:, very rare bronze figures recovered from the sea, c. 460–430
2864:
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1953:
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less durable but cheaper options. Precious materials such as
723:
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668:
638:
460:
363:
344:
192:
188:
53:
13444:
13415:, a charity dedicated to commissioning monumental sculpture.
7704:
can be traced back to its ancient past with the kingdoms of
7535:
left more impressive buildings than sculpture but the eight
6849:
and elsewhere, the enormous 9th-century Buddhist complex at
4030:
of 1301. Another revival of classical style is seen in the
1964:
is an early example of the inscribed type, and the Assyrian
1469:
The earliest undisputed examples of sculpture belong to the
1308:, this has affected the status of sculpture itself. Even in
13901:
13717:
13702:
13692:
13662:
13631:
10867:
10626:
Some modern sculpture forms are now practiced outdoors, as
8059:
7927:
7403:
6858:
6854:
6693:
6493:
6212:
4421:
3565:
revived ivory carving in the West, often in panels for the
3164:
2338:
2297:
1974:
large schemes of very finely detailed narrative low reliefs
1898:
1878:
1511:
is small portable sculptures, with a small group of female
1071:
1028:
942:
934:
926:
791:
747:
739:
692:
465:
200:
130:
12696:
Taking Positions: Figurative Sculpture and the Third Reich
12469:
5524:, who reigned circa 200–180 BCE and invaded Northern India
1710:
BP, an Upper Palaeolithic carving, Bordeaux museum, France
852:, is deliberately short-lived. Recent sculptors have used
78:
14129:
9559:
by a large variety of sculptors, the large-scale work of
7600:
7577:
7546:. Modern Zimbabwean sculptors in soapstone have achieved
7505:
7500:, and very fine naturalistic royal heads from around the
5875:
3745:
over church doors in the 12th century, and the inhabited
1976:
in stone for palaces, with scenes of war or hunting; the
1610:
763:
726:
male worshipper, alabaster with shell eyes, 2750–2600 BCE
511:. The actual cult images in the innermost sanctuaries of
10996:
10994:
10654:
are sculptures that are designed to move, which include
4526:
were another new small form of sculpture in cast metal.
2747:
The Pergamene style of the Hellenistic period, from the
13400:
13056:
Nubian Pharaohs and Meroitic Kings: The Kingdom of Kush
11269:
V&A Museum, Sculpture techniques: modelling in clay
7621:
Sculpture of a 'Queen Mother' from Benin, 16th century.
4510:
specializing in young women in meditative poses, while
3608:, which was evidently the commonest type of sculpture;
2561:, 570–560 BCE, the figure 222 cm (87 in) high
1914:
10254:
Also during the 1960s and 1970s artists as diverse as
7531:
death and the ancestral world. The culture known from
7508:
in terracotta and metal from the 12th–14th centuries.
6297:
Kongo Rishiki (Guardian Deity) at the Central Gate of
3379:), It was found in the so-called Otricoli basilica in
1582:
from around 7200 and 6500 BCE. These are from modern
1504:, the oldest known uncontested examples of sculpture.
1488:
found in the Hohlenstein Stadel area of Germany is an
12543:
12541:
11979:
Olson, 11–24; Honour and Fleming, 304; Henderson, 41.
11354:"Jewish virtual library, History of Jewish sculpture"
10991:
10290:
explored abstraction, imagery and figuration through
7716:
was established in Ethiopia with the conversion from
1881:, saw the production of sophisticated works like the
1010:
are the oldest and still the most popular metals for
949:, and a general term for an object made in this way.
893:
is an ancient activity where pieces of rough natural
828:
and other modernists made spectacular use of painted
12522:
12520:
11391:
10900:
10739:
metal, a tiny fraction of the value of the artwork.
8934:, partially glazed stoneware, 75 x 19 x 27 cm,
7970:
Column and elephant - part of the temple complex in
7843:
carved into the wall of the Church of Bet Golgotha,
7277:
Ivory with traces of paint, 11th–12th century, Egypt
5341:
2010:, 3rd millennium BCE, 3.25 inches (8.3 cm) high
1766:
period, found at Montastruc, Tarn et Garonne, France
1762:
13,000 BP, female and male swimming reindeer – late
13270:, 3rd ed. 1971, Penguin (now Yale History of Art),
13071:
The Art and Architecture of the Indian Subcontinent
12529:
9536:came to characterize the look of modern sculpture.
5738:and other media, which became an important export.
5413:, from which Hellenistic culture radiated into the
4991:, 1583, Florence, Italy, 13' 6" (4.1 m) high,
2599:Late Archaic warrior from the east pediment of the
452:describing architecture as "inhabited sculpture".
12617:, New York: Frederick A. Praeger, Publisher, 1969.
12538:
11970:Honour and Fleming, 297–300; Henderson, 55, 82–84.
9874:, 1932, World War I memorial (for her son Peter),
7050:from Agusan del Sur, Philippines, 9th-10th century
5048:the dominating figure of the age in works such as
2319:provided a physical place for the ka to manifest.
1477:. As well as producing some of the earliest known
385:. Another grand form of portrait sculpture is the
14280:
13294:Smith, W. Stevenson, and Simpson, William Kelly.
12950:, University of California/British Museum, 1991,
12727:The Oxford dictionary of American art and artists
12517:
11836:Henig, 66–69; Strong, 36–39, 48; At the trial of
11146:"Flash animation of the lost-wax casting process"
10431:1987, 55 ft high free standing sculpture of
9637:
8469:in Montreal, Quebec, which was carved by peasant
8034:Visual arts by indigenous peoples of the Americas
5668:come from a period of over a thousand years from
3837:, with complex carving including many figures of
1257:. Well known creators of soft sculptures include
1237:wood is often technically described as "wood and
813:, house paint, aerosol, enamel and sandblasting.
15064:
13329:, Oxford: Oxford University Press, p. 462,
12615:A History of Latin American Art and architecture
12399:
12397:
11299:Women's work: from feminine arts to feminist art
11287:Rawson, 140–44; Frankfort 112–13; Henig, 179–80.
9563:, and environmental installation scale works by
7724:in the 4th century CE, during the reign of king
7467:settled cultivators in the areas drained by the
6086:List of National Treasures of Japan (sculptures)
4469:in marble (1408–09) and bronze (1440s), and his
3870:Baptismal font at St Bartholomew's Church, Liège
3561:. Following the continuing Byzantine tradition,
2872:and cameos, jewellery, and gold and silverware.
2337:of Pa-Ankh-Ra, ship master, bearing a statue of
2120:before 2,780 BCE, and with the exception of the
574:Some undoubtedly advanced cultures, such as the
519:, where the very simple and ancient form of the
14758:Timeline of 20th century printmaking in America
13243:
12188:Boardman, 370–78; Sickman, 85–90; Paine, 29–30.
7259:(subduing Māra) position. Ho Phra Kaeo temple,
6631:or perhaps earlier, with densely packed reliefs
6028:Blue underglaze statue of a man with his pipe,
5675:, and have exerted a continuing influence over
3483:
909:, by incising, pecking, carving, and abrading.
381:at 182 m (597 ft) is the 2018 Indian
183:. Durable sculptural processes originally used
44:"Sculptor" redirects here. For other uses, see
13042:The Art and Architecture of the Ancient Orient
11916:Strong, 287–91, 305–08, 315–18; Henig, 234–40.
11017:
11015:
8265:Ahkal Mo' Naab III Of Palenque, 8th century CE
8054:developed in two separate and distinct areas,
7233:Phra Achana, Wat Si Chum, Big Buddha image in
6868:In Thailand and Laos, sculpture was mainly of
6221:
5044:style was perfectly suited to sculpture, with
3784:Shrine of the Three Kings at Cologne Cathedral
3019:), perhaps a copy, between 200 BCE and 20 CE,
2921:Two elegant ladies, pottery figurines, 350–300
1917:(c. 2650 BCE), including the two figures of a
1158:is all but unique. There are various ways of
14266:
14098:
13460:
12604:(New York University). Accessed May 28, 2018.
12394:
11461:
9111:Early masters of modern classicism included:
8702:, 1895, cast 1918. Metropolitan Museum of Art
7986:Traces of paint on a relief depicting Prince
6808:, densely packed with rows of painted statues
5882:(4th century BCE – 109 BCE) tradition of the
2809:, a late example, and the bronze original of
1980:has an outstanding collection, including the
1531:carvings in bone or antler of animals in the
1399:has never accepted monumental sculpture, and
1280:
13252:. New York: The Metropolitan Museum of Art.
13181:, 1992, Thames & Hudson (World of Art),
13009:. Rochester: University of Rochester Press.
12887:, 1998, Thames & Hudson (World of Art),
12602:Institute for the Study of the Ancient World
6740:Typical medieval frontal standing statue of
5473:leaves, in purely Hellenistic style, inside
4928:, who painted the oval inset, 1530s or 1540s
3971:The Gothic period is essentially defined by
3668:ivory panel, probably meant for a book-cover
3167:, though far smaller than the 30-metre-high
786:and engraved gems), and cast metals such as
618:were a major industry, or in East Asian and
13208:Piotrovsky, M. B., and J. M. Rogers (eds),
12749:Sculpture for display at Udvar-Hazy Center
11452:, accessed August 24, 2012; Sandars, 37–40.
11138:
11012:
9367:. In later years Picasso became a prolific
9259:, 1984 (based on a smaller model of 1938),
8758:
8164:Chalchiuhtlicue from Teotihuacán 200–500 CE
7700:The creation of sculptures in Ethiopia and
5679:. They are cast with complex patterned and
4463:develop with seminal statues including his
4085:elaborate caskets with scenes from Romances
3436:, showing the new anti-classical style, in
3188:
3098:
2799:(another of the Seven Wonders), the famous
1496:ivory. It has been dated to about 35–40,000
1379:
1221:world, so that we have little idea how the
836:and other plastics have been used as well.
714:
645:shows a ruler of the 32nd century BCE, and
27:Artworks that are three-dimensional objects
14273:
14259:
14105:
14091:
13467:
13453:
12935:. Chalfont St Peter: Bradt Travel Guides.
11768:
11254:: CS1 maint: location missing publisher (
11034:, p. 9, Cambridge University Press, 1981,
10005:, Berlin, Germany, Rickey is considered a
9239:1927, bronze, no. 5 from an edition of 7,
8678:to commemorate the lives lost in the 1804
8490:Skookumchuck Hot Springs, British Columbia
7565:terracotta, 6th century BCE–6th century CE
7379:Part of a 15th-century ceramic panel from
3059:
2771:is conventionally dated from the death of
2763:were very popular as ornaments in the home
1043:are among the techniques used in gold and
864:have been appreciated for many centuries.
13296:The Art and Architecture of Ancient Egypt
10124:
8211:in the shape of a "bat god" or a jaguar,
8191:Teotihuacan- Detail of the Temple of the
7367:, 107 cm high, probably 11th century
5091:Austrian and Bavarian pilgrimage churches
734:, stone and pottery, with wood, bone and
13418:
12457:Piotrovsky and Rogers, 23, 26–27, 33–37.
12412:Harle, 87; his Part 2 covers the period.
11229:
10694:
10646:also often make use of the environment.
10608:
10151:(1997) sculpture by Dennis Oppenheim at
10143:
10128:
9265:
9245:
9227:
8401:
8376:
7457:. Female (left) and male Vertical styles
7438:
7427:
7272:
6829:
6408:
6089:
5924:glaze pottery, horse and groom (618–907)
5822:, unearthed at the site of Nalinggaotu,
5638:
5351:
5190:
5009:
4809:
4397:
4380:
4081:single figures, especially of the Virgin
3962:
3719:
3706:
3509:
3487:
3089:
3074:
2754:
2742:
2649:
2365:
2076:
1853:
1439:
1284:
1208:
1131:
1116:
983:
921:is the carving for artistic purposes of
871:
718:
476:
459:
455:
286:
150:
139:
104:
77:
52:
13210:Heaven on Earth: Art from Islamic Lands
13198:, 2007 (2nd ed), British Museum Press,
12745:National Air and Space Museum Receives
12284:
12282:
11682:from the original on September 24, 2017
11420:Ice Age art: arrival of the modern mind
11152:from the original on September 14, 2010
9765:, 1912, white marble; limestone block,
8426:–80, Bronze, partly tinted, with cotton
8277:Upakal K'inich 8th century CE, Palenque
7685:
7288:, so the vast majority of sculpture is
6548:, with the massive granite carvings of
6514:"classical" period for Indian sculpture
6370:in the form of a dog, late 18th century
5469:Gandhara frieze with devotees, holding
4006:developed a style that is often called
2783:in 31 BCE, which also marks the end of
2380:, 5th century BCE, close up head detail
2345:, c. 650–633 BCE, Cabinet des Médailles
1328:onwards in Italy, with figures such as
880:, based on analysis of pigment traces,
14:
15065:
13196:The British Museum Book of Chinese Art
12698:, Henry Moore Institute, London, 2002.
12254:
12250:
12248:
11296:
11178:. Bureau of Energy Efficiency, India.
10604:
9359:in two-dimensional art. The advent of
9350:In the beginning of the 20th century,
8461:style, producing enormously elaborate
6390:
4330:Section of a panelled altarpiece with
3412:, in the late imperial "baroque" style
3316:", dated to the 3rd or 1st century BCE
2819:was also a copy. The group called the
1865:and eagles, Uruk Period, 4100–3000 BCE
1835:
1826:, perhaps 1800–1500 BCE; this side is
1523:BP) found across central Europe. The
1459:
14254:
14086:
13448:
13058:. Bloomington, Indiana: AuthorHouse.
13027:, 1982, Manchester University Press,
12776:from the original on February 5, 2017
12257:"Design Systems in Early Chinese Art"
11712:from the original on December 9, 2017
11211:from the original on November 4, 2015
11185:from the original on February 7, 2016
10385:Hirshhorn Museum and Sculpture Garden
10156:, Plaça de la Porta de Santa Catalina
9936:Hirshhorn Museum and Sculpture Garden
9198:)—or turned more to the Renaissance (
6576:, 3rd or 2nd millennium BCE (replica)
6269:with "snow-goggle" eyes, 1000–400 BCE
6145:Guardian Kings of the Four Directions
4999:
4883:Small bronze figures for collector's
4489:designed an equine sculpture in 1482
3815:are other substantial survivals. The
2633:, 2nd quarter of the 5th century BCE
1646:Adorant from the Geißenklösterle cave
539:probably had religious significance.
343:. Relief sculpture may also decorate
13878:Equestrian Statue of Marcus Aurelius
13114:, in: Paine, R. T., & A. Soper,
12643:, June 1948, Volume XXX, Number two.
12279:
12018:feature on the Nottingham alabaster
11170:
11094:from the original on August 28, 2008
10634:, often in full view of spectators.
10294:, environment, light sculpture, and
9630:in a classic articulated style, and
9088:)—or a kind of stately grandiosity (
6802:Thillai Nataraja Temple, Chidambaram
6433:sculpture in the Indian subcontinent
5449:, strongly affecting the art of the
5417:with the establishment of the small
4844:in Florence, next to Michelangelo's
4058:Life-size tomb effigies in stone or
3187:(by 193) survive in Rome, where the
2654:High Classical high relief from the
1578:comes from about 9,000 BCE, and the
1561:
1058:after mixing of components (such as
1019:especially when compared to various
440:. Sculpture is an important form of
13344:. Oxford: Oxford University Press.
12995:, Penguin, 1986 (reprint of 1972),
12919:The Oxford History of Classical Art
12902:Artistic Theory in Italy, 1450–1660
12656:. Oxford: Oxford University Press.
12245:
11360:from the original on August 5, 2014
11232:The Sculpture Reference Illustrated
11205:"British Museum – The Lycurgus Cup"
11164:
6865:, and many large guardian figures.
6439:(3300–1700 BCE), found in sites at
4824:life-size bronze, made in 1593 for
4435:Sculpture in the Renaissance Period
4256:, 1350–1370; the ladies are losing.
3934:Cathedral of Santiago de Compostela
3375:, (reworked from a bust of emperor
3352:Tomb relief of the Decii, 98–117 CE
820:'s most famous sculptures included
257:produced famous sculptures such as
24:
14857:Index of painting-related articles
13025:Anglo-Saxon Art, A New Perspective
12143:; see index for Bernini generally.
11021:See for example Martin Robertson,
10167:works are represented by artists:
7633:16th-century ivory mask from Benin
7548:considerable international success
6825:
5650:, wood and pigment, 11th century,
5409:(250–130 BCE), located in today's
4522:also often depicted women; relief
3796:brass font of 1108–17 now in Liège
3064:
2703:Seven Wonders of the Ancient World
2500:, 41.5 cm (16.3 in) high
2388:developed in the Early Bronze Age
917:, which is attached to buildings.
70:work of the late 3rd century BCE,
25:
15099:
13385:
13284:, Berlin: Sternberg Press, 2013,
13116:The Art and Architecture of Japan
12820:from the original on July 8, 2012
12591:Nubia: Ancient Kingdoms of Africa
12466:Piotrovsky and Rogers, 23, 33–37.
12040:Cherry, 25–48; Henderson, 134–41.
11880:Henig, Chapter 6; Strong, 303–15.
11661:Cook, 72, 85–109; Boardman, 47–59
10945:List of most expensive sculptures
10467:
9958:Three Piece Reclining figure No.1
9007:, 1905 cast of the second version
7383:with white calligraphy on a blue
7099:sculpture from Lanao, Philippines
6401:List of rock-cut temples in India
5373:is the artistic manifestation of
5342:Greco-Buddhist sculpture and Asia
2846:After the conquests of Alexander
2658:, which originally decorated the
2355:
2292:pillar in the middle, flanked by
1810:figure, 1st millennium BCE, Japan
1320:artists such as the 12th-century
1248:
961:are small carved gems, including
14062:
14061:
13248:European sculpture and metalwork
13054:Harkless, Necia Desiree (2006).
12854:
12832:
12806:
12788:
12754:
12739:
12720:
12701:
12688:
12667:
12646:
12629:
12620:
12607:
12583:
12574:
12550:
12508:
12499:
12490:
12481:
12460:
12451:
12442:
12433:
12424:
12415:
12406:
12385:
12376:
12367:
12355:
12340:
12331:
12312:
12236:
11468:. Cengage Learning. p. 36.
10903:
10584:
10558:
10537:
10514:
10495:
10476:
10444:
10417:
10391:
10369:
10346:
10100:
10079:
10057:
10035:
10013:
9987:
9968:
9946:
9920:
9901:
9882:
9860:
9840:
9817:
9796:
9777:
9751:
9728:
9707:
9685:
9666:
9644:
9100:, as are his students including
9057:
9034:
9012:
8991:
8968:
8943:
8917:
8885:
8858:
8821:
8797:
8770:
8730:
8707:
8686:
8659:
8631:
8601:
8582:
8541:
8370:
8350:, red and white mosaic on wood,
8334:
8312:
8297:
8282:
8270:
8258:
8239:
8220:
8200:
8184:
8169:
8157:
8142:
8127:
8115:
8100:
8093:
8003:
7979:
7963:
7939:
7903:
7888:
7832:
7812:
7796:
7781:
7761:
7750:Church of Saint George, Lalibela
7670:
7654:
7638:
7626:
7614:
7589:
7570:
7555:
7392:
7372:
7356:
7336:
7248:
7226:
7210:
7182:
7156:
7126:
7104:
7085:
7055:
7036:
7009:
6975:
6949:
6920:
6893:
6813:
6790:
6764:
6749:
6733:
6717:
6686:
6671:
6652:
6636:
6610:
6581:
6561:
6382:Eagle by Suzuki Chokichi, 1892,
6375:
6359:
6344:
6324:
6305:
6290:
6274:
6259:
6243:'Flame-style' vessel, Neolithic
6236:
6041:
6021:
5988:
5969:
5949:
5929:
5908:
5890:
5863:
5847:
5811:
5785:
5763:
5743:
5591:
5568:
5548:
5539:Buddha head, once painted, from
5529:
5513:
5493:
5462:
5391:conquests of Alexander the Great
5357:One of the first representations
5312:
5287:
5266:
5241:
5180:
5158:
5136:
5117:
5098:
4975:
4954:
4933:
4907:
4772:
4737:
4709:
4694:
4659:
4625:
4595:
4567:
4471:Equestrian statue of Gattamelata
4345:
4323:
4303:
4277:
4261:
4242:
4218:
4194:
4166:
4146:
4123:
4100:
3922:
3903:
3883:
3862:
3673:
3657:
3637:
3577:heads and other small fittings.
3448:
3417:
3391:
3357:
3345:
3321:
3305:
3287:
3146:the large family tombs like the
3031:
3003:
2972:
2944:
2926:
2914:
2893:
2877:
2614:
2592:
2566:
2543:
2517:
2505:
2486:
2474:
2327:
2308:
2278:
2251:
2223:
2211:
2196:
2177:
2072:
2051:
2031:
2015:
1999:
1966:Black Obelisk of Shalmaneser III
1929:and a bull's head on one of the
1815:
1796:
1771:
1746:
1715:
1692:
1665:
1638:
1595:
319:, and sometimes an intermediate
237:tradition of sculpture began in
14112:
13904:, Easter Islands (1250–1500 CE)
13342:Dictionary of African Biography
13327:Dictionary of African Biography
12904:, OUP, 1940 (refs to 1985 ed),
12838:"Art Army by Michael Leavitt",
12708:Visual arts in the 20th century
12290:"Shaanxi History Museum notice"
12227:
12218:
12209:
12200:
12191:
12182:
12179:Boardman, 370–78; Harle, 71–84.
12173:
12164:
12155:
12146:
12133:
12124:
12115:
12106:
12097:
12088:
12079:
12070:
12061:
12052:
12043:
12034:
12025:
12000:
11991:
11982:
11973:
11964:
11955:
11946:
11937:
11928:
11919:
11910:
11901:
11892:
11883:
11874:
11865:
11856:
11847:
11830:
11821:
11812:
11803:
11794:
11785:
11759:
11750:
11733:
11724:
11694:
11664:
11655:
11651:images of Getty Villa 85.AA.103
11644:
11635:
11626:
11617:
11608:
11599:
11590:
11581:
11572:
11563:
11554:
11545:
11536:
11527:
11518:
11509:
11500:
11491:
11482:
11455:
11442:
11433:
11412:
11385:
11372:
11346:
11337:
11324:
11315:
11290:
11281:
11262:
11223:
11197:
10690:
10578:Light Art Biennale Austria 2010
9763:Portrait of Mademoiselle Pogany
8723:Smithsonian American Art Museum
8511:of architecture and design and
8412:Little Dancer of Fourteen Years
8122:Olmec Jadeite Mask 1000–600 BCE
8023:
7584:, probably 12–14th centuries CE
5758:(13th century–10th century BCE)
5040:were a Baroque speciality. The
4946:Perseus with the head of Medusa
4869:Perseus with the head of Medusa
4209:, the first of this kind since
3097:state Greco-Roman style on the
3083:, CE 113, with scenes from the
2384:The first distinctive style of
1424:to the 2001 destruction of the
1204:
1185:of ephemeral materials such as
203:and other materials but, since
14040:Genghis Khan Equestrian Statue
13953:Liberty Enlightening the World
13373:, 2009, British Museum Press,
13226:, 2008, British Museum Press,
12675:Rodin to Now: Modern Sculpture
12448:Honour & Fleming, 196–200.
11730:Cook, 109–19; Boardman, 87–95.
11129:
11106:
11080:
11063:
11044:
11024:A shorter history of Greek art
10972:
10845:
10247:among others were pioneers of
10047:Atmosphere and Environment XII
9638:Gallery of modernist sculpture
8676:Sitka National Historical Park
8497:sculpture in the United States
8292:type figure (Mayan) 650–800 CE
8030:Sculpture of the United States
7990:smiting his enemies, from the
6961:Maitum anthropomorphic pottery
6164:(Buddhist sculptor) in Japan.
5792:Lifesize calvalryman from the
5691:was assembled for the tomb of
5036:(Rome, 1651), or those in the
4832:As in painting, early Italian
4376:
3163:had a near-colossal statue of
2902:Hermes and the Infant Dionysos
2738:
1500:BP, making it, along with the
1492:lion-human figure carved from
1367:artists such as Michelangelo,
1176:Pottery § Shaping methods
482:Medal of John VIII Palaeologus
13:
1:
13474:
13371:Masterpieces of Classical Art
13179:Italian Renaissance Sculpture
12876:
12685:, Palm Springs Desert Museum.
12626:Honour & Fleming, 553–56.
12505:De Lorenzi (2015), pp. 15–16.
12496:Honour & Fleming, 556–61.
12487:Honour & Fleming, 559–61.
11840:, former governor of Sicily,
11818:Strong, 58–63; Hennig, 66–69.
11392:de Laet, Sigfried J. (1994).
11382:, vol. 15 (2006), pp. 167–82.
11234:. Gulfport, MS. p. 179.
10550:Judenplatz Holocaust Memorial
10526:Turning the World Upside Down
10339:
10201:land art in the American West
9261:Fitzwilliam Museum, Cambridge
9241:National Gallery of Australia
8515:characterized by the work of
8420:
8393:
8359:
8324:
7932:Twenty-fifth Dynasty of Egypt
7752:, one of several examples of
7649:, 16th–18th century, Nigeria.
7604:
7447:
7238:
7200:
7172:
7146:
7116:
7074:
7065:from Prasat Rup Arak, Kulen,
7025:
6999:
6964:
6938:
6909:
6857:, and the Hindu monuments of
6776:
6625:
6600:
6534:
6506:
6476:from 270 to 232 BCE, and the
6462:
6248:
6219:in many materials, and metal
6098:
6061:
5854:Tomb figure of dancing girl,
5801:
5775:
5705:Yixian glazed pottery luohans
5669:
5602:
5302:
5201:Psyche Revived by Love's Kiss
4826:Rudolf II, Holy Roman Emperor
4789:
4754:
4676:
4641:
4610:
4439:Italian Renaissance sculpture
4424:on the left and right of his
4410:
4188:Pulpit in the Pisa Baptistery
4135:
4112:
4016:Pulpit in the Pisa Baptistery
3980:
3941:
3696:
3628:of Scotland and possibly the
3553:and the hybrid Christian and
3519:
3501:
3464:
3430:
3406:
3369:
3251:
3134:in conquests such as that of
3048:
2985:
2958:
2711:(438), the cult image of the
2604:
2529:
2494:
2467:Ny Carlsberg Glyptotek Museum
2408:from around 650 BCE that the
2264:
2234:
1861:with its impression on clay;
1786:
1078:, plaster mould casting, and
881:
649:, where we have 27 surviving
485:
327:is a technique restricted to
119:
95:
14796:Museum collection management
14719:Art history (academic study)
14598:alternative exhibition space
13849:Winged Victory of Samothrace
13224:Masterpieces of Medieval Art
12948:Coins; Interpreting the Past
12580:Harkless (2006), pp. 174–75.
12058:Olson, 45–52, and see index.
11148:. James Peniston Sculpture.
10490:1991 Tate Liverpool, England
9660:Musée National d'Art Moderne
9567:. Other Minimalists include
9399:" (French: objet trouvé) or
9291:sculpture movements include
9217:
8596:, 1884–1897, plaster version
8503:republican civic values and
8484:; one famous example is the
8078:cultures, to the superb low
6963:from Sarangani, Philippines
6115:Towards the end of the long
5297:, Memorial in the church at
5081:was only completed in 1762.
4799:
3484:Early Medieval and Byzantine
3276:Sarcophagus of Junius Bassus
3216:, and large cameos like the
3117:, usually lying on top of a
2954:Winged Victory of Samothrace
2934:Bronze Statuette of a Horse,
2645:
2300:on the right, 22nd dynasty,
1968:a large and solid late one.
1570:, the over-life sized stone
1533:art of the Upper Paleolithic
637:Portrait sculpture began in
614:, or in ancient Greece when
550:of some 4,500 years ago. In
7:
14957:Colossal sculptures in situ
14661:Artist-in-residence program
13166:, 1977, Faber & Faber,
12569:Museum of Fine Arts, Boston
12170:Honour and Fleming, 460–67.
11747:, accessed August 24, 2012.
11334:, accessed August 24, 2012.
11301:. London: Frances Lincoln.
11278:, accessed August 31, 2012.
10896:
10747:
10203:' group of projects. These
10199:on expansive sites in the '
9876:Vladslo German war cemetery
9395:originated the use of the "
8738:Gertrude Vanderbilt Whitney
7839:One of the seven life-size
7788:A jar spout from the early
6845:(9th to 13th centuries) at
6771:Marble Sculpture of female
6496:and Buddhist sculptures of
6451:. These include the famous
6420:relief, 5th century CE, of
5330:Yale University Art Gallery
5279:Jason and the Golden Fleece
4967:Samson Slaying a Philistine
4250:Siege of the Castle of Love
4231:Siege of the Castle of Love
4205:1237, near life-size stone
4083:, mirror-cases, combs, and
3496:, Scottish or Anglo-Saxon,
2936:late 2nd – 1st century BCE
2350:
899:controlled removal of stone
630:and finds from the tomb of
66:, a Roman marble copy of a
10:
15104:
14967:Contemporary art galleries
14862:Outline of the visual arts
13396:Victoria and Albert Museum
13147:Ancient History from Coins
13005:De Lorenzi, James (2015).
12478:Honour & Fleming, 557.
12197:Rawson, Chapter 1, 135–36.
11173:"Metal Casting – Overview"
10715:and exposure to light and
10051:Philadelphia Museum of Art
9767:Philadelphia Museum of Art
9701:Metropolitan Museum of Art
9221:
9028:National Gallery in Prague
8901:, 1893, the world's first
8815:Metropolitan Museum of Art
8674:Kiks.ádi Clan, erected at
8590:Robert Gould Shaw Memorial
8027:
7860:
7689:
7319:. In the same way, luxury
7217:An Islamic sculpture of a
6492:The pink sandstone Hindu,
6453:small bronze female dancer
6394:
6075:
5620:
5487:Victoria and Albert Museum
5345:
5260:Metropolitan Museum of Art
5184:
5003:
4803:
4618:Museo dell'Opera del Duomo
4432:
3956:
3700:
3257:) from the new capital of
3068:
2938:Metropolitan Museum of Art
2905:, possibly an original by
2797:Mausoleum at Halicarnassus
2761:Greek terracotta figurines
2639:Metropolitan Museum of Art
2537:Metropolitan Museum of Art
2493:Cycladic Female Figurine,
2359:
2096:
1839:
1785:; sandstone, 1.80 meters,
1542:With the beginning of the
1435:
1312:, where sculptors such as
1281:Social status of sculptors
1201:and Mesopotamia to China.
1173:
1169:
275:, and the presentation of
43:
36:
32:Sculpture (disambiguation)
29:
15037:
14897:
14766:
14704:
14568:
14493:
14292:
14235:
14120:
14057:
13812:
13741:
13655:
13624:
13578:
13482:
13406:Cass Sculpture Foundation
13315:, 1985, Harry N. Abrams,
13238:Prehistoric Art in Europe
12962:Monuments of Medieval Art
12885:Italian Baroque Sculpture
12652:Elsen, Albert E. (2003).
12337:Paine & Soper, 30–31.
12233:Rawson, Chapters 4 and 6.
12094:Olson, Chapter 8, 179–81.
11596:Smith, 12–13 and note 17.
11380:Evolutionary Anthropology
11230:Williams, Arthur (2005).
10960:Cass Sculpture Foundation
10771:
10193:Christo and Jeanne-Claude
10134:Christo and Jeanne-Claude
9982:, 1967, Chicago, Illinois
8625:Michigan State University
8050:Sculpture in present-day
7423:
6984:Avalokiteshvara of Chaiya
6775:in typical curving pose,
6552:dating from the previous
6437:Indus Valley civilization
5979:Cup with Dragon Handles,
5697:Tang dynasty tomb figures
5500:Fragment of the wind god
5051:The Ecstasy of St Theresa
5034:Fontana dei Quattro Fiumi
4852:took over the project of
3952:
3726:Shrine of the Three Kings
3614:Palatine Chapel in Aachen
3604:, of 965–970, which is a
3498:St Ninian's Isle Treasure
3189:
3099:
2699:Statue of Zeus at Olympia
2141:main temple at Abu Simbel
2092:Egyptian Museum of Berlin
2061:Lion Hunt of Ashurbanipal
2026:, a ruler around 2090 BCE
1983:Lion Hunt of Ashurbanipal
1675:from the Vogelherd cave,
1464:
1241:". Typically a layer of
1014:metal sculptures; a cast
576:Indus Valley civilization
509:Statue of Zeus at Olympia
46:Sculptor (disambiguation)
15021:Most expensive paintings
14808:Conservation-restoration
14610:Contemporary art gallery
13355:Strong, Donald, et al.,
13313:Northern Renaissance Art
13244:Scholten, Frits (2011).
13174:(US: Cambridge UP, 1977)
12976:The Holy Thorn Reliquary
12931:Briggs, Philip (2015) .
12866:10 November 2018 at the
12547:Harkless (2006), p. 174.
12255:Rawson, Jessica (1999).
12161:Honour and Fleming, 450.
11533:Frankfort, Chapters 2–5.
11497:Sandars, 253−57, 183–85.
11006:January 4, 2009, at the
10966:
10925:List of female sculptors
10685:Michael Leavitt (artist)
10437:Liverpool Street station
10095:, 1982, Barcelona, Spain
9999:Four Squares in Geviert,
9847:Mieczysław Kotarbiński,
9769:. Exhibited at the 1913
9723:, 1911–12, plaster, lost
8759:Moving toward modern art
8743:Buffalo Bill - The Scout
8527:-influenced concern for
8486:Church of the Holy Cross
8434:, wood was sculpted for
8305:Classic Veracruz culture
8110:Baby Figure 1200-900 BCE
7856:
7455:Art Institute of Chicago
7268:
7120: late 12th century
6424:Killing the Horse Demon
6229:Japanese sword mountings
6071:
5916:Tang dynasty tomb figure
5616:
5599:Taller Buddha of Bamiyan
5421:(180–10 BCE). Under the
5087:early European porcelain
4988:Rape of the Sabine Women
4366:Rothenburg ob der Tauber
4318:in gold, enamel and gems
4316:Resurrection of the Dead
4252:on a mirror-case in the
4002:(1258–1278) and his son
3333:, statue of the emperor
3201:Column of Antoninus Pius
2122:art of the Amarna period
1893:is an outstanding small
1621:animal-human statuette,
1380:Anti-sculpture movements
1189:, wax, unfired clay, or
1112:
1023:or stone materials (see
979:
913:covers large works, and
867:
715:Materials and techniques
282:
15088:Visual arts terminology
15029:works by living artists
14791:Classificatory disputes
13525:Environmental sculpture
13490:Architectural sculpture
13431:Encyclopædia Britannica
13401:Corning Museum of Glass
13099:A Handbook of Roman Art
12571:. Accessed 28 May 2018.
12535:Sobania (2012), p. 462.
12373:Paine & Soper, 121.
12319:Middle Jomon Sub-Period
12215:Rawson, 135–45, 145–63.
12139:Boucher, 134–42 on the
11943:Calkins, 79–80, 90–102.
11898:Strong, 171–76, 211–14.
11739:Lapatin, Kenneth D.S.,
11398:. UNESCO. p. 211.
11297:Gipson, Ferren (2022).
11274:August 2, 2012, at the
11088:"Article by Morris Cox"
10950:List of tallest statues
10940:List of sculpture parks
10742:
10632:environmental sculpture
10197:environmental sculpture
10149:Device to Root Out Evil
10025:Crinkly avec disc rouge
9412:Similarly, the work of
9375:, with figures such as
8505:Protestant Christianity
8444:Pacific Northwest Coast
7958:period (c. 620–580 BCE)
7599:bronze head sculpture,
7418:steel inlaid with gold.
7115:, Khmer art, Cambodia,
6516:, covering the earlier
6405:Sculpture of Bangladesh
6397:Sculpture in South Asia
5336:
4924:, probably designed by
4762:Galleria dell'Accademia
4362:Altar of the Holy Blood
3807:, and the doors of the
3598:Golden Madonna of Essen
3571:illuminated manuscripts
3549:, and the jewellery of
3330:Augustus of Prima Porta
3177:Roman triumphal columns
3129:far east, official and
3060:Europe after the Greeks
2686:, traditionally (since
2672:Temple of Zeus, Olympia
2386:ancient Greek sculpture
2362:Ancient Greek sculpture
1609:, now in Ulmer Museum,
1027:for several examples).
915:architectural sculpture
862:Chinese scholar's rocks
418:environmental sculpture
333:architectural sculpture
14240:List of artistic media
13268:Pelican History of Art
13177:Olson, Roberta J. M.,
13145:Howgego, Christopher,
13133:A World History of Art
12764:Umbrella Crushes Woman
12526:Briggs (2015), p. 331.
12514:Briggs (2015), p. 242.
12294:Shaanxi History Museum
12085:Olson, 103–10, 131–32.
12067:Olson, 114–18, 149–50.
11706:www.trackingcolour.com
11623:Smith, 102–03, 133–34.
11614:Smith, 170–78, 192–94.
11569:Frankfort, 66–74, 167.
11462:Kleiner, Fred (2009).
11422:, The British Museum,
11060:feature on exhibition.
10979:en.museicapitolini.org
10704:
10699:Visible damage due to
10623:
10595:officially titled the
10503:Jean-Yves Lechevallier
10157:
10141:
10125:Contemporary movements
10073:Tel Aviv Museum of Art
10027:, 1973, Schlossplatz,
9849:Coat of arms of Poland
9835:'s headquarters, 1928.
9541:Abstract expressionism
9329:Abstract expressionism
9285:
9263:
9256:Large Reclining Figure
9243:
9206:) or stayed the same (
9086:Jean-Baptiste Carpeaux
8870:The Burghers of Calais
8805:Jean-Baptiste Carpeaux
8746:, 1924, commemorating
8594:Augustus Saint-Gaudens
8427:
8415:, cast in 1922 from a
8399:
8388:in Cristo Rey Church,
8247:K'inich Janaab Pakal I
8234:, Peru, 100 BCE–700 CE
8082:that characterize the
7998:, early 1st century CE
7458:
7453:early 20th centuries,
7436:
7296:(740s), now mostly in
7278:
7221:, southern Philippines
6900:Relief sculpture from
6838:
6512:–550) which remains a
6428:
6222:
6112:
5840:Shaanxi History Museum
5805: 3rd century BCE
5779: 3rd century BCE
5666:Western Zhou dynasties
5658:Chinese ritual bronzes
5654:
5583:(right), 3rd century,
5522:Demetrius I of Bactria
5477:, 1st–2nd century CE.
5407:Greco-Bactrian kingdom
5367:
5363:, 1st–2nd century CE,
5205:
5187:Neoclassical sculpture
5130:Saint Peter's Basilica
5063:Protestant Reformation
5028:
4829:
4549:Tomb of Pope Julius II
4430:
4407:Tomb of Pope Julius II
4395:
4358:Tilman Riemenschneider
4340:with remains of colour
4336:, English, 1450–1490,
4333:Resurrection of Christ
4049:Tilman Riemenschneider
4012:Siena Cathedral Pulpit
3968:
3830:is an unusually large
3792:Gloucester candlestick
3733:
3717:
3612:had set one up in the
3530:
3507:
3106:
3087:
2764:
2752:
2663:
2381:
2321:Egyptian Museum, Cairo
2094:
1866:
1830:, the other is "dark".
1456:
1422:Protestant Reformation
1301:
1214:
1148:
1129:
1000:
887:
727:
610:) as they were in the
496:
474:
428:(involving aspects of
300:
279:as finished artworks.
165:
157:The Angel of the North
148:
137:
102:
75:
14666:Artist-run initiative
14553:Visual arts education
13932:Kamagaya Great Buddha
13656:Traditional materials
13625:Elements in sculpture
13097:Henig, Martin (ed.),
12430:Harle, 301–10, 325–27
12362:Kotobank, Kei school.
11439:Sandars, 8–16, 29–31.
11343:Olsen, 150–51; Blunt.
10935:List of Stone Age art
10698:
10612:
10462:Art Garden, Jerusalem
10147:
10132:
10001:1969, terrace of the
9545:Geometric abstraction
9474:who were pioneers of
9297:Geometric abstraction
9269:
9249:
9231:
8639:Daniel Chester French
8405:
8380:
8343:Double-headed serpent
8228:Moche portrait vessel
8010:Relief of a ruler, a
7895:A ceramic jug of the
7879:, its last phase—the
7861:Further information:
7849:Gebre Mesqel Lalibela
7776:, 6th–5th century BCE
7754:rock cut architecture
7742:Gebre Mesqel Lalibela
7690:Further information:
7442:
7431:
7347:, from a palace near
7276:
6833:
6412:
6384:Tokyo National Museum
6093:
6050:Chinese guardian lion
5772:Warring States period
5652:Northern Song dynasty
5642:
5561:Ancient Orient Museum
5355:
5194:
5173:Nymphenburg Porcelain
5148:Perseus and Andromeda
5038:Gardens of Versailles
5013:
4842:Piazza della Signoria
4813:
4672:Judith and Holofernes
4547:, and pieces for the
4485:in Venice; his pupil
4477:, best known for his
4475:Andrea del Verrocchio
4401:
4384:
4183:Adoration of the Magi
4038:and his followers in
3966:
3857:and similar objects.
3723:
3710:
3513:
3491:
3461:Great Cameo of France
3226:Great Cameo of France
3093:
3078:
2861:Alexander Sarcophagus
2758:
2746:
2701:(c. 432), one of the
2653:
2369:
2080:
1962:Stele of the Vultures
1857:
1824:Trundholm sun chariot
1588:Pre-Pottery Neolithic
1556:Trundholm sun chariot
1443:
1346:Andrea del Verrocchio
1296:, self-portrait from
1288:
1275:Magdalena Abakanowicz
1212:
1174:Further information:
1135:
1120:
987:
965:, originally used as
875:
797:Sculptures are often
722:
584:Easter Island culture
580:Mississippian culture
480:
463:
456:Purposes and subjects
290:
273:constructed sculpture
171:is the branch of the
154:
143:
127:San Pietro in Vincoli
108:
81:
56:
15083:Sculpture techniques
14962:Contemporary artists
14825:Destination painting
14622:Single-artist museum
14511:Conservator-restorer
14017:The Motherland Calls
13866:(c. 200 BCE – 70 CE)
13863:Laocoön and His Sons
13852:(c. 2nd century BCE)
13820:Great Sphinx of Giza
12960:Calkins, Robert G.;
12851:, December 13, 2006.
12772:. October 28, 1991.
12263:: 52. Archived from
12049:Olson, 41–46, 62–63.
10930:Outline of sculpture
10640:street art sculpture
10362:Museum of Modern Art
10322:Michael Craig-Martin
10307:One and Three Chairs
10003:New National Gallery
9872:The Grieving Parents
9855:style, Warsaw, 1931.
9851:, basalt relief in
9736:Alexander Archipenko
9403:with pieces such as
9080:)—the melodramatic (
8810:Ugolino and His Sons
8390:Santa Fe, New Mexico
7686:Ethiopia and Eritrea
7402:dagger with hilt in
7163:Stone bas-relief of
6678:Rock-cut temples at
6647:, 5th–6th century CE
6030:Jingdezhen porcelain
6016:, early 17th century
5898:Northern Wei dynasty
5166:Franz Anton Bustelli
5046:Gian Lorenzo Bernini
5015:Gian Lorenzo Bernini
4704:, female bust (cast)
4453:Filippo Brunelleschi
4338:Nottingham alabaster
4312:Holy Thorn Reliquary
4093:Holy Thorn Reliquary
4072:Nottingham alabaster
4032:International Gothic
3809:Basilica di San Zeno
3801:Hildesheim Cathedral
3492:Silver monster on a
3199:and the base of the
3152:Lucius Junius Brutus
3012:Laocoön and his Sons
2802:Laocoön and his Sons
2498: 2500–2400 BCE
2371:Charioteer of Delphi
2109:monumental sculpture
2099:Art of ancient Egypt
1871:Protoliterate period
1537:Tuc d'Audobert caves
1484:The 30 cm tall
1352:, Michelangelo, and
1041:repoussé and chasing
911:Monumental sculpture
699:were used in China,
664:Olmec colossal heads
523:is the most common.
422:street art sculpture
360:monumental sculpture
30:For other uses, see
14952:Art reference books
14746:History of painting
14330:Fine-art photograph
14009:Christ the Redeemer
14001:Shrine of Democracy
13955:, Statue of Liberty
13579:Styles of sculpture
13236:Sandars, Nancy K.,
13149:, Routledge, 1995,
13112:Paine, Robert Treat
13083:Henderson, George.
12802:on January 4, 2013.
12796:"Guggenheim museum"
12613:Castedo, Leopoldo,
12300:on January 14, 2021
12267:on October 18, 2020
11934:Dodwell, Chapter 2.
11632:Smith, 4–5, 208–09.
10765:Italian Renaissance
10605:Contemporary genres
9759:Constantin Brâncuși
9658:, 1907, limestone,
9414:Constantin Brâncuși
9145:Constantin Brâncuși
9078:Antoine-Louis Barye
9046:The Night (La Nuit)
8719:Dancer and Gazelles
8509:International Style
8467:Notre Dame Basilica
8438:, masks, utensils,
8135:Olmec Colossal Head
8068:Mesoamerican region
8042:Northwest Coast art
7972:Musawwarat es-Sufra
7608: 12th century
7528:African Great Lakes
7526:Populations in the
7242: 14th century
7204: 13th century
7020:from Bidor, Perak,
6937:temple, Indonesia,
6876:emerged before the
6391:Indian subcontinent
6339:, National Treasure
5687:. The spectacular
5543:, 3rd–4th centuries
5415:Indian subcontinent
5249:Jean-Antoine Houdon
5214:Jean-Antoine Houdon
4899:figura serpentinata
4483:Bartolomeo Colleoni
3973:Gothic architecture
3682:Harbaville Triptych
3238:Arch of Constantine
3197:Arch of Constantine
3171:in Rome, now lost.
3148:Tomb of the Scipios
2848:Hellenistic culture
2773:Alexander the Great
2751:, early 2nd century
2623:Amathus sarcophagus
2160:portion of the soul
1938:Neo-Assyrian Empire
1617:, the oldest known
1580:'Ain Ghazal Statues
1554:and the Bronze Age
1548:Gundestrup cauldron
1517:Venus of Willendorf
1502:Venus of Hohle Fels
1471:Aurignacian culture
1460:Prehistoric periods
1445:Venus of Willendorf
1233:and other regions.
832:. Since the 1960s,
450:Constantin Brâncuși
245:period. During the
90:gate guardian from
64:The Capitoline Gaul
15047:Visual arts portal
14977:National galleries
14830:Eclecticism in art
14785:Catalogue raisonné
14656:Artist cooperative
13985:Jules Verne's tomb
13884:Buddhas of Bamiyan
13842:Colossus of Rhodes
13826:Abu Simbel temples
13822:(c. 2558–2532 BCE)
13813:Notable sculptures
13483:Types of sculpture
13411:2009-08-31 at the
13131:and John Fleming,
12847:2015-11-18 at the
12770:The New York Times
12694:Curtis, Penelpoe,
12681:2012-08-25 at the
12635:Neumeyer, Alfred,
12596:2018-06-19 at the
12563:2018-05-28 at the
12364:The Asahi Shimbun.
12324:2009-05-25 at the
12020:Swansea Altarpiece
12011:2012-08-04 at the
11578:Frankfort, 141–93.
11542:Frankfort, 110–12.
11123:2014-10-06 at the
11118:Harvard exhibition
11056:2013-02-15 at the
11029:2022-12-04 at the
10984:2017-09-03 at the
10911:Visual arts portal
10705:
10683:, or hand-made by
10652:Kinetic sculptures
10624:
10574:Manfred Kielnhofer
10488:South Bank Circle,
10158:
10142:
9894:Birth of the Muses
9833:London Underground
9746:), 1912, destroyed
9440:Alberto Giacometti
9286:
9264:
9244:
9117:Alexander Matveyev
9084:) sentimentality (
8694:Frederic Remington
8670:Totem Pole of the
8571:Theodore Roosevelt
8561:, 1927–1941. L–R,
8428:
8419:sculpture modeled
8400:
8253:, Maya, 603–683 CE
8150:La Mojarra Stela 1
8137:No. 3 1200–900 BCE
7821:processional cross
7768:Stone statue from
7459:
7437:
7321:hardstone carvings
7279:
7171:temple, Cambodia,
7003: 8th century
6839:
6834:9th-century Khmer
6455:and the so-called
6429:
6366:Izumiya Tomotada,
6177:Kamakura shogunate
6113:
6082:Japanese sculpture
5655:
5575:The Buddhist gods
5541:Hadda, Afghanistan
5475:Corinthian columns
5419:Indo-Greek kingdom
5400:Corinthian capital
5371:Greco-Buddhist art
5368:
5348:Greco-Buddhist art
5299:Badger, Shropshire
5274:Bertel Thorvaldsen
5230:Bertel Thorvaldsen
5210:Neoclassical style
5206:
5124:Saint Veronica by
5029:
5000:Baroque and Rococo
4855:Hercules and Cacus
4830:
4822:Northern Mannerist
4819:Mercury and Psyche
4585:Florence Baptistry
4580:Sacrifice of Isaac
4512:Antonio Rossellino
4445:Florence Baptistry
4431:
4416:, with statues of
4396:
4237:. Paris, 1330–1350
4132:Chartres Cathedral
4109:Chartres Cathedral
3977:Chartres Cathedral
3969:
3788:Nicholas of Verdun
3734:
3718:
3691:, mid-10th century
3531:
3508:
3426:The Four Tetrarchs
3337:, 1st century CE.
3107:
3088:
2769:Hellenistic period
2765:
2753:
2664:
2382:
2240:Eighteenth dynasty
2231:Tutankhamun's mask
2095:
1867:
1846:Assyrian sculpture
1842:Art of Mesopotamia
1607:Hohlenstein-Stadel
1457:
1348:also painted, and
1302:
1215:
1149:
1130:
1001:
897:are shaped by the
888:
728:
695:or other types of
497:
475:
368:hardstone carvings
301:
291:Open air Buddhist
166:
149:
138:
133:, for the tomb of
103:
76:
72:Capitoline Museums
15060:
15059:
14651:Artist collective
14465:Site-specific art
14315:Cultural artifact
14248:
14247:
14222:Site-specific art
14080:
14079:
13970:The Golden Virgin
13962:The Gates of Hell
13896:Konark Sun Temple
13892:(c. 1194–1250 CE)
13890:Chartes Cathedral
13540:Kinetic sculpture
13425:"Sculpture"
13379:978-0-7141-2254-0
13369:Williams, Dyfri.
13350:978-0-19-538207-5
13335:978-0-19-538207-5
13290:978-3-943365-08-5
13259:978-1-58839-441-5
13232:978-0-7141-2815-3
13222:Robinson, James,
13212:, 2004, Prestel,
13204:978-0-7141-2446-9
13187:978-0-500-20253-1
13101:, Phaidon, 1983,
13087:, 1967, Penguin,
13015:978-1-58046-519-9
12946:Burnett, Andrew,
12941:978-1-84162-922-3
12735:978-0-19-512878-9
12716:978-0-8109-3934-9
12350:The Asahi Shimbun
11925:Robinson, 12, 15.
11889:Henig, Chapter 8.
11780:978-0-7538-2413-9
11745:Oxford Art Online
11702:"Tracking Colour"
11560:Frankfort, 71–73.
11551:Frankfort, 66–74.
11524:Frankfort, 61–66.
11515:Frankfort, 45–59.
11506:Frankfort, 24–37.
11475:978-0-495-57360-9
11450:Oxford Art Online
11428:978-0-7141-2333-2
11405:978-92-3-102810-6
11332:Oxford Art Online
11308:978-0-7112-6465-6
11241:978-0-9755383-0-2
11171:Ravi, B. (2004).
11040:978-0-521-28084-6
10920:List of sculptors
10717:ultraviolet light
10644:site-specific art
10628:environmental art
10597:Monument of Light
10566:Guardians of Time
10165:environmental art
10154:Palma de Mallorca
9913:Monolith-Empyrean
9831:, carved for the
9693:Amedeo Modigliani
9678:Figure décorative
9581:Giacomo Benevelli
9472:Frederick Kiesler
9432:Sir Jacob Epstein
9379:and subsequently
9188:Wilhelm Lehmbruck
9161:socialist realism
9157:Wilhelm Lehmbruck
9125:Antoine Bourdelle
8976:Antoine Bourdelle
8907:Piccadilly Circus
8699:The Bronco Buster
8563:George Washington
8193:Feathered Serpent
8058:in the north and
8038:Pre-Columbian art
8016:Kandake Amanitore
7974:, 3rd century BCE
7746:Solomonic dynasty
7286:famously aniconic
7257:bhūmisparsa mudrā
6992:Southern Thailand
6478:Pillars of Ashoka
6006:(Dehua porcelain)
5736:Chinese porcelain
5255:Benjamin Franklin
5224:, the Englishman
5144:Pierre Paul Puget
5075:Roman Catholicism
5069:, continued, the
5025:Galleria Borghese
5020:Apollo and Daphne
5006:Baroque sculpture
4941:Benvenuto Cellini
4860:Benvenuto Cellini
4850:Baccio Bandinelli
4702:Francesco Laurana
4603:Luca della Robbia
4589:oblique view here
4508:Francesco Laurana
4487:Leonardo da Vinci
4479:equestrian statue
4457:Gates of Paradise
4207:equestrian statue
4028:pulpit in Pistoia
4026:, and Giovanni's
4008:Proto-Renaissance
3930:Pórtico da Gloria
3875:Baptism of Christ
3731:Cologne Cathedral
3567:treasure bindings
3442:San Marco, Venice
3314:Capitoline Brutus
3300:, 3rd century BCE
3261:, now in Venice.
2829:Tanagra figurines
2684:Parthenon Marbles
2296:on the left, and
2087:Bust of Nefertiti
2046:, around 1800 BCE
1836:Ancient Near East
1755:Swimming Reindeer
1568:ancient Near East
1562:Ancient Near East
1552:European Iron Age
1525:Swimming Reindeer
1475:Upper Paleolithic
1426:Buddhas of Bamyan
1397:Eastern Orthodoxy
1330:Arnolfo di Cambio
1306:literati painting
1227:African sculpture
919:Hardstone carving
620:Pre-Columbian art
616:Tanagra figurines
598:Small decorative
505:ancient Greek art
438:site-specific art
426:kinetic sculpture
414:environmental art
401:, medal or coin.
387:equestrian statue
379:largest on record
211:or modelling, or
175:that operates in
39:Digital sculpting
18:Outdoor sculpture
16:(Redirected from
15095:
15016:Stolen paintings
14884:Sociology of art
14835:Economics of art
14686:Sculpture garden
14671:Artist-run space
14470:Social sculpture
14340:Installation art
14275:
14268:
14261:
14252:
14251:
14107:
14100:
14093:
14084:
14083:
14065:
14064:
14025:Fallen Astronaut
13742:Modern materials
13606:Modern sculpture
13535:Installation art
13469:
13462:
13455:
13446:
13445:
13435:
13427:
13263:
13160:Kitzinger, Ernst
13038:Frankfort, Henri
12964:, Dutton, 1979,
12883:Boucher, Bruce,
12871:
12858:
12852:
12836:
12830:
12829:
12827:
12825:
12814:"Dia Foundation"
12810:
12804:
12803:
12798:. Archived from
12792:
12786:
12785:
12783:
12781:
12758:
12752:
12743:
12737:
12724:
12718:
12705:
12699:
12692:
12686:
12671:
12665:
12650:
12644:
12641:The Art Bulletin
12633:
12627:
12624:
12618:
12611:
12605:
12587:
12581:
12578:
12572:
12554:
12548:
12545:
12536:
12533:
12527:
12524:
12515:
12512:
12506:
12503:
12497:
12494:
12488:
12485:
12479:
12476:
12467:
12464:
12458:
12455:
12449:
12446:
12440:
12437:
12431:
12428:
12422:
12419:
12413:
12410:
12404:
12401:
12392:
12389:
12383:
12380:
12374:
12371:
12365:
12359:
12353:
12347:Kotobank, Jōchō.
12344:
12338:
12335:
12329:
12316:
12310:
12309:
12307:
12305:
12296:. Archived from
12286:
12277:
12276:
12274:
12272:
12252:
12243:
12240:
12234:
12231:
12225:
12222:
12216:
12213:
12207:
12204:
12198:
12195:
12189:
12186:
12180:
12177:
12171:
12168:
12162:
12159:
12153:
12150:
12144:
12137:
12131:
12128:
12122:
12119:
12113:
12110:
12104:
12101:
12095:
12092:
12086:
12083:
12077:
12074:
12068:
12065:
12059:
12056:
12050:
12047:
12041:
12038:
12032:
12031:Calkins, 193–98.
12029:
12023:
12004:
11998:
11995:
11989:
11986:
11980:
11977:
11971:
11968:
11962:
11961:Calkins, 115–32.
11959:
11953:
11952:Calkins, 107–14.
11950:
11944:
11941:
11935:
11932:
11926:
11923:
11917:
11914:
11908:
11905:
11899:
11896:
11890:
11887:
11881:
11878:
11872:
11869:
11863:
11860:
11854:
11851:
11845:
11834:
11828:
11825:
11819:
11816:
11810:
11807:
11801:
11798:
11792:
11789:
11783:
11772:
11766:
11763:
11757:
11754:
11748:
11737:
11731:
11728:
11722:
11721:
11719:
11717:
11698:
11692:
11691:
11689:
11687:
11668:
11662:
11659:
11653:
11648:
11642:
11639:
11633:
11630:
11624:
11621:
11615:
11612:
11606:
11603:
11597:
11594:
11588:
11585:
11579:
11576:
11570:
11567:
11561:
11558:
11552:
11549:
11543:
11540:
11534:
11531:
11525:
11522:
11516:
11513:
11507:
11504:
11498:
11495:
11489:
11486:
11480:
11479:
11459:
11453:
11446:
11440:
11437:
11431:
11418:Cook, J. (2013)
11416:
11410:
11409:
11389:
11383:
11376:
11370:
11369:
11367:
11365:
11350:
11344:
11341:
11335:
11328:
11322:
11319:
11313:
11312:
11294:
11288:
11285:
11279:
11266:
11260:
11259:
11253:
11245:
11227:
11221:
11220:
11218:
11216:
11201:
11195:
11194:
11192:
11190:
11184:
11177:
11168:
11162:
11161:
11159:
11157:
11142:
11136:
11133:
11127:
11110:
11104:
11103:
11101:
11099:
11084:
11078:
11067:
11061:
11048:
11042:
11019:
11010:
10998:
10989:
10976:
10913:
10908:
10907:
10890:Sculpture garden
10673:Takashi Murakami
10665:Sound sculptures
10588:
10562:
10545:Rachel Whiteread
10541:
10518:
10499:
10480:
10448:
10421:
10395:
10373:
10350:
10296:installation art
10256:Eduardo Paolozzi
10245:Dennis Oppenheim
10169:Andy Goldsworthy
10118:Museo Guggenheim
10116:, 1999, outside
10108:Louise Bourgeois
10104:
10083:
10069:Black Cover Flat
10065:Sir Anthony Caro
10061:
10039:
10021:Alexander Calder
10017:
10007:Kinetic sculptor
9991:
9972:
9950:
9928:John Chamberlain
9924:
9909:Barbara Hepworth
9905:
9890:Jacques Lipchitz
9886:
9864:
9844:
9821:
9800:
9781:
9755:
9740:La Vie Familiale
9732:
9711:
9689:
9670:
9648:
9585:Arnaldo Pomodoro
9561:John Chamberlain
9557:welded sculpture
9553:Sir Anthony Caro
9526:Louise Bourgeois
9510:Alexander Calder
9460:Alexander Calder
9456:Jacques Lipchitz
9345:Installation art
9224:Modern sculpture
9204:Venanzo Crocetti
9133:Libero Andreotti
9113:Aristide Maillol
9064:Robert Wlérick,
9061:
9050:Tuileries Garden
9042:Aristide Maillol
9038:
9024:Before the Bath,
9016:
8995:
8982:, marble, 1903,
8972:
8947:
8921:
8895:, the so-called
8889:
8862:
8825:
8801:
8774:
8734:
8725:, Washington, DC
8711:
8690:
8663:
8653:Washington, D.C.
8649:Lincoln Memorial
8635:
8605:
8586:
8567:Thomas Jefferson
8545:
8482:Carpenter Gothic
8425:
8422:
8398:
8395:
8364:
8361:
8338:
8329:
8326:
8316:
8301:
8286:
8274:
8262:
8243:
8224:
8204:
8188:
8173:
8161:
8146:
8131:
8119:
8104:
8018:, 1st century CE
8012:Candace of Meroë
8007:
7983:
7967:
7943:
7907:
7892:
7836:
7816:
7807:, 4th century CE
7800:
7790:Kingdom of Aksum
7785:
7765:
7674:
7658:
7642:
7630:
7618:
7609:
7606:
7593:
7574:
7559:
7510:Akan goldweights
7452:
7451: late 19th
7449:
7396:
7376:
7360:
7340:
7252:
7243:
7240:
7230:
7214:
7205:
7202:
7186:
7177:
7174:
7160:
7151:
7148:
7130:
7121:
7118:
7108:
7089:
7079:
7076:
7059:
7040:
7030:
7027:
7013:
7004:
7001:
6979:
6969:
6966:
6953:
6943:
6940:
6924:
6914:
6911:
6897:
6817:
6794:
6781:
6778:
6768:
6753:
6737:
6721:
6690:
6675:
6656:
6640:
6630:
6627:
6614:
6605:
6602:
6585:
6565:
6539:
6536:
6511:
6508:
6467:
6464:
6431:The first known
6379:
6363:
6348:
6328:
6309:
6294:
6278:
6263:
6253:
6250:
6240:
6225:
6175:established the
6103:
6100:
6066:
6063:
6045:
6025:
5992:
5973:
5953:
5933:
5912:
5894:
5867:
5858:(202 BCE—220 CE)
5851:
5815:
5806:
5803:
5789:
5780:
5777:
5767:
5747:
5674:
5671:
5627:Chinese ceramics
5607:
5604:
5595:
5572:
5552:
5533:
5517:
5497:
5466:
5316:
5307:
5304:
5291:
5270:
5245:
5162:
5140:
5121:
5111:Antoine Coysevox
5102:
5071:Dutch Golden Age
4979:
4958:
4937:
4911:
4838:High Renaissance
4815:Adriaen de Vries
4794:
4793: 1513–1516
4791:
4776:
4759:
4756:
4741:
4713:
4698:
4681:
4678:
4663:
4646:
4643:
4629:
4615:
4612:
4599:
4575:Lorenzo Ghiberti
4571:
4449:Lorenzo Ghiberti
4415:
4412:
4349:
4327:
4307:
4281:
4265:
4246:
4222:
4203:Bamberg Horseman
4198:
4170:
4150:
4140:
4137:
4130:South portal of
4127:
4117:
4114:
4104:
4020:Fontana Maggiore
3985:
3982:
3946:
3943:
3926:
3907:
3890:The tympanum of
3887:
3866:
3855:pectoral crosses
3677:
3661:
3641:
3543:Migration period
3535:Early Christians
3524:
3521:
3506:
3503:
3469:
3466:
3452:
3435:
3432:
3421:
3411:
3408:
3395:
3374:
3371:
3366:Emperor Claudius
3361:
3349:
3325:
3309:
3291:
3280:consular diptych
3256:
3253:
3194:
3193:
3169:Colossus of Nero
3104:
3103:
3053:
3050:
3044:Apollo Belvedere
3035:
3007:
2990:
2987:
2976:
2963:
2960:
2948:
2930:
2918:
2897:
2881:
2781:Battle of Actium
2718:Athena Promachos
2708:Athena Parthenos
2696:chryselephantine
2662:, c. 447–433 BCE
2618:
2609:
2606:
2601:Temple of Aphaea
2596:
2584:Acropolis Museum
2570:
2547:
2534:
2531:
2521:
2509:
2499:
2496:
2490:
2478:
2455:Temple of Aphaea
2436:, including the
2378:bronze sculpture
2331:
2312:
2282:
2269:
2266:
2255:
2242:
2236:
2227:
2215:
2200:
2181:
2149:Egyptian temples
2055:
2035:
2024:Statues of Gudea
2019:
2003:
1958:votive offerings
1920:Ram in a Thicket
1819:
1800:
1791:
1790: 9,000 BCE
1788:
1783:Şanlıurfa Museum
1775:
1761:
1750:
1732:
1728:
1719:
1709:
1705:
1700:Venus of Laussel
1696:
1686:
1682:
1669:
1659:
1655:
1642:
1632:
1628:
1599:
1522:
1499:
1454:
1450:
1408:. Many forms of
1387:originated with
1365:High Renaissance
1354:Jacopo Sansovino
1298:St Lorenz Church
1187:plaster of Paris
1136:A carved wooden
1090:Oxy-fuel welding
1076:lost-wax casting
1025:marble sculpture
1016:bronze sculpture
886:
883:
878:Temple of Aphaea
838:Andy Goldsworthy
826:Alexander Calder
756:chryselephantine
705:Neolithic Europe
651:statues of Gudea
608:Contemporary art
513:Egyptian temples
490:
487:
446:sculpture garden
339:, metalwork and
297:Longmen Grottoes
251:Gothic sculpture
177:three dimensions
124:
123: 1513–1515
121:
100:
97:
21:
15103:
15102:
15098:
15097:
15096:
15094:
15093:
15092:
15063:
15062:
15061:
15056:
15042:Painting portal
15033:
14940:sculpture parks
14893:
14852:Elements of art
14820:Cultural policy
14762:
14714:Timeline of art
14700:
14691:Sculpture trail
14570:
14564:
14489:
14406:Performance art
14288:
14279:
14249:
14244:
14231:
14162:Decorative arts
14116:
14111:
14081:
14076:
14053:
14047:Statue of Unity
13999:Mount Rushmore
13992:Abraham Lincoln
13945:Lion of Belfort
13938:Nelson's Column
13856:Terracotta Army
13808:
13737:
13651:
13620:
13574:
13478:
13473:
13440:Tracking Colour
13413:Wayback Machine
13392:Sculpture "hub"
13388:
13383:
13280:Simon, Joshua.
13260:
13192:Rawson, Jessica
12879:
12874:
12868:Wayback Machine
12859:
12855:
12849:Wayback Machine
12837:
12833:
12823:
12821:
12812:
12811:
12807:
12794:
12793:
12789:
12779:
12777:
12760:
12759:
12755:
12744:
12740:
12725:
12721:
12706:
12702:
12693:
12689:
12683:Wayback Machine
12672:
12668:
12651:
12647:
12634:
12630:
12625:
12621:
12612:
12608:
12598:Wayback Machine
12588:
12584:
12579:
12575:
12565:Wayback Machine
12555:
12551:
12546:
12539:
12534:
12530:
12525:
12518:
12513:
12509:
12504:
12500:
12495:
12491:
12486:
12482:
12477:
12470:
12465:
12461:
12456:
12452:
12447:
12443:
12438:
12434:
12429:
12425:
12420:
12416:
12411:
12407:
12402:
12395:
12390:
12386:
12381:
12377:
12372:
12368:
12360:
12356:
12345:
12341:
12336:
12332:
12326:Wayback Machine
12317:
12313:
12303:
12301:
12288:
12287:
12280:
12270:
12268:
12253:
12246:
12241:
12237:
12232:
12228:
12223:
12219:
12214:
12210:
12206:Rawson, 138–38.
12205:
12201:
12196:
12192:
12187:
12183:
12178:
12174:
12169:
12165:
12160:
12156:
12152:Boucher, 16–18.
12151:
12147:
12138:
12134:
12130:Olson, 194–202.
12129:
12125:
12120:
12116:
12111:
12107:
12102:
12098:
12093:
12089:
12084:
12080:
12075:
12071:
12066:
12062:
12057:
12053:
12048:
12044:
12039:
12035:
12030:
12026:
12013:Wayback Machine
12005:
12001:
11997:Snyder, 305–11.
11996:
11992:
11987:
11983:
11978:
11974:
11969:
11965:
11960:
11956:
11951:
11947:
11942:
11938:
11933:
11929:
11924:
11920:
11915:
11911:
11906:
11902:
11897:
11893:
11888:
11884:
11879:
11875:
11870:
11866:
11861:
11857:
11852:
11848:
11835:
11831:
11826:
11822:
11817:
11813:
11808:
11804:
11799:
11795:
11790:
11786:
11773:
11769:
11764:
11760:
11755:
11751:
11738:
11734:
11729:
11725:
11715:
11713:
11700:
11699:
11695:
11685:
11683:
11670:
11669:
11665:
11660:
11656:
11649:
11645:
11640:
11636:
11631:
11627:
11622:
11618:
11613:
11609:
11604:
11600:
11595:
11591:
11586:
11582:
11577:
11573:
11568:
11564:
11559:
11555:
11550:
11546:
11541:
11537:
11532:
11528:
11523:
11519:
11514:
11510:
11505:
11501:
11496:
11492:
11488:Sandars, 75–80.
11487:
11483:
11476:
11460:
11456:
11447:
11443:
11438:
11434:
11417:
11413:
11406:
11390:
11386:
11377:
11373:
11363:
11361:
11352:
11351:
11347:
11342:
11338:
11329:
11325:
11321:Rawson, 134–35.
11320:
11316:
11309:
11295:
11291:
11286:
11282:
11276:Wayback Machine
11267:
11263:
11247:
11246:
11242:
11228:
11224:
11214:
11212:
11203:
11202:
11198:
11188:
11186:
11182:
11175:
11169:
11165:
11155:
11153:
11144:
11143:
11139:
11134:
11130:
11125:Wayback Machine
11111:
11107:
11097:
11095:
11086:
11085:
11081:
11068:
11064:
11058:Wayback Machine
11051:NGA, Washington
11049:
11045:
11031:Wayback Machine
11020:
11013:
11008:Wayback Machine
10999:
10992:
10986:Wayback Machine
10977:
10973:
10969:
10964:
10909:
10902:
10899:
10894:
10848:
10843:
10774:
10769:
10750:
10745:
10693:
10660:Snow sculptures
10636:Light sculpture
10620:Robert Smithson
10607:
10600:
10593:Spire of Dublin
10589:
10580:
10570:light sculpture
10563:
10554:
10542:
10533:
10519:
10510:
10500:
10491:
10481:
10472:
10463:
10449:
10440:
10422:
10413:
10396:
10387:
10374:
10365:
10351:
10342:
10324:, and those of
10272:Edward Kienholz
10264:Claes Oldenburg
10209:Robert Smithson
10173:Walter De Maria
10152:
10127:
10120:
10105:
10096:
10084:
10075:
10071:, 1974, steel,
10062:
10053:
10043:Louise Nevelson
10040:
10031:
10018:
10009:
9992:
9983:
9980:Chicago Picasso
9973:
9964:
9951:
9942:
9940:Washington, DC.
9925:
9916:
9906:
9897:
9887:
9878:
9865:
9856:
9845:
9836:
9822:
9813:
9801:
9792:
9782:
9773:
9756:
9747:
9733:
9724:
9712:
9703:
9690:
9681:
9671:
9662:
9649:
9640:
9632:Fernando Botero
9620:Marisol Escobar
9571:, Donald Judd,
9534:Louise Nevelson
9518:Richard Lippold
9493:Chicago Picasso
9428:Gaston Lachaise
9423:series (1924).
9237:Floating Figure
9233:Gaston Lachaise
9226:
9220:
9208:Charles Despiau
9137:Gustav Vigeland
9102:Camille Claudel
9072:
9062:
9053:
9039:
9030:
9017:
9008:
8999:Camille Claudel
8996:
8987:
8984:Musée Bourdelle
8973:
8964:
8948:
8939:
8922:
8913:
8890:
8881:
8863:
8854:
8826:
8817:
8802:
8793:
8775:
8766:
8761:
8754:
8735:
8726:
8712:
8703:
8691:
8682:
8680:Battle of Sitka
8664:
8655:
8644:Abraham Lincoln
8636:
8627:
8606:
8597:
8587:
8578:
8575:Abraham Lincoln
8553:Lincoln Borglum
8546:
8495:The history of
8478:Churrigueresque
8423:
8396:
8373:
8366:
8362:
8339:
8330:
8327:
8317:
8308:
8307:face 600–900 CE
8302:
8293:
8287:
8278:
8275:
8266:
8263:
8254:
8244:
8235:
8225:
8216:
8205:
8196:
8189:
8180:
8179:mask 200–600 CE
8174:
8165:
8162:
8153:
8147:
8138:
8132:
8123:
8120:
8111:
8105:
8096:
8048:
8026:
8019:
8008:
7999:
7996:Kingdom of Kush
7992:Meroitic period
7984:
7975:
7968:
7959:
7944:
7935:
7908:
7899:
7893:
7881:Meroitic period
7877:Kingdom of Kush
7865:
7863:Nubian pyramids
7859:
7852:
7837:
7828:
7817:
7808:
7805:Obelisk of Axum
7801:
7792:
7786:
7777:
7774:Tigray Province
7766:
7748:. However, the
7698:
7688:
7681:
7680:figure, Nigeria
7675:
7666:
7659:
7650:
7643:
7634:
7631:
7622:
7619:
7610:
7607:
7594:
7585:
7575:
7566:
7560:
7488:Kingdom of Kush
7450:
7426:
7419:
7397:
7388:
7377:
7368:
7361:
7352:
7341:
7271:
7264:
7253:
7244:
7241:
7231:
7222:
7215:
7206:
7203:
7187:
7178:
7175:
7161:
7152:
7149:
7131:
7122:
7119:
7109:
7100:
7090:
7081:
7077:
7060:
7051:
7041:
7032:
7028:
7018:Avalokiteshvara
7014:
7005:
7002:
6980:
6971:
6967:
6954:
6945:
6941:
6925:
6916:
6912:
6898:
6843:Khmer sculpture
6828:
6826:South-East Asia
6821:
6818:
6809:
6795:
6786:
6779:
6769:
6760:
6754:
6745:
6738:
6729:
6722:
6713:
6691:
6682:
6676:
6667:
6665:Elephanta Caves
6657:
6648:
6641:
6632:
6628:
6615:
6606:
6603:
6586:
6577:
6566:
6554:Pallava dynasty
6537:
6522:Elephanta Caves
6509:
6466: 1500 BCE
6465:
6407:
6393:
6386:
6380:
6371:
6364:
6355:
6349:
6340:
6329:
6320:
6310:
6301:
6295:
6286:
6279:
6270:
6264:
6255:
6252: 2750 BCE
6251:
6241:
6169:Kamakura period
6124:pottery vessels
6101:
6088:
6074:
6067:
6064:
6046:
6037:
6026:
6017:
5993:
5984:
5974:
5965:
5954:
5945:
5934:
5925:
5913:
5904:
5895:
5886:
5874:container with
5868:
5859:
5852:
5843:
5816:
5807:
5804:
5794:Terracotta Army
5790:
5781:
5778:
5768:
5759:
5748:
5689:Terracotta Army
5673: 1500 BCE
5672:
5637:
5621:Main articles:
5619:
5612:
5605:
5596:
5587:
5573:
5564:
5553:
5544:
5534:
5525:
5518:
5509:
5498:
5489:
5467:
5437:, and then the
5383:Classical Greek
5350:
5344:
5339:
5332:
5325:The Greek Slave
5317:
5308:
5305:
5292:
5283:
5271:
5262:
5246:
5189:
5183:
5176:
5163:
5154:
5152:Musée du Louvre
5141:
5132:
5126:Francesco Mochi
5122:
5113:
5103:
5008:
5002:
4995:
4980:
4971:
4959:
4950:
4938:
4929:
4912:
4808:
4802:
4795:
4792:
4777:
4768:
4757:
4742:
4733:
4722:Doubting Thomas
4714:
4705:
4699:
4690:
4684:Palazzo Vecchio
4679:
4664:
4655:
4649:Bargello Museum
4644:
4630:
4621:
4613:
4600:
4591:
4577:, panel of the
4572:
4441:
4433:Main articles:
4413:
4379:
4372:
4350:
4341:
4328:
4319:
4308:
4299:
4282:
4273:
4268:Central German
4266:
4257:
4247:
4238:
4223:
4214:
4199:
4190:
4171:
4162:
4155:Reims Cathedral
4153:West portal at
4151:
4142:
4138:
4128:
4119:
4115:
4107:West portal of
4105:
3993:Reims Cathedral
3983:
3961:
3955:
3948:
3947:–13th centuries
3944:
3927:
3918:
3908:
3899:
3898:, France, 1130s
3888:
3879:
3867:
3828:Cloisters Cross
3705:
3699:
3692:
3678:
3669:
3662:
3653:
3646:Archangel Ivory
3642:
3563:Carolingian art
3557:productions of
3522:
3504:
3486:
3479:
3467:
3453:
3444:
3433:
3422:
3413:
3409:
3396:
3387:
3385:Vatican Museums
3372:
3362:
3353:
3350:
3341:
3339:Vatican Museums
3326:
3317:
3310:
3301:
3292:
3263:Ernst Kitzinger
3254:
3230:pottery vessels
3205:Campana reliefs
3185:Marcus Aurelius
3081:Trajan's Column
3073:
3071:Roman sculpture
3067:
3065:Roman sculpture
3062:
3055:
3051:
3036:
3027:
3015:, Greek, (Late
3008:
2999:
2988:
2977:
2968:
2961:
2949:
2940:
2931:
2922:
2919:
2910:
2898:
2889:
2882:
2807:Vatican Museums
2785:Republican Rome
2741:
2724:Ludovisi Hermes
2648:
2641:
2619:
2610:
2607:
2597:
2586:
2571:
2562:
2548:
2539:
2532:
2526:New York Kouros
2522:
2513:
2510:
2501:
2497:
2491:
2482:
2479:
2396:The subsequent
2364:
2358:
2353:
2346:
2332:
2323:
2313:
2304:
2283:
2274:
2268: 1250 BCE
2267:
2256:
2247:
2245:Egyptian Museum
2237:
2228:
2219:
2216:
2207:
2201:
2192:
2182:
2105:
2075:
2068:
2056:
2047:
2036:
2027:
2020:
2011:
2008:Guennol Lioness
2004:
1988:Lachish reliefs
1891:Guennol Lioness
1877:, dominated by
1852:
1840:Main articles:
1838:
1831:
1820:
1811:
1801:
1792:
1789:
1776:
1767:
1759:
1751:
1742:
1730:
1726:
1723:Creeping Hyena,
1720:
1711:
1707:
1703:
1697:
1688:
1684:
1680:
1670:
1661:
1657:
1653:
1643:
1634:
1630:
1626:
1619:anthropomorphic
1600:
1564:
1520:
1513:Venus figurines
1509:prehistoric art
1507:Much surviving
1497:
1490:anthropomorphic
1467:
1462:
1452:
1448:
1438:
1382:
1350:Giovanni Pisano
1283:
1259:Claes Oldenburg
1255:soft sculptures
1251:
1207:
1178:
1172:
1146:Shanghai Museum
1115:
982:
925:stones such as
891:Stone sculpture
884:
870:
717:
488:
458:
430:physical motion
410:light sculpture
406:sound sculpture
383:Statue of Unity
285:
122:
98:
49:
42:
35:
28:
23:
22:
15:
12:
11:
5:
15101:
15091:
15090:
15085:
15080:
15075:
15058:
15057:
15055:
15054:
15049:
15044:
15038:
15035:
15034:
15032:
15031:
15018:
15013:
15012:
15011:
15001:
14996:
14995:
14994:
14992:by nationality
14989:
14979:
14974:
14972:Modern artists
14969:
14964:
14959:
14954:
14949:
14948:
14947:
14942:
14937:
14932:
14922:
14917:
14915:Art techniques
14912:
14907:
14901:
14899:
14895:
14894:
14892:
14891:
14886:
14881:
14876:
14875:
14874:
14869:
14859:
14854:
14849:
14848:
14847:
14842:
14832:
14827:
14822:
14817:
14816:
14815:
14805:
14804:
14803:
14801:deaccessioning
14793:
14788:
14781:
14776:
14770:
14768:
14764:
14763:
14761:
14760:
14755:
14754:
14753:
14743:
14742:
14741:
14731:
14726:
14721:
14716:
14710:
14708:
14706:History of art
14702:
14701:
14699:
14698:
14696:Virtual museum
14693:
14688:
14683:
14678:
14673:
14668:
14663:
14658:
14653:
14648:
14643:
14638:
14637:
14636:
14626:
14625:
14624:
14614:
14613:
14612:
14602:
14601:
14600:
14593:Art exhibition
14590:
14585:
14580:
14574:
14572:
14566:
14565:
14563:
14562:
14561:
14560:
14550:
14545:
14540:
14535:
14530:
14525:
14524:
14523:
14518:
14508:
14503:
14497:
14495:
14491:
14490:
14488:
14487:
14482:
14477:
14475:Soft sculpture
14472:
14467:
14462:
14461:
14460:
14455:
14450:
14445:
14435:
14434:
14433:
14423:
14418:
14413:
14408:
14403:
14398:
14397:
14396:
14391:
14386:
14376:
14375:
14374:
14369:
14359:
14358:
14357:
14347:
14342:
14337:
14332:
14327:
14322:
14317:
14312:
14310:Conceptual art
14307:
14302:
14296:
14294:
14290:
14289:
14278:
14277:
14270:
14263:
14255:
14246:
14245:
14243:
14242:
14236:
14233:
14232:
14230:
14229:
14224:
14219:
14214:
14209:
14204:
14199:
14194:
14189:
14184:
14179:
14174:
14169:
14164:
14159:
14158:
14157:
14147:
14142:
14137:
14132:
14127:
14121:
14118:
14117:
14110:
14109:
14102:
14095:
14087:
14078:
14077:
14075:
14074:
14069:
14058:
14055:
14054:
14052:
14051:
14043:
14037:
14033:Mother Ukraine
14029:
14021:
14013:
14005:
13996:
13988:
13982:
13974:
13966:
13958:
13949:
13941:
13935:
13929:
13921:
13913:
13905:
13899:
13893:
13887:
13881:
13875:
13867:
13859:
13853:
13845:
13839:
13829:
13823:
13816:
13814:
13810:
13809:
13807:
13806:
13801:
13796:
13791:
13786:
13781:
13776:
13771:
13766:
13761:
13756:
13751:
13745:
13743:
13739:
13738:
13736:
13735:
13730:
13725:
13720:
13715:
13710:
13705:
13700:
13695:
13690:
13685:
13680:
13675:
13670:
13665:
13659:
13657:
13653:
13652:
13650:
13649:
13644:
13639:
13637:Negative space
13634:
13628:
13626:
13622:
13621:
13619:
13618:
13613:
13608:
13603:
13601:Jain sculpture
13598:
13593:
13588:
13582:
13580:
13576:
13575:
13573:
13572:
13567:
13562:
13560:Soft sculpture
13557:
13552:
13547:
13542:
13537:
13532:
13527:
13522:
13517:
13512:
13507:
13502:
13497:
13492:
13486:
13484:
13480:
13479:
13472:
13471:
13464:
13457:
13449:
13443:
13442:
13436:
13422:, ed. (1911).
13420:Chisholm, Hugh
13416:
13403:
13398:
13387:
13386:External links
13384:
13382:
13381:
13367:
13353:
13338:
13323:
13306:
13292:
13282:Neomaterialism
13278:
13264:
13258:
13241:
13234:
13220:
13206:
13189:
13175:
13157:
13143:
13126:
13109:
13095:
13081:
13069:Harle, J. C.,
13067:
13052:
13035:
13018:
13003:
12986:
12974:Cherry, John.
12972:
12958:
12944:
12929:
12915:Boardman, John
12912:
12895:
12880:
12878:
12875:
12873:
12872:
12853:
12831:
12805:
12787:
12753:
12738:
12719:
12700:
12687:
12666:
12645:
12628:
12619:
12606:
12582:
12573:
12549:
12537:
12528:
12516:
12507:
12498:
12489:
12480:
12468:
12459:
12450:
12441:
12439:Harle, 276–84.
12432:
12423:
12414:
12405:
12393:
12384:
12375:
12366:
12354:
12339:
12330:
12311:
12278:
12244:
12235:
12226:
12224:Rawson, 163–65
12217:
12208:
12199:
12190:
12181:
12172:
12163:
12154:
12145:
12141:Cornaro chapel
12132:
12123:
12121:Olson, 182–83.
12114:
12112:Olson, 183–87.
12105:
12103:Olson, 179–82.
12096:
12087:
12078:
12076:Olson, 149–50.
12069:
12060:
12051:
12042:
12033:
12024:
12016:V&A Museum
11999:
11990:
11988:Snyder, 65–69.
11981:
11972:
11963:
11954:
11945:
11936:
11927:
11918:
11909:
11900:
11891:
11882:
11873:
11864:
11855:
11846:
11829:
11820:
11811:
11802:
11793:
11784:
11767:
11758:
11749:
11732:
11723:
11693:
11663:
11654:
11643:
11634:
11625:
11616:
11607:
11598:
11589:
11580:
11571:
11562:
11553:
11544:
11535:
11526:
11517:
11508:
11499:
11490:
11481:
11474:
11454:
11441:
11432:
11411:
11404:
11384:
11371:
11345:
11336:
11323:
11314:
11307:
11289:
11280:
11261:
11240:
11222:
11196:
11163:
11137:
11128:
11105:
11079:
11062:
11043:
11011:
10990:
10970:
10968:
10965:
10963:
10962:
10957:
10952:
10947:
10942:
10937:
10932:
10927:
10922:
10916:
10915:
10914:
10898:
10895:
10893:
10892:
10887:
10886:
10885:
10875:
10870:
10865:
10863:Marriage stone
10860:
10855:
10849:
10847:
10844:
10842:
10841:
10836:
10831:
10826:
10821:
10816:
10811:
10806:
10801:
10796:
10791:
10786:
10781:
10775:
10773:
10770:
10768:
10767:
10762:
10757:
10751:
10749:
10746:
10744:
10741:
10703:on a sculpture
10692:
10689:
10679:, designed by
10606:
10603:
10602:
10601:
10590:
10583:
10581:
10564:
10557:
10555:
10553:, Vienna, 2000
10543:
10536:
10534:
10520:
10513:
10511:
10501:
10494:
10492:
10482:
10475:
10471:
10469:Postminimalism
10466:
10465:
10464:
10450:
10443:
10441:
10423:
10416:
10414:
10397:
10390:
10388:
10375:
10368:
10366:
10352:
10345:
10341:
10338:
10310:, 1965, is by
10302:Conceptual art
10249:Postminimalist
10213:Michael Heizer
10126:
10123:
10122:
10121:
10106:
10099:
10097:
10092:Woman and Bird
10085:
10078:
10076:
10063:
10056:
10054:
10041:
10034:
10032:
10019:
10012:
10010:
9993:
9986:
9984:
9974:
9967:
9965:
9952:
9945:
9943:
9926:
9919:
9917:
9907:
9900:
9898:
9888:
9881:
9879:
9868:Käthe Kollwitz
9866:
9859:
9857:
9846:
9839:
9837:
9823:
9816:
9814:
9804:Marcel Duchamp
9802:
9795:
9793:
9785:Otto Gutfreund
9783:
9776:
9774:
9757:
9750:
9748:
9734:
9727:
9725:
9713:
9706:
9704:
9691:
9684:
9682:
9680:, 1908, bronze
9672:
9665:
9663:
9650:
9643:
9639:
9636:
9608:Leonard Baskin
9565:Mark di Suvero
9448:Julio González
9393:Marcel Duchamp
9389:Robert Arneson
9347:among others.
9309:Constructivism
9222:Main article:
9219:
9216:
9196:Arturo Martini
9176:Jose de Creeft
9121:Joseph Bernard
9106:Hugo Rheinhold
9074:
9073:
9063:
9056:
9054:
9040:
9033:
9031:
9018:
9011:
9009:
8997:
8990:
8988:
8974:
8967:
8965:
8949:
8942:
8940:
8923:
8916:
8914:
8893:Alfred Gilbert
8891:
8884:
8882:
8864:
8857:
8855:
8830:Per Hasselberg
8827:
8820:
8818:
8803:
8796:
8794:
8776:
8769:
8765:
8762:
8760:
8757:
8756:
8755:
8736:
8729:
8727:
8713:
8706:
8704:
8692:
8685:
8683:
8665:
8658:
8656:
8647:(1920) in the
8637:
8630:
8628:
8621:Beaumont Tower
8607:
8600:
8598:
8588:
8581:
8579:
8558:Mount Rushmore
8549:Gutzon Borglum
8547:
8540:
8372:
8369:
8368:
8367:
8340:
8333:
8331:
8328: 1000 CE
8318:
8311:
8309:
8303:
8296:
8294:
8288:
8281:
8279:
8276:
8269:
8267:
8264:
8257:
8255:
8245:
8238:
8236:
8226:
8219:
8217:
8206:
8199:
8197:
8190:
8183:
8181:
8175:
8168:
8166:
8163:
8156:
8154:
8152:2nd century CE
8148:
8141:
8139:
8133:
8126:
8124:
8121:
8114:
8112:
8106:
8099:
8095:
8092:
8025:
8022:
8021:
8020:
8009:
8002:
8000:
7985:
7978:
7976:
7969:
7962:
7960:
7946:Statue of the
7945:
7938:
7936:
7909:
7902:
7900:
7894:
7887:
7858:
7855:
7854:
7853:
7838:
7831:
7829:
7827:, 12th century
7818:
7811:
7809:
7802:
7795:
7793:
7787:
7780:
7778:
7767:
7760:
7696:Lalibela Cross
7687:
7684:
7683:
7682:
7676:
7669:
7667:
7665:, 19th century
7660:
7653:
7651:
7644:
7637:
7635:
7632:
7625:
7623:
7620:
7613:
7611:
7595:
7588:
7586:
7576:
7569:
7567:
7561:
7554:
7540:Zimbabwe Birds
7533:Great Zimbabwe
7425:
7422:
7421:
7420:
7398:
7391:
7389:
7378:
7371:
7369:
7362:
7355:
7353:
7345:Mshatta Facade
7342:
7335:
7294:Mshatta Facade
7270:
7267:
7266:
7265:
7254:
7247:
7245:
7232:
7225:
7223:
7216:
7209:
7207:
7190:Prajnaparamita
7188:
7181:
7179:
7162:
7155:
7153:
7132:
7125:
7123:
7113:Jayavarman VII
7110:
7103:
7101:
7091:
7084:
7082:
7061:
7054:
7052:
7042:
7035:
7033:
7015:
7008:
7006:
6981:
6974:
6972:
6955:
6948:
6946:
6926:
6919:
6917:
6899:
6892:
6827:
6824:
6823:
6822:
6819:
6812:
6810:
6796:
6789:
6787:
6770:
6763:
6761:
6755:
6748:
6746:
6739:
6732:
6730:
6723:
6716:
6714:
6692:
6685:
6683:
6677:
6670:
6668:
6658:
6651:
6649:
6642:
6635:
6633:
6616:
6609:
6607:
6604: 250 BCE
6587:
6580:
6578:
6567:
6560:
6447:in modern-day
6392:
6389:
6388:
6387:
6381:
6374:
6372:
6365:
6358:
6356:
6350:
6343:
6341:
6330:
6323:
6321:
6311:
6304:
6302:
6296:
6289:
6287:
6280:
6273:
6271:
6265:
6258:
6256:
6242:
6235:
6073:
6070:
6069:
6068:
6047:
6040:
6038:
6027:
6020:
6018:
6004:Blanc de Chine
5994:
5987:
5985:
5983:, 12th century
5975:
5968:
5966:
5955:
5948:
5946:
5935:
5928:
5926:
5914:
5907:
5905:
5896:
5889:
5887:
5869:
5862:
5860:
5853:
5846:
5844:
5817:
5810:
5808:
5791:
5784:
5782:
5769:
5762:
5760:
5749:
5742:
5618:
5615:
5614:
5613:
5597:
5590:
5588:
5574:
5567:
5565:
5554:
5547:
5545:
5535:
5528:
5526:
5519:
5512:
5510:
5508:, Afghanistan.
5499:
5492:
5490:
5468:
5461:
5455:Dunhuang Caves
5375:Greco-Buddhism
5346:Main article:
5343:
5340:
5338:
5335:
5334:
5333:
5318:
5311:
5309:
5293:
5286:
5284:
5272:
5265:
5263:
5247:
5240:
5222:Antonio Canova
5218:Antonio Canova
5196:Antonio Canova
5185:Main article:
5182:
5179:
5178:
5177:
5164:
5157:
5155:
5142:
5135:
5133:
5123:
5116:
5114:
5104:
5097:
5079:Trevi Fountain
5067:tomb monuments
5004:Main article:
5001:
4998:
4997:
4996:
4981:
4974:
4972:
4960:
4953:
4951:
4939:
4932:
4930:
4913:
4906:
4804:Main article:
4801:
4798:
4797:
4796:
4778:
4771:
4769:
4743:
4736:
4734:
4715:
4708:
4706:
4700:
4693:
4691:
4665:
4658:
4656:
4631:
4624:
4622:
4601:
4594:
4592:
4573:
4566:
4378:
4375:
4374:
4373:
4352:Detail of the
4351:
4344:
4342:
4329:
4322:
4320:
4309:
4302:
4300:
4283:
4276:
4274:
4267:
4260:
4258:
4248:
4241:
4239:
4227:Walters Casket
4224:
4217:
4215:
4200:
4193:
4191:
4172:
4165:
4163:
4152:
4145:
4143:
4129:
4122:
4120:
4106:
4099:
4064:Scaliger Tombs
3957:Main article:
3954:
3951:
3950:
3949:
3928:
3921:
3919:
3909:
3902:
3900:
3889:
3882:
3880:
3868:
3861:
3847:Lewis chessmen
3738:Romanesque art
3713:Brunswick Lion
3703:Romanesque art
3701:Main article:
3698:
3695:
3694:
3693:
3679:
3672:
3670:
3663:
3656:
3654:
3651:Constantinople
3643:
3636:
3626:Pictish stones
3523: 965–970
3485:
3482:
3481:
3480:
3478:and his family
3459:known as the "
3454:
3447:
3445:
3423:
3416:
3414:
3397:
3390:
3388:
3363:
3356:
3354:
3351:
3344:
3342:
3327:
3320:
3318:
3311:
3304:
3302:
3293:
3286:
3259:Constantinople
3247:Four Tetrarchs
3218:Gemma Augustea
3123:Roman Republic
3069:Main article:
3066:
3063:
3061:
3058:
3057:
3056:
3037:
3030:
3028:
3025:Vatican Museum
3009:
3002:
3000:
2978:
2971:
2969:
2962: 190 BCE
2950:
2943:
2941:
2932:
2925:
2923:
2920:
2913:
2911:
2899:
2892:
2890:
2883:
2876:
2856:Greek colonies
2837:Barberini Faun
2812:The Dying Gaul
2793:Pergamon Altar
2749:Pergamon Altar
2740:
2737:
2647:
2644:
2643:
2642:
2635:Archaic period
2620:
2613:
2611:
2598:
2591:
2588:
2587:
2578:, c. 530 BCE,
2572:
2565:
2563:
2549:
2542:
2540:
2523:
2516:
2514:
2511:
2504:
2502:
2492:
2485:
2483:
2480:
2473:
2432:were added to
2422:Kroisos Kouros
2406:Archaic period
2360:Main article:
2357:
2356:Ancient Greece
2354:
2352:
2349:
2348:
2347:
2333:
2326:
2324:
2314:
2307:
2305:
2284:
2277:
2275:
2272:British Museum
2261:Younger Memnon
2257:
2250:
2248:
2229:
2222:
2220:
2217:
2210:
2208:
2202:
2195:
2193:
2189:Narmer Palette
2183:
2176:
2117:Narmer Palette
2074:
2071:
2070:
2069:
2064:, c. 640 BCE,
2057:
2050:
2048:
2044:Old Babylonian
2037:
2030:
2028:
2021:
2014:
2012:
2005:
1998:
1978:British Museum
1942:cylinder seals
1887:cylinder seals
1837:
1834:
1833:
1832:
1821:
1814:
1812:
1802:
1795:
1793:
1777:
1770:
1768:
1752:
1745:
1743:
1721:
1714:
1712:
1698:
1691:
1689:
1671:
1664:
1662:
1644:
1637:
1635:
1601:
1594:
1563:
1560:
1494:woolly mammoth
1466:
1463:
1461:
1458:
1437:
1434:
1381:
1378:
1310:ancient Greece
1282:
1279:
1250:
1249:Soft materials
1247:
1206:
1203:
1171:
1168:
1160:moulding glass
1114:
1111:
1045:silversmithing
995:, 8 x 9.8 cm,
981:
978:
885: 500 BCE
869:
866:
846:sand sculpture
784:cylinder seals
716:
713:
709:Oxborough Dirk
643:Narmer Palette
628:Begram ivories
624:Nimrud ivories
457:
454:
284:
281:
239:ancient Greece
162:Antony Gormley
135:Pope Julius II
26:
9:
6:
4:
3:
2:
15100:
15089:
15086:
15084:
15081:
15079:
15076:
15074:
15071:
15070:
15068:
15053:
15050:
15048:
15045:
15043:
15040:
15039:
15036:
15030:
15026:
15022:
15019:
15017:
15014:
15010:
15007:
15006:
15005:
15002:
15000:
14999:Photographers
14997:
14993:
14990:
14988:
14985:
14984:
14983:
14980:
14978:
14975:
14973:
14970:
14968:
14965:
14963:
14960:
14958:
14955:
14953:
14950:
14946:
14945:single artist
14943:
14941:
14938:
14936:
14933:
14931:
14928:
14927:
14926:
14923:
14921:
14920:Art movements
14918:
14916:
14913:
14911:
14908:
14906:
14905:Art magazines
14903:
14902:
14900:
14896:
14890:
14887:
14885:
14882:
14880:
14877:
14873:
14870:
14868:
14865:
14864:
14863:
14860:
14858:
14855:
14853:
14850:
14846:
14845:art valuation
14843:
14841:
14838:
14837:
14836:
14833:
14831:
14828:
14826:
14823:
14821:
14818:
14814:
14811:
14810:
14809:
14806:
14802:
14799:
14798:
14797:
14794:
14792:
14789:
14787:
14786:
14782:
14780:
14777:
14775:
14772:
14771:
14769:
14765:
14759:
14756:
14752:
14749:
14748:
14747:
14744:
14740:
14737:
14736:
14735:
14732:
14730:
14729:Art movements
14727:
14725:
14724:Art manifesto
14722:
14720:
14717:
14715:
14712:
14711:
14709:
14707:
14703:
14697:
14694:
14692:
14689:
14687:
14684:
14682:
14679:
14677:
14674:
14672:
14669:
14667:
14664:
14662:
14659:
14657:
14654:
14652:
14649:
14647:
14646:Arts festival
14644:
14642:
14639:
14635:
14632:
14631:
14630:
14627:
14623:
14620:
14619:
14618:
14615:
14611:
14608:
14607:
14606:
14603:
14599:
14596:
14595:
14594:
14591:
14589:
14586:
14584:
14581:
14579:
14576:
14575:
14573:
14567:
14559:
14556:
14555:
14554:
14551:
14549:
14546:
14544:
14541:
14539:
14536:
14534:
14531:
14529:
14526:
14522:
14519:
14517:
14514:
14513:
14512:
14509:
14507:
14504:
14502:
14499:
14498:
14496:
14492:
14486:
14485:Artwork title
14483:
14481:
14480:Stained glass
14478:
14476:
14473:
14471:
14468:
14466:
14463:
14459:
14456:
14454:
14451:
14449:
14446:
14444:
14441:
14440:
14439:
14436:
14432:
14429:
14428:
14427:
14424:
14422:
14419:
14417:
14414:
14412:
14409:
14407:
14404:
14402:
14399:
14395:
14392:
14390:
14387:
14385:
14382:
14381:
14380:
14379:New media art
14377:
14373:
14370:
14368:
14365:
14364:
14363:
14360:
14356:
14353:
14352:
14351:
14348:
14346:
14343:
14341:
14338:
14336:
14333:
14331:
14328:
14326:
14323:
14321:
14318:
14316:
14313:
14311:
14308:
14306:
14303:
14301:
14300:Appropriation
14298:
14297:
14295:
14291:
14287:
14283:
14276:
14271:
14269:
14264:
14262:
14257:
14256:
14253:
14241:
14238:
14237:
14234:
14228:
14225:
14223:
14220:
14218:
14215:
14213:
14210:
14208:
14205:
14203:
14200:
14198:
14195:
14193:
14190:
14188:
14185:
14183:
14180:
14178:
14175:
14173:
14170:
14168:
14165:
14163:
14160:
14156:
14155:pallet crafts
14153:
14152:
14151:
14148:
14146:
14143:
14141:
14138:
14136:
14133:
14131:
14128:
14126:
14123:
14122:
14119:
14115:
14108:
14103:
14101:
14096:
14094:
14089:
14088:
14085:
14073:
14070:
14068:
14060:
14059:
14056:
14049:
14048:
14044:
14041:
14038:
14035:
14034:
14030:
14027:
14026:
14022:
14019:
14018:
14014:
14011:
14010:
14006:
14003:
14002:
13997:
13994:
13993:
13989:
13986:
13983:
13980:
13979:
13975:
13972:
13971:
13967:
13964:
13963:
13959:
13956:
13954:
13950:
13947:
13946:
13942:
13939:
13936:
13933:
13930:
13927:
13926:
13925:Veiled Christ
13922:
13919:
13918:
13914:
13911:
13910:
13906:
13903:
13900:
13897:
13894:
13891:
13888:
13885:
13882:
13879:
13876:
13874:(130–100 BCE)
13873:
13872:
13871:Venus de Milo
13868:
13865:
13864:
13860:
13858:(246–210 BCE)
13857:
13854:
13851:
13850:
13846:
13843:
13840:
13837:
13833:
13832:Elgin Marbles
13830:
13828:(c. 1264 BCE)
13827:
13824:
13821:
13818:
13817:
13815:
13811:
13805:
13802:
13800:
13797:
13795:
13792:
13790:
13787:
13785:
13782:
13780:
13777:
13775:
13772:
13770:
13767:
13765:
13762:
13760:
13757:
13755:
13752:
13750:
13747:
13746:
13744:
13740:
13734:
13731:
13729:
13726:
13724:
13721:
13719:
13716:
13714:
13711:
13709:
13706:
13704:
13701:
13699:
13696:
13694:
13691:
13689:
13686:
13684:
13681:
13679:
13676:
13674:
13671:
13669:
13666:
13664:
13661:
13660:
13658:
13654:
13648:
13645:
13643:
13640:
13638:
13635:
13633:
13630:
13629:
13627:
13623:
13617:
13614:
13612:
13609:
13607:
13604:
13602:
13599:
13597:
13594:
13592:
13589:
13587:
13584:
13583:
13581:
13577:
13571:
13568:
13566:
13563:
13561:
13558:
13556:
13553:
13551:
13548:
13546:
13543:
13541:
13538:
13536:
13533:
13531:
13528:
13526:
13523:
13521:
13518:
13516:
13515:Gas sculpture
13513:
13511:
13508:
13506:
13503:
13501:
13498:
13496:
13493:
13491:
13488:
13487:
13485:
13481:
13477:
13470:
13465:
13463:
13458:
13456:
13451:
13450:
13447:
13441:
13437:
13433:
13432:
13426:
13421:
13417:
13414:
13410:
13407:
13404:
13402:
13399:
13397:
13393:
13390:
13389:
13380:
13376:
13372:
13368:
13366:
13365:0-300-05293-6
13362:
13358:
13354:
13351:
13347:
13343:
13339:
13336:
13332:
13328:
13324:
13322:
13321:0-13-623596-4
13318:
13314:
13310:
13309:Snyder, James
13307:
13305:
13304:0-300-07747-5
13301:
13297:
13293:
13291:
13287:
13283:
13279:
13277:
13273:
13269:
13265:
13261:
13255:
13251:
13250:
13247:
13242:
13239:
13235:
13233:
13229:
13225:
13221:
13219:
13218:3-7913-3055-1
13215:
13211:
13207:
13205:
13201:
13197:
13193:
13190:
13188:
13184:
13180:
13176:
13173:
13172:0-571-11154-8
13169:
13165:
13161:
13158:
13156:
13155:0-415-08993-X
13152:
13148:
13144:
13142:
13141:0-333-37185-2
13138:
13134:
13130:
13127:
13125:
13124:0-14-056108-0
13121:
13117:
13113:
13110:
13108:
13107:0-7148-2214-0
13104:
13100:
13096:
13094:
13093:0-14-020806-2
13090:
13086:
13082:
13080:
13079:0-300-06217-6
13076:
13072:
13068:
13065:
13064:1-4259-4496-5
13061:
13057:
13053:
13051:
13050:0-14-056107-2
13047:
13043:
13039:
13036:
13034:
13033:0-7190-0926-X
13030:
13026:
13022:
13021:Dodwell, C.R.
13019:
13016:
13012:
13008:
13004:
13002:
13001:0-14-021866-1
12998:
12994:
12990:
12987:
12985:
12984:0-7141-2820-1
12981:
12977:
12973:
12971:
12970:0-525-47561-3
12967:
12963:
12959:
12957:
12956:0-520-07628-1
12953:
12949:
12945:
12942:
12938:
12934:
12930:
12928:
12927:0-19-814386-9
12924:
12921:, OUP, 1993,
12920:
12916:
12913:
12911:
12910:0-19-881050-4
12907:
12903:
12899:
12898:Blunt Anthony
12896:
12894:
12893:0-500-20307-5
12890:
12886:
12882:
12881:
12869:
12865:
12862:
12857:
12850:
12846:
12843:
12841:
12835:
12819:
12815:
12809:
12801:
12797:
12791:
12775:
12771:
12767:
12765:
12757:
12751:
12748:
12742:
12736:
12732:
12728:
12723:
12717:
12713:
12709:
12704:
12697:
12691:
12684:
12680:
12677:
12676:
12670:
12663:
12662:0-19-513381-1
12659:
12655:
12649:
12642:
12638:
12632:
12623:
12616:
12610:
12603:
12599:
12595:
12592:
12589:March 2011. "
12586:
12577:
12570:
12566:
12562:
12559:
12553:
12544:
12542:
12532:
12523:
12521:
12511:
12502:
12493:
12484:
12475:
12473:
12463:
12454:
12445:
12436:
12427:
12418:
12409:
12403:Harle, 26–38.
12400:
12398:
12391:Harle, 22–24.
12388:
12382:Harle, 17–20.
12379:
12370:
12363:
12358:
12351:
12348:
12343:
12334:
12327:
12323:
12320:
12315:
12299:
12295:
12291:
12285:
12283:
12266:
12262:
12258:
12251:
12249:
12239:
12230:
12221:
12212:
12203:
12194:
12185:
12176:
12167:
12158:
12149:
12142:
12136:
12127:
12118:
12109:
12100:
12091:
12082:
12073:
12064:
12055:
12046:
12037:
12028:
12021:
12017:
12014:
12010:
12007:
12003:
11994:
11985:
11976:
11967:
11958:
11949:
11940:
11931:
11922:
11913:
11904:
11895:
11886:
11877:
11868:
11862:Henig, 66–71.
11859:
11853:Henig, 23–24.
11850:
11843:
11839:
11833:
11824:
11815:
11809:Cook, 155–58.
11806:
11800:Cook, 142–54.
11797:
11791:Cook, 142–56.
11788:
11781:
11777:
11771:
11765:Cook, 131–41.
11762:
11756:Cook, 119–31.
11753:
11746:
11742:
11736:
11727:
11716:September 23,
11711:
11707:
11703:
11697:
11686:September 23,
11681:
11677:
11673:
11667:
11658:
11652:
11647:
11641:Smith, 89–90.
11638:
11629:
11620:
11611:
11605:Smith, 21–24.
11602:
11593:
11584:
11575:
11566:
11557:
11548:
11539:
11530:
11521:
11512:
11503:
11494:
11485:
11477:
11471:
11467:
11466:
11458:
11451:
11445:
11436:
11429:
11425:
11421:
11415:
11407:
11401:
11397:
11396:
11388:
11381:
11375:
11359:
11355:
11349:
11340:
11333:
11327:
11318:
11310:
11304:
11300:
11293:
11284:
11277:
11273:
11270:
11265:
11257:
11251:
11243:
11237:
11233:
11226:
11210:
11206:
11200:
11181:
11174:
11167:
11151:
11147:
11141:
11132:
11126:
11122:
11119:
11115:
11114:Gods in Color
11109:
11093:
11089:
11083:
11076:
11075:Julius Caesar
11072:
11066:
11059:
11055:
11052:
11047:
11041:
11037:
11033:
11032:
11028:
11025:
11018:
11016:
11009:
11005:
11002:
10997:
10995:
10988:(in Italian).
10987:
10983:
10980:
10975:
10971:
10961:
10958:
10956:
10953:
10951:
10948:
10946:
10943:
10941:
10938:
10936:
10933:
10931:
10928:
10926:
10923:
10921:
10918:
10917:
10912:
10906:
10901:
10891:
10888:
10884:
10881:
10880:
10879:
10876:
10874:
10871:
10869:
10866:
10864:
10861:
10859:
10856:
10854:
10853:Architectural
10851:
10850:
10840:
10837:
10835:
10832:
10830:
10827:
10825:
10822:
10820:
10817:
10815:
10812:
10810:
10807:
10805:
10802:
10800:
10797:
10795:
10792:
10790:
10789:Electrotyping
10787:
10785:
10782:
10780:
10777:
10776:
10766:
10763:
10761:
10758:
10756:
10753:
10752:
10740:
10737:
10732:
10730:
10726:
10725:sulfuric acid
10722:
10718:
10714:
10710:
10702:
10697:
10688:
10686:
10682:
10678:
10674:
10670:
10666:
10661:
10657:
10653:
10649:
10648:Ice sculpture
10645:
10641:
10637:
10633:
10629:
10621:
10617:
10616:
10611:
10598:
10594:
10587:
10582:
10579:
10575:
10571:
10567:
10561:
10556:
10552:
10551:
10546:
10540:
10535:
10531:
10530:Israel Museum
10527:
10523:
10517:
10512:
10508:
10507:Fettered wing
10504:
10498:
10493:
10489:
10485:
10479:
10474:
10473:
10470:
10461:
10460:Israel Museum
10457:
10453:
10447:
10442:
10438:
10434:
10433:Cor-ten steel
10430:
10426:
10425:Richard Serra
10420:
10415:
10412:
10408:
10404:
10400:
10394:
10389:
10386:
10382:
10378:
10372:
10367:
10363:
10359:
10355:
10349:
10344:
10343:
10337:
10335:
10334:Jacek Tylicki
10331:
10330:James Turrell
10327:
10323:
10319:
10318:
10313:
10312:Joseph Kosuth
10309:
10308:
10303:
10299:
10298:in new ways.
10297:
10293:
10289:
10288:John DeAndrea
10285:
10281:
10277:
10276:Nam June Paik
10273:
10269:
10265:
10261:
10257:
10252:
10250:
10246:
10242:
10238:
10237:Keith Sonnier
10234:
10233:Jackie Winsor
10230:
10226:
10222:
10218:
10217:James Turrell
10214:
10210:
10206:
10202:
10198:
10194:
10190:
10189:George Rickey
10186:
10182:
10181:Richard Serra
10178:
10174:
10170:
10166:
10162:
10161:Site specific
10155:
10150:
10146:
10139:
10135:
10131:
10119:
10115:
10114:
10109:
10103:
10098:
10094:
10093:
10088:
10082:
10077:
10074:
10070:
10066:
10060:
10055:
10052:
10049:, 1970–1973,
10048:
10044:
10038:
10033:
10030:
10026:
10022:
10016:
10011:
10008:
10004:
10000:
9996:
9995:George Rickey
9990:
9985:
9981:
9977:
9976:Pablo Picasso
9971:
9966:
9963:
9959:
9955:
9949:
9944:
9941:
9937:
9933:
9929:
9923:
9918:
9914:
9910:
9904:
9899:
9895:
9891:
9885:
9880:
9877:
9873:
9869:
9863:
9858:
9854:
9850:
9843:
9838:
9834:
9830:
9829:Day and Night
9826:
9825:Jacob Epstein
9820:
9815:
9811:
9810:
9805:
9799:
9794:
9790:
9786:
9780:
9775:
9772:
9768:
9764:
9760:
9754:
9749:
9745:
9741:
9737:
9731:
9726:
9722:
9721:
9716:
9710:
9705:
9702:
9698:
9694:
9688:
9683:
9679:
9675:
9674:Henri Matisse
9669:
9664:
9661:
9657:
9653:
9647:
9642:
9641:
9635:
9633:
9629:
9628:Robert Graham
9625:
9621:
9617:
9613:
9609:
9604:
9602:
9598:
9594:
9590:
9589:Richard Serra
9586:
9582:
9578:
9574:
9573:Robert Morris
9570:
9566:
9562:
9558:
9555:, as well as
9554:
9550:
9546:
9542:
9539:By the 1960s
9537:
9535:
9531:
9527:
9523:
9522:George Rickey
9519:
9515:
9514:Jean Tinguely
9511:
9507:
9503:
9502:Isamu Noguchi
9497:
9495:
9494:
9489:
9484:
9483:war memorials
9479:
9477:
9473:
9469:
9468:Jean Tinguely
9465:
9461:
9457:
9453:
9452:Pablo Serrano
9449:
9445:
9441:
9437:
9433:
9429:
9424:
9422:
9421:
9420:Bird in Space
9415:
9410:
9408:
9407:
9402:
9398:
9394:
9390:
9386:
9385:Kenneth Price
9382:
9381:Peter Voulkos
9378:
9377:George E. Ohr
9374:
9370:
9366:
9362:
9358:
9353:
9352:Pablo Picasso
9348:
9346:
9342:
9338:
9334:
9330:
9326:
9322:
9318:
9314:
9310:
9306:
9302:
9298:
9294:
9290:
9284:
9280:
9279:Israel Museum
9276:
9272:
9268:
9262:
9258:
9257:
9252:
9248:
9242:
9238:
9234:
9230:
9225:
9215:
9213:
9212:Marcel Gimond
9209:
9205:
9201:
9200:Giacomo Manzù
9197:
9193:
9192:Ernst Barlach
9189:
9185:
9181:
9177:
9173:
9168:
9164:
9162:
9158:
9154:
9153:Soviet Russia
9150:
9146:
9142:
9138:
9134:
9130:
9126:
9122:
9118:
9114:
9109:
9107:
9103:
9099:
9098:Impressionist
9095:
9094:Auguste Rodin
9091:
9090:Lord Leighton
9087:
9083:
9082:François Rude
9079:
9071:
9067:
9060:
9055:
9051:
9047:
9043:
9037:
9032:
9029:
9025:
9021:
9015:
9010:
9006:
9005:
9000:
8994:
8989:
8985:
8981:
8980:Day and Night
8977:
8971:
8966:
8962:
8958:
8957:
8952:
8951:Auguste Rodin
8946:
8941:
8937:
8936:Musée d'Orsay
8933:
8931:
8926:
8920:
8915:
8912:
8908:
8904:
8900:
8899:
8894:
8888:
8883:
8880:
8876:
8872:
8871:
8867:
8866:Auguste Rodin
8861:
8856:
8852:
8848:
8844:
8840:
8836:
8835:
8831:
8824:
8819:
8816:
8813:, 1857–1860,
8812:
8811:
8806:
8800:
8795:
8792:
8788:
8787:
8786:Jeanne d' Arc
8783:
8779:
8778:François Rude
8773:
8768:
8767:
8753:
8752:Cody, Wyoming
8749:
8745:
8744:
8739:
8733:
8728:
8724:
8720:
8716:
8710:
8705:
8701:
8700:
8695:
8689:
8684:
8681:
8677:
8673:
8669:
8662:
8657:
8654:
8650:
8646:
8645:
8640:
8634:
8629:
8626:
8622:
8618:
8614:
8610:
8604:
8599:
8595:
8591:
8585:
8580:
8576:
8572:
8568:
8564:
8560:
8559:
8554:
8551:and his son,
8550:
8544:
8539:
8538:
8537:
8534:
8530:
8526:
8522:
8518:
8514:
8510:
8506:
8502:
8498:
8493:
8491:
8487:
8483:
8479:
8474:
8473:
8468:
8464:
8460:
8455:
8453:
8449:
8445:
8441:
8437:
8433:
8432:North America
8418:
8414:
8413:
8408:
8404:
8391:
8387:
8383:
8379:
8375:
8371:North America
8357:
8353:
8349:
8345:
8344:
8337:
8332:
8322:
8319:Atlante from
8315:
8310:
8306:
8300:
8295:
8291:
8285:
8280:
8273:
8268:
8261:
8256:
8252:
8248:
8242:
8237:
8233:
8232:stirrup spout
8229:
8223:
8218:
8214:
8210:
8203:
8198:
8194:
8187:
8182:
8178:
8172:
8167:
8160:
8155:
8151:
8145:
8140:
8136:
8130:
8125:
8118:
8113:
8109:
8103:
8098:
8097:
8094:Pre-Columbian
8091:
8089:
8085:
8081:
8077:
8073:
8069:
8065:
8061:
8057:
8053:
8052:Latin America
8047:
8043:
8039:
8035:
8031:
8017:
8013:
8006:
8001:
7997:
7993:
7989:
7988:Arikhankharer
7982:
7977:
7973:
7966:
7961:
7957:
7953:
7949:
7942:
7937:
7934:, 690–664 BCE
7933:
7929:
7925:
7921:
7917:
7913:
7906:
7901:
7898:
7897:Kerma culture
7891:
7886:
7885:
7884:
7882:
7878:
7874:
7873:Kerma culture
7870:
7869:ancient Sudan
7864:
7850:
7846:
7842:
7835:
7830:
7826:
7825:Zagwe dynasty
7822:
7815:
7810:
7806:
7799:
7794:
7791:
7784:
7779:
7775:
7771:
7764:
7759:
7758:
7757:
7755:
7751:
7747:
7743:
7739:
7735:
7731:
7727:
7726:Ezana of Axum
7723:
7719:
7715:
7714:Christian art
7711:
7707:
7703:
7697:
7693:
7692:Ethiopian art
7679:
7673:
7668:
7664:
7657:
7652:
7648:
7647:Benin Bronzes
7641:
7636:
7629:
7624:
7617:
7612:
7602:
7598:
7592:
7587:
7583:
7579:
7573:
7568:
7564:
7558:
7553:
7552:
7551:
7549:
7545:
7541:
7538:
7534:
7529:
7524:
7522:
7517:
7515:
7511:
7507:
7503:
7499:
7498:Benin Bronzes
7494:
7489:
7486:
7481:
7479:
7474:
7470:
7465:
7456:
7446:
7441:
7435:
7430:
7417:
7413:
7409:
7405:
7401:
7395:
7390:
7386:
7382:
7375:
7370:
7366:
7359:
7354:
7350:
7346:
7339:
7334:
7333:
7332:
7330:
7329:Islamic Spain
7326:
7322:
7318:
7314:
7310:
7306:
7301:
7299:
7295:
7291:
7287:
7283:
7275:
7262:
7258:
7251:
7246:
7236:
7229:
7224:
7220:
7213:
7208:
7199:, Indonesia,
7198:
7194:
7191:
7185:
7180:
7170:
7166:
7159:
7154:
7144:
7140:
7136:
7135:Ananda Temple
7129:
7124:
7114:
7107:
7102:
7098:
7095:
7088:
7083:
7072:
7068:
7064:
7058:
7053:
7049:
7046:
7039:
7034:
7023:
7019:
7012:
7007:
6997:
6993:
6989:
6985:
6978:
6973:
6962:
6959:
6952:
6947:
6936:
6932:
6929:
6923:
6918:
6907:
6903:
6896:
6891:
6890:
6889:
6886:
6881:
6879:
6875:
6871:
6870:Buddha images
6866:
6864:
6860:
6856:
6852:
6848:
6844:
6837:
6832:
6816:
6811:
6807:
6803:
6799:
6793:
6788:
6785:
6774:
6767:
6762:
6758:
6752:
6747:
6743:
6736:
6731:
6727:
6720:
6715:
6712:, 6th century
6711:
6707:
6703:
6699:
6698:Rishabhanatha
6695:
6689:
6684:
6681:
6674:
6669:
6666:
6662:
6659:The Colossal
6655:
6650:
6646:
6639:
6634:
6629: 100 CE
6623:
6619:
6613:
6608:
6598:
6594:
6590:
6589:Ashoka Pillar
6584:
6579:
6575:
6571:
6564:
6559:
6558:
6557:
6555:
6551:
6550:Mahabalipuram
6547:
6543:
6532:
6528:
6523:
6520:, though the
6519:
6515:
6504:
6499:
6495:
6490:
6488:
6484:
6479:
6475:
6471:
6460:
6459:
6454:
6450:
6446:
6442:
6438:
6434:
6427:
6423:
6419:
6416:
6411:
6406:
6402:
6398:
6385:
6378:
6373:
6369:
6362:
6357:
6353:
6347:
6342:
6338:
6334:
6327:
6322:
6319:
6315:
6308:
6303:
6300:
6293:
6288:
6284:
6277:
6272:
6268:
6262:
6257:
6246:
6239:
6234:
6233:
6232:
6230:
6226:
6224:
6218:
6214:
6209:
6204:
6202:
6198:
6194:
6190:
6186:
6182:
6178:
6174:
6173:Minamoto clan
6170:
6165:
6163:
6162:
6156:
6152:
6148:
6146:
6142:
6141:Shaka Trinity
6138:
6133:
6129:
6125:
6121:
6118:
6111:
6107:
6096:
6095:Nara Daibutsu
6092:
6087:
6083:
6079:
6059:
6055:
6054:Yonghe Temple
6051:
6044:
6039:
6035:
6031:
6024:
6019:
6015:
6011:
6007:
6005:
6000:
5997:
5991:
5986:
5982:
5978:
5972:
5967:
5963:
5959:
5952:
5947:
5943:
5939:
5932:
5927:
5923:
5922:
5917:
5911:
5906:
5902:
5899:
5893:
5888:
5885:
5881:
5877:
5873:
5866:
5861:
5857:
5850:
5845:
5841:
5837:
5833:
5829:
5825:
5824:Shenmu County
5821:
5814:
5809:
5799:
5795:
5788:
5783:
5773:
5766:
5761:
5757:
5756:Shang dynasty
5753:
5746:
5741:
5740:
5739:
5737:
5733:
5729:
5725:
5721:
5716:
5714:
5708:
5706:
5702:
5698:
5694:
5693:Qin Shi Huang
5690:
5686:
5682:
5678:
5667:
5663:
5659:
5653:
5649:
5646:
5641:
5636:
5632:
5628:
5624:
5611:
5606: 547 CE
5600:
5594:
5589:
5586:
5582:
5578:
5571:
5566:
5562:
5558:
5551:
5546:
5542:
5538:
5532:
5527:
5523:
5516:
5511:
5507:
5503:
5496:
5491:
5488:
5484:
5480:
5476:
5472:
5465:
5460:
5459:
5458:
5456:
5452:
5448:
5444:
5440:
5436:
5432:
5428:
5425:and then the
5424:
5420:
5416:
5412:
5408:
5403:
5401:
5397:
5392:
5388:
5384:
5380:
5377:, a cultural
5376:
5372:
5366:
5362:
5358:
5354:
5349:
5331:
5327:
5326:
5321:
5315:
5310:
5300:
5296:
5290:
5285:
5281:
5280:
5275:
5269:
5264:
5261:
5257:
5256:
5250:
5244:
5239:
5238:
5237:
5235:
5231:
5228:and the Dane
5227:
5223:
5219:
5215:
5211:
5203:
5202:
5197:
5193:
5188:
5181:Neo-Classical
5174:
5171:
5167:
5161:
5156:
5153:
5149:
5145:
5139:
5134:
5131:
5127:
5120:
5115:
5112:
5108:
5101:
5096:
5095:
5094:
5092:
5088:
5084:
5080:
5076:
5072:
5068:
5064:
5059:
5057:
5053:
5052:
5047:
5043:
5039:
5035:
5026:
5022:
5021:
5016:
5012:
5007:
4994:
4990:
4989:
4984:
4978:
4973:
4969:
4968:
4963:
4957:
4952:
4948:
4947:
4942:
4936:
4931:
4927:
4923:
4922:Fontainebleau
4919:
4916:
4910:
4905:
4904:
4903:
4901:
4900:
4894:
4891:, originally
4890:
4886:
4881:
4879:
4875:
4871:
4870:
4865:
4861:
4857:
4856:
4851:
4847:
4843:
4839:
4835:
4827:
4823:
4820:
4816:
4812:
4807:
4787:
4786:
4781:
4775:
4770:
4767:
4763:
4752:
4751:
4746:
4740:
4735:
4732:
4728:
4725:, 1467–1483,
4724:
4723:
4718:
4712:
4707:
4703:
4697:
4692:
4689:
4685:
4674:
4673:
4668:
4662:
4657:
4654:
4650:
4640:
4639:
4634:
4628:
4623:
4619:
4608:
4604:
4598:
4593:
4590:
4586:
4582:
4581:
4576:
4570:
4565:
4564:
4563:
4560:
4559:
4554:
4553:Medici Chapel
4550:
4546:
4545:
4540:
4539:
4534:
4533:
4527:
4525:
4521:
4517:
4513:
4509:
4506:
4500:
4498:
4494:
4493:
4488:
4484:
4480:
4476:
4472:
4468:
4467:
4462:
4458:
4454:
4450:
4446:
4440:
4436:
4429:
4428:
4423:
4419:
4408:
4404:
4400:
4393:
4392:
4387:
4383:
4371:
4367:
4364:, 1501–1505,
4363:
4359:
4355:
4348:
4343:
4339:
4335:
4334:
4326:
4321:
4317:
4313:
4306:
4301:
4298:
4297:Well of Moses
4294:
4290:
4286:
4280:
4275:
4271:
4264:
4259:
4255:
4251:
4245:
4240:
4236:
4233:at left, and
4232:
4228:
4221:
4216:
4212:
4208:
4204:
4197:
4192:
4189:
4185:
4184:
4179:
4175:
4174:Nicola Pisano
4169:
4164:
4160:
4156:
4149:
4144:
4133:
4126:
4121:
4110:
4103:
4098:
4097:
4096:
4094:
4090:
4086:
4082:
4078:
4073:
4069:
4065:
4061:
4056:
4054:
4050:
4045:
4041:
4037:
4033:
4029:
4025:
4021:
4017:
4013:
4009:
4005:
4001:
4000:Nicola Pisano
3996:
3994:
3989:
3978:
3974:
3965:
3960:
3939:
3935:
3931:
3925:
3920:
3916:
3913:Cathedral of
3912:
3906:
3901:
3897:
3893:
3892:Vézelay Abbey
3886:
3881:
3877:
3876:
3871:
3865:
3860:
3859:
3858:
3856:
3852:
3848:
3844:
3840:
3836:
3833:
3829:
3824:
3822:
3818:
3814:
3810:
3806:
3805:Gniezno Doors
3802:
3797:
3793:
3790:. The bronze
3789:
3785:
3781:
3775:
3772:
3768:
3762:
3760:
3757:and in Spain
3756:
3752:
3748:
3744:
3739:
3732:
3728:
3727:
3722:
3715:
3714:
3709:
3704:
3690:
3687:
3683:
3676:
3671:
3667:
3660:
3655:
3652:
3648:
3647:
3640:
3635:
3634:
3633:
3631:
3627:
3623:
3619:
3615:
3611:
3607:
3603:
3599:
3595:
3590:
3586:
3582:
3581:Byzantine art
3578:
3576:
3573:, as well as
3572:
3568:
3564:
3560:
3556:
3552:
3548:
3544:
3540:
3536:
3528:
3517:
3512:
3499:
3495:
3490:
3477:
3473:
3462:
3458:
3451:
3446:
3443:
3439:
3428:
3427:
3420:
3415:
3410: 191 CE
3404:
3400:
3394:
3389:
3386:
3382:
3378:
3367:
3360:
3355:
3348:
3343:
3340:
3336:
3332:
3331:
3324:
3319:
3315:
3308:
3303:
3299:
3296:
3290:
3285:
3284:
3283:
3281:
3277:
3272:
3267:
3264:
3260:
3249:
3248:
3243:
3239:
3233:
3231:
3227:
3223:
3222:Gonzaga Cameo
3219:
3215:
3211:
3206:
3202:
3198:
3192:
3186:
3183:(CE 113) and
3182:
3178:
3172:
3170:
3166:
3162:
3158:
3153:
3149:
3144:
3139:
3137:
3132:
3128:
3124:
3120:
3116:
3112:
3102:
3096:
3092:
3086:
3082:
3077:
3072:
3046:
3045:
3040:
3034:
3029:
3026:
3022:
3018:
3014:
3013:
3006:
3001:
2998:
2994:
2983:
2982:
2981:Venus de Milo
2975:
2970:
2967:
2956:
2955:
2947:
2942:
2939:
2935:
2929:
2924:
2917:
2912:
2909:, 4th century
2908:
2904:
2903:
2896:
2891:
2887:
2886:Riace Bronzes
2880:
2875:
2874:
2873:
2871:
2870:engraved gems
2866:
2862:
2857:
2853:
2849:
2844:
2842:
2838:
2834:
2830:
2824:
2822:
2818:
2817:Ludovisi Gaul
2814:
2813:
2808:
2804:
2803:
2798:
2794:
2790:
2786:
2782:
2778:
2774:
2770:
2762:
2757:
2750:
2745:
2736:
2734:
2728:
2726:
2725:
2720:
2719:
2714:
2710:
2709:
2704:
2700:
2697:
2693:
2689:
2685:
2679:
2677:
2673:
2669:
2661:
2657:
2656:Elgin Marbles
2652:
2640:
2636:
2632:
2628:
2624:
2617:
2612:
2602:
2595:
2590:
2589:
2585:
2581:
2577:
2576:
2569:
2564:
2560:
2556:
2553:
2546:
2541:
2538:
2527:
2520:
2515:
2508:
2503:
2489:
2484:
2477:
2472:
2471:
2470:
2468:
2464:
2461:(much now in
2460:
2456:
2452:
2448:
2444:
2439:
2435:
2431:
2425:
2423:
2419:
2418:archaic smile
2415:
2411:
2407:
2403:
2399:
2394:
2391:
2387:
2379:
2376:
2375:ancient Greek
2372:
2368:
2363:
2344:
2340:
2336:
2330:
2325:
2322:
2318:
2311:
2306:
2303:
2299:
2295:
2291:
2287:
2281:
2276:
2273:
2263:
2262:
2254:
2249:
2246:
2241:
2232:
2226:
2221:
2214:
2209:
2205:
2199:
2194:
2190:
2186:
2180:
2175:
2174:
2173:
2171:
2170:
2165:
2164:reserve heads
2161:
2159:
2154:
2150:
2146:
2142:
2138:
2134:
2129:
2127:
2123:
2118:
2114:
2110:
2104:
2100:
2093:
2089:
2088:
2083:
2079:
2073:Ancient Egypt
2067:
2063:
2062:
2054:
2049:
2045:
2041:
2040:Burney Relief
2034:
2029:
2025:
2018:
2013:
2009:
2002:
1997:
1996:
1995:
1993:
1989:
1985:
1984:
1979:
1975:
1969:
1967:
1963:
1959:
1955:
1951:
1947:
1946:Burney Relief
1943:
1939:
1934:
1932:
1928:
1927:
1922:
1921:
1916:
1912:
1908:
1904:
1900:
1896:
1892:
1888:
1884:
1880:
1876:
1872:
1864:
1860:
1859:Cylinder seal
1856:
1851:
1847:
1843:
1829:
1825:
1818:
1813:
1809:
1806:
1799:
1794:
1784:
1780:
1774:
1769:
1765:
1757:
1756:
1749:
1744:
1740:
1736:
1735:mammoth ivory
1724:
1718:
1713:
1701:
1695:
1690:
1678:
1674:
1668:
1663:
1651:
1647:
1641:
1636:
1624:
1620:
1616:
1612:
1608:
1604:
1598:
1593:
1592:
1591:
1589:
1585:
1581:
1577:
1573:
1569:
1559:
1557:
1553:
1549:
1545:
1540:
1538:
1534:
1530:
1526:
1518:
1514:
1510:
1505:
1503:
1495:
1491:
1487:
1482:
1480:
1476:
1472:
1451:24,000–26,000
1446:
1442:
1433:
1431:
1427:
1423:
1419:
1415:
1411:
1410:Protestantism
1407:
1402:
1398:
1394:
1390:
1386:
1377:
1374:
1370:
1366:
1361:
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1334:Nicola Pisano
1331:
1327:
1323:
1319:
1315:
1311:
1307:
1299:
1295:
1291:
1287:
1278:
1276:
1272:
1268:
1264:
1260:
1256:
1246:
1244:
1240:
1234:
1232:
1228:
1224:
1219:
1211:
1202:
1200:
1196:
1192:
1188:
1184:
1177:
1167:
1165:
1161:
1157:
1153:
1147:
1143:
1140:from China's
1139:
1134:
1127:
1123:
1119:
1110:
1107:
1103:
1099:
1095:
1094:Stick welding
1091:
1087:
1083:
1081:
1077:
1073:
1069:
1065:
1061:
1057:
1052:
1048:
1046:
1042:
1038:
1034:
1030:
1026:
1022:
1017:
1013:
1009:
1008:copper alloys
1005:
998:
994:
990:
986:
977:
975:
970:
968:
964:
960:
959:Engraved gems
956:
952:
948:
944:
940:
936:
932:
928:
924:
923:semi-precious
920:
916:
912:
908:
904:
900:
896:
892:
879:
874:
865:
863:
859:
858:found objects
855:
854:stained glass
851:
850:gas sculpture
847:
843:
842:ice sculpture
839:
835:
831:
827:
823:
819:
818:Pablo Picasso
814:
812:
808:
804:
800:
795:
793:
789:
785:
781:
777:
773:
769:
765:
761:
757:
753:
749:
745:
741:
737:
733:
725:
721:
712:
710:
706:
702:
698:
694:
688:
686:
682:
678:
677:Byzantine art
672:
670:
665:
659:
656:
652:
648:
644:
640:
635:
633:
629:
625:
621:
617:
613:
609:
605:
601:
596:
593:
587:
585:
581:
577:
572:
570:
566:
561:
556:
553:
549:
545:
540:
538:
537:
532:
531:
526:
522:
518:
514:
510:
506:
502:
494:
483:
479:
472:
471:Easter Island
468:
467:
462:
453:
451:
447:
443:
439:
435:
431:
427:
423:
419:
415:
411:
407:
402:
400:
396:
392:
388:
384:
380:
376:
371:
369:
365:
361:
356:
354:
348:
346:
342:
338:
334:
330:
329:ancient Egypt
326:
322:
318:
314:
310:
306:
298:
294:
289:
280:
278:
277:found objects
274:
270:
269:
264:
260:
256:
252:
248:
244:
240:
236:
231:
227:
225:
220:
218:
214:
210:
206:
202:
198:
194:
190:
186:
182:
178:
174:
170:
163:
159:
158:
153:
146:
142:
136:
132:
128:
117:
116:
111:
107:
93:
89:
88:
84:
80:
73:
69:
65:
61:
60:
55:
51:
47:
40:
33:
19:
14935:most visited
14783:
14437:
14411:Plastic arts
14335:Found object
14216:
14145:Computer art
14125:Architecture
14045:
14031:
14023:
14015:
14007:
14000:
13990:
13976:
13968:
13960:
13952:
13943:
13923:
13915:
13907:
13886:(507–554 CE)
13869:
13861:
13847:
13844:(c. 292 BCE)
13804:Found object
13596:Detonography
13475:
13429:
13370:
13356:
13341:
13326:
13312:
13295:
13281:
13267:
13249:
13246:
13237:
13223:
13209:
13195:
13178:
13163:
13146:
13132:
13115:
13098:
13084:
13070:
13055:
13041:
13024:
13006:
12992:
12975:
12961:
12947:
12932:
12918:
12901:
12884:
12856:
12840:hypediss.com
12839:
12834:
12822:. Retrieved
12808:
12800:the original
12790:
12780:February 18,
12778:. Retrieved
12769:
12763:
12756:
12746:
12741:
12726:
12722:
12707:
12703:
12695:
12690:
12674:
12669:
12653:
12648:
12640:
12636:
12631:
12622:
12614:
12609:
12585:
12576:
12552:
12531:
12510:
12501:
12492:
12483:
12462:
12453:
12444:
12435:
12426:
12417:
12408:
12387:
12378:
12369:
12357:
12342:
12333:
12314:
12302:. Retrieved
12298:the original
12293:
12269:. Retrieved
12265:the original
12261:Orientations
12260:
12242:Rawson, 135.
12238:
12229:
12220:
12211:
12202:
12193:
12184:
12175:
12166:
12157:
12148:
12135:
12126:
12117:
12108:
12099:
12090:
12081:
12072:
12063:
12054:
12045:
12036:
12027:
12019:
12002:
11993:
11984:
11975:
11966:
11957:
11948:
11939:
11930:
11921:
11912:
11903:
11894:
11885:
11876:
11867:
11858:
11849:
11832:
11823:
11814:
11805:
11796:
11787:
11770:
11761:
11752:
11740:
11735:
11726:
11714:. Retrieved
11705:
11696:
11684:. Retrieved
11675:
11666:
11657:
11646:
11637:
11628:
11619:
11610:
11601:
11592:
11583:
11574:
11565:
11556:
11547:
11538:
11529:
11520:
11511:
11502:
11493:
11484:
11464:
11457:
11444:
11435:
11419:
11414:
11394:
11387:
11379:
11374:
11362:. Retrieved
11348:
11339:
11326:
11317:
11298:
11292:
11283:
11264:
11231:
11225:
11213:. Retrieved
11199:
11187:. Retrieved
11166:
11156:November 30,
11154:. Retrieved
11140:
11131:
11116:exhibition.
11112:Part of the
11108:
11096:. Retrieved
11082:
11065:
11046:
11022:
10974:
10829:Tree shaping
10819:Plaster cast
10733:
10706:
10691:Conservation
10625:
10615:Spiral Jetty
10613:
10596:
10565:
10548:
10525:
10522:Anish Kapoor
10506:
10487:
10484:Richard Long
10455:
10428:
10402:
10380:
10357:
10326:Joseph Beuys
10315:
10305:
10300:
10284:Duane Hanson
10280:Wolf Vostell
10268:George Segal
10253:
10241:Bruce Nauman
10221:Roden Crater
10185:Robert Irwin
10177:Richard Long
10159:
10148:
10137:
10111:
10090:
10068:
10046:
10024:
9998:
9957:
9931:
9912:
9893:
9871:
9848:
9828:
9807:
9788:
9762:
9743:
9739:
9718:
9715:Joseph Csaky
9696:
9677:
9655:
9652:André Derain
9616:George Segal
9612:Ernest Trova
9605:
9538:
9530:Philip Pavia
9498:
9491:
9480:
9425:
9418:
9411:
9404:
9400:
9397:found object
9349:
9287:
9274:
9254:
9236:
9172:Paul Manship
9169:
9165:
9149:Nazi Germany
9110:
9075:
9065:
9045:
9023:
9002:
8979:
8954:
8928:
8925:Paul Gauguin
8896:
8868:
8828:
8808:
8784:
8748:Buffalo Bill
8741:
8718:
8715:Paul Manship
8697:
8667:
8642:
8612:
8556:
8517:Paul Manship
8494:
8485:
8470:
8456:
8448:house fronts
8429:
8410:
8384:panel, from
8374:
8341:
8290:Jaina Island
8215:, 300–650 CE
8209:funerary urn
8049:
8024:The Americas
7866:
7732:, life-size
7722:Christianity
7699:
7663:Burkina Faso
7525:
7518:
7482:
7460:
7365:Pisa Griffin
7317:Pisa Griffin
7302:
7280:
7256:
7237:, Thailand,
7048:Agusan image
7031:-9th century
6883:Traditional
6882:
6878:Bagan period
6867:
6840:
6728:period, 1000
6702:Parshvanatha
6696:shrine with
6643:Buddha from
6574:Mohenjo-daro
6570:Dancing Girl
6518:Ellora Caves
6503:Gupta Empire
6491:
6457:
6441:Mohenjo-daro
6435:is from the
6430:
6312:Taishakuten
6281:6th-century
6245:Jōmon period
6220:
6205:
6166:
6159:
6155:Heian period
6149:
6140:
6120:Jōmon period
6114:
6078:Japanese art
6058:Qing dynasty
6034:Wanli period
6014:Ming dynasty
6002:
5981:Song dynasty
5977:Chinese jade
5962:Song dynasty
5942:Tang dynasty
5919:
5880:Dian Kingdom
5732:Ming dynasty
5724:rock reliefs
5717:
5709:
5656:
5635:Chinese jade
5485:, Pakistan.
5447:Central Asia
5443:Gupta empire
5404:
5385:culture and
5381:between the
5369:
5323:
5320:Hiram Powers
5306: 1780s
5295:John Flaxman
5277:
5252:
5234:Hiram Powers
5226:John Flaxman
5207:
5199:
5147:
5060:
5049:
5030:
5018:
4986:
4970:, about 1562
4965:
4944:
4897:
4882:
4873:
4867:
4853:
4845:
4831:
4818:
4783:
4780:Michelangelo
4748:
4745:Michelangelo
4727:Orsanmichele
4720:
4670:
4645: 1440s
4636:
4606:
4605:, detail of
4578:
4558:contrapposto
4556:
4542:
4536:
4530:
4528:
4518:invented by
4501:
4490:
4464:
4456:
4442:
4425:
4403:Michelangelo
4389:
4386:Michelangelo
4361:
4331:
4315:
4310:Base of the
4296:
4285:Claus Sluter
4249:
4230:
4181:
4177:
4159:Annunciation
4089:Duc de Berry
4057:
4036:Claus Sluter
4018:(1260), the
3997:
3970:
3929:
3910:
3873:
3825:
3776:
3763:
3735:
3724:
3711:
3644:
3579:
3555:animal style
3551:Scythian art
3532:
3468: 23 CE
3424:
3373: 50 CE
3328:
3271:Christianity
3268:
3245:
3234:
3214:Lycurgus Cup
3173:
3140:
3108:
3042:
3021:white marble
3010:
2979:
2951:
2933:
2900:
2852:Central Asia
2845:
2839:, showing a
2832:
2825:
2821:Farnese Bull
2810:
2800:
2766:
2729:
2722:
2716:
2706:
2680:
2668:Severe style
2665:
2573:
2426:
2395:
2383:
2335:Block statue
2290:lapis lazuli
2258:
2238: late
2167:
2157:
2136:
2130:
2106:
2090:, 1345 BCE,
2085:
2059:
2058:Part of the
1981:
1970:
1935:
1924:
1918:
1897:figure from
1868:
1753:
1739:La Madeleine
1722:
1574:from modern
1565:
1541:
1515:such as the
1506:
1483:
1468:
1418:Beeldenstorm
1393:Christianity
1383:
1362:
1336:and his son
1303:
1297:
1263:Yayoi Kusama
1252:
1235:
1229:and that of
1218:Wood carving
1216:
1205:Wood carving
1199:ancient Rome
1179:
1156:Lycurgus Cup
1150:
1142:Song dynasty
1122:Dale Chihuly
1084:
1080:sand casting
1055:
1049:
1006:and related
1002:
996:
991:, cast iron
971:
939:rock crystal
906:
889:
815:
807:oil painting
796:
729:
703:Mexico, and
689:
673:
660:
653:, who ruled
641:, where the
636:
597:
588:
573:
557:
548:Great Sphinx
541:
534:
528:
498:
464:
403:
372:
357:
349:
302:
293:rock reliefs
266:
259:Michelangelo
232:
228:
221:
181:plastic arts
168:
167:
155:
113:
110:Michelangelo
85:
63:
57:
50:
15052:Arts portal
14925:Art museums
14840:art finance
14641:Arts centre
14605:Art gallery
14588:Art commune
14578:Art auction
14421:Printmaking
14350:Mixed media
14345:Kinetic art
14282:Visual arts
14202:Printmaking
14197:Photography
14177:Digital art
14114:Visual arts
14012:(1927–1931)
14004:(1927–1941)
13978:The Thinker
13965:(1890–1917)
13920:(1501–1504)
13912:(1498–1499)
13616:Renaissance
13129:Hugh Honour
12762:"NY Times,
12421:Harle, 124.
12304:October 18,
12271:October 18,
11827:Hennig, 24.
11676:Glyptoteket
11098:October 30,
10883:Rock relief
10846:Application
10799:Hill figure
10709:temperature
10681:Michael Lau
10452:Donald Judd
10399:Donald Judd
10317:An Oak Tree
10251:sculpture.
10140:1991, Japan
9954:Henry Moore
9896:, 1944–1950
9771:Armory Show
9744:Family Life
9699:, 1911–12,
9697:Female Head
9577:Anne Truitt
9506:David Smith
9476:Kinetic art
9436:Henry Moore
9373:ceramic art
9305:Suprematism
9271:David Smith
9251:Henry Moore
9184:Anton Hanak
9180:Carl Milles
9129:Georg Kolbe
9066:The Thought
8961:Musée Rodin
8956:The Thinker
8436:totem poles
8424: 1879
8417:mixed-media
8407:Edgar Degas
8397: 1760
8363: 1400
8354:(possibly)
8177:Teotihuacan
8056:Mesoamerica
7770:Addi-Galamo
7645:One of the
7493:Nok culture
7414:. Blade of
7387:background.
7305:aquamaniles
7176: 1200
7150: 1105
6986:torso from
6968: 5 BC
6956:One of the
6780: 1450
6620:gateway at
6458:Priest-king
6331:Muchaku by
6065: 1694
6056:, Beijing,
6036:(1573–1620)
6010:He Chaozong
5999:Bodhisattva
5958:Bodhisattva
5884:Western Han
5878:, from the
5856:Han dynasty
5836:Han dynasty
5798:Qin dynasty
5677:Chinese art
5645:Bodhisattva
5631:Lacquerware
5623:Chinese art
5579:(left) and
5451:Tarim Basin
5441:art of the
5423:Indo-Greeks
5411:Afghanistan
5402:appearing.
5109:, 1686, by
5056:Hellenistic
5027:, 1622–1625
4983:Giambologna
4962:Giambologna
4949:, 1545–1554
4926:Primaticcio
4889:Giambologna
4878:Salt Cellar
4785:Dying Slave
4758: 1504
4680: 1460
4614: 1438
4414: 1545
4377:Renaissance
4354:Last Supper
4272:, 1330–1340
4229:, with the
4225:Lid of the
4139: 1215
4116: 1145
4014:(1265–68),
3984: 1145
3945: 12th
3917:1160, Spain
3878:, 1107–1118
3853:, plaques,
3843:Master Hugo
3771:high relief
3666:Carolingian
3649:, 525–550,
3624:world, the
3610:Charlemagne
3594:Anglo-Saxon
3585:Carolingian
3559:Insular art
3539:sarcophagus
3401:dressed as
3298:sarcophagus
3143:portraiture
3119:sarcophagus
3085:Dacian Wars
3079:Section of
3017:Hellenistic
2739:Hellenistic
2575:Peplos Kore
2343:Late Period
2113:sunk relief
1931:Lyres of Ur
1926:Copper Bull
1903:cult images
1875:Mesopotamia
1850:Persian art
1764:Magdalenian
1737:, found in
1623:Aurignacian
1603:Löwenmensch
1529:Magdalenian
1486:Löwenmensch
1373:Giambologna
1369:Leone Leoni
1322:Gislebertus
1318:Middle Ages
1271:Sarah Lucas
1138:Bodhisattva
1126:Blown glass
1102:TIG welding
1098:MIG welding
989:Ludwig Gies
953:or mineral
903:Petroglyphs
772:lime/linden
768:box/boxwood
681:Islamic art
647:Mesopotamia
632:Tutankhamun
567:figures at
552:archaeology
507:, like the
501:Cult images
489: 1435
325:Sunk-relief
317:high relief
255:Renaissance
247:Middle Ages
173:visual arts
68:Hellenistic
15078:Sculptures
15067:Categories
15025:sculptures
14879:Provenance
14774:Art market
14681:Commission
14629:Art school
14617:Art museum
14583:Art colony
14571:and events
14431:street art
14426:Public art
14227:Street art
14207:Public art
14182:Filmmaking
13779:Fiberglass
13708:Terracotta
13555:Pedimental
13550:Monumental
13500:Bas relief
13495:Assemblage
12989:Cook, R.M.
12877:References
12824:August 27,
12558:Nubian Art
11672:"Research"
11587:Smith, 33.
11364:August 20,
10955:Assemblage
10873:Monumental
10377:Larry Bell
10364:, New York
10358:Free Ride,
10354:Tony Smith
10340:Minimalism
10229:Sol LeWitt
9601:John Safer
9597:Carl Andre
9593:Dan Flavin
9569:Tony Smith
9549:Minimalism
9361:Surrealism
9337:Minimalism
9317:Surrealism
9141:Jan Stursa
9020:Jan Štursa
8834:Snöklockan
8619:relief on
8609:Lee Lawrie
8533:Minimalist
8521:Lee Lawrie
8440:War canoes
8195:200–250 CE
8064:terracotta
8028:See also:
7661:Mask from
7603:, Nigeria
7582:terracotta
7432:Mask from
7416:damascened
7325:Mughal art
7193:Singhasari
7133:Buddha in
7078: 800
7029: 8th
6996:Srivijayan
6942: 760
6913: 760
6847:Angkor Wat
6806:Tamil Nadu
6744:, 950–1150
6538: 850
6510: 320
6418:terracotta
6395:See also:
6185:Kei school
6102: 752
6076:See also:
5964:(960–1279)
5754:from late
5685:Sanxingdui
5681:zoomorphic
5379:syncretism
4717:Verrocchio
4620:, Florence
4524:plaquettes
4505:Neapolitan
4077:polyptychs
4053:Veit Stoss
3959:Gothic art
3821:zoomorphic
3817:aquamanile
3697:Romanesque
3630:high cross
3618:runestones
3602:Gero Cross
3547:Sutton Hoo
3516:Gero Cross
3505: 800
3470:, with an
3434: 305
3255: 305
3210:Warren Cup
3115:terracotta
3052: 130
2991:–100 BCE,
2989: 130
2907:Praxiteles
2733:Praxiteles
2608: 500
2535:–580 BCE,
2533: 590
2445:in Italy,
2145:Rameses II
2143:each show
2103:Amarna art
2097:See also:
2022:One of 18
1950:terracotta
1883:Warka Vase
1863:serpopards
1673:Wild horse
1544:Mesolithic
1519:(24–26,000
1414:iconoclasm
1358:architects
1294:Adam Kraft
1239:polychrome
1223:totem pole
1191:plasticine
1144:960–1279,
967:seal rings
778:and other
776:terracotta
697:greenstone
569:Sanxingdui
565:Bronze Age
560:totem pole
544:public art
442:public art
321:mid-relief
313:bas-relief
99: 800
59:Dying Gaul
15073:Sculpture
15004:Sculptors
14910:Art media
14872:sculpture
14813:paintings
14734:Criticism
14516:paintings
14506:Collector
14438:Sculpture
14355:bricolage
14286:art world
14217:Sculpture
14187:Light art
13898:(1250 CE)
13838:(438 BCE)
13836:Parthenon
13834:from the
13789:Aluminium
13759:Jesmonite
13733:Soapstone
13673:Limestone
13591:Classical
13520:Earth art
13476:Sculpture
13357:Roman Art
13276:70-125675
12993:Greek Art
11250:cite book
11071:Ptolemies
10755:Classical
10721:Acid rain
10701:acid rain
10677:Kid Robot
10622:, in 2005
10456:Untitled,
10292:video art
10225:Eva Hesse
10138:Umbrellas
10087:Joan Miró
10029:Stuttgart
9962:Yorkshire
9791:, 1912–13
9656:Nu debout
9624:Paul Thek
9444:Joan Miró
9401:readymade
9325:Formalism
9289:Modernist
9283:Jerusalem
9218:Modernism
9004:The Waltz
8932:(Sauvage)
8903:aluminium
8613:The Sower
8382:St. James
8348:Turquoise
8046:Inuit art
7930:, Sudan,
7922:, from a
7544:monoliths
7537:soapstone
7478:Modernist
7385:arabesque
7381:Samarkand
7290:arabesque
7261:Vientiane
7235:Sukhothai
7197:East Java
7097:sarimanok
7067:Khmer art
6935:Borobudur
6928:Vairocana
6906:Indonesia
6902:Borobudur
6851:Borobudur
6784:Rajasthan
6757:Khajuraho
6706:Neminatha
6533:dynasty (
6337:Kōfuku-ji
6201:Kofuku-ji
6117:Neolithic
5960:from the
5956:A wooden
5903:(386–534)
5750:A bronze
5713:Silk Road
5660:from the
5555:Gandhara
5107:Louis XIV
4834:Mannerist
4806:Mannerism
4800:Mannerist
4667:Donatello
4633:Donatello
4583:from the
4520:Pisanello
4492:The Horse
4461:Donatello
4295:from the
4211:antiquity
4186:from the
4060:alabaster
3998:In Italy
3940:, Spain,
3686:Byzantine
3569:of grand
3457:cameo gem
3383:, Italy,
3224:and the "
3191:Ara Pacis
3161:Londinium
3157:basilicas
3131:patrician
3111:Etruscans
3101:Ara Pacis
3039:Leochares
2863:found in
2713:Parthenon
2660:Parthenon
2646:Classical
2524:Lifesize
2438:Parthenon
2430:pediments
2402:Mycenaean
2393:a chair.
2317:ka statue
2185:Facsimile
2172:figures.
2153:Ka statue
2131:Egyptian
2126:Ahkenaten
1895:limestone
1781:, in the
1729:12–17,000
1683:33–35,000
1656:35–40,000
1629:35–40,000
1566:From the
1550:from the
1385:Aniconism
1363:From the
1292:sculptor
1290:Nuremberg
1267:Eva Hesse
1195:figurines
1183:maquettes
1124:, 2006, (
1033:jewellery
993:plaquette
951:Alabaster
947:carnelian
762:(such as
760:hardwoods
600:figurines
493:Pisanello
399:plaquette
375:antiquity
341:jewellery
243:classical
205:Modernism
169:Sculpture
92:Khorsabad
14982:Painters
14867:painting
14779:The arts
14739:feminist
14676:Biennale
14416:Portrait
14401:Painting
14372:graffiti
14325:Fine art
14284:and the
14212:Rock art
14192:Painting
14140:Ceramics
14067:Category
13880:(175 CE)
13769:Concrete
13683:Porphyry
13530:Figurine
13409:Archived
12933:Ethiopia
12864:Archived
12845:Archived
12818:Archived
12774:Archived
12679:Archived
12594:Archived
12561:Archived
12322:Archived
12009:Archived
11710:Archived
11680:Archived
11358:Archived
11272:Archived
11215:June 15,
11209:Archived
11180:Archived
11150:Archived
11121:Archived
11092:Archived
11054:Archived
11027:Archived
11004:Archived
10982:Archived
10897:See also
10748:Cultural
10713:humidity
10669:Art toys
10439:, London
10403:Untitled
10381:Untitled
10205:land art
9960:, 1961,
9934:, 1959,
9853:Art Deco
9809:Fountain
9488:maquette
9409:(1917).
9406:Fountain
9341:Land art
9321:Futurism
9301:De Stijl
9277:(1963),
9275:CUBI VI,
8959:, 1902,
8927:, 1894,
8905:statue,
8847:Värmland
8839:snowdrop
8789:, 1852,
8782:Romantic
8721:, 1916,
8668:K'alyaan
8617:Art Deco
8531:design.
8529:abstract
8513:art deco
8472:habitant
8463:retablos
8251:Palenque
7950:Pharaoh
7845:Lalibela
7730:Lalibela
7718:paganism
7514:proverbs
7504:town of
7412:emeralds
7406:, gold,
7349:Damascus
7313:Alhambra
7111:Head of
7071:Cambodia
7022:Malaysia
6904:temple,
6710:Mahavira
6661:trimurti
6593:Vaishali
6546:Nataraja
6487:Hinduism
6470:Daimabad
6449:Pakistan
6335:, 1212,
6299:Hōryū-ji
6179:and the
6137:Hōryū-ji
6052:outside
5901:Maitreya
5838:period.
5728:literati
5585:Gandhara
5557:Poseidon
5520:Coin of
5471:plantain
5453:and the
5431:Gandhara
5387:Buddhism
5365:Gandhara
5322:, 1851,
5258:, 1778,
5253:Bust of
5150:, 1715,
5128:(1640),
5105:Bust of
4918:overdoor
4885:cabinets
4864:pedestal
4766:Florence
4731:Florence
4688:Florence
4653:Florence
4607:Cantoria
4235:jousting
4178:Nativity
4044:Flanders
4040:Burgundy
4034:work of
4004:Giovanni
3988:transept
3896:Burgundy
3851:croziers
3839:prophets
3835:crucifix
3794:and the
3767:crucifix
3743:tympanum
3606:crucifix
3589:Ottonian
3476:Augustus
3472:allegory
3438:porphyry
3403:Hercules
3399:Commodus
3381:Lanuvium
3377:Caligula
3364:Bust of
3335:Augustus
3295:Etruscan
3242:roundels
3212:, glass
3127:Parthian
3105:, 13 BCE
3095:Augustan
2789:Pergamon
2688:Plutarch
2453:and the
2390:Cycladic
2204:Menkaura
2133:pharaohs
2082:Thutmose
1986:and the
1911:Akkadian
1907:Sumerian
1779:Urfa Man
1741:, France
1572:Urfa Man
1479:cave art
1406:Alhambra
1338:Giovanni
1326:Trecento
1164:be blown
1064:concrete
1056:cold set
997:Refugees
974:pointing
834:acrylics
780:ceramics
724:Sumerian
685:palmette
525:Buddhism
517:Hinduism
434:land art
395:figurine
197:ceramics
101:–721 BCE
83:Assyrian
14987:by name
14930:largest
14767:Related
14751:outline
14533:Curator
14521:frescos
14458:tallest
14443:carving
14394:virtual
14389:digital
14384:history
14320:Drawing
14305:Collage
14293:Artwork
14172:Drawing
14135:Cartoon
14072:Outline
13774:Plastic
13764:Acrylic
13688:Diorite
13678:Granite
13586:Baroque
13394:at the
13194:(ed.).
11741:Phidias
11189:July 3,
10814:Origami
10809:Mobiles
10656:mobiles
10576:at the
10429:Fulcrum
10411:Germany
10407:Münster
10260:Chryssa
9789:Cellist
9464:Len Lye
9365:coulage
9357:collage
9333:Pop-Art
9313:Dadaism
9052:, Paris
8986:, Paris
8963:, Paris
8938:, Paris
8672:Tlingit
8615:, 1928
8525:Bauhaus
8459:Baroque
8386:reredos
8080:reliefs
7994:of the
7952:Aspelta
7948:Kushite
7924:pyramid
7920:Taharqa
7914:of the
7702:Eritrea
7678:Mambila
7445:Chiwara
7309:incense
7165:apsaras
7143:Myanmar
7094:Anitist
7045:Anitist
7016:Bronze
6982:Bronze
6970:-370 AD
6958:Anitist
6885:Anitist
6874:Myanmar
6800:of the
6798:Gopuram
6724:Hindu,
6663:at the
6645:Sarnath
6498:Mathura
6445:Harappa
6422:Krishna
6368:netsuke
6316:, 839,
6217:netsuke
6181:samurai
6167:In the
6122:, some
6032:, Ming
5996:Guanyin
5944:c. 650.
5936:Seated
5870:Bronze
5826:, near
5820:Pazyryk
5648:Guanyin
5643:Seated
5610:Taliban
5577:Pancika
5435:Mathura
5427:Kushans
5396:apsaras
5359:of the
5042:Baroque
5023:in the
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4370:Bavaria
4293:prophet
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2187:of the
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1677:Germany
1650:Germany
1625:era, c.
1615:Germany
1605:, from
1436:History
1430:Taliban
1428:by the
1420:of the
1389:Judaism
1314:Phidias
1300:, 1490s
1231:Oceania
1170:Pottery
1106:Forging
1086:Welding
1068:plaster
1060:epoxies
1051:Casting
1035:; with
1021:ceramic
907:in situ
824:parts.
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353:casting
337:pottery
305:statues
299:, China
295:at the
235:Western
224:pottery
213:moulded
209:welding
185:carving
145:Netsuke
87:lamassu
15009:female
14634:Europe
14569:Places
14558:Europe
14548:Patron
14538:Dealer
14528:Critic
14501:Artist
14453:statue
14448:relief
14367:fresco
14167:Design
14050:(2018)
14042:(2008)
14036:(1981)
14028:(1971)
14020:(1967)
13995:(1920)
13987:(1907)
13981:(1904)
13973:(1897)
13957:(1886)
13948:(1880)
13940:(1843)
13934:(1776)
13928:(1753)
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13728:Butter
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