Knowledge

Earl Shinn

Source đź“ť

27: 347: 362: 270:. He usually wrote anonymously or included his initials at the end of his articles. Shinn saw as the principal aim of art the instruction of the public and the elevation of public taste and often championed in his writing the public art institutions that were being established in the years following the 214:
Shinn's doubts about his painting abilities never left him during his time in France. By the end of his studies at the Ecole, he had resolved that his would not be the life of a painter, thanks in large part, it seems, to his poor eyesight. He wrote to his sister in 1867, "Art I should like, and I
215:
have a vocation for it; but I think my near-sightedness, color-blindness and failing vision are pretty strong hints from nature that that career is not intended for me..." Already in summer of 1866, while he was in
293:
and a retrospective of the work of his former instructor Jean-LĂ©on GĂ©rĂ´me. His most famous works are the two multi-volume publications he wrote on the private art collections of wealthy
162:
in Paris. When he arrived in Paris later that spring, the school had suspended its enrollment of foreign students. He and Roberts connected with Robert Wylie, a former curator at the
428: 285:
During the 1870s and 1880s, Shinn wrote a number of books on art (under the pseudonym "Edward Strahan"), including a catalogue of the art gallery at the 1876
423: 382:
Earl Shinn to Anna Shinn Shipley, July 3, 1867. Richard Tapper Cadbury Collection, Friends Historical Library, Swarthmore College, Swarthmore, Pennsylvania.
310: 186:
upon his return to Paris that fall and was finally successful, thanks, according to Shinn, to the persistent cajoling of government officials by
309:'s New York mansion. Perhaps more than any other contemporary work, these two books shed light on the tastes and collecting habits of American 183: 159: 182:. Despite expressing doubts about his abilities as a painter in a letter to his sister, Shinn resumed his efforts to gain admittance to the 141:
because of his religious beliefs). The following year, Shinn moved to New York City and worked as a staff writer for the weekly publication
448: 321: 438: 264:
and took the helm as art editor of the magazine from 1874 to 1879. From 1879 to 1884, Shinn contributed semi-regularly to the magazine
143: 418: 346: 229:. In 1869, in the United States again, Shinn wrote a series of articles about his experiences at the École des Beaux-Arts for 195: 163: 134: 219:, Shinn looked again to writing for newspapers and magazines. He wrote regular pieces about his experiences there for the 443: 70: 48: 41: 413: 137:
to study drawing and painting. He remained at the academy until 1863 (presumably declining to serve in the
122: 433: 275: 408: 155: 306: 246: 237:. By this time he was living in New York again, where he would principally reside until his death. 35: 305:(published, again as a serial, between 1883 and 1884), in which he reviewed the art collection at 199: 254:
of wealthy Philadelphians, the start of an increasingly all-consuming interest of his in private
154:
as a result of his parents' deaths the summer before, Shinn, accompanied by his sculptor friend
333: 52: 329: 286: 158:, traveled to France with the goal of continuing his studies in drawing and painting at the 403: 398: 8: 179: 271: 279: 255: 251: 111: 202:, a well-regarded painter of classical and Oriental scenes. Shinn returned to 392: 325: 294: 187: 91: 133:. In 1859 he took his first step toward a career in art by enrolling in the 290: 258:. After returning to New York, he continued to contribute art criticism to 241: 203: 191: 175: 151: 130: 103: 198:. Shinn studied at the Ecole for a little over one year in the atelier of 166:
living in Paris, who convinced the two of them to join him that summer in
266: 234: 126: 314: 260: 225: 138: 87: 216: 167: 115: 324:, a group of New York artists and writers whose membership included 171: 233:, cementing his relationship with the magazine's founding editor, 223:
and had two similar pieces published by the fledgling magazine
118: 107: 361: 94:
who often wrote under the pseudonym "Edward Strahan."
86:(November 8, 1838 – November 3, 1886) was an American 106:, Pennsylvania, the youngest child of a middle-class 301:(published as a serial between 1879 and 1882) and 390: 353:View of the Main Building from the Jury Pavilion 174:coast that would later become a destination for 244:in 1872 to write a series of ten articles for 424:Pennsylvania Academy of the Fine Arts alumni 429:American alumni of the École des Beaux-Arts 194:painter who overlapped with Shinn at the 160:École nationale supérieure des Beaux-Arts 71:Learn how and when to remove this message 150:In April 1866, after having returned to 97: 34:This article includes a list of general 391: 340:before his death in New York in 1886. 125:, Shinn worked for several years as a 336:. He wrote the first two chapters of 303:Mr. Vanderbilt's House and Collection 196:Pennsylvania Academy of the Fine Arts 164:Pennsylvania Academy of the Fine Arts 135:Pennsylvania Academy of the Fine Arts 144:Frank Leslie's Illustrated Newspaper 20: 13: 449:19th-century American male writers 40:it lacks sufficient corresponding 14: 460: 439:19th-century American journalists 360: 345: 209: 25: 320:Shinn was also a member of the 16:American journalist (1838–1886) 376: 240:Shinn spent several months in 1: 419:Journalists from Philadelphia 369: 221:Philadelphia Evening Bulletin 299:The Art Treasures of America 123:Chester County, Pennsylvania 7: 10: 465: 276:Metropolitan Museum of Art 444:American male journalists 307:William Henry Vanderbilt 110:family. After attending 338:A Book of the Tile Club 55:more precise citations. 334:Augustus Saint-Gaudens 330:William Merritt Chase 287:Centennial Exhibition 247:Lippincott's Magazine 98:Early life and career 414:American art critics 282:in Washington, D.C. 278:in New York and the 184:École des Beaux-Arts 206:in spring of 1868. 180:Post-Impressionists 170:, a village on the 434:Pont-Aven painters 272:American Civil War 102:Shinn was born in 81: 80: 73: 456: 409:American Quakers 383: 380: 364: 349: 280:Corcoran Gallery 200:Jean-Léon Gérôme 190:, another young 76: 69: 65: 62: 56: 51:this article by 42:inline citations 29: 28: 21: 464: 463: 459: 458: 457: 455: 454: 453: 389: 388: 387: 386: 381: 377: 372: 365: 356: 350: 267:The Art Amateur 256:art collections 252:art collections 212: 112:Westtown School 100: 77: 66: 60: 57: 47:Please help to 46: 30: 26: 17: 12: 11: 5: 462: 452: 451: 446: 441: 436: 431: 426: 421: 416: 411: 406: 401: 385: 384: 374: 373: 371: 368: 367: 366: 359: 357: 351: 344: 311:art collectors 274:, such as the 211: 208: 156:Howard Roberts 99: 96: 79: 78: 33: 31: 24: 15: 9: 6: 4: 3: 2: 461: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 415: 412: 410: 407: 405: 402: 400: 397: 396: 394: 379: 375: 363: 358: 354: 348: 343: 342: 341: 339: 335: 331: 327: 326:Winslow Homer 323: 318: 316: 312: 308: 304: 300: 296: 292: 288: 283: 281: 277: 273: 269: 268: 263: 262: 257: 253: 249: 248: 243: 238: 236: 232: 228: 227: 222: 218: 210:As art critic 207: 205: 201: 197: 193: 189: 188:Thomas Eakins 185: 181: 177: 173: 169: 165: 161: 157: 153: 148: 146: 145: 140: 136: 132: 128: 124: 120: 117: 113: 109: 105: 95: 93: 92:art historian 89: 85: 75: 72: 64: 54: 50: 44: 43: 37: 32: 23: 22: 19: 378: 352: 337: 319: 302: 298: 291:Philadelphia 284: 265: 259: 245: 242:Philadelphia 239: 230: 224: 220: 213: 204:Philadelphia 192:Philadelphia 176:Paul Gauguin 152:Philadelphia 149: 142: 131:Philadelphia 104:Philadelphia 101: 83: 82: 67: 58: 39: 18: 404:1886 deaths 399:1838 births 250:on private 235:E.L. Godkin 127:conveyancer 53:introducing 393:Categories 370:References 315:Gilded Age 261:The Nation 231:The Nation 226:The Nation 178:and other 139:Union army 121:school in 88:art critic 84:Earl Shinn 61:March 2011 36:references 322:Tile Club 295:Americans 217:Pont-Aven 168:Pont-Aven 116:orthodox 313:in the 49:improve 355:(1878) 332:, and 172:Breton 119:Quaker 108:Quaker 38:, but 114:, an 90:and 289:in 129:in 395:: 328:, 317:. 297:: 147:. 74:) 68:( 63:) 59:( 45:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message
art critic
art historian
Philadelphia
Quaker
Westtown School
orthodox
Quaker
Chester County, Pennsylvania
conveyancer
Philadelphia
Pennsylvania Academy of the Fine Arts
Union army
Frank Leslie's Illustrated Newspaper
Philadelphia
Howard Roberts
École nationale supérieure des Beaux-Arts
Pennsylvania Academy of the Fine Arts
Pont-Aven
Breton
Paul Gauguin
Post-Impressionists
École des Beaux-Arts
Thomas Eakins
Philadelphia
Pennsylvania Academy of the Fine Arts

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑