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294:. He continued in that role and teaching at Stanford until his retirement in 1945, and he organized an active schedule of diverse exhibitions. In March 1922 he presented at Stanford the first solo exhibition of his own work, a collection of pastels, and in August 1922 an article about him was featured in the
376:
In 1922, there had been an old oak tree in Palo Alto that was cut down, de Lemos was upset by the cutting of this old tree and in reaction he bought up a parcel of land on Ramona Street (near
University Avenue) in order to save the oak trees. Between the 1920s until the late 1930s, de Lemos designed
342:
When he taught art at Mark
Hopkins, the Institution paid for the first time. He is editor of "Applied art", the best art text-book on the market today. When he took it over he tripled the subscription list. He is now Art Curator at Stanford University. No one wonders. We are glad he summers in
253:
in
Oakland from 1900 to 1904. In 1904 he and his brother John started an engraving firm in San Francisco, which was destroyed in the 1906 earthquake and fire. In 1907 he married Reta Bailey of Berkeley and the three brothers, with two additional partners, started Lemos Illustrating Company in
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Oakland, continuing as Lemos
Brothers, Artists and Engravers to 1911. Later this became known as the Lemos Brothers Art and Photography Studio, which offered art classes in copper, leather and landscaping as well as the traditional media of drypoint, etching and illustrating.
403:) and adjacent property and built the Lemos Building, a fairy-tale cottage for himself at the rear of property in 1929. He built the Garden Shop Addition in 1931, with a three-sided window bay, Carmel stone, and shingled roof, that blends in with the other two buildings.
322:(Pacific Press Publishing Association, 1920) became a popular textbook for elementary and high school art classes that was revised and reprinted more than a dozen times through the 1940s. Many short pieces appeared in the
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and built multiple buildings in Palo Alto, California including 520-526 Ramona Street and across the street at 533-539 Ramona Street, 460 Churchill Street (built in 1925) in order to house his art studio, and four
429:, known as the “Gingerbread House” or “Casita de Lemos” (Little house of Lemos). The cottage was a guest house for a larger home planned for the property. He completed only the garage and poured concrete roof.
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Under pressure to incorporate modernist art trends like cubism in the curriculum of the San
Francisco Institute of Art, he resigned in the fall of 1917 to become director of the art museum and gallery at
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He became a prolific author of articles and books on
Mexican and Native American crafts and on the teaching of arts and crafts. In 1920 he and his brother John T. Lemos co-authored
152:. Prior to about 1930 he used the simpler name Pedro Lemos or Pedro J. Lemos; between 1931 and 1933 he changed the family name to de Lemos, believing that he was related to the
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De Lemos resigned the directorship of the San
Francisco Art Institute in 1917 to come to Stanford, where he directed the art gallery and museum for nearly three decades
148:(25 May 1882 – 5 December 1954) was an American painter, printmaker, architect, illustrator, writer, lecturer, museum director and art educator in the San Francisco
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In 1928, after meeting with the owners of the property, the
Merners, Pedro and his wife Reta became involved in the founding, design and administration of the
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677:"Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards"
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298:. He continued to exhibit his work in many media at Stanford and elsewhere, and for several years he taught summer art classes as far away as Chicago.
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in Menlo Park, California. He and his wife had already engaged in developing similar groups of art studios and shops in Carmel and Palo Alto. The
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and John W. Winkler (1894-1979), went on to achieve significant fame as printmakers. He helped organize the
California print section of the 1915
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Between 1931 and 1941 de Lemos developed his own home with nearly 9,000 square feet on
Waverley Oaks in Palo Alto, the
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453:, but refused to attend most of the meetings in a bitter dispute over juried exhibitions. He also belonged to the
203:(1864–1942), Emile Gremke, and Mary Frances Benton. He returned to the latter school in 1910-11 and studied under
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168:. He became prominent in the field of art education, and he designed several unusual buildings in Palo Alto and
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An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website (
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Catalog of Copyright Entries, 1927 Pamphlets, Dramatic Compositions And Maps New Series Vol 24 Part 1
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129:
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1086:
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Art Simplified: A Book of Practical Art for Advertisers, Commercial Artists, Teachers and Students
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He attended public schools and, as a teenager he studied art the Mark Hopkins Institute (now the
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style architecture for the six Allied Arts Guild buildings were designed by Pedro de Lemos and
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by Pedro and Reta Lemos, with an emphasis on decorative tiles, was reprinted in 2007 as
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Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1
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Magazine, where de Lemos served as editor-in-chief from 1919 to 1950. The 1922 book
278:(PPIE). He had five works in the PPIE exposition and received an honorable mention.
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Lemos died 5 December 1954, in his home in Palo Alto, California at the age of 72.
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He served as director of the San Francisco Institute of Art from 1914 to 1917.
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662:. Oakland, Calif.: East Bay Heritage Project. pp. 207–220, 234, 480–484.
338:, books 1-3, that were published by Abbott Educational Co. on March 26, 1927.
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946:. Carmel-by-the-Sea, California: Arcadia Publishing. pp. 100–101, 108.
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764:"Stanford celebrates the lasting impression of artist Pedro de Lemos"
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Pedro de Lemos — Lasting Impressions: Works on Paper, 1910–1945
489:. Worcester, Massachusetts: Davis Publications Inc. pp. 4–111.
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465:, and other organizations. In 1943 he was elected a Fellow of the
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houses at 1550-1560-1566-1579 Cowper Street (built in the 1930s).
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859:. Carmel-by-the-Sea, California. December 14, 1928. pp. 9–15
32:
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In August 1927, de Lemos was elected the first president of the
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Painting, drawing, printmaking, lecturer, writing, art educator
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Cody Anderson Wasney Architects projects on de Lemos buildings
807:. Atglen, Pennsylvania: Schiffer Publishing (published 1922).
892:. Vol. 40, no. 3. The Palo Alto Historical Society
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598:"United States Passport Application for Pedro J. Lemos"
399:
In 1927, de Lemos bought an Art Shop (later named the
320:
Applied Art: Drawing, Painting, Design and Handicraft
1035:. Oakland, California. December 6, 1954. p. 28
262:In 1911 he began teaching decorative design at the
1057:. Oakland, California. August 18, 1927. p. 21
310:From his book "Applied Art", first published 1920
211:(1859–1944). In 1913 he studied in New York with
160:. Much of his work was influenced by traditional
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188:in 1888. Pedro's parents had emigrated from the
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1162:List of historic buildings in Carmel-by-the-Sea
266:. In late 1912 he was one of the founders the
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1076:International Fine Print Dealers Association
1176:Carmel-by-the-Sea World War I Memorial Arch
578:. Carmel-by-the-Sea, California: Tuck Box.
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1566:Presidents of San Francisco Art Institute
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410:(or Hacienda de Lemos, Waverley Oaks) is
184:. The family settled on Myrtle Street in
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541:Edalatpour, Jeffrey (October 17, 2018).
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1120:Pacific Grove Museum of Natural History
883:"Pedro de Lemos — A Palo Alto Treasure"
805:Arts & Crafts Era Concrete Projects
790:
708:Nonnenberg, Sheryl (November 2, 2017).
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332:Arts & Crafts Era Concrete Projects
276:Panama–Pacific International Exposition
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1222:Mission San Carlos Borromeo de Carmelo
974:Janick, Richard N. (October 8, 2002).
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1531:American people of Portuguese descent
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412:Spanish Colonial Revival architecture
976:"Department Of Parks And Recreation"
914:George, Margaret Feuer and Carolyn.
762:Wander, Robin (September 18, 2017).
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416:National Register of Historic Places
1561:San Francisco Art Institute faculty
336:Correlated art for advanced schools
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1556:San Francisco Art Institute alumni
1546:20th-century American male artists
1541:Artists from Palo Alto, California
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372:Front Gate to Pedro de Lemos House
318:, published by the Prang Company.
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1536:20th-century American printmakers
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943:Carmel, A History in Architecture
881:McKee, Peggy (December 1, 2017).
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180:Pedro was born on 25 May 1882 in
1055:"Carmel Art Body Names Officers"
251:Pacific Press Publishing Company
207:(1864-1946), Harry Seawell, and
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738:"Casita de Lemos, Pebble Beach"
575:The fairy tale houses of Carmel
543:"Pedro de Lemos' Promised Land"
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421:In 1944, Lemos began work on a
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217:Art Students League of New York
98:Art Students League of New York
1521:20th-century American painters
1101:Works by Pedro Joseph de Lemos
617:
590:
514:"Pedro Joseph Lemos Biography"
264:San Francisco Institute of Art
1:
1391:San Francisco Art Association
625:"Pedro J. de Lemos Biography"
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457:, Palo Alto Art Association,
451:Carmel-by-the-Sea, California
268:California Society of Etchers
170:Carmel-by-the-Sea, California
1232:Outlands in the Eighty Acres
7:
1396:Walter and McBean Galleries
1366:San Francisco Art Institute
1029:"De Lemos Rites Held Today"
1008:Palo Alto Stanford Heritage
833:. Library of Congress. 1927
658:Edwards, Robert W. (2012).
485:Edwards, Robert W. (2015).
301:
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197:San Francisco Art Institute
162:Japanese woodblock printing
112:San Francisco Art Institute
10:
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1110:Pinterest page on de Lemos
572:Mathewson, Joanne (1998).
459:Chicago Society of Etchers
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1227:Mrs. Clinton Walker House
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1181:Harrison Memorial Library
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1428:Presidents and directors
1242:Tor House and Hawk Tower
890:The Tall Tree Newsletter
803:Lemos, Pedro J. (2007).
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296:American Magazine of Art
199:) in San Francisco with
176:Early life and education
166:Arts and Crafts Movement
130:Arts and Crafts Movement
328:Color Cement Handicraft
156:(1576–1622), patron of
1526:American male painters
1202:Carmel Art Association
710:"Imprinted in history"
629:Trotter Galleries, Inc
447:Carmel Art Association
373:
355:
311:
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209:Alice Brown Chittenden
1516:American illustrators
1447:Pedro Joseph de Lemos
1437:Virgil Macey Williams
983:National Park Service
940:Seavey, Kent (2007).
467:Royal Society of Arts
371:
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205:Charles Chapel Judson
192:in Portugal in 1872.
146:Pedro Joseph de Lemos
79:Palo Alto, California
47:Pedro Joseph de Lemos
1442:Arthur Frank Mathews
1381:Diego Rivera Gallery
1127:at Trotter Galleries
920:www.pastheritage.org
853:"Who's Who-and Here"
408:Pedro de Lemos House
364:Pedro de Lemos House
1472:Christopher Bratton
1087:The Annex Galleries
1004:"Hacienda de Lemos"
292:Stanford University
249:He was employed by
244:"The Cliff Dweller"
225:Columbia University
186:Oakland, California
158:Miguel de Cervantes
102:Columbia University
1452:Lee Fritz Randolph
1318:Frank Lloyd Wright
1313:Thomas Albert Work
1256:Designer/architect
1169:Downtown buildings
1125:Pedro Joseph Lemos
463:Pacific Art League
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201:Harry Stuart Fonda
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1482:Charles Desmarais
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1273:Greene and Greene
1105:Project Gutenberg
683:on April 29, 2016
386:Allied Arts Guild
221:Arthur Wesley Dow
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1467:Ella King Torrey
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86:Other names
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1511:1954 deaths
1506:1882 births
1462:Fred Martin
863:October 17,
773:October 23,
547:Metroactive
469:in London.
423:"Storybook"
334:. He wrote
89:Pedro Lemos
1500:Categories
1278:Henry Hill
1263:Dene Denny
1013:August 25,
518:artnet.com
473:References
362:See also:
324:SchoolArts
53:1882-05-25
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425:house in
219:and with
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401:Tuck Box
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343:Carmel.
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