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125:, and his six keyboard concertos (1769) were the first published in England to offer the option of performance on the early piano. Hayes died in London, aged 58. After his death the manuscripts of his unpublished music, along with the works of his father, were passed to the
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did not go unnoticed by the Oxford wags who had little difficulty in punning a nickname from 'Phil Hayes' – thus he was fondly known as 'Fill Chaise'. A cartoon of him, entitled simply '--- From Oxford', was etched by
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and his contemporaries – and added considerably to the wide-ranging music library inherited from his father. His works show an imaginative approach to instrumentation: from 1763 he made frequent use of
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For full list of contents of these volumes see: S. Pargeter 'A catalogue of the library at Tatton Park...', Cheshire
Libraries and Museums, 1977, p.306-7.
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which were performed in the Oxford Music School. In 1780 he was appointed conductor of the annual
Festival of the Sons of the Clergy held at
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Piano
Concerto No. 4 in A major, Paul Nicholson, Parley of Instruments, 1993, (Hyperion: Helios CDH55341)
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Hayes's musical language combined a respect for late
Baroque idioms as practiced by composers such as
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22:(baptised 17 April 1738 – 19 March 1797) was an English composer, organist, singer and conductor.
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Organ
Concerto No. 2 in B flat, Stephen Farr, London Bach Consort, 1995, (Meridian CDE 84295)
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in London from 1767, but returned to Oxford in 1776 to take up the post of organist at
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Piano
Concerto No. 4 in A Major, David Owen Norris, Sonnerie, 2002, (Avie AV0014)
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in
Cheshire. The manuscripts came to Tatton after the sale of the library of
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His professorial ‘lectures’ took the form of specially composed
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http://www.nationaltrustcollections.org.uk/object/3044675
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Peter Ward Jones and Simon
Heighes. 'Hayes family' in
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and to assist his ailing father, whom he succeeded as
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Over 20 songs issued separately between 1769 and 1794
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and received his doctorate in 1777. He sang at the
156:in 1803; they were purchased by the book collector
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298:The Lives and Works of William and Philip Hayes
284:p. 471: London; Chapman & Hall, Ltd; 1909.
209:Catches and Glees: The Muses Tribute to Beauty
69:in 1777. He also replaced him as organist of
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163:There is a memorial to Hayes in the crypt at
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179:Satyrical depiction of Philip Hayes (1790)
329:International Music Score Library Project
305:Music in Britain: the Eighteenth Century
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16:English composer, musician and conductor
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581:Fellows of Magdalen College, Oxford
280:"Memorials of St Paul's Cathedral"
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566:English Classical-period composers
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136:copy of four volumes of music by
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339:Choral Public Domain Library
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591:Heather Professors of Music
537:University of Oxford portal
376:Heather Professors of Music
335:Free scores by Philip Hayes
325:Free scores by Philip Hayes
312:The Succession of Organists
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67:Heather Professor of Music
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71:Magdalen College, Oxford
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571:Musicians from Oxford
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109:in 1790 (see right).
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171:Main published works
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63:New College, Oxford
257:Grove Music Online
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38:Hayes was born in
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442:Philip Hayes
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520:Eric Clarke
492: (1947
418:Edward Lowe
412:John Wilson
225:Discography
191:Six Sonatas
148:house near
142:Tatton Park
102:post chaise
550:Categories
484:Hugh Allen
393:Professors
241:References
134:manuscript
129:, Oxford.
73:, and the
55:Telemachus
150:Knutsford
123:clarinets
90:oratorios
81:in 1790.
337:in the
331:(IMSLP)
327:at the
138:Purcell
118:Purcell
259:(2001)
114:Handel
52:masque
40:Oxford
98:Haydn
48:B.Mus
144:, a
88:and
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132:A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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