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Pieter Soutman

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255: 239: 267: 282: 42: 191:. Today this is one hofje, but in his day it was two; the Hofje of Codde and the Hofje of Beresteijn. He was probably regent of the Codde hofje. Soutman became a respected portrait painter in Haarlem and won many commissions for group portraits, including lucrative 159:, and seems to have been influenced by all three, considering the various attributions of his paintings through the centuries. According to the RKD, he was the youngest of six children of the wealthy Catholic owner of the Haarlem beer brewery 327: 254: 179:'s visit to Antwerp in 1624, he was recommended by Rubens as an excellent painter. That same year he went to Poland, where he was appointed royal court painter. Soutman was employed as a 238: 213:
in the 1860s, but this was not from deception, but ignorance on the part of the hofje regents. This sale was considered a scandal in the Dutch press at the time, and
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One of his portraits that he painted for the Beresteijn family (regents of both the Beresteijn and Codde hofjes) was later sold as a
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Where East meets West: portrait of personages of the Polish-Lithuanian Commonwealth, 1576-1763 : exhibition catalogue
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wrote that the government should keep this national treasure in the country (he was living in Haarlem at the time).
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until 1628, when he returned to Haarlem. His family connections enabled him to become affiliated with the Catholic
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Ampzing states he became the painter of the Prussian majesty due to his fame:
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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mentions him in his poem about Haarlem. Probably during Prince
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Die door zyn kloek penceel, zig heeft dien staat verkregen,
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Soutman's work hangs today in various museums, and in the
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Portrait of the wife of Alexander van der Capellen, 1626
305:, another Dutch Golden Age painter at the Polish court. 232:, Jacob Louys (1595-na 1635), and Pieter van Sompel. 368:
Hoe zou hier ook de naam van Soutman zyn verzwegen,
163:. According to Houbraken, Soutmann trained with 372:Zig heeft door zyne Konst die eer en roem bereit, 415: 391: 374:Dat hy de Schilder is der Pruische Majesteit. 384: 382: 40: 396:. National Museum in Warsaw. p. 20. 379: 127:(1593-1601 – 16 August 1657) was a 171:. He must have been successful, because 14: 416: 323: 321: 319: 355:Digital library for Dutch literature 24: 316: 25: 465: 147:, where he was a contemporary of 280: 265: 253: 237: 444:Court painters of Polish kings 359: 336: 46:Portrait of Pieter Soutman by 13: 1: 309: 189:Hofje Codde en Van Beresteijn 143:Soutman was born and died in 273:Portrait of an unknown woman 138: 7: 449:Dutch expatriates in Poland 296: 84:16 August 1657 (aged 55–64) 10: 470: 434:Dutch Golden Age painters 392:Jerzy Malinowski (1993). 248:in coronation robes, 1626 200: 112: 102: 94: 73: 55: 39: 32: 343:Pieter Soutman biography 246:Sigismund III of Poland 328:Pieter Claesz. Soutman 303:Peter Danckerts de Rij 454:Painters from Haarlem 153:Hendrick Gerritsz Pot 125:Pieter Claesz Soutman 34:Pieter Claesz Soutman 18:Pieter Claesz Soutman 439:Dutch male painters 353:, courtesy of the 291:) in Haarlem, 1642 228:. His pupils were 215:Conrad Busken Huet 185:Sigismund III Vasa 230:Cornelis Visscher 165:Peter Paul Rubens 122: 121: 16:(Redirected from 461: 408: 407: 390: 386: 377: 363: 357: 351:Arnold Houbraken 340: 334: 325: 284: 269: 257: 241: 129:Dutch Golden Age 83: 81: 48:Anthony van Dyck 44: 30: 29: 21: 469: 468: 464: 463: 462: 460: 459: 458: 414: 413: 412: 411: 404: 388: 387: 380: 376: 373: 371: 369: 364: 360: 341: 337: 326: 317: 312: 299: 292: 285: 276: 270: 261: 258: 249: 242: 203: 194:schutterstukken 141: 90: 85: 79: 77: 69: 64: 62: 61: 51: 35: 28: 23: 22: 15: 12: 11: 5: 467: 457: 456: 451: 446: 441: 436: 431: 426: 410: 409: 402: 378: 366: 358: 335: 314: 313: 311: 308: 307: 306: 298: 295: 294: 293: 286: 279: 277: 271: 264: 262: 259: 252: 250: 243: 236: 222:Huis ten Bosch 202: 199: 177:Władysław Vasa 173:Samuel Ampzing 140: 137: 135:from Haarlem. 120: 119: 114: 110: 109: 104: 103:Known for 100: 99: 96: 92: 91: 86: 75: 71: 70: 65: 59: 57: 53: 52: 45: 37: 36: 33: 26: 9: 6: 4: 3: 2: 466: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 421: 419: 405: 403:83-7100-088-X 399: 395: 385: 383: 375: 362: 356: 352: 348: 344: 339: 333: 329: 324: 322: 320: 315: 304: 301: 300: 290: 287:Civic guard ( 283: 278: 274: 268: 263: 256: 251: 247: 240: 235: 234: 233: 231: 227: 223: 218: 216: 212: 208: 198: 196: 195: 190: 186: 182: 178: 174: 170: 166: 162: 158: 157:Pieter Claesz 154: 150: 146: 136: 134: 130: 126: 118: 115: 111: 108: 105: 101: 97: 93: 89: 76: 72: 68: 60:Pieter Claesz 58: 54: 49: 43: 38: 31: 27:Dutch painter 19: 424:1590s births 393: 389:(in English) 367: 361: 346: 338: 289:schutterstuk 272: 244:Portrait of 219: 204: 192: 183:of the king 180: 160: 142: 131:painter and 124: 123: 429:1657 deaths 95:Nationality 50:(1620-1621) 418:Categories 349:(1718) by 310:References 207:Frans Hals 149:Frans Hals 133:printmaker 80:1657-08-16 226:The Hague 161:De Werelt 139:Biography 63:1593-1601 297:See also 275:ca. 1630 181:servitor 113:Movement 107:Painting 330:in the 209:to the 169:Antwerp 145:Haarlem 117:Baroque 88:Haarlem 67:Haarlem 400:  211:Louvre 201:Legacy 155:, and 98:Dutch 398:ISBN 74:Died 56:Born 345:in 332:RKD 224:in 167:in 420:: 381:^ 318:^ 197:. 151:, 406:. 82:) 78:( 20:)

Index

Pieter Claesz Soutman

Anthony van Dyck
Haarlem
Haarlem
Painting
Baroque
Dutch Golden Age
printmaker
Haarlem
Frans Hals
Hendrick Gerritsz Pot
Pieter Claesz
Peter Paul Rubens
Antwerp
Samuel Ampzing
Władysław Vasa
Sigismund III Vasa
Hofje Codde en Van Beresteijn
schutterstukken
Frans Hals
Louvre
Conrad Busken Huet
Huis ten Bosch
The Hague
Cornelis Visscher
Portrait of Sigismund III of Poland in coronation robes, 1626
Sigismund III of Poland
Portrait of the wife of Alexander van der Capellen, 1626
Portrait of an unknown woman ca. 1630

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