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Pieter Stalpaert

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in Dordrecht from 1597 to 1598. From 1598 he was in Amsterdam where he married on 28 March 1599 Beyken de Hertoge from Antwerp. At the time of his wedding he declared to have lived in Amsterdam for a year. They lived in the new area of town near the Korsgenspoort. On 13 November 1603, their son Johannes Jeremyas was baptized in the Old Church (Oude Kerk) in Amsterdam.
75:, born around 1615, became the city architect of Amsterdam in 1648. A document drawn up on the date of his wedding on 26 July 1639 states that Daniël Stalpaert was 24 years old at that time and was also a painter. The document further states he was then living with his mother and his uncle Abraham de Walperge on the Conninxgrach (now called the 56:
Stalpaert was born in Brussels as the son of Jeremyas who was a tapestry worker. The family was likely of the Protestant conviction and left the Southern Netherlands after it was reconquered by the Spanish in 1585. They settled in 1588 in Delft. It is not clear with whom Pieter trained. He worked
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in Antwerp in 1598. The print also shows the boat in a forward tilting position but its portrait format favours the focus on the main motif, which almost fills the entire space. Pieter Stalpaert, on the other hand, used a landscape format in which he integrated the story of Christ into the larger
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In 1609 he became a poorter (citizen) of Amsterdam. After the death of his first wife, he married a second time on 9 April 1611. His second wife Maeyken de Walperghe was, like has first one, originally from Antwerp. Five children were born in quick succession from the union. The third child
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seascape. Through the wider framing of the story the figures of Christ and the disciples can only be recognised on closer inspection. As Stalpaert gives ample space to the raging ocean scene, the biblical figures appear to have been reduced to mere staffage.
116:. Landscape paintings in this style usually used the device of a division of nature into two distinct motifs with on one side, for instance, a hill with farms under trees and on the other, a steep valley with a river and a rolling plane. An example is the 117: 90:
Stalpaert is known for his hilly and wooded landscapes with staffage and marine paintings. He also painted winter landscapes. Of the small number of his works that have been located, only a few are signed or dated.
130:. The palette with its brownish-yellow foliage and greenish-blue hills and the transparent blues in the cloudy skies are typical of Stalpaert's work. His latest known work, the 229: 122:(Sotheby's New York auction of 24 January 2008 lot 276). The figures in the work are likely by another artist and are in the style of contemporary Flemish painters such as 104:
His work stands in the tradition of 17th-century Flemish landscape painting, as practiced by other Flemish artists who had emigrated to the Dutch Republic such as
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Pieter worked in Amsterdam where he died some time between 1635 (the date of his last known dated painting) and 26 July 1639 (the date of his son's wedding).
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is in an unknown collection in Germany. Painted in 1617, the design likely goes back to the print made by
292: 19: 148: 109: 94: 186: 79:). This indicates that Pieter had most likely died before the date of the wedding of his son. 140:, Amsterdam shows a style closer to the more intimate Dutch style which was then developing. 338: 113: 41: 8: 72: 127: 166: 123: 37: 152: 45: 332: 211: 232:
Extensive landscape with travelers on a path by a river, a cottage beyond
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Extensive landscape with travelers on a path by a river, a cottage beyond
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Extensive landscape with travelers on a path by a river, a cottage beyond
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Double Agents: Cultural and Political Brokerage in Early Modern Europe
105: 315: 76: 235:, Sotheby's New York auction of 24 January 2008 lot 276 48:. He is known for his landscape and marine paintings. 298:
at Sammlungen der Georg-August-Universität Göttingen
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Die holländische Marinemalerei des 17. Jahrhunderts
330: 143:A marine painting with the biblical story of 251:, in: Oud-Holland, year 29, 1911, pp. 65-66 280:, Klinkhardt & Biermann, 1973, p. 40 93: 59: 18: 263:Marika Keblusek, Badeloch Vera Noldus. 243: 241: 163:Vita, passio et Resvrrectio Iesv Christ 331: 225: 223: 216:Netherlands Institute for Art History 207: 205: 203: 201: 199: 197: 195: 151:after a design by the Flemish artist 238: 295:Christus und die Jünger im Seesturm 286: 13: 220: 192: 180: 40:– before 1639 in Amsterdam) was a 14: 370: 308: 314: 189:in the Benezit Dictionary of Art 158:The storm on the sea of Galilei 270: 257: 44:painter who was active in the 1: 354:17th-century Flemish painters 7: 161:was plate 8 in the 12-part 10: 375: 349:Flemish landscape painters 359:Dutch landscape painters 173: 149:Cornelis Galle the Elder 145:Christ calming the storm 136:(signed and dated 1635, 24:Christ calming the storm 165:which was published by 155:. That print depicting 85: 51: 101: 67: 26: 344:Artists from Brussels 267:, Brill, 2011, p. 170 97: 63: 22: 323:at Wikimedia Commons 114:Gillis van Coninxloo 110:Gillis d'Hondecoeter 230:Pieter Stalpaert, 102: 68: 27: 319:Media related to 128:Sebastiaen Vrancx 366: 321:Pieter Stalpaert 318: 302: 301: 290: 284: 283: 276:Laurens J. Bol, 274: 268: 261: 255: 254: 249:Daniel Stalpaert 247:A. W. Weissman, 245: 236: 227: 218: 212:Pieter Stalpaert 209: 190: 187:Peeter Stalpaert 184: 167:Adriaen Collaert 124:David Vinckboons 34:Peeter Stalpaert 30:Pieter Stalpaert 374: 373: 369: 368: 367: 365: 364: 363: 329: 328: 311: 306: 305: 299: 293:G. Unverfehrt, 291: 287: 281: 275: 271: 262: 258: 252: 246: 239: 228: 221: 210: 193: 185: 181: 176: 133:Hilly landscape 99:Hilly landscape 88: 54: 17: 16:Flemish painter 12: 11: 5: 372: 362: 361: 356: 351: 346: 341: 325: 324: 310: 309:External links 307: 304: 303: 285: 269: 256: 237: 219: 191: 178: 177: 175: 172: 153:Maerten de Vos 87: 84: 53: 50: 46:Dutch Republic 15: 9: 6: 4: 3: 2: 371: 360: 357: 355: 352: 350: 347: 345: 342: 340: 337: 336: 334: 327: 322: 317: 313: 312: 297: 296: 289: 279: 273: 266: 260: 250: 244: 242: 234: 233: 226: 224: 217: 213: 208: 206: 204: 202: 200: 198: 196: 188: 183: 179: 171: 168: 164: 160: 159: 154: 150: 146: 141: 139: 135: 134: 129: 125: 121: 120: 115: 111: 107: 100: 96: 92: 83: 80: 78: 74: 66: 62: 58: 49: 47: 43: 39: 35: 31: 25: 21: 326: 294: 288: 277: 272: 264: 259: 248: 231: 182: 162: 157: 144: 142: 132: 118: 103: 98: 89: 81: 69: 64: 55: 33: 29: 28: 23: 339:1572 births 300:(in German) 282:(in German) 138:Rijksmuseum 333:Categories 253:(in Dutch) 36:(1572 in 106:Hans Bol 38:Brussels 214:at the 42:Flemish 77:Singel 73:Daniël 174:Notes 126:and 112:and 86:Work 52:Life 32:or 335:: 240:^ 222:^ 194:^ 108:,

Index


Brussels
Flemish
Dutch Republic

Daniël
Singel

Hans Bol
Gillis d'Hondecoeter
Gillis van Coninxloo
Extensive landscape with travelers on a path by a river, a cottage beyond
David Vinckboons
Sebastiaen Vrancx
Hilly landscape
Rijksmuseum
Cornelis Galle the Elder
Maerten de Vos
The storm on the sea of Galilei
Adriaen Collaert
Peeter Stalpaert







Pieter Stalpaert
Netherlands Institute for Art History

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