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square, and had a large fireplace. Corwin Knapp Linson (1864–1959) said the kitchen had two great Breton beds on either side of the fireside in which the mistress and her maids slept. He wrote that the "time honoured fireplace was framed in a blazonment of brass and copper utensils which blinked, flashed, glowed according to ever changing humour of light."
314:(1855–1938) stayed at the Pension Gloanec with his wife and daughter Dorothy. Dorothy described the dining room "where rough men sat on either side of a long table, serving themselves out of a common dish, and dipping great slices of bread into their plates." Dorothy's mother categorized the painters as "
302:(1880) described the pension as a quaint little auberge down by the bridge. The signboard was painted by one of the inmates, and the panels of the rooms were also decorated with works of art. It was the true Bohemian home in the town where lodgings and two good meals per day with cider could be had for
212:(1839–1877), had encouraged them to visit Pont-Aven in the summer. Word spread, and about twelve American and English artists spent the summer of 1866 in the village. The villager were friendly to the artists, found them studio space in the run-down Château de Lezaven, and were glad to pose for them.
375:
Gauguin left Pont-Aven in 1889 to escape from the many painters living there. Marie Jeanne
Gloanec, "la mère des peintres", earned enough from her painters to build a larger hotel in the town square. In 1892 the establishment was transferred to the Hotel Gloanec on the town square, later renamed the
215:
The painters appreciated the beauty of the surrounding landscape and the low living costs. They would use barns or sheds as studios. A growing number of foreign artists returned year after year, and some settled more or less permanently. French artists began to visit the village in the mid- to late
271:
Behind the kitchen was the dining room, where food was served "to fatten you on the spot". The dining room was lined with beams and floorboards, drawings and studies. The work of the regular guests covered the walls of the kitchen and dining room, depicting the local men and women who posed for the
228:
The
Pension Gloanec was opened in 1860 by Marie-Jeanne Gloanec (1839–1915) and Joseph Gloanec (1829–1906). Marie-Jeanne Morvant, later known as "La Mère Gloanec", was born on 8 February 1839 in Pont-Aven, daughter of a tailor and a chambermaid. Some time later her father opened a small inn, where
175:
in the last half of the 19th century. It was known for economical but excellent quality food, where the diners served themselves from shared dishes set out on a long table in the dining room. There were few rooms, so most of the artists boarded elsewhere in the town. Its most famous resident was
267:
The
Pension Gloanec was at the entrance to the Pont-Aven village square. There were few rooms for rent, and most of the artists lived elsewhere in the town and only ate at the pension. The auberge had only two rooms on the ground floor. At the front the kitchen-living room was entered from the
309:
Birge
Harrison wrote in 1888 that the delicious food of the dear old Marie-Jeanne was known by all the artists. Three busy waitresses served the tables with steaming dishes among the hubbub and gaiety, and from time to time Marie-Jeanne appeared at the door to join the cheerful atmosphere.
236:(1854–1915) described him as a "prince of scoundrels and incomparable idlers, with a halo of vague and misty tales of his early life as a smuggler and wrecker on the wild coast nearby, never quite authenticated, but giving him much distinction and interest."
365:
was staying at the
Pension Gloanec, where he submitted a canvas to Gauguin for criticism. The next morning Gauguin took him to the Bois d'Amour on the edge of Pont-Aven and gave him a lesson in colour. That morning SĂ©rusier painted
372:(1888), which he described to his friends when he returned to Paris as being based on "the concept, still unknown to us of the painting as a flat surface covered in colours assembled in a certain order."
407:
Marie-Jeanne died in 1915. Today the original
Pension Gloanec is home to a bookstore that specializes in artistic books, with an area for meetings and exhibitions, and a permanent exhibition work by
276:
would often extend credit to the artists, or accept paintings as payment, and the artists were proud to have their work accepted and displayed. In this way, the
Gloanecs acquired a major collection.
387:. Gauguin spent his enforced stay in the inn making woodcuts from the subjects of his Tahitian paintings. Jarry wrote poems about three of Gauguin's Tahitian paintings in the Pension Gloanec
383:(1873–1907) visited Pont-Aven in June 1894 and booked into the Pension Gloanec, where he found Gauguin laid up with a broken leg caused by a fall during a fight with some fishermen in
357:
first stayed at the
Pension Gloanec in June 1886, and found that the guests were almost all foreigners. Gauguin's studio in the Pension Gloanec in 1888 was decorated by prints by
283:(1853–1936) was staying there, as the rowdiest of the inns compared to the Hôtel des Voyageurs, favored by the Americans and the Hôtel du Lion d'Or, favored by the French.
240:(1854–1929) described Marie Jeanne Gloanec as a "dear, wizened, motherly woman. She was an excellent cook, and took great pleasure in the company of her artists.
306:
a month. In the evening and in the morning, casually-dressed artists could be seen sitting around a table in the road, some of them with worldwide reputations.
399:(1860–1940). Jarry dated his poems 1 July 1894 and dedicated them to Gauguin. Jarry created the woodcut illustrations for his first book while in Pont-Aven.
449:
The poems that Jarry carefully inscribed in the house book of the
Pension Gloanec could have been composed any time between November 1893 and July 1894.
201:
232:
Both Joseph and Marie-Jeanne
Gloanec were almost illiterate. Joseph Gloanec worked as a sawyer and mill repairer before they opened the inn.
85:
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in Paris. The artists stayed at the HĂ´tel des Voyageurs or the Pension Gloanec, or else found lodgings in the villagers' houses.
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who stayed several times between 1886 and 1894. Today the building houses a bookstore, gallery and exhibition space.
330:, whose differentiation was too subtle to be understood. Several other artists stayed at the pension, including
78:
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Fiction Treasures by Maritime Writers: Best-selling novelists of Canadas Maritime provinces 1860-1950
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Gauguin was in Tahiti from 1891 to 1893, so the photograph must be earlier or later than 1892.
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Marie-Jeanne learned the trade. Her future husband was born on 10 March 1829 in Pont-Scorff.
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The painter Édouard Girardet (1819–1880) described the pension in 1876, when
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Artists outside the pension (1880). HĂ´tel de Voyageurs in background.
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The Great Wave: the Influence of Japanese Woodcuts on French Prints
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stayed in the pension at that time, as did the American brothers
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and Breton prints. The Hotel Gloanec is now Les Ajoncs d'Or.
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Pont-Aven was "discovered" in 1864 by the American painter
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Kitchen of the pension in 1892(?). Paul Gauguin in center
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1870s. The village became fashionable with members of the
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171:, Brittany, France, that was a base for artists of the
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391:, which had been started on 23 June 1894 by Gauguin,
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741:, illustrated by Randolph Caldecott, Boston: Osgood
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738:Breton folk : an artistic tour in Brittany
183:
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588:
515:
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1022:Paul, Charles-Guy Le; Paul, Judy Le (1987),
944:Rural Artists' Colonies in Europe, 1870-1910
1025:Gauguin and the Impressionists at Pont-Aven
1045:La Pension et l’Hôtel Gloanec à Pont-Aven
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300:Breton Folk: An Artistic Tour of Brittany
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192:(1839–1912). Two American art students,
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809:Alfred Jarry, an Imagination in Revolt
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752:Boucheix, Bernard (15 December 2017),
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998:Aloysius O'Kelly: Art, Nation, Empire
785:, Formac Publishing Company Limited,
755:LA MERE GLOANEC: Bretagne 1830 - 1915
974:, Knopf Doubleday Publishing Group,
879:
825:
805:
779:Davies, Gwendolyn (13 August 2015),
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658:
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968:Nicholson, William (12 June 2007),
13:
1042:Roger Le Brun (13 November 2009),
859:, University of California Press,
812:, Fairleigh Dickinson Univ Press,
476:La Escuela de Pont-Aven, Aparences
14:
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853:Golding, John (1 January 1994),
402:
50:
43:
27:
947:, Manchester University Press,
930:(in French), La Pension Gloanec
443:
434:
421:
886:, Metropolitan Museum of Art,
647:La Pension Gloanec, La Pension
223:
1:
826:Fell, Jill (15 August 2010),
427:The signboard was painted by
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184:Artists discover the village
7:
880:Ives, Colta Feller (1974),
33:Pension Gloanec in May 2016
10:
1086:
1001:, Field Day Publications,
995:O'Sullivan, Niamh (2010),
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341:
908:"La Escuela de Pont-Aven"
735:Blackburn, Henry (1881),
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1070:Defunct hotels in France
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361:. In early October 1888
971:The Trial of True Love
941:LĂĽbbren, Nina (2001),
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253:
243:
101:47.855194°N 3.747833°W
856:Visions of the Modern
393:Eric Forbes-Robertson
349:
259:
251:
577:Paul & Paul 1987
431:and Fernand Quignon.
429:Herman van den Anker
376:Hotel Le Glouannec.
202:École des Beaux-Arts
106:47.855194; -3.747833
73:Pension, art gallery
16:Pension, art gallery
1028:, Abbeville Press,
806:Fell, Jill (2005),
204:. Their teacher in
97: /
65:General information
927:La Pension Gloanec
832:, Reaktion Books,
758:, EDITIONS CREER,
535:Roger Le Brun 2009
352:
298:Henry Blackburn's
265:
254:
1035:978-0-89659-773-0
1008:978-0-946755-42-4
981:978-0-307-38700-4
954:978-0-7190-5867-7
893:978-0-87099-228-5
866:978-0-520-08792-7
839:978-1-86189-887-6
819:978-0-8386-4007-4
792:978-1-4595-0377-9
765:978-2-84819-653-4
336:Arthur Wesley Dow
196:(1838–1886) and
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395:(1865–1935) and
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281:Aloysius O'Kelly
262:La Nappe blanche
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683:Nicholson 2007
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613:Blackburn 1881
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403:Later history
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914:(in Spanish)
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870:, retrieved
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829:Alfred Jarry
828:
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796:, retrieved
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769:, retrieved
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743:, retrieved
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697:, p. 6.
690:
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671:Golding 1994
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567:, p. 7.
552:, p. 5.
495:LĂĽbbren 2001
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381:Alfred Jarry
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369:The Talisman
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304:sixty francs
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210:Robert Wylie
206:Philadelphia
187:
178:Paul Gauguin
160:
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1048:(in French)
719:Davies 2015
379:The writer
224:Proprietors
190:Henry Bacon
122:Floor count
104: /
79:Coordinates
1052:2019-10-29
1014:30 October
987:30 October
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934:2019-10-29
918:2019-10-29
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771:30 October
745:2019-10-29
389:Livre d'or
385:Concarneau
295:Harrison.
194:Earl Shinn
89:47°51′19″N
707:Fell 2005
659:Ives 1974
632:Fell 2010
457:Citations
324:Spottists
316:Stripists
289:Alexander
274:patronnes
169:Pont-Aven
130:Known for
92:3°44′52″W
1064:Category
328:Dottists
320:Dottists
728:Sources
359:Utamaro
342:Gauguin
165:pension
140:Website
1032:
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978:
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163:was a
415:Notes
293:Birge
218:Salon
1030:ISBN
1016:2019
1003:ISBN
989:2019
976:ISBN
962:2019
949:ISBN
901:2019
888:ISBN
874:2019
861:ISBN
847:2019
834:ISBN
814:ISBN
800:2019
787:ISBN
773:2019
760:ISBN
334:and
322:and
291:and
159:The
151:.com
70:Type
244:Inn
167:in
147:www
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