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Pieter Soutman

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244: 228: 256: 271: 31: 180:. Today this is one hofje, but in his day it was two; the Hofje of Codde and the Hofje of Beresteijn. He was probably regent of the Codde hofje. Soutman became a respected portrait painter in Haarlem and won many commissions for group portraits, including lucrative 148:, and seems to have been influenced by all three, considering the various attributions of his paintings through the centuries. According to the RKD, he was the youngest of six children of the wealthy Catholic owner of the Haarlem beer brewery 316: 243: 168:'s visit to Antwerp in 1624, he was recommended by Rubens as an excellent painter. That same year he went to Poland, where he was appointed royal court painter. Soutman was employed as a 227: 202:
in the 1860s, but this was not from deception, but ignorance on the part of the hofje regents. This sale was considered a scandal in the Dutch press at the time, and
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One of his portraits that he painted for the Beresteijn family (regents of both the Beresteijn and Codde hofjes) was later sold as a
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Where East meets West: portrait of personages of the Polish-Lithuanian Commonwealth, 1576-1763 : exhibition catalogue
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wrote that the government should keep this national treasure in the country (he was living in Haarlem at the time).
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until 1628, when he returned to Haarlem. His family connections enabled him to become affiliated with the Catholic
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Ampzing states he became the painter of the Prussian majesty due to his fame:
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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mentions him in his poem about Haarlem. Probably during Prince
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Die door zyn kloek penceel, zig heeft dien staat verkregen,
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Soutman's work hangs today in various museums, and in the
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Portrait of the wife of Alexander van der Capellen, 1626
294:, another Dutch Golden Age painter at the Polish court. 221:, Jacob Louys (1595-na 1635), and Pieter van Sompel. 357:
Hoe zou hier ook de naam van Soutman zyn verzwegen,
152:. According to Houbraken, Soutmann trained with 361:Zig heeft door zyne Konst die eer en roem bereit, 404: 380: 363:Dat hy de Schilder is der Pruische Majesteit. 373: 371: 29: 385:. National Museum in Warsaw. p. 20. 368: 116:(1593-1601 – 16 August 1657) was a 160:. He must have been successful, because 405: 312: 310: 308: 344:Digital library for Dutch literature 13: 305: 14: 454: 136:, where he was a contemporary of 269: 254: 242: 226: 433:Court painters of Polish kings 348: 325: 35:Portrait of Pieter Soutman by 1: 298: 178:Hofje Codde en Van Beresteijn 132:Soutman was born and died in 262:Portrait of an unknown woman 127: 7: 438:Dutch expatriates in Poland 285: 73:16 August 1657 (aged 55–64) 10: 459: 423:Dutch Golden Age painters 381:Jerzy Malinowski (1993). 237:in coronation robes, 1626 189: 101: 91: 83: 62: 44: 28: 21: 332:Pieter Soutman biography 235:Sigismund III of Poland 317:Pieter Claesz. Soutman 292:Peter Danckerts de Rij 443:Painters from Haarlem 142:Hendrick Gerritsz Pot 114:Pieter Claesz Soutman 23:Pieter Claesz Soutman 428:Dutch male painters 342:, courtesy of the 280:) in Haarlem, 1642 217:. His pupils were 204:Conrad Busken Huet 174:Sigismund III Vasa 219:Cornelis Visscher 154:Peter Paul Rubens 111: 110: 450: 397: 396: 379: 375: 366: 352: 346: 340:Arnold Houbraken 329: 323: 314: 273: 258: 246: 230: 118:Dutch Golden Age 72: 70: 37:Anthony van Dyck 33: 19: 18: 458: 457: 453: 452: 451: 449: 448: 447: 403: 402: 401: 400: 393: 377: 376: 369: 365: 362: 360: 358: 353: 349: 330: 326: 315: 306: 301: 288: 281: 274: 265: 259: 250: 247: 238: 231: 192: 183:schutterstukken 130: 79: 74: 68: 66: 58: 53: 51: 50: 40: 24: 17: 12: 11: 5: 456: 446: 445: 440: 435: 430: 425: 420: 415: 399: 398: 391: 367: 355: 347: 324: 303: 302: 300: 297: 296: 295: 287: 284: 283: 282: 275: 268: 266: 260: 253: 251: 248: 241: 239: 232: 225: 211:Huis ten Bosch 191: 188: 166:Władysław Vasa 162:Samuel Ampzing 129: 126: 124:from Haarlem. 109: 108: 103: 99: 98: 93: 92:Known for 89: 88: 85: 81: 80: 75: 64: 60: 59: 54: 48: 46: 42: 41: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 455: 444: 441: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 410: 408: 394: 392:83-7100-088-X 388: 384: 374: 372: 364: 351: 345: 341: 337: 333: 328: 322: 318: 313: 311: 309: 304: 293: 290: 289: 279: 276:Civic guard ( 272: 267: 263: 257: 252: 245: 240: 236: 229: 224: 223: 222: 220: 216: 212: 207: 205: 201: 197: 187: 185: 184: 179: 175: 171: 167: 163: 159: 155: 151: 147: 146:Pieter Claesz 143: 139: 135: 125: 123: 119: 115: 107: 104: 100: 97: 94: 90: 86: 82: 78: 65: 61: 57: 49:Pieter Claesz 47: 43: 38: 32: 27: 20: 16:Dutch painter 413:1590s births 382: 378:(in English) 356: 350: 335: 327: 278:schutterstuk 261: 233:Portrait of 208: 193: 181: 172:of the king 169: 149: 131: 120:painter and 113: 112: 418:1657 deaths 84:Nationality 39:(1620-1621) 407:Categories 338:(1718) by 299:References 196:Frans Hals 138:Frans Hals 122:printmaker 69:1657-08-16 215:The Hague 150:De Werelt 128:Biography 52:1593-1601 286:See also 264:ca. 1630 170:servitor 102:Movement 96:Painting 319:in the 198:to the 158:Antwerp 134:Haarlem 106:Baroque 77:Haarlem 56:Haarlem 389:  200:Louvre 190:Legacy 144:, and 87:Dutch 387:ISBN 63:Died 45:Born 334:in 321:RKD 213:in 156:in 409:: 370:^ 307:^ 186:. 140:, 395:. 71:) 67:(

Index


Anthony van Dyck
Haarlem
Haarlem
Painting
Baroque
Dutch Golden Age
printmaker
Haarlem
Frans Hals
Hendrick Gerritsz Pot
Pieter Claesz
Peter Paul Rubens
Antwerp
Samuel Ampzing
Władysław Vasa
Sigismund III Vasa
Hofje Codde en Van Beresteijn
schutterstukken
Frans Hals
Louvre
Conrad Busken Huet
Huis ten Bosch
The Hague
Cornelis Visscher
Portrait of Sigismund III of Poland in coronation robes, 1626
Sigismund III of Poland
Portrait of the wife of Alexander van der Capellen, 1626
Portrait of an unknown woman ca. 1630
Civic guard (schutterstuk) in Haarlem, 1642

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