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397:
453:, 'parlour music' features melodies which are harmonically-independent or not determined by the harmony. This produces parlour chords, many of them added tone chords if not extended such as the dominant thirteenth, added sixth, and major dominant ninth. Rather, the melodies are organized through parlour modes, variants of the major mode with the third, sixth, and seventh emphasized through
267:, such as Schubert's "Serenade," became part of the parlour repertory. Lyrics written for parlour songs often have sentimental themes, such as love songs or poetic meditations. Fantastical or exuberant themes were also common, as was commentary on incidents and events of the day, such as "Bryan Free Silver March", "Homeless Tonight" or "Shootin' Craps".
155:, its heyday came in the 19th century, as a result of a steady increase in the number of households with enough resources to purchase musical instruments and instruction in music, and with the leisure time and cultural motivation to engage in recreational music-making. Its popularity faded in the 20th century as the
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in North
America and the British Isles. Songs of this genre became more complex and sophisticated in their melodic and harmonic vocabulary, and in addition to their continuing use in the parlour, they were also often sung in public recitals by professional singers. Characteristic and popular parlour
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As the 19th century wore on, more and more songs were newly composed specifically for use by amateurs at home, and these pieces (written originally as parlour songs, rather than being adapted from other genres) began to develop a style all their own: similar in melodic and harmonic content to
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first published in 1909 by
Chapple Publishing Company of Boston and repeatedly revised and republished for the following several decades. The publisher claimed that this selection of songs "Dear to the American People" was selected from entries submitted by 25,000 people.
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256:, became parlour songs, with texts either translated or replaced by new lyrics. Various other genres were also performed in the parlour, including patriotic selections, religious songs, and pieces written for the musical stage. Excerpts from
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such as the mediant-octave mode, which uses the third as a floor and ceiling note, its less common variants the pseudo-phrygian, in which the seventh and often fifth are given prominence, and submediant-octave mode.
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In addition to dissemination as individual pieces of sheet music, parlour songs were also collected into anthologies and sold in this format. The most notable collection was
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thought they were anonymous but later provided royalties to
Stanton. The song typifies the sentimentality of the Victorian and post-Victorian era.
248:, for instance, were traditional (or "folk") tunes supplied with new lyrics by Moore, and many arias from Italian operas, particularly those of
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songs include "Home, Sweet Home," composed by Henry R. Bishop with lyrics by John Howard Payne, "The Old Arm Chair" by
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of the day, but shorter and simpler in structure and making fewer technical demands on singer and accompanist.
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record and radio replaced sheet music as the most common means for the spread of popular music.
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The high point of the parlour song came in the late 19th and early 20th centuries, during the
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299:" and "Come with Thy Sweet Voice Again" are early and elegant examples of the genre.
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674:
Origins of the
Popular Style: The Antecedents of Twentieth-Century Popular Music
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I Love You Truly: A Biographical Novel Based on the Life of Carrie Jacobs-Bond
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363:" (see insets) exemplifies the parlor song. Note the sentimental lyrics by
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which, as the name suggests, is intended to be performed in the
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As described by Peter van der Merwe (1984), in contrast to the
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175:" (1901), a widely selling parlor song. The lyrics were by
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may be too technical for most readers to understand
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468:'s "Turkish March" from "The Ruin of Athens"
614:, Norman, OK: University of Oklahoma Press.
147:of houses, usually by amateur singers and
434:Learn how and when to remove this message
418:, without removing the technical details.
367:, the plaintive but well matched tune by
66:Learn how and when to remove this message
269:
236:Many of the earliest parlour songs were
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29:This article includes a list of general
461:Some mediant-octave mode examples are:
240:for voice and keyboard of other music.
690:
311:, "When the Swallows Homeward Fly" by
416:make it understandable to non-experts
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315:, "Kathleen Mavourneen" composed by
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642:Yesterdays: Popular Song in America
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13:
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115:19th-century Europe, North America
35:it lacks sufficient corresponding
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625:"Grace Notes in American History"
612:"Grace Notes in American History"
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319:with lyrics by Marion Crawford, "
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278:(1864), a dance inspired by the
227:Problems playing this file? See
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20:
534:The Battle Hymn of the Republic
297:Ah! May the Red Rose Live Alway
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1:
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593:(New York: iUniverse, 2008),
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676:. Oxford: Clarendon Press.
335:(Mrs. Charlotte Barnard), "
331:, "Take Back the Heart" by
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274:The Great Wahoo Polka, by
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317:Frederick Nicholls Crouch
119:
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85:
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503:The Yellow Rose of Texas
478:in Ab, Op.34, no.1 theme
201:"Just Awearyin' for You"
553:Wolfgang Amadeus Mozart
50:more precise citations.
703:Music of North America
361:Just Awearyin' for You
355:, and "The Rosary" by
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173:Just Awearyin' for You
708:19th century in music
698:European music genres
654:Hamm, Charles (ed.).
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670:van der Merwe, Peter
466:Ludwig van Beethoven
102:blackface minstrelsy
486:Colonel Bogey March
451:classical music era
365:Frank Lebby Stanton
329:Adelaide A. Proctor
177:Frank Lebby Stanton
369:Carrie Jacobs-Bond
353:Carrie Jacobs-Bond
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181:Carrie Jacobs-Bond
151:. Disseminated as
123:Much 20th century
599:978-0-595-53017-5
538:John Brown's Body
492:John Philip Sousa
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217:Elizabeth Spencer
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86:Stylistic origins
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345:I Love You Truly
282:"Wahoo Bitters".
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120:Derivative forms
112:Cultural origins
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412:help improve it
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327:with lyrics by
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323:" composed by
321:The Lost Chord
293:Stephen Foster
261:minstrel shows
246:Irish Melodies
238:transcriptions
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349:A Perfect Day
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337:Oh Promise Me
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589:Max Morath,
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563:Glockenspiel
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510:Silent Night
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455:modal frames
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380:Heart Songs,
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242:Thomas Moore
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137:parlor music
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656:Heart Songs
448:chord-based
179:. Composer
153:sheet music
48:introducing
692:Categories
635:Literature
577:References
520:Tannhäuser
229:media help
157:phonograph
56:March 2010
31:references
424:June 2022
313:Franz Abt
289:art songs
265:art songs
258:blackface
254:Donizetti
106:folk song
672:(1989).
658:, 1983.
644:, 1979.
333:Claribel
215:Sung by
149:pianists
145:parlours
98:art song
522:'s song
410:Please
347:" and "
250:Bellini
219:in 1911
163:History
44:improve
680:
662:
648:
623:Levy,
597:
33:, but
565:tune:
476:Waltz
351:" by
339:" by
90:opera
678:ISBN
660:ISBN
646:ISBN
595:ISBN
494:'s "
484:'s "
359:. "
295:'s "
252:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
