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131:. The butterfly emblem that Whistler used as a signature is on the right side of the painting a little below the middle. Whistler assigned many of his paintings titles with terms like “arrangement” and “harmony”, which may be interpreted as either musical or abstract.
153:
126:
in New York City. This full-length portrait shows the subject on stage standing before a pinkish-grey curtain, in an obvious allusion to her alleged stage career. She wears a light grey dress trimmed in pink
142:, Scotland. Both the Honolulu painting and the destroyed painting belong to a series of “black portraits”, paintings Whistler executed at various stages of his career in a palette dominated by black.
66:(pronounced "Mews"). She claimed to have been an actress, but was apparently on the stage for only a single season. She is believed to have met Sir Henry at the Casino de Venise in
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was an
American expatriate and one of the most accomplished portraitists of his time. However, the artist had become bankrupt in 1879, following his lawsuit against the critic
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was also commenced in 1881. This canvas was probably destroyed by the artist in a dispute with the sitter, however a photograph of it exists in the
Whistler Archives,
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The Frick
Collection, An Illustrated Catalogue, Vol. 1, Paintings: American, British, Dutch, Flemish, and German
87:
offered
Whistler his first significant commission after the bankruptcy. Her full-length portrait, known as
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62:, née Langdon, (1847 – 1910) was a Victorian socialite and the wife of the London brewer,
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70:, where she worked as a banjo-playing barmaid and prostitute under the name Val Reece.
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99:, diamond necklace, and diamond bracelet. Reportedly, the painting was commended by
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95:. It shows her dressed in black with a long white fur coat, diamond
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A Hawaii
Treasury, Masterpieces from the Honolulu Academy of Arts
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Arrangement in Grey and Black, No. 2: Portrait of Thomas
Carlyle
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Whistler painted a second portrait of Lady Meux in 1881 called
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Rose and Silver: The
Princess from the Land of Porcelain
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is a name given to several full-length portraits by
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Arrangement in Black, No. 5 (Portrait of Lady Meux)
89:
Arrangement in Black, No. 5 (Portrait of Lady Meux)
26:
Arrangement in Black, No. 5 (Portrait of Lady Meux)
595:
206:, Honolulu, Honolulu Academy of Arts, 1990, 222.
120:Harmony in Pink and Grey (Portrait of Lady Meux)
40:Harmony in Pink and Grey (Portrait of Lady Meux)
454:Nocturne in Black and Gold – The Falling Rocket
391:Symphony in White, No. 2: The Little White Girl
431:Nocturne: Blue and Gold – Old Battersea Bridge
223:, New York, Frick Collection, pp. 18–20,
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216:, Tokyo, Asahi Shimbun, 2000, 98 & 208-9.
634:Portrait paintings in the Frick Collection
485:Mother of Pearl and Silver: The Andalusian
469:Harmony in Blue and Gold: The Peacock Room
352:
345:
331:
115:, where it was enthusiastically received.
16:Paintings by James Abbott McNeill Whistler
375:Symphony in White, No. 1: The White Girl
204:Honolulu Academy of Arts, Selected Works
194:Margaret McMillan: Portrait of a Pioneer
34:
20:
241:Sutton, Denys, Whistler and Lady Meux,
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196:, London, Routledge, 1989, p. 29.
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614:Paintings by James McNeill Whistler
534:George Washington Whistler (father)
423:Nocturne: Blue and Silver – Chelsea
234:Glancey, Jonathan, Temple of Doom,
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539:William McNeill Whistler (brother)
14:
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162:, photograph of lost oil painting
504:The Gentle Art of Making Enemies
243:Honolulu Academy of Arts Journal
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101:Edward VII of the United Kingdom
529:Anna McNeill Whistler (mother)
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604:Portraits by American artists
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368:Portrait of Whistler with Hat
238:, Wednesday 17 November 2004.
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160:Portrait of Lady Meux in Furs
136:Portrait of Lady Meux in Furs
567:Whistler House Museum of Art
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177:, drawing in brown ink by
134:A third painting known as
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524:Beatrice Whistler (wife)
399:Symphony in White, No. 3
262:Frick Collection, p. 18.
619:19th-century portraits
354:James McNeill Whistler
271:Bradburn, 1989, p. 29.
245:, Vol. 1, 1974, 36-43.
179:James McNeill Whistler
93:Honolulu Museum of Art
74:James McNeill Whistler
56:James McNeill Whistler
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32:
30:Honolulu Museum of Art
477:Portrait of Lady Meux
192:Bradburn, Elizabeth,
140:University of Glasgow
122:which belongs to the
51:Portrait of Lady Meux
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24:
316:Sutton, 1974, p. 42.
307:Ellis, 2000, p. 209.
298:Ellis, 1990, p. 222.
289:Ellis, 1990, p. 222.
629:Paintings in Hawaii
624:Portraits of women
219:Frick Collection,
212:and Marcia Morse,
109:Princess Alexandra
60:Valerie Susan Meux
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583:Nocturne painting
552:(model and lover)
546:(model and lover)
488:(1888–1900)
415:Whistler's Mother
146:Additional images
91:now hangs in the
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550:Joanna Hiffernan
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462: 1875
439: 1872
78:John Ruskin
598:Categories
515:Family and
187:References
361:Paintings
250:Footnotes
181:, c. 1881
85:Lady Meux
83:In 1881,
576:Related
560:Museums
68:Holborn
507:(1890)
480:(1881)
449:(1873)
426:(1871)
418:(1871)
410:(1865)
378:(1862)
370:(1858)
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107:) and
103:(then
496:Books
129:satin
97:tiara
225:ISBN
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