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Postcards from the Edge

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255:. The third section describes the initial days of the first movie Suzanne made after her treatment. For convenience, Suzanne stays with her grandparents while the movie is made. She is chided for not relaxing herself on-screen, and notes that if she could relax she wouldn't be in therapy. This becomes a running gag among the actors and crew. The section ends with the crew 335:." It almost requires this comparison, because it's about young Southern Californians, drugs, addiction, the good life and death. But "Postcards" starts from the "hellpit" and cautiously takes the reader back to something resembling normal life. This is not an inspirational novel, but something on the order of a tough look at reality; a "serious" piece of work. 44: 280:
My mother is probably sort of disappointed at how I turned out, but she doesn't show it. She came by today and brought me a satin and velvet quilt. I'm surprised I was able to detox without it. I was nervous about seeing her, but it went okay. She thinks I blame her for my being here. I mainly blame
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consists of a letter from Suzanne to the doctor who pumped her stomach, who had recently contacted her. She notes that she is still off drugs and doing well. She is flattered that he inquires as to whether she is "available for dating", but she is seeing someone. The book ends on a bittersweet note:
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experiences. ("Maybe I shouldn't have given the guy who pumped my stomach my phone number, but who cares? My life is over anyway.") In time Suzanne's entries begin to alternate with the experiences of Alex, another addict in the same clinic. This section ends with Suzanne being discharged after
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Unlike the movie, most of the conflict in the book is internal, as Suzanne is learning to handle her life without the prop of drugs. Suzanne's mother appears in very few scenes, while Suzanne is in rehab:
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from Suzanne (addressed to her therapist) and Jack (addressed to his lawyer, who serves much the same purpose as Suzanne's therapist). Their relationship continues in this vein – all dialogue/monologue.
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The novel revolves around movie actress Suzanne Vale as she tries to put her life together after a drug overdose. The book is divided into five main sections: The
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and gives him her phone number. The fifth section encapsulates her relationship with the author, bringing the story to the anniversary of her overdose. The
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her on her birthday, and Suzanne asserts that "there isn't enough therapy" to help her with that experience. The fourth section shows a week of Suzanne's "
263:" life: working out, business meetings, an industry party, and going with a friend to a television studio for a talk show. She meets an author in the 306:"bristles with a bravery and candor that still feels groundbreaking. She went there, long before that was a catchphrase, and before that particular 605: 381: 610: 222:, with postcards written by Suzanne to her brother, friend, and grandmother. The novel continues the epistolary form, consisting of 440: 635: 353: 126: 28: 615: 630: 195: 20: 600: 620: 148: 625: 433: 402: 281:
my dealer, my doctor, and myself, and not necessarily in that order. She washed my underwear and left.
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wrote in 2016 that while others before Fisher had written about their struggles with addiction,
426: 332: 223: 523: 480: 260: 8: 578: 80: 194:, first published in 1987. It was later adapted by Fisher herself into a motion picture 472: 386: 298: 407: 319: 203: 133: 121: 507: 219: 159: 252: 560: 43: 362: 327:
It's intelligent, original, focused, insightful, very interesting to read. ...
227: 594: 449: 240: 191: 54: 572: 554: 548: 199: 566: 515: 377: 314: 293: 140: 403:"Book Review: Heartfelt, Original Outtakes from the Life of an Actress" 264: 244: 285:
Later Suzanne talks with her on the phone, but it is not stressful.
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Jack Burroughs on their first date. It then changes to alternating
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excerpts from a journal Suzanne kept while coming to terms with her
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successfully completing treatment. The second section opens with
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Bright Lights: Starring Carrie Fisher and Debbie Reynolds
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she knows she has a good life, but doesn't trust it.
19:This article is about the novel. For the film, see 16:1987 semi-autobiographical novel by Carrie Fisher 592: 434: 382:"A Princess, a Rebel and a Brave Comic Voice" 400: 370: 441: 427: 310:was such a crowded piece of real estate." 42: 251:The last three sections are traditional 593: 422: 376: 190:is a semi-autobiographical novel by 13: 606:American novels adapted into films 14: 647: 448: 29:Postcards from the Edge (episode) 611:American autobiographical novels 108:Print (hardback & paperback) 209: 401:See, Carolyn (July 27, 1987). 394: 346: 21:Postcards from the Edge (film) 1: 339: 288: 7: 10: 652: 636:Simon & Schuster books 18: 534: 499: 456: 170: 158: 146: 132: 120: 112: 104: 96: 86: 76: 68: 60: 50: 41: 198:, which was directed by 37:Postcards from the Edge 616:Novels by Carrie Fisher 489:The Best Awful There Is 465:Postcards from the Edge 356:Postcards from the Edge 329:Postcards From the Edge 304:Postcards from the Edge 187:Postcards from the Edge 176:The Best Awful There Is 581:(paternal half-sister) 575:(paternal half-sister) 337: 283: 253:third-person narrative 224:first-person narrative 380:(December 28, 2016). 325: 278: 601:1987 American novels 524:The Princess Diarist 481:Delusions of Grandma 331:can be compared to " 239:between Suzanne and 166:PS3556.I8115 P6 1987 81:Simon & Schuster 631:Roman à clef novels 621:Novels about actors 579:Tricia Leigh Fisher 38: 626:Novels about drugs 473:Surrender the Pink 387:The New York Times 299:The New York Times 36: 588: 587: 500:Non-fiction books 408:Los Angeles Times 366:. August 5, 1987. 358:by Carrie Fisher" 320:Los Angeles Times 317:'s review in the 204:Columbia Pictures 183: 182: 97:Publication place 643: 508:Wishful Drinking 443: 436: 429: 420: 419: 413: 412: 398: 392: 391: 374: 368: 367: 350: 202:and released by 196:of the same name 171:Followed by 162: 136: 88:Publication date 46: 39: 35: 651: 650: 646: 645: 644: 642: 641: 640: 591: 590: 589: 584: 561:Debbie Reynolds 530: 495: 452: 447: 417: 416: 399: 395: 375: 371: 352: 351: 347: 342: 291: 220:epistolary form 212: 151: 105:Media type 89: 32: 17: 12: 11: 5: 649: 639: 638: 633: 628: 623: 618: 613: 608: 603: 586: 585: 583: 582: 576: 570: 564: 558: 552: 546: 538: 536: 532: 531: 529: 528: 520: 512: 503: 501: 497: 496: 494: 493: 485: 477: 469: 460: 458: 454: 453: 446: 445: 438: 431: 423: 415: 414: 393: 390:. p. A17. 369: 363:Kirkus Reviews 344: 343: 341: 338: 333:Less than Zero 290: 287: 228:drug addiction 211: 208: 181: 180: 172: 168: 167: 164: 156: 155: 152: 147: 144: 143: 138: 130: 129: 124: 118: 117: 114: 110: 109: 106: 102: 101: 98: 94: 93: 90: 87: 84: 83: 78: 74: 73: 70: 66: 65: 62: 58: 57: 52: 48: 47: 15: 9: 6: 4: 3: 2: 648: 637: 634: 632: 629: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 598: 596: 580: 577: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 545: 544: 540: 539: 537: 533: 526: 525: 521: 518: 517: 513: 510: 509: 505: 504: 502: 498: 491: 490: 486: 483: 482: 478: 475: 474: 470: 467: 466: 462: 461: 459: 455: 451: 450:Carrie Fisher 444: 439: 437: 432: 430: 425: 424: 421: 410: 409: 404: 397: 389: 388: 383: 379: 373: 365: 364: 359: 357: 349: 345: 336: 334: 330: 324: 322: 321: 316: 313:According to 311: 309: 305: 301: 300: 295: 286: 282: 277: 273: 270: 266: 262: 258: 254: 249: 246: 242: 241:film producer 238: 233: 229: 225: 221: 217: 207: 205: 201: 197: 193: 192:Carrie Fisher 189: 188: 179: 177: 173: 169: 165: 163: 161:LC Class 157: 153: 150: 149:Dewey Decimal 145: 142: 139: 137: 131: 128: 127:0-671-62441-5 125: 123: 119: 115: 111: 107: 103: 100:United States 99: 95: 91: 85: 82: 79: 75: 71: 67: 63: 59: 56: 55:Carrie Fisher 53: 49: 45: 40: 34: 30: 27:episode, see 26: 22: 573:Joely Fisher 555:Eddie Fisher 549:Billie Lourd 541: 522: 514: 506: 487: 479: 471: 464: 463: 406: 396: 385: 378:Scott, A. O. 372: 361: 355: 348: 328: 326: 318: 312: 307: 303: 297: 292: 284: 279: 274: 250: 213: 210:Plot summary 200:Mike Nichols 186: 185: 184: 174: 33: 24: 567:Todd Fisher 516:Shockaholic 315:Carolyn See 294:A. O. Scott 595:Categories 551:(daughter) 340:References 265:green room 245:monologues 154:813/.54 19 23:. For the 569:(brother) 354:"Review: 289:Reception 206:in 1990. 77:Publisher 563:(mother) 557:(father) 269:epilogue 237:dialogue 216:prologue 141:15316291 61:Language 25:Scorpion 535:Related 257:mooning 64:English 527:(2016) 519:(2011) 511:(2008) 492:(2004) 484:(1993) 476:(1990) 468:(1987) 457:Novels 261:normal 218:is in 178:  116:223 pp 51:Author 308:there 232:rehab 113:Pages 72:novel 69:Genre 230:and 135:OCLC 122:ISBN 92:1987 296:of 597:: 405:. 384:. 360:. 323:: 442:e 435:t 428:v 411:. 31:.

Index

Postcards from the Edge (film)
Postcards from the Edge (episode)

Carrie Fisher
Simon & Schuster
ISBN
0-671-62441-5
OCLC
15316291
Dewey Decimal
LC Class
The Best Awful There Is
Carrie Fisher
of the same name
Mike Nichols
Columbia Pictures
prologue
epistolary form
first-person narrative
drug addiction
rehab
dialogue
film producer
monologues
third-person narrative
mooning
normal
green room
epilogue
A. O. Scott

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