482:
237:
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576:, which had been built by Sarnoff in part on the bones of FBO, sold off by Kennedy and dissolved early the previous year; the official merger took place on January 31, 1931. The central assets involved were Pathé Exchange's motion picture production facilities, employee contracts, and distribution exchanges; three films completed by Pathé Exchange, two already in release, were included as well. The Pathé headliners who joined the RKO roster and starred in films from the new semiautonomous
759:
20:
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314:, was a massive success, with popular demand so great that the original plan for thirteen episodes was extended to twenty and a record-breaking number of release prints were struck to supply exhibitors around the country. Several sequels followed, as the original, in the words of film historian Richard Lewis Ward, "became the hallmark for the genre". As of August 1914, Pathé's American release schedule, aside from its weekday newsreel, encompassed a
546:, opened on March 31, 1929. The following month, Kennedy had himself elected as chair of the Pathé board. A fire at Pathé's New York production facility that December killed eleven people and precipitated a shift of the studio's short-comedy unit to the West Coast, joining the feature productions in Culver City. Pathé struggled through 1930, putting out just a single feature each month between June and November; the July release,
751:. The venture met with little success, and Grand National was dissolved in early 1940. In 1939, Pathé Film Corporation had bought a second film processing and printing facility, in Los Angeles, and established Pathé Laboratories Inc. of California as its operating subsidiary. The following year, financier Robert Young (no relation to
727:'s raw film manufacturing operation, and a nontheatrical division that focused on the production of shorts for retail customers with home projectors. Kennedy, who had originally aimed to sell the company's remnants and dissolve it, instead stepped down from the board in April 1931. In 1935, the company was reorganized as
453:
circuit. In March 1927, an agreement was reached to merge Pathé and PDC under the former's aegis, with their films given preferential entrée to the Keith-Albee and
Orpheum theaters; the arrangement was designed to allow the interlocked companies to compete with the production-distribution-exhibition
429:
studio. Of the six feature films in Pathé Exchange history to reap $ 1 million or more in North
American rentals, five were Lloyd vehicles. In October 1926, the ailing Associated Exhibitors was largely subsumed into Pathé. That same month, Merrill Lynch sold its controlling interest in the studio to
688:
By the beginning of 1932, feature production had been shifted almost entirely from Culver City to RKO's main
Hollywood studio, and in February the company announced that as of the 1932–33 exhibition season (beginning in September 1932) all of its features would come out under the RKO Radio Pictures
878:
exhibition circuits for keeping its product out of New York theaters. With the suit still pending, in March 1951, Eagle-Lion
Classics reported that 1950–51 would be its first profitable year, with the prospect that in-house production would resume. The next month, however, the studio was sold to
478:. Keith-Albee general manager John J. Murdock was named president of Pathé two months later. Hal Roach negotiated an exit from his Pathé contract and began putting out films through MGM in September, though he also produced a dozen pictures for Pathé's 1927–28 season as part of the exit deal.
256:, founded in 1895 and by the middle of the next decade France's leading film studio, began distributing its films in the United States in 1904. By October 1906, its films commanded as much as 50 percent of the entire U.S. market. In 1908, Pathé Frères was invited to join the
864:(1948). In late 1949, Eagle-Lion announced that it was ending in-house production, as Krim departed. N. Peter Rathvon, former president of RKO, joined the company to handle financing for the independent producers who would now provide all of its domestic output, such as
2782:
Davis—echoing mistakes made by others—incorrectly describes Rank as controlling the Eagle-Lion Films production company and "acquiring" PRC (p. 50). Among the abundant contemporaenous evidence to the contrary, see the Pathé Industries Inc. copyright on the
322:
comedy; and on
Wednesdays and Fridays, features of three reels or more. Later in the year, Pathé stopped releasing its films through General Film Company, acquired the Eclectic Film distribution exchanges, and formally incorporated an American subsidiary:
503:(FBO), to help reorganize the debt-ridden Pathé business. One of Kennedy's first moves was to terminate the distribution deals with all of the studio's outside producers, including Mack Sennett. PDC was dissolved and its assets, including DeMille's
887:, former head of Rank's U.S. operations. Pathé was once again out of the movies. In 1953, Young replaced the Pathé Industries name with that of Chesapeake Industries. Three years later, the suit against the theater chains was dismissed.
840:, reached theaters in January 1947 and the firm soon became Pathé Industries' sole Hollywood flagship, with the announcement in August that PRC would be absorbed into Eagle-Lion. The studio's rare hits included an overachieving noir,
874:, released in June 1950, was a major success. That same month, Pathé merged Eagle-Lion with an independent distributor that focused on reissues, Film Classics, to create Eagle-Lion Classics. In October, the company sued the RKO and
163:
into 1932, when all feature production was subsumed under the "RKO Radio
Pictures" banner; the RKO Pathé unit and brand were maintained for short subjects and the trademark newsreel. The latter was purchased in 1947 from RKO by
722:
Pathé Exchange Inc. continued as a small holding company for the few assets that had not been part of the RKO acquisition, including most of the studio's film library, a film processing lab in New Jersey, a 49 percent stake in
288:
was coming out five days a week. The year prior, alongside its
General Film releases, Pathé also began distributing through the recently founded Eclectic Film Company, in which Pathé Frères was evidently a major investor.
179:
Pathé Exchange had survived as a small holding company for the few assets, including an East Coast film lab and a home-movie operation, that RKO had declined to acquire; the business was subsequently reorganized, first as
707:, didn't reach theaters until late November. The RKO Pathé brand was thenceforth limited to newsreels and shorts (plus one feature-length documentary in 1953). In 1947, RKO sold the Pathé newsreel operation to
374:(1922), the first major commercial success in the genre. Its regular release schedule during this period revolved around its newsreel (now coming out twice a week), the "Pathéserials", cartoons by animator
536:(KAO) circuit, it was a major hit at the box office. The KAO merger had been formalized in January and by May the theater chain was largely under Walker and Kennedy's control. Pathé first true feature "
215:(1950, Eagle-Lion). By 1951, Pathé Industries was out of the motion picture business. In 1961, its successor company, the America Corporation, briefly revived the brand with a distribution subsidiary,
940:
includes all of the RKO Pathé feature releases, but does not distinguish them from the films made by RKO's main production division, then branded as "Radio
Pictures". For the RKO Pathé features, see
784:
studio notorious for the threadbare production values of its output. While PRC relied on independent producers for its release slate, Pathé management wanted to focus on in-house production, and a
407:, made many shorts for Roach, originally released by Pathé and then, beginning in May 1921, Associated Exhibitors. Lloyd shifted to features with the joint Pathé/Associated Exhibitors release
701:. In fact, due to extensive reshoots and recutting, the final feature release bearing the RKO Pathé emblem—the signature Pathé rooster standing proudly atop the RKO logo's spinning globe—
747:(1938). The following year, after the completion of a hiatus imposed in the RKO deal, PFC reentered the filmmaking field in a small way, acquiring 8 percent of the recently established
898:, that handled independent productions from both the U.S. and Great Britain. During its brief 1961–62 existence, it released seven films under America Corporation ownership, including
356:
retired from the presidency of Pathé Exchange in
September, and the following year the business was spun off from its French parent company, with a controlling stake acquired by
68:
that came to define the genre. The
American operation was incorporated as Pathé Exchange toward the end of 1914 and spun off as an independent entity in 1921; the
348:, was a hit across much of the country, though it caused controversy in some prudish precincts; the Pennsylvania Board of Censors required it be retitled
1858:
Most movie theaters were still not wired for sound, so outside of major cities, most audiences had access only to silent exhibitions of the abbreviated
413:
that December. After four more full-length pictures with Roach—and a return to exclusive Pathé distribution—he launched his own production company with
948:
2268:
2710:
3623:
2764:
318:
chapter every other Monday, alternating with a "Cartoon Comedy or Comedy and Short Scenic Educational subjects in Natural Colors"; on Tuesdays, a
798:, already responsible for multiple PRC releases from outside producers, would make several more films at the studio, including the now renowned
826:
was brought on as studio president. An ambitious program of A-level productions was promised, although it was the former head of Warners'
260:(MPPC), created by a combine of production firms that aimed to lock up the American market completely. As a result, Pathé utilized MPPC's
532:
handled by PDC; now in general release with music and sound effects, about forty minutes shorter, and playing across the recently united
3090:
695:, with Bennett in the lead, came out on June 24; it was the first screen version of the story that would be filmed multiple times as
449:
theater chain, which already owned 50 percent of PDC's holding company and had a national footprint through its alliance with the
188:. The company reentered the movie production and distribution business for nearly a decade beginning in 1942 with the purchase of
953:
Pathé Laboratories Inc. acquired a controlling interest in PRC in early January 1942 and purchased it outright by late February.
3598:
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1834:
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811:, for the Pathé and PRC assets. Late the following year, Pathé Industries arranged to collaborate with British movie magnate
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3122:
301:
241:
60:
2787:
poster here and the description of Pathé Industries Inc. as Eagle-Lion Classics' "parent company" in the April 12, 1951
2923:
719:
and TV commercials, until early 1956, when its doors closed for good. Later that year, Warners shut down the newsreel.
438:
152:
772:
production was a box-office hit for Eagle-Lion in Pathé Industries' last full year in the movie distribution business.
58:, which began distributing films in the United States in 1904. Ten years later, it produced the enormously successful
3001:
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on the reciprocal release of Pathé and Rank productions; Pathé set up a new production subsidiary distinct from PRC,
176:
and TV commercials along with theatrical shorts, closed its doors in 1956; Warners ended the newsreel the same year.
3426:
528:, DeMille's epic about the last weeks of Jesus. The movie had been critically lauded the previous year as a silent
507:
production facility and the long-term lease on the adjacent backlot, were folded into Pathé. For the conversion to
3496:
3194:
941:
777:
755:) acquired PFC; he officially dissolved the holding company while maintaining control of its various businesses.
697:
500:
264:
distribution company to release its films. Pathé Frères established production facilities in New Jersey—first in
193:
931:
3510:
3419:
3102:
257:
3083:
2269:"Warner Brothers Buys Pathe News; Transfer of the RKO Newsreel Takes Place Next Month—Short Subjects Excluded"
524:
328:
94:
3056:
2964:, which initially screened in 1958 as supposedly "the first picture ever to premiere without distribution."
3545:
1003:
459:
2082:
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1027:
529:
292:
In March 1914, from its studio in Jersey City (with many climactic scenes shot in the nearby film hub of
39:
3136:
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1011:
937:
3618:
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894:. Redubbed the America Corporation, the firm revived the Pathé brand with a distribution subsidiary,
860:
819:, while the American distribution firm Rank had established in 1944 under that name relinquished it.
542:
511:
production now understood as necessary across the industry, Kennedy contracted both Pathé and FBO to
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211:
107:
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2512:
1587:"Bankers Confer on Pathe-P.D.C. Pool: Merger Conferences On—But Final Decision Is In No Way Set"
776:
Pathé returned more fully to filmmaking in 1942, when Pathé Laboratories of California acquired
155:, DeMille's former outlet. Finally, in January 1931, the studio was acquired by the much larger
3301:
3271:
3155:
3129:
2812:
2793:
2746:
2607:
1397:. Carbondale: Southern Illinois University Press. pp. 71, 170, see also 54–59, 62, 76–80.
691:
3027:
3552:
3143:
3065:
catalog entry for Eagle-Lion/Pathé document holdings at Wisconsin Historical Society Archives
2941:
1666:"Pathe Stockholders Ratify Expansion: P.D.C.-K.A.-Orpheum Deal Sanctioned; Line-up Disclosed"
1283:
Aronson, Michael (2009). "1920: Movies, Margarine, and Main Street". In Fischer, Lucy (ed.).
969:
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115:
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748:
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335:, then just starting their careers, joined the company's board of directors in early 1915.
293:
280:. In 1911, the company launched the first ever newsreel produced in the United States, the
261:
1195:. Rome and Bloomington: John Libbey Publishing/Indiana University Press. pp. 142–49.
522:
On September 30, 1928, Pathé debuted its first partial sound film: a shortened version of
8:
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3308:
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2157:
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533:
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productions. Among Pathé's independent releases were the influential documentary feature
132:
78:
822:
The new Eagle-Lion Films was officially established in April 1946; entertainment lawyer
236:
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3454:
3447:
3370:
3315:
996:
991:
891:
855:
803:
426:
205:
73:
2445:. Berkeley, Los Angeles, and London: University of California Press. pp. 283–91.
681:
319:
98:(1927/28). During much of the 1920s, Pathé distributed the shorts of comedy pioneers
27:(1924), with the genre brand "Pathécomedy" and global Pathé rooster logo at the bottom
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684:. Even within this single promotional item, a hyphen came and went in the brand name.
589:
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496:
481:
409:
140:
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3559:
3538:
3412:
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715:. RKO Pathé continued to put out a reduced roster of theatrical shorts, along with
612:
included its twice-weekly newsreel, a weekly "audio review", three biweekly series—
442:
387:
365:
197:
127:
In late 1926, controlling interest in the studio was acquired by investment banker
89:
353:
3384:
3257:
1422:. Carbondale: Southern Illinois University Press. pp. 52, 54, 57–59, 76–79.
884:
737:
680:
Flyer promoting RKO Pathé's 1939 releases—at this point, most of its shorts were
450:
340:
277:
136:
84:
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144:
890:
After Young's death in 1958, Chesapeake was acquired by real estate developer
788:
production facility was purchased. PRC's initial "directly produced" feature,
72:
investment firm acquired a controlling stake. The following year, it released
3612:
3440:
2247:. Berkeley and Los Angeles: University of California Press. pp. 43, 56.
2200:
2119:. Berkeley and Los Angeles: University of California Press. pp. 43, 56.
899:
790:
605:
597:
516:
431:
397:
360:. For many years, Pathé was closely associated with the distribution company
357:
311:
128:
114:
starred in many feature and short releases from Pathé and the closely linked
69:
3391:
2697:. New Brunswick, NJ, and London: Rutgers University Press. pp. 53–56.
2695:
The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema
2016:
The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy
1924:
The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy
1802:
The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy
1718:
The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy
909:
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676:
632:
573:
475:
404:
383:
345:
332:
165:
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111:
103:
1372:. Carbondale: Southern Illinois University Press. pp. 3, 58, 76, 78.
758:
400:(Sennett) all first reached movie screens under the "Pathécomedy" banner.
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1300:
781:
585:
557:
504:
307:
297:
269:
247:
189:
65:
43:
2908:
Astor Pictures: A Filmography and History of the Reissue King, 1933–1965
735:, which used the accompanying remake rights to produce such classics as
419:(1924). Following two further Pathé releases, including the massive hit
19:
1605:"Blair Co. Swinging Pathe-P.D.C. Deal; To Buy Up Theaters by Wholesale"
865:
769:
609:
537:
508:
200:. Among the historically significant releases from this period are the
148:
51:
38:, was an American film production and distribution company, largely of
139:
theater chains and in 1928 brought in financier and Hollywood maestro
2491:. Carbondale: Southern Illinois University Press. pp. 155, 163.
2353:. Carbondale: Southern Illinois University Press. pp. 142, 152.
1846:. Carbondale: Southern Illinois University Press. pp. 102, 113.
875:
831:
799:
379:
201:
99:
572:
In late 1930, Kennedy arranged for Pathé Exchange to be acquired by
110:. For Roach and then his own production company, acclaimed comedian
2893:. Carbondale: Southern Illinois University Press. pp. 165–66.
2428:. Carbondale: Southern Illinois University Press. pp. 154–55.
2403:. Carbondale: Southern Illinois University Press. pp. 153–54.
2378:. Carbondale: Southern Illinois University Press. pp. 152–53.
2290:. Carbondale: Southern Illinois University Press. pp. 149–50.
2230:. Carbondale: Southern Illinois University Press. pp. 149–50.
2102:. Carbondale: Southern Illinois University Press. pp. 148–50.
2060:. Carbondale: Southern Illinois University Press. pp. 145–48.
2001:. Carbondale: Southern Illinois University Press. pp. 141–46.
1951:. Carbondale: Southern Illinois University Press. pp. 131–34.
1787:. Carbondale: Southern Illinois University Press. pp. 107–14.
1762:. Carbondale: Southern Illinois University Press. pp. 110–11.
1573:. Carbondale: Southern Illinois University Press. pp. 99–102.
471:
415:
392:
47:
1695:. Carbondale: Southern Illinois University Press. pp. 84–85.
1514:. Carbondale: Southern Illinois University Press. pp. 87–88.
1472:. Carbondale: Southern Illinois University Press. pp. 85–87.
1330:. Carbondale: Southern Illinois University Press. pp. 63–68.
1262:. Carbondale: Southern Illinois University Press. pp. 12–17.
253:
82:. Other notable feature releases included the controversial drama
55:
54:, it grew out of the American division of the major French studio
1345:
The History of Foreign Investment in the United States, 1914–1945
1078:. Carbondale: Southern Illinois University Press. pp. 5–11.
827:
1178:. Carbondale: Southern Illinois University Press. pp. 8–9.
1053:. Carbondale: Southern Illinois University Press. pp. 4–6.
2996:. Carbondale: Southern Illinois University Press. p. 154.
2958:
The Pathé-America slate included the inaugural full release of
2843:. Carbondale: Southern Illinois University Press. p. 165.
2630:. Carbondale: Southern Illinois University Press. p. 164.
2534:. Carbondale: Southern Illinois University Press. p. 163.
2328:. Carbondale: Southern Illinois University Press. p. 151.
1976:. Carbondale: Southern Illinois University Press. p. 141.
1901:. Carbondale: Southern Illinois University Press. p. 113.
1652:. Carbondale: Southern Illinois University Press. p. 101.
1287:. New Brunswick, NJ: Rutgers University Press. pp. 33–36.
834:, who was hired as studio chief. The first Eagle-Lion picture,
724:
1220:. Carbondale: Southern Illinois University Press. p. 13.
1153:. Carbondale: Southern Illinois University Press. p. 12.
949:
List of Producers Releasing Corporation films § 1942–1948
159:. It continued making features as the semiautonomous division
2868:. Middletown, CT: Wesleyan University Press. pp. 39–40.
2655:. Middletown, CT: Wesleyan University Press. pp. 32–39.
2033:
The Talkies: American Cinema's Transition to Sound, 1926–1931
1128:. Carbondale: Southern Illinois University Press. p. 9.
1103:. Carbondale: Southern Illinois University Press. p. 6.
922:; after one more release in December, the brand was dropped.
846:
621:
2624:
Note that the date of "1946" on page 1 is a clear misprint.
2467:"PRC Sets Deal With NBC for Telev. Film; $ 7,385,000 Budget"
1829:. Lexington: University Press of Kentucky. pp. 216–26.
637:, and an array of humorous two-reelers under the banners of
2829:("Eagle-Lion and PRC, both Pathe Industries subsidiaries.")
2678:
The New Historical Dictionary of the American Film Industry
2575:
The New Historical Dictionary of the American Film Industry
1623:"P.D.C.-Pathe-K-A Merger Hinges Upon Murdock's Declaration"
883:, which had come under the control of Krim and his partner
491:
ad showing Pathé's top stars during the studio's final days
430:
fellow New York investment firm Blair & Co., headed by
2810:(Pathé "roducing affiliates include Eagle-Lion and PRC.")
807:(1945). In June 1944, Young set up a new holding company,
352:
for distribution within the state. Pathé Frères cofounder
2866:
Escape Velocity: American Science Fiction Film, 1950–1982
2653:
Escape Velocity: American Science Fiction Film, 1950–1982
2594:. Middletown, CT: Wesleyan University Press. p. 32.
2592:
Escape Velocity: American Science Fiction Film, 1950–1982
2310:"Doors Closing: East RKO-Pathe Due to Wind Up Business",
2035:. New York: Charles Scribner's Sons. pp. 208, 210.
3059:
close analysis of PRC/Pathé rights and business history
3057:
Producers Releasing Corporation Early Television Rights
1737:. New York: Alfred A. Knopf. pp. 142–45, 147–148.
1347:. Cambridge, MA: Harvard University Press. p. 89.
445:'s studio, and exchange Pathé stock interests with the
131:'s Blair & Co. firm, which soon allied it with the
1447:(3d ed.). London: Wallflower Press. p. 356.
495:
Early in 1928, Walker and Murdock turned to financier
454:
combines that now ruled the movie industry: Paramount–
231:
2813:"$ 8,500,000 Pathe Boston Bank Loan Is Transfer Deal"
2513:"Rank Signs Another 2-Way Deal, This Time with Young"
918:(1962). In late June 1962, Pathé-America was sold to
2994:
When the Cock Crows: A History of the Pathé Exchange
2891:
When the Cock Crows: A History of the Pathé Exchange
2841:
When the Cock Crows: A History of the Pathé Exchange
2628:
When the Cock Crows: A History of the Pathé Exchange
2532:
When the Cock Crows: A History of the Pathé Exchange
2489:
When the Cock Crows: A History of the Pathé Exchange
2426:
When the Cock Crows: A History of the Pathé Exchange
2401:
When the Cock Crows: A History of the Pathé Exchange
2376:
When the Cock Crows: A History of the Pathé Exchange
2351:
When the Cock Crows: A History of the Pathé Exchange
2326:
When the Cock Crows: A History of the Pathé Exchange
2288:
When the Cock Crows: A History of the Pathé Exchange
2228:
When the Cock Crows: A History of the Pathé Exchange
2100:
When the Cock Crows: A History of the Pathé Exchange
2058:
When the Cock Crows: A History of the Pathé Exchange
1999:
When the Cock Crows: A History of the Pathé Exchange
1974:
When the Cock Crows: A History of the Pathé Exchange
1949:
When the Cock Crows: A History of the Pathé Exchange
1899:
When the Cock Crows: A History of the Pathé Exchange
1844:
When the Cock Crows: A History of the Pathé Exchange
1804:. New York: Penguin Press. pp. 115–17, 119–20.
1785:
When the Cock Crows: A History of the Pathé Exchange
1760:
When the Cock Crows: A History of the Pathé Exchange
1693:
When the Cock Crows: A History of the Pathé Exchange
1650:
When the Cock Crows: A History of the Pathé Exchange
1571:
When the Cock Crows: A History of the Pathé Exchange
1512:
When the Cock Crows: A History of the Pathé Exchange
1470:
When the Cock Crows: A History of the Pathé Exchange
1420:
When the Cock Crows: A History of the Pathé Exchange
1395:
When the Cock Crows: A History of the Pathé Exchange
1370:
When the Cock Crows: A History of the Pathé Exchange
1328:
When the Cock Crows: A History of the Pathé Exchange
1260:
When the Cock Crows: A History of the Pathé Exchange
1218:
When the Cock Crows: A History of the Pathé Exchange
1176:
When the Cock Crows: A History of the Pathé Exchange
1151:
When the Cock Crows: A History of the Pathé Exchange
1126:
When the Cock Crows: A History of the Pathé Exchange
1101:
When the Cock Crows: A History of the Pathé Exchange
1076:
When the Cock Crows: A History of the Pathé Exchange
1051:
When the Cock Crows: A History of the Pathé Exchange
768:(1950), a pioneering depiction of space travel. The
608:. Around the time of the takeover, Pathé's range of
2142:
The Stardom Film: Creating the Hollywood Fairy Tale
1539:. New York: Simon & Schuster. pp. 223–24.
1537:
Empire of Dreams: The Epic Life of Cecil B. DeMille
1497:. New York: Alfred A. Knopf. pp. 142, 429–30.
1285:
American Cinema of the 1920s: Themes and Variations
143:to manage it. Under Kennedy, Pathé contracted with
403:By far Pathé's biggest star of this era, comedian
1243:Film History through Trade Journal Art, 1916–1920
3610:
2680:. Abingdon and New York: Routledge. p. 61.
2577:. Abingdon and New York: Routledge. p. 61.
2084:The 1931 Film Daily Year Book of Motion Pictures
1556:. New York: Alfred A. Knopf. pp. 142, 430.
912:'s pathbreaking drama about racial demagoguery,
731:(PFC), and most of the film library was sold to
172:. RKO Pathé, which in its final decade produced
2187:. New York: Arlington House/Crown. p. 54.
1874:Joseph P. Kennedy Presents: His Hollywood Years
1735:Joseph P. Kennedy Presents: His Hollywood Years
1554:Joseph P. Kennedy Presents: His Hollywood Years
1495:Joseph P. Kennedy Presents: His Hollywood Years
794:, was released in December 1943. Its director,
16:Former film production and distribution company
2942:"Astor Takes Full Control of Pathe-America Co"
2144:. New York: Wallflower Press. pp. 24–29.
1876:. New York: Alfred A. Knopf. pp. 169–74.
962:
196:(PRC) and Pathé's subsequent establishment of
3084:
2548:"Rank Starts Triple Play for American Market"
2018:. New York: Penguin Press. pp. 159–61.
1926:. New York: Penguin Press. pp. 141–42.
1720:. New York: Penguin Press. pp. 112–13.
1245:. Jefferson, NC: McFarland. pp. 41–42.
689:banner. One of the last RKO Pathé features,
2747:"1950-51 Will Be ELC's First 'Profit' Year"
1031:(December 1962, Ruggles-Whelan Enterprises)
3098:
3091:
3077:
3028:"Pathé Now Owns 100 Per Cent of PRC Stock"
2443:Edgar G. Ulmer: A Filmmaker at the Margins
1871:
1732:
1551:
1492:
1190:
209:(1945, PRC) and the science-fiction film
2910:. Jefferson, NC: McFarland. p. 33.
2729:"ELC Files Big Suit Against Loew's, RKO"
2440:
2087:. New York: The Film Daily. p. 442.
2080:
1824:
987:(November 1961, Scaramouche Productions)
757:
675:
480:
235:
18:
3624:1904 establishments in New York (state)
2863:
2794:"Pathe, Boston Bank Loan 'Progressing'"
2650:
2589:
2139:
2030:
1342:
1282:
296:), Pathé Frères entered the market for
3611:
2924:"Pathe-America Sold to Astor Pictures"
2765:"Eagle Lion Is Sold to U.A. Film Firm"
2242:
2182:
2114:
1442:
1240:
276:, an L.A. suburb, for the shooting of
3072:
2905:
2791:article cited in this note. See also
2692:
2675:
2572:
2013:
1921:
1799:
1715:
1534:
567:
437:Walker's firm proceeded to invest in
425:(1925), Lloyd departed for the major
2991:
2888:
2838:
2625:
2529:
2486:
2423:
2398:
2373:
2348:
2323:
2285:
2225:
2097:
2055:
1996:
1971:
1946:
1896:
1841:
1782:
1757:
1690:
1647:
1568:
1509:
1467:
1417:
1392:
1367:
1325:
1257:
1215:
1173:
1148:
1123:
1098:
1073:
1048:
1015:(c. April/May 1962, Sutton Pictures)
219:. It was sold the following year to
92:'s box-office-topping biblical epic
2245:RKO Radio Pictures: A Titan Is Born
2117:RKO Radio Pictures: A Titan Is Born
232:From silents to the early sound era
13:
2711:"2 Movie Concerns Announce Merger"
979:(November 1961, Cameo Productions)
439:Producers Distributing Corporation
338:Released in April 1920, the drama
310:and codirected by company veteran
153:Producers Distributing Corporation
14:
3635:
3050:
1023:(May 1962, Los Altos Productions)
973:(June 1961, Carousel Productions)
272:—and leased an outdoor spread in
3593:
3592:
2735:. October 4, 1950. pp. 1, 6
2608:"Thomas' PRC Tie to End Shortly"
1611:. October 11, 1926. pp. 1–2
240:Poster for the final episode of
3195:The Mystery of the Double Cross
3034:. February 28, 1942. p. 46
2985:
2882:
2857:
2832:
2753:. March 26, 1951. pp. 1, 3
2669:
2644:
2614:. August 5, 1947. pp. 1, 8
2566:
2554:. February 19, 1944. p. 33
2519:. December 22, 1945. p. 13
2505:
2459:
2417:
2392:
2367:
2342:
2317:
2304:
2261:
2219:
2176:
2133:
2091:
2074:
2049:
1990:
1965:
1940:
1915:
1890:
1865:
1818:
1776:
1751:
1709:
1684:
1641:
1593:. October 4, 1926. pp. 1–2
1528:
1486:
1461:
1436:
1411:
1386:
1361:
1319:
1007:(April 1962, AFM/Beaver Films )
778:Producers Releasing Corporation
501:Film Booking Offices of America
194:Producers Releasing Corporation
118:, including the 1925 smash hit
2158:"What Price Hollywood? (1932)"
1276:
1234:
1209:
1167:
1142:
1117:
1092:
1067:
1042:
942:The Early Sound Films of Pathé
925:
902:'s feature directorial debut,
441:(PDC), known as star director
386:. Trailblazing film comedians
258:Motion Picture Patents Company
76:'s groundbreaking documentary
1:
3016:. January 10, 1942. p. 8
1672:. May 13, 1927. pp. 1, 7
1629:. November 3, 1926. p. 4
1035:
556:nominations for lead actress
284:; by early 1914, the renamed
88:(1920) and director/producer
46:. Known for its trailblazing
23:Poster for the comedic short
2992:Ward, Richard Lewis (2016).
2889:Ward, Richard Lewis (2016).
2839:Ward, Richard Lewis (2016).
2626:Ward, Richard Lewis (2016).
2530:Ward, Richard Lewis (2016).
2487:Ward, Richard Lewis (2016).
2424:Ward, Richard Lewis (2016).
2399:Ward, Richard Lewis (2016).
2374:Ward, Richard Lewis (2016).
2349:Ward, Richard Lewis (2016).
2324:Ward, Richard Lewis (2016).
2286:Ward, Richard Lewis (2016).
2226:Ward, Richard Lewis (2016).
2098:Ward, Richard Lewis (2016).
2081:Alicoate, Jack, ed. (1931).
2056:Ward, Richard Lewis (2016).
1997:Ward, Richard Lewis (2016).
1972:Ward, Richard Lewis (2016).
1947:Ward, Richard Lewis (2016).
1897:Ward, Richard Lewis (2016).
1842:Ward, Richard Lewis (2016).
1827:Cecil B. DeMille's Hollywood
1825:Birchard, Robert S. (2004).
1783:Ward, Richard Lewis (2016).
1758:Ward, Richard Lewis (2016).
1691:Ward, Richard Lewis (2016).
1648:Ward, Richard Lewis (2016).
1569:Ward, Richard Lewis (2016).
1510:Ward, Richard Lewis (2016).
1468:Ward, Richard Lewis (2016).
1418:Ward, Richard Lewis (2016).
1393:Ward, Richard Lewis (2016).
1368:Ward, Richard Lewis (2016).
1326:Ward, Richard Lewis (2016).
1258:Ward, Richard Lewis (2016).
1216:Ward, Richard Lewis (2016).
1174:Ward, Richard Lewis (2016).
1149:Ward, Richard Lewis (2016).
1124:Ward, Richard Lewis (2016).
1099:Ward, Richard Lewis (2016).
1074:Ward, Richard Lewis (2016).
1049:Ward, Richard Lewis (2016).
932:List of Pathé Exchange films
580:production unit were led by
151:and took over the assets of
7:
2819:. August 5, 1947. p. 3
2243:Jewell, Richard B. (2012).
2183:Jewell, Richard B. (1982).
2115:Jewell, Richard B. (2012).
1191:Koszarski, Richard (2004).
963:List of Pathé-America films
850:(1947), and a Rank import,
515:, run by his sometime ally
300:. Its initial such effort,
246:(1914), the genre-defining
10:
3640:
3137:The New Exploits of Elaine
2906:Pitts, Michael R. (2019).
2800:. July 28, 1947. p. 1
955:
946:
938:List of RKO Pictures films
929:
762:Poster for sci-fi classic
499:, head of midsized studio
470:–West Coast Theatres, and
226:
3590:
3353:
3288:
3153:
3109:
2973:. American Film Institute
2948:. July 2, 1962. p. 5
2864:Schauer, Bradley (2017).
2651:Schauer, Bradley (2017).
2590:Schauer, Bradley (2017).
2476:. July 5, 1944. p. 9
2207:. American Film Institute
2164:. American Film Institute
1307:. American Film Institute
628:Vagabond Adventure Series
378:, and comedy shorts from
3469:Casey of the Coast Guard
2031:Crafton, Donald (1997).
1872:Beauchamp, Cari (2009).
1733:Beauchamp, Cari (2009).
1552:Beauchamp, Cari (2009).
1493:Beauchamp, Cari (2009).
1443:Finler, Joel W. (2003).
1028:Out of the Tiger's Mouth
997:Allied Film Makers (AFM)
958:List of Eagle-Lion films
106:and innovative animator
3581:Queen of the Northwoods
3427:The House Without a Key
2967:"Paradise Alley (1962)"
2676:Slide, Anthony (1998).
2573:Slide, Anthony (1998).
2441:Isenberg, Noah (2014).
2140:McNally, Karen (2021).
1193:Fort Lee: The Film Town
3532:The Man Without a Face
3302:The Adventures of Ruth
3130:The Exploits of Elaine
1343:Wilkins, Mira (2004).
773:
729:Pathé Film Corporation
685:
492:
250:
182:Pathé Film Corporation
28:
3144:The Romance of Elaine
3123:The Perils of Pauline
3063:Eagle-Lion Legal File
3032:Motion Picture Herald
3014:Motion Picture Herald
2693:Davis, Blair (2012).
2552:Motion Picture Herald
2517:Motion Picture Herald
2014:Nasaw, David (2012).
1922:Nasaw, David (2012).
1800:Nasaw, David (2012).
1716:Nasaw, David (2012).
1535:Eyman, Scott (2010).
1241:Codori, Jeff (2020).
1004:Whistle Down the Wind
970:The Deadly Companions
905:The Deadly Companions
761:
711:, which rebranded it
692:What Price Hollywood?
679:
484:
362:Associated Exhibitors
303:The Perils of Pauline
243:The Perils of Pauline
239:
168:, which rebranded it
116:Associated Exhibitors
61:The Perils of Pauline
22:
3406:Ten Scars Make a Man
3230:The Lightning Raider
3174:The Shielding Shadow
3010:"Pathe Lab Buys PRC"
2817:Motion Picture Daily
2798:Motion Picture Daily
2751:Motion Picture Daily
2733:Motion Picture Daily
2612:Motion Picture Daily
977:Run Across the River
780:(PRC), a struggling
749:Grand National Films
552:, managed to garner
530:road-show attraction
396:troupe (Roach), and
350:Sex Crushed to Earth
262:General Film Company
223:and soon dissolved.
34:, commonly known as
3546:The Terrible People
3476:The Fighting Marine
3354:Pathé Exchange Only
3309:Ruth of the Rockies
3291:Ruth Roland Serials
3237:Terror of the Range
1445:The Hollywood Story
534:Keith-Albee-Orpheum
371:Nanook of the North
79:Nanook of the North
64:, a twenty-episode
3574:The Fire Detective
3553:The Tiger's Shadow
3525:Eagle of the Night
3371:Her Dangerous Path
3316:The Avenging Arrow
892:William Zeckendorf
856:Emeric Pressburger
774:
686:
639:Manhattan Comedies
568:Later incarnations
493:
251:
184:and ultimately as
147:for conversion to
74:Robert J. Flaherty
50:and wide array of
29:
3606:
3605:
3504:The Masked Menace
3497:Hawk of the Hills
3490:The Crimson Flash
3462:The Bar C Mystery
3378:The Fortieth Door
3344:Ruth of the Range
3244:The Tiger's Trail
3216:The House of Hate
3167:Pearl of the Army
2917:978-1-4766-7649-4
2704:978-1-579-58056-8
2687:978-1-579-58056-8
2584:978-1-579-58056-8
2452:978-0-520-23577-9
2254:978-0-520-27178-4
2201:"Rockabye (1932)"
2151:978-0-520-27178-4
2126:978-0-520-27178-4
2025:978-1-59420-376-3
1933:978-1-59420-376-3
1836:978-0-8131-2636-4
1811:978-1-59420-376-3
1727:978-1-59420-376-3
1546:978-0-7432-8955-9
1294:978-0-8135-4484-7
837:It's a Joke, Son!
733:Columbia Pictures
713:Warner Pathé News
590:Helen Twelvetrees
582:Constance Bennett
560:and screenwriter
525:The King of Kings
497:Joseph P. Kennedy
410:A Sailor-Made Man
316:Perils of Pauline
170:Warner Pathé News
141:Joseph P. Kennedy
95:The King of Kings
3631:
3596:
3595:
3560:The Yellow Cameo
3539:Mark of the Frog
3511:Melting Millions
3420:The Green Archer
3413:The Way of a Man
3364:Double Adventure
3330:The Timber Queen
3279:Trailed by Three
3223:Bound and Gagged
3202:The Seven Pearls
3093:
3086:
3079:
3070:
3069:
3044:
3043:
3041:
3039:
3025:
3023:
3021:
3007:
2989:
2983:
2982:
2980:
2978:
2957:
2955:
2953:
2939:
2937:
2935:
2921:
2904:
2886:
2880:
2879:
2861:
2855:
2854:
2836:
2830:
2828:
2826:
2824:
2809:
2807:
2805:
2785:Destination Moon
2780:
2778:
2776:
2771:. April 12, 1951
2762:
2760:
2758:
2744:
2742:
2740:
2726:
2724:
2722:
2708:
2691:
2673:
2667:
2666:
2648:
2642:
2641:
2623:
2621:
2619:
2605:
2588:
2570:
2564:
2563:
2561:
2559:
2545:
2528:
2526:
2524:
2509:
2503:
2502:
2485:
2483:
2481:
2471:
2463:
2457:
2456:
2439:
2421:
2415:
2414:
2396:
2390:
2389:
2371:
2365:
2364:
2346:
2340:
2339:
2321:
2315:
2314:, March 3, 1956.
2308:
2302:
2301:
2284:
2282:
2280:
2265:
2259:
2258:
2241:
2223:
2217:
2216:
2214:
2212:
2198:
2180:
2174:
2173:
2171:
2169:
2155:
2137:
2131:
2130:
2113:
2095:
2089:
2088:
2078:
2072:
2071:
2053:
2047:
2046:
2029:
2012:
1994:
1988:
1987:
1969:
1963:
1962:
1944:
1938:
1937:
1919:
1913:
1912:
1894:
1888:
1887:
1869:
1863:
1857:
1840:
1822:
1816:
1815:
1798:
1780:
1774:
1773:
1755:
1749:
1748:
1731:
1713:
1707:
1706:
1688:
1682:
1681:
1679:
1677:
1663:
1645:
1639:
1638:
1636:
1634:
1620:
1618:
1616:
1602:
1600:
1598:
1584:
1567:
1550:
1532:
1526:
1525:
1508:
1490:
1484:
1483:
1465:
1459:
1458:
1440:
1434:
1433:
1415:
1409:
1408:
1390:
1384:
1383:
1365:
1359:
1358:
1341:
1323:
1317:
1316:
1314:
1312:
1298:
1280:
1274:
1273:
1256:
1238:
1232:
1231:
1213:
1207:
1206:
1189:
1171:
1165:
1164:
1146:
1140:
1139:
1121:
1115:
1114:
1096:
1090:
1089:
1071:
1065:
1064:
1046:
995:(February 1962,
871:Destination Moon
817:Eagle-Lion Films
809:Pathé Industries
786:Sunset Boulevard
765:Destination Moon
671:Capitol Comedies
663:Checker Comedies
647:Rainbow Comedies
643:Whoopee Comedies
602:Robert Armstrong
443:Cecil B. DeMille
388:Laurel and Hardy
364:, which handled
320:one- or two-reel
266:East Bound Brook
212:Destination Moon
198:Eagle-Lion Films
186:Pathé Industries
90:Cecil B. DeMille
3639:
3638:
3634:
3633:
3632:
3630:
3629:
3628:
3609:
3608:
3607:
3602:
3586:
3399:Leatherstocking
3385:Galloping Hoofs
3355:
3349:
3293:
3284:
3258:The Phantom Foe
3188:The Hidden Hand
3158:
3149:
3114:
3105:
3097:
3053:
3048:
3047:
3037:
3035:
3026:
3019:
3017:
3008:
3004:
2990:
2986:
2976:
2974:
2965:
2951:
2949:
2940:
2933:
2931:
2930:. June 27, 1962
2922:
2918:
2901:
2887:
2883:
2876:
2862:
2858:
2851:
2837:
2833:
2822:
2820:
2811:
2803:
2801:
2792:
2781:
2774:
2772:
2763:
2756:
2754:
2745:
2738:
2736:
2727:
2720:
2718:
2709:
2705:
2688:
2674:
2670:
2663:
2649:
2645:
2638:
2617:
2615:
2606:
2602:
2585:
2571:
2567:
2557:
2555:
2546:
2542:
2522:
2520:
2511:
2510:
2506:
2499:
2479:
2477:
2469:
2465:
2464:
2460:
2453:
2436:
2422:
2418:
2411:
2397:
2393:
2386:
2372:
2368:
2361:
2347:
2343:
2336:
2322:
2318:
2309:
2305:
2298:
2278:
2276:
2275:. July 28, 1947
2267:
2266:
2262:
2255:
2238:
2224:
2220:
2210:
2208:
2199:
2195:
2181:
2177:
2167:
2165:
2156:
2152:
2138:
2134:
2127:
2110:
2096:
2092:
2079:
2075:
2068:
2054:
2050:
2043:
2026:
2009:
1995:
1991:
1984:
1970:
1966:
1959:
1945:
1941:
1934:
1920:
1916:
1909:
1895:
1891:
1884:
1870:
1866:
1854:
1837:
1823:
1819:
1812:
1795:
1781:
1777:
1770:
1756:
1752:
1745:
1728:
1714:
1710:
1703:
1689:
1685:
1675:
1673:
1664:
1660:
1646:
1642:
1632:
1630:
1621:
1614:
1612:
1603:
1596:
1594:
1585:
1581:
1564:
1547:
1533:
1529:
1522:
1505:
1491:
1487:
1480:
1466:
1462:
1455:
1441:
1437:
1430:
1416:
1412:
1405:
1391:
1387:
1380:
1366:
1362:
1355:
1338:
1324:
1320:
1310:
1308:
1299:
1295:
1281:
1277:
1270:
1253:
1239:
1235:
1228:
1214:
1210:
1203:
1186:
1172:
1168:
1161:
1147:
1143:
1136:
1122:
1118:
1111:
1097:
1093:
1086:
1072:
1068:
1061:
1047:
1043:
1038:
965:
960:
951:
934:
928:
885:Robert Benjamin
738:The Awful Truth
667:Campus Comedies
659:Melody Comedies
635:Football Series
624:'s Sound Fables
570:
329:Charles Merrill
234:
229:
17:
12:
11:
5:
3637:
3627:
3626:
3621:
3619:Pathé Exchange
3604:
3603:
3591:
3588:
3587:
3585:
3584:
3577:
3570:
3567:The Black Book
3563:
3556:
3549:
3542:
3535:
3528:
3521:
3514:
3507:
3500:
3493:
3486:
3479:
3472:
3465:
3458:
3451:
3444:
3437:
3430:
3423:
3416:
3409:
3402:
3395:
3388:
3381:
3374:
3367:
3359:
3357:
3351:
3350:
3348:
3347:
3340:
3337:Haunted Valley
3333:
3326:
3319:
3312:
3305:
3297:
3295:
3286:
3285:
3283:
3282:
3275:
3268:
3261:
3254:
3251:Daredevil Jack
3247:
3240:
3233:
3226:
3219:
3212:
3205:
3198:
3191:
3184:
3181:The Fatal Ring
3177:
3170:
3162:
3160:
3151:
3150:
3148:
3147:
3140:
3133:
3126:
3118:
3116:
3107:
3106:
3100:Pathé Exchange
3096:
3095:
3088:
3081:
3073:
3067:
3066:
3060:
3052:
3051:External links
3049:
3046:
3045:
3002:
2984:
2961:Paradise Alley
2928:New York Times
2916:
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2789:New York Times
2769:New York Times
2717:. May 22, 1950
2715:New York Times
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930:Main article:
927:
924:
920:Astor Pictures
881:United Artists
852:Michael Powell
824:Arthur B. Krim
813:J. Arthur Rank
796:Edgar G. Ulmer
698:A Star Is Born
655:Rodeo Comedies
651:Folly Comedies
630:—the seasonal
615:Grantland Rice
569:
566:
562:Horace Jackson
513:RCA Photophone
485:December 1930
468:First National
325:Pathé Exchange
233:
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221:Astor Pictures
145:RCA Photophone
32:Pathé Exchange
25:Bungalow Boobs
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2185:The RKO Story
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896:Pathé-America
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861:The Red Shoes
857:
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606:James Gleason
603:
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598:Eddie Quillan
595:
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554:Academy Award
551:
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543:Strange Cargo
539:
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517:David Sarnoff
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432:Elisha Walker
428:
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398:Harry Langdon
395:
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390:(Roach), the
389:
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358:Merrill Lynch
355:
354:Charles Pathé
351:
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3392:Into the Net
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3099:
3038:December 30,
3036:. Retrieved
3031:
3020:December 30,
3018:. Retrieved
3013:
2993:
2987:
2975:. Retrieved
2970:
2959:
2950:. Retrieved
2945:
2932:. Retrieved
2927:
2907:
2890:
2884:
2865:
2859:
2840:
2834:
2821:. Retrieved
2816:
2802:. Retrieved
2797:
2788:
2784:
2773:. Retrieved
2768:
2755:. Retrieved
2750:
2737:. Retrieved
2732:
2719:. Retrieved
2714:
2694:
2677:
2671:
2652:
2646:
2627:
2616:. Retrieved
2611:
2591:
2574:
2568:
2556:. Retrieved
2551:
2531:
2521:. Retrieved
2516:
2507:
2488:
2480:December 31,
2478:. Retrieved
2473:
2461:
2442:
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2419:
2400:
2394:
2375:
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2350:
2344:
2325:
2319:
2311:
2306:
2287:
2277:. Retrieved
2272:
2263:
2244:
2227:
2221:
2211:December 30,
2209:. Retrieved
2204:
2184:
2178:
2166:. Retrieved
2161:
2141:
2135:
2116:
2099:
2093:
2083:
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2057:
2051:
2032:
2015:
1998:
1992:
1973:
1967:
1948:
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1734:
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1711:
1692:
1686:
1674:. Retrieved
1669:
1649:
1643:
1631:. Retrieved
1626:
1613:. Retrieved
1608:
1595:. Retrieved
1590:
1570:
1553:
1536:
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1511:
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1444:
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1419:
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1344:
1327:
1321:
1309:. Retrieved
1304:
1301:"Sex (1920)"
1284:
1278:
1259:
1242:
1236:
1217:
1211:
1192:
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1169:
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1069:
1050:
1044:
1026:
1020:The Intruder
1018:
1010:
1002:
990:
984:Fear No More
982:
976:
968:
952:
935:
915:The Intruder
913:
910:Roger Corman
908:(1961), and
903:
895:
889:
869:
859:
845:
842:Anthony Mann
835:
821:
808:
802:
789:
775:
763:
742:
736:
728:
721:
712:
709:Warner Bros.
702:
696:
690:
687:
670:
666:
662:
658:
654:
650:
646:
642:
638:
633:Knute Rockne
631:
627:
620:
613:
594:William Boyd
577:
574:RKO Pictures
571:
547:
541:
523:
521:
494:
486:
456:Famous–Lasky
436:
422:The Freshman
420:
414:
408:
405:Harold Lloyd
402:
391:
384:Mack Sennett
369:
349:
346:Louise Glaum
339:
337:
333:Edmund Lynch
327:. Investors
324:
315:
302:
291:
285:
282:Pathé Weekly
281:
254:Pathé Frères
252:
242:
216:
210:
204:
185:
181:
178:
169:
166:Warner Bros.
160:
157:RKO Pictures
126:
121:The Freshman
119:
112:Harold Lloyd
104:Mack Sennett
93:
83:
77:
59:
56:Pathé Frères
35:
31:
30:
24:
3356:(1921–1929)
3323:White Eagle
3294:(1919-1924)
3265:Pirate Gold
3159:(1916–1920)
3156:Astra Films
3115:(1914–1915)
2971:AFI Catalog
2279:January 28,
2205:AFI Catalog
2162:AFI Catalog
1305:AFI Catalog
944:(1931–32).
926:Filmography
782:Poverty Row
741:(1937) and
717:industrials
682:one-reelers
617:Sportlights
586:Ann Harding
558:Ann Harding
505:Culver City
447:Keith-Albee
366:independent
344:, starring
308:Pearl White
306:, starring
270:Jersey City
190:Poverty Row
174:industrials
133:Keith-Albee
3613:Categories
2977:January 3,
2952:January 3,
2934:January 3,
2823:January 3,
2804:January 3,
2775:January 1,
2757:January 3,
2739:January 3,
2721:January 3,
2618:January 3,
2558:January 1,
2523:January 1,
2168:January 3,
1670:Film Daily
1609:Film Daily
1591:Film Daily
1311:January 3,
1036:References
956:See also:
947:See also:
866:George Pal
770:George Pal
509:sound film
466:, Stanley–
376:Paul Terry
286:Pathé News
149:sound film
108:Paul Terry
44:silent era
3483:Snowed In
3455:Play Ball
3448:Wild West
2946:Boxoffice
2312:Billboard
832:Bryan Foy
800:film noir
753:the actor
578:RKO Pathé
488:Photoplay
427:Paramount
380:Hal Roach
202:film noir
161:RKO Pathé
100:Hal Roach
40:Hollywood
3599:Category
3518:On Guard
3209:Hands Up
1633:July 10,
1615:July 10,
1597:July 10,
868:, whose
704:Rockabye
476:Theatres
472:Fox Film
416:Girl Shy
393:Our Gang
294:Fort Lee
278:Westerns
274:Edendale
48:newsreel
3103:serials
2474:Variety
1676:July 8,
1627:Variety
744:Holiday
549:Holiday
451:Orpheum
298:serials
268:, then
227:History
192:studio
137:Orpheum
3000:
2914:
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1980:
1955:
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