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Progressive soul

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719: 1364: 1517: 1136: 383: 606:'s leadership at Motown, Gaye and Wonder were reluctantly given artistic control to approach their albums more seriously in what had generally been a single-focused soul genre, leading to a series of innovative records from the two during the 1970s. Similar to white prog musicians, black artists of this movement directed their creative control toward ideals of "individualism, artistic progression and writing for posterity", along with concerns related to the 3971: 547: 1020: 1215: 848:, which had been progressive rock-oriented in the late 1960s, changed to a progressive soul format in 1971 and over time developed into an important media source for the African-American community. Progressive soul stations played extended soul recordings past the typical single length, as was the case with the nine-and-a-half-minute-long 1408:
prog soul of the '70s, with a strong, jazzy undercurrent, but it's much more than that. Bilal's reedy, Sly-meets-Prince voice runs down metaphysical and personal subjects overtop a continuously changing musical landscape ..." According to the music journalist Chris Campbell, Q-Tip (through his group
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albums. Parliament-Funkadelic also fell into disarray with mismanagement of its various musical projects, drug abuse among many of its members, and Clinton's professional disputes with their record label, culminating in the end of the collective's original run by 1981. Stone suffered a similar fate,
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Clinton's Parliament-Funkadelic collective achieved a corresponding success as a concert attraction, selling out large arenas and auditoriums while performing in sprawling fashion, with musicians dressed in eccentric costumes. As Keister chronicles, by the mid-1970s, Clinton had conceived an
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to produce young people who are more interested in the unfettered exploration of intellectual, artistic, sexual and political possibilities than in the mainstream goals of wealth, power and conformity"; he adds that this subculture among African Americans grew in proportion to
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Among the prog-rock characteristics shared in black progressive music of this period were extended composition, diverse musical appropriation, and making music for the purpose of concentrated listening as opposed to dancing. Progressive soul vocalists incorporated complex
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as a Philadelphia-based correlative within this collective, adds that they took "the progressive-soul tradition of Marvin Gaye, Curtis Mayfield and Prince and it a hip-hop twist". The commercial success of artists marketed as neo soul, such as Scott, Badu, and
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Also hugely popular, Wonder and Gaye's progressive soul albums sold millions of copies during the 1970s. Wonder's series of albums in particular were conceived with high artistic aspirations and proved much celebrated, winning the musician many
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critic Robert Loss as "a mechanical construction composed for the usefulness of others". Loss adds that her use of various genres, both individually and in combination with each other, "serves a progressive ideology" and acts as "a response to
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genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from
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wave at the same time as white musicians, but with one major difference. If the overall imperative of the time was that music must progress, for African Americans it was more specifically that "
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to "Village Ghetto Land" (1976), lending a sense of irony to the song's otherwise bleak critique of social ills in urban ghettos. Mayfield's socially- and politically charged 1970 album
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mythology. Some artists borrowed elements from European-American traditions to augment a song's lyrical idea. For example, Wonder added pleasant-sounding instrumental textures from a
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sources. Musical characteristics commonly found in works of the genre are traditional R&B melodies, complex vocal patterns, rhythmically unified extended composition, ambitious
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journalist Robert Ford, who noted his ability to "pack people into whenever the mood struck him". In the wake of Sly and the Family Stone's politicized and pessimistic hit album
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regarded as a peak for its endless musical ideas and lavish yet energetic style. Backus notes among the genre's many politically charged works to include the Temptations song "
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along racial and social lines, while his leadership of the Family Stone made them among the first racially- and gender-integrated popular acts. The Philadelphia station
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that he never would have imagined just a few years earlier when his touring musicians were forced to improvise costumes out of garment bags from the dry cleaners". The
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of the late 1960s and early 1970s was "a workshop for progressive soul", according to cultural anthropologist Micaela di Leonardo, who credits the radio station
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journalist David Dacks says the singer's variant of soul is "utterly contemporary, meaning it's a mix of everything that's come before while adding a raft of
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earlier in the decade, jazz fusion was another emerging subform to concede rock influences in a parent genre that had otherwise been exclusive to a cultural
1613:" by the 1980s with the rise of serious critical study around the genre and a decline in stereotyping the music as being exclusively for teenage listeners. 534:. These events inspired greater musical sophistication and diversity of influences, ambitious lyricism, and conceptual album-oriented approaches in black 3490: 2584: 3537: 2889: 1540: 1360:, helped lend the genre credence as the modern manifestation of progressive soul in both mainstream and subcultural milieus through the 2000s. 3035: 618:
music professor Jay Keister. However, he notes that the pursuit of individuality sometimes challenged the collective political values of the
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the following year, he proclaimed that the original movement's expansion of R&B's "musical and lyrical boundaries" remained unrivalled.
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across the US and reaching "an ever-broader audience". The latter magazine cited the commercial breakthroughs of Earth, Wind & Fire and
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Ford, Robert (February 15, 1975). "Talent in Action – Sly and the Family Stone, Kool and the Gang (Radio City Music Hall, New York)".
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as legal and drug issues interfered with his productivity and presence in the music industry throughout the late 1970s and 1980s.
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writer Dominic Maxwell as "prog soul of the highest order, pushing the form yet always heartfelt, ambitious and listenable", with
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alongside those from Brown and the Motown sound. Both Clinton's collective and Sun Ra applied thematic concepts associated with
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Progressive soul musicians also used a variety of non-traditional influences, much like the Beatles had in the 1960s. Clinton's
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magazine's Tony Green credits the latter two artists with pioneering the prog-soul revival that would peak by the early 2000s.
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to unify an extended recording. Altering instrumental textures were also used instead as a way of signifying a change in the
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of an extended track. Applications of these elements featured in songs such as Funkadelic's "Wars of Armageddon" (1971) and
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s Phyl Garland, Earth, Wind & Fire was "the leading exponent of progressive soul" through the end of the decade.
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resources used by progressive white artists, who tended to distinguish their extended compositions with song-based
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In the late 1960s, the structural and stylistic boundaries of African-American music were pushed further by the
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have been used interchangeably with reference to progressive soul at the turn of the 21st century.
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performs in a similar form of soul as Monáe on the 2020 song "Truth Without Love" (from the album
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genres were creating music in a manner influenced by progressive rock. According to music critic
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Icons of R & B and Soul: An Encyclopedia of the Artists who Revolutionized Rhythm, Volume 1
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By 1990, younger American artists were renewing the progressive-soul tradition. These included
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critic Lucy Wynne remarks that progressive soul is "very on-trend at the moment", noting the
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In the mid-1960s, several new musical forms arose that diversified rock. Among them was the
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eventually proved among the most acclaimed albums in history, and Earth, Wind & Fire's
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in their singing, while instrumentalists used techniques learned from jazz. Unlike the
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innovations with a harder sound primarily intended to induce or enhance the listener's
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Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music
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Wonder (shown in 1973) recorded a series of innovative prog-soul albums in the 1970s.
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At the start of the 21st century, the leading artists of progressive soul were the
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In discussing the exemplary prog-soul albums of this period, Himes names Hendrix's
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says the genre was "flowering" in 1971. Among the musicians at its forefront were
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Black Radio/Black Resistance: The Life & Times of the Tom Joyner Morning Show
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Along with Bilal, prog-soul singer-songwriters in the 21st century have included
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concerts climaxed with the highly popular conceit of a spacecraft-like prop (the
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Progressive soul's name and rise in the mainstream were both reported in 1975 by
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The 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World
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By the 1970s, many African-American recording artists primarily working in the
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Garland, Phyl (May 1979). "Phyl Garland's Basic Library of Rhythm-and-Blues".
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Progressive soul music can feature an eclectic range of influences, from both
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The original progressive soul movement peaked in the 1970s with the works of
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with showcasing the music of local acts like Sly and the Family Stone and
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that heavily influenced the neo-soul and progressive soul movements".
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Sly Stone was "the first superstar" of progressive soul, according to
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In February 1975, Parliament-Funkadelic played a co-billed show with
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origins toward the musical forms that would be known more broadly as
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During the 1980s, artists who made recordings in the genre included
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Politis, John (Winter 1983). "Rock Music's Place in the Library".
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and the Beatles, pointing specifically to the latter's element of
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Glickman, Simon (1992). "Sly Stone". In Rubiner, Julia M. (ed.).
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collective, is considered a derivative development of the genre.
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experiments, which incorporated elements from rock, electronic,
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Many of the leading African-American musicians were riding the
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magazine, which said the "relatively new" genre was impacting
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rather than for relaxation, dance, or analytical listening.
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traces the origins of progressive soul to Motown as well as
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Keister, Jay; Sheinbaum, John J; Smith, Jeremy L. (2019).
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magazine's James McNair as "astro-soul". Writing in 2021,
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audience, Stone's songs appealed to tolerance, peace, and
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played by ambitious disc jockeys on radio stations in the
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While having debuted with a popular R&B single for a
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Avant Rock: Experimental Music from the Beatles to Bjork
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Without Frontiers: The Life & Music of Peter Gabriel
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had proclaimed Stone "the founder of progressive soul".
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McNair, James (November 2020). "Alicia Keys – Alicia".
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Contemporary Musicians: Profiles of the People in Music
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National Museum of African American History and Culture
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All Music Guide: The Definitive Guide to Popular Music
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wave of the late 1990s and early 2000s, featuring the
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Listening to the Future: The Time of Progressive Rock
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were often extended and elaborately-composed R&B
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sources, including the use of an underlying rhythmic
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Easlea, Daryl (2018). "18: The Tremble in the Hips:
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and a variety of electronic effects that rival some
699:" (1973). The contemporaneous album-length works of 338: 2393: 2342: 2109: 2014: 1962: 1710: 2215: 2145: 2038: 1974: 1950: 1878: 1440:concepts, including narratives written around the 1343:(formerly of Tony! Toni! Toné!). Himes, who cites 541: 538:, leading to the development of progressive soul. 243:guitar, and instrumental techniques borrowed from 3461:"Album review: Leon Bridges – Gold-Diggers Sound" 2405: 2318: 2306: 2227: 2200: 2173: 1836: 1775: 1758: 1014: 4249: 3061:"American Progressives of the 1970s: A Colloquy" 2366: 1115:'s production highlighted for the use of "voice 3023:Holsey, Steve (January 1978). "On the Record". 2354: 1609:The term "rock music" had gradually displaced " 1541:Grammy Award for Best Progressive R&B Album 1221:, a progressive soul singer-songwriter, in 2008 923:(1973). Martin also cites albums from Wonder ( 4003: 3589: 3412: 2994: 2566:"The week's 29 best concerts: Nov. 30-Dec. 6" 2004: 1793: 1736: 801:, and often incorporated lowbrow elements of 247:. Prog-soul artists often write songs around 195:approach, particularly in the context of the 1404:sonic touches. At its heart is the classic, 1253:would join by 1988. However, in a piece for 860:" is considered a classic prog-soul single. 733:collective prominently used influences from 267:, sometimes employing thematic devices from 2648: 1944: 755:featured both the extended prog-soul song " 4010: 3996: 3596: 3582: 3385: 3068:The American Music Research Center Journal 2288: 1123:efforts by white musicians". According to 514:also made an impact with his wide-ranging 3309: 2194: 1005:' "Rich Get Richer" (from the 1975 album 3516:"Recordings: Meet the New Melody Makers" 2766: 2604: 2582: 2489:(Podcast). No. 143. Interviewed by 2336: 2276: 2059: 1362: 1213: 1134: 1018: 717: 675:, African-American counterparts favored 545: 381: 3352: 3190:Lindsey, Craig D. (February 25, 2013). 3189: 3138: 3118: 3090: 3033: 2789: 2755: 2516:Fire Music: A Political History of Jazz 2388: 2384: 2348: 2139: 2083: 2020: 2008: 1968: 1932: 1908: 1872: 1857: 1830: 1809: 1748: 1728: 1716: 1688: 1669: 1657: 1444:persona Cindi Mayweather, described by 87:Late 1960s – early 1970s, United States 4250: 3434: 3332: 3298: 3278: 3259: 3233: 3100:American Music Research Center Journal 3022: 2820:"Joi: Star Kity's Revenge (Universal)" 2720: 2693: 2674:"Three Soul Groups Sing at Music Hall" 2563: 2513: 2399: 2300: 2221: 2032: 1992: 1980: 1956: 1921:Bogdanov, Woodstra & Erlewine 2001 1896: 1884: 1805: 1752: 1732: 1704: 1700: 1636: 630:" in the sense of "any culture with a 3991: 3603: 3577: 3458: 2967: 2947: 2927: 2907: 2887: 2862: 2839: 2817: 2805:from the original on February 1, 2021 2626: 2533:Bogdanov, Vladimir; Woodstra, Chris; 2501:from the original on January 23, 2021 2475: 2453: 2427: 2411: 2324: 2312: 2264: 2252: 2248: 2236: 2209: 2182: 2167: 2163: 2127: 2115: 2103: 2087: 2071: 1842: 1781: 1769: 785:" literature as well as the music of 777:unified by both rhythmic and melodic 711:and his spoken interludes (known as " 468:Sgt. Pepper's Lonely Hearts Club Band 3365: 3211: 2968:Himes, Geoffrey (October 31, 2013). 2948:Himes, Geoffrey (October 12, 2011). 2928:Himes, Geoffrey (October 28, 1994). 2746: 2671: 2372: 2151: 2099: 2044: 1640: 1588: 1586: 1070:and transforming his career. Gaye's 856:" (1969). Hayes' 1969 recording of " 3435:Warren, Bruce (February 20, 2012). 3164: 2888:Himes, Geoffrey (August 29, 1989). 2627:Dacks, David (September 21, 2010). 2481:"Jazz and Soul Singer Bilal Oliver" 2430:"Black Music: Progressing in Sound" 2360: 1633:Keister, Sheinbaum & Smith 2019 1370:(2016), noted for her multi-genre, 875:(1968), Sly and the Family Stone's 13: 3489:Campbell, Chris (April 16, 2017). 3482: 2605:Cochrane, Naima (March 26, 2020). 1995:, pp. 41, 205, 216, 239, 244. 1111:" (1974) was also discussed, with 1078:(with the help of its hit single " 14: 4304: 3920:Recording studio as an instrument 3859:Official Progressive Albums Chart 3310:Moskowitz, David V., ed. (2015). 3279:McCann, Ian (September 8, 2019). 3212:Loss, Robert (October 28, 2013). 3001:The New Rolling Stone Album Guide 2998:; Brackett, Nathan, eds. (2004). 2930:"Two Who Revive Progressive Soul" 2564:Boller, Jay (November 30, 2016). 1583: 773:was composed as a social-protest 339:Origins in early R&B and rock 159:recording studio as an instrument 3970: 3969: 3386:rtmsholsey (February 24, 2010). 3121:"Stone Rollin' – Raphael Saadiq" 2908:Himes, Geoffrey (May 16, 1990). 2702:(Revised and Updated ed.). 2583:Campbell, Chris (May 17, 2021). 1515: 977:(by Earth, Wind & Fire) and 510:. The jazz trumpeter-bandleader 3872:Progressive rock (radio format) 3036:"The Temptations' Masterpieces" 3034:Hopkins, Scott (May 14, 2020). 2672:Dove, Ian (February 15, 1975). 2420: 2378: 2242: 2157: 2093: 2077: 1998: 1799: 1742: 1191:. Reporting on the concert for 1052:(featuring the million-seller " 679:from both African-American and 542:Development and characteristics 4017: 3546:University of California Press 3388:"Neo-Soul: The Complete Story" 2868:"U.S. Soul, Reborn in Britain" 1722: 1694: 1626: 1603: 1536:Cultural impact of the Beatles 1015:Mainstream success and decline 616:University of Colorado Boulder 1: 3459:Wynne, Lucy (July 19, 2021). 2649:di Leonardo, Micaela (2019). 1620: 1156:, with a sizable budget from 3925:Timeline of progressive rock 3905:Contemporary classical music 3707:Progression-based EDM genres 971:from 1976). The 1975 albums 208:music's transformation into 7: 3418:Lights, Camera, Soundtracks 3416:; Griffin, Brendon (2008). 3335:"Black Moses – Isaac Hayes" 3139:Kendall, Jo (May 5, 2019). 1508: 1209: 1076:That's the Way of the World 974:That's the Way of the World 854:Runaway Child, Running Wild 637:their emerging middle class 608:African-American experience 347:was transitioning from its 257:African-American experience 10: 4309: 3366:Ross, Sean (May 8, 1999). 2818:Green, Tony (March 2002). 2726:Aaliyah: More Than a Woman 2629:"Bilal Airtight's Revenge" 2486:The Sound of Young America 333: 4268:20th-century music genres 4157: 4116: 4025: 3965: 3880: 3851: 3825: 3739: 3706: 3611: 3381:– via Google Books. 3114:– via colorado.edu. 2950:"Bilal '1st Born Second'" 2835:– via Google Books. 2005:Strong & Griffin 2008 1794:Hoard & Brackett 2004 1737:Hoard & Brackett 2004 1465:prominently utilizes the 869:(1968), the Temptations' 826:San Francisco music scene 115: 110: 91: 83: 49: 28: 23: 4278:Progressive music genres 3355:Drexel Library Quarterly 3333:Planer, Lindsay (n.d.). 2722:Farley, Christopher John 2535:Erlewine, Stephen Thomas 1576: 991:Songs in the Key of Life 936:Songs in the Key of Life 819:The Mothers of Invention 576:Sly and the Family Stone 292:Sly and the Family Stone 3777:Intelligent dance music 2795:"John Gourley. The Man" 2655:Oxford University Press 1523:Rhythm and blues portal 1103:(with their radio hit " 1043:There's a Riot Goin' On 763:to produce distinctive 251:-oriented concepts and 4165:African American music 3881:Miscellaneous articles 3536:Howland, John (2021). 3414:Strong, Martin Charles 3119:Kellman, Andy (n.d.). 2607:"2000: A Soul Odyssey" 2479:(September 30, 2010). 2454:Anon. (July 1, 2010). 1571:African-American music 1455:' critical notion of ' 1375: 1222: 1185:Graham Central Station 1148: 1054:If You Want Me to Stay 1031: 1028:Earth, Wind & Fire 726: 654: 652:music must progress." 551: 406: 369:Northern United States 365:African-American music 300:Earth, Wind & Fire 189:African-American music 3740:Related genres/scenes 3612:By style and subgenre 3260:Martin, Bill (2015). 3091:Keister, Jay (2019). 2578:on November 30, 2016. 2456:"AllMusic Loves 1971" 1366: 1317:Electric Lady Studios 1217: 1189:Radio City Music Hall 1138: 1109:For the Love of Money 1022: 997:" (1970), the LPs of 980:Mothership Connection 968:Harvest for the World 941:The World Is a Ghetto 917:(1973), and Wonder's 909:Earth Wind & Fire 904:The World Is a Ghetto 885:(1971), Funkadelic's 731:Parliament-Funkadelic 721: 642: 549: 405:in the window display 385: 296:Parliament-Funkadelic 3548:. pp. 237–280. 3006:Simon & Schuster 2866:(January 13, 1988). 2793:(January 17, 2012). 2730:Simon & Schuster 2514:Backus, Rob (1976). 1457:double consciousness 1411:A Tribe Called Quest 1268:Terence Trent D'Arby 1243:Fine Young Cannibals 1056:"), Vernon Gibbs of 943:, along with 1971's 927:, along with 1972's 767:. Gaye's 1971 album 508:the Chamber Brothers 255:topics based in the 171:(often shortened to 3826:Associated theories 3521:The Washington Post 3400:on January 29, 2021 3141:"Record Collection" 2954:The Washington Post 2934:The Washington Post 2914:The Washington Post 2894:The Washington Post 2873:The Washington Post 2840:Gulla, Bob (2008). 1598:alternative R&B 1566:Alternative R&B 1292:Meshell Ndegeocello 1256:The Washington Post 1187:at New York City's 1147:in Washington, D.C. 1143:, preserved at the 891:(1971), Mayfield's 836:. Popular with the 817:'s recordings with 620:Black Arts Movement 490:experimentation of 185:progressive R&B 134:Black Arts Movement 103:alternative R&B 43:progressive R&B 3812:Rock in Opposition 3772:Experimental metal 3393:Michigan Chronicle 3168:(April 27, 2018). 3046:on August 14, 2020 2679:The New York Times 2518:. Vanguard Books. 1935:, pp. 12, 16. 1502:Gold-Diggers Sound 1391:Airtight's Revenge 1376: 1223: 1194:The New York Times 1158:Casablanca Records 1149: 1032: 957:the Isley Brothers 727: 697:Space Is the Place 669:European art music 552: 459:mainstream culture 407: 343:By the mid-1950s, 261:left-wing politics 253:socially conscious 4293:Soul music genres 4245: 4244: 3985: 3984: 3910:Psychedelic music 3767:Experimental rock 3605:Progressive music 3514:(July 15, 1992). 3197:The Village Voice 2982:on August 7, 2020 2890:"Curtis Mayfield" 2762:. pp. 72–77. 2713:978-1-787-59082-3 2130:, pp. 225–6. 1672:, pp. 79–81. 1551:Philadelphia soul 1276:Tony! Toni! Toné! 1264:Chris Thomas King 1166:P-Funk Mothership 1162:P-Funk Earth Tour 1141:P-Funk Mothership 1105:Walking in Rhythm 866:Electric Ladyland 811:experimental rock 707:characterized by 612:ethnomusicologist 413:of Detroit-based 166: 165: 50:Stylistic origins 4300: 4288:Progressive soul 4283:Progressive rock 4175:Mod (subculture) 4083:Psychedelic soul 4078:Progressive soul 4012: 4005: 3998: 3989: 3988: 3973: 3972: 3802:Post-progressive 3762:Experimental pop 3757:Canterbury scene 3598: 3591: 3584: 3575: 3574: 3570: 3564: 3562: 3532: 3530: 3528: 3507: 3505: 3503: 3477: 3475: 3473: 3455: 3453: 3451: 3431: 3409: 3407: 3405: 3396:. Archived from 3382: 3380: 3378: 3362: 3349: 3347: 3345: 3329: 3306: 3295: 3293: 3291: 3275: 3256: 3230: 3228: 3226: 3208: 3206: 3204: 3186: 3184: 3182: 3161: 3155: 3153: 3135: 3133: 3131: 3115: 3113: 3111: 3097: 3087: 3081: 3079: 3065: 3055: 3053: 3051: 3042:. Archived from 3030: 3019: 2996:Hoard, Christian 2991: 2989: 2987: 2978:. Archived from 2964: 2962: 2960: 2944: 2942: 2940: 2924: 2922: 2920: 2904: 2902: 2900: 2884: 2882: 2880: 2859: 2836: 2834: 2832: 2814: 2812: 2810: 2786: 2763: 2752: 2743: 2717: 2690: 2688: 2686: 2668: 2645: 2643: 2641: 2623: 2621: 2619: 2601: 2599: 2597: 2579: 2574:. Archived from 2560: 2529: 2510: 2508: 2506: 2472: 2470: 2468: 2450: 2444: 2442: 2415: 2409: 2403: 2397: 2391: 2382: 2376: 2370: 2364: 2358: 2352: 2346: 2340: 2334: 2328: 2322: 2316: 2310: 2304: 2298: 2292: 2286: 2280: 2274: 2268: 2262: 2256: 2246: 2240: 2234: 2225: 2219: 2213: 2207: 2198: 2192: 2186: 2180: 2171: 2161: 2155: 2149: 2143: 2137: 2131: 2125: 2119: 2113: 2107: 2097: 2091: 2081: 2075: 2069: 2063: 2057: 2048: 2042: 2036: 2030: 2024: 2018: 2012: 2002: 1996: 1990: 1984: 1978: 1972: 1966: 1960: 1954: 1948: 1945:di Leonardo 2019 1942: 1936: 1930: 1924: 1918: 1912: 1906: 1900: 1894: 1888: 1882: 1876: 1870: 1861: 1860:, pp. 9–10. 1855: 1846: 1840: 1834: 1828: 1813: 1803: 1797: 1791: 1785: 1779: 1773: 1767: 1756: 1746: 1740: 1726: 1720: 1714: 1708: 1698: 1692: 1686: 1673: 1667: 1661: 1655: 1644: 1630: 1614: 1607: 1601: 1590: 1561:Psychedelic funk 1546:P-Funk mythology 1525: 1520: 1519: 1518: 1483:), described by 1453:W. E. B. Du Bois 1290:, and Americans 1251:the Housemartins 1131: 658: 594:(bandleader for 574:(bandleader for 473:psychedelic rock 471:. Concurrently, 439:Progressive rock 387:Hitsville U.S.A. 345:rhythm and blues 222:psychedelic soul 218:progressive rock 206:rhythm and blues 169:Progressive soul 154:psychedelic funk 92:Derivative forms 84:Cultural origins 71:psychedelic soul 66:progressive rock 24:Progressive soul 21: 20: 4308: 4307: 4303: 4302: 4301: 4299: 4298: 4297: 4248: 4247: 4246: 4241: 4153: 4117:Regional scenes 4112: 4043:Brown-eyed soul 4021: 4016: 3986: 3981: 3961: 3876: 3847: 3821: 3735: 3702: 3607: 3602: 3560: 3558: 3556: 3535: 3526: 3524: 3512:Himes, Geoffrey 3510: 3501: 3499: 3488: 3485: 3483:Further reading 3480: 3471: 3469: 3449: 3447: 3428: 3403: 3401: 3376: 3374: 3343: 3341: 3326: 3289: 3287: 3272: 3253: 3224: 3222: 3202: 3200: 3180: 3178: 3175:Chicago Tribune 3151: 3149: 3129: 3127: 3109: 3107: 3095: 3077: 3075: 3063: 3049: 3047: 3029:. Vol. 27. 3016: 2985: 2983: 2958: 2956: 2938: 2936: 2918: 2916: 2898: 2896: 2878: 2876: 2864:Himes, Geoffrey 2856: 2830: 2828: 2808: 2806: 2783: 2771:. Vol. 8. 2740: 2714: 2684: 2682: 2665: 2639: 2637: 2617: 2615: 2595: 2593: 2557: 2547:All Media Guide 2537:, eds. (2001). 2526: 2504: 2502: 2466: 2464: 2440: 2438: 2423: 2418: 2410: 2406: 2398: 2394: 2383: 2379: 2371: 2367: 2359: 2355: 2347: 2343: 2335: 2331: 2323: 2319: 2311: 2307: 2299: 2295: 2289:rtmsholsey 2010 2287: 2283: 2275: 2271: 2263: 2259: 2247: 2243: 2235: 2228: 2220: 2216: 2208: 2201: 2193: 2189: 2181: 2174: 2162: 2158: 2150: 2146: 2138: 2134: 2126: 2122: 2114: 2110: 2098: 2094: 2082: 2078: 2070: 2066: 2058: 2051: 2043: 2039: 2031: 2027: 2019: 2015: 2007:, p. 365; 2003: 1999: 1991: 1987: 1979: 1975: 1967: 1963: 1955: 1951: 1943: 1939: 1931: 1927: 1919: 1915: 1907: 1903: 1895: 1891: 1883: 1879: 1871: 1864: 1856: 1849: 1841: 1837: 1829: 1816: 1804: 1800: 1792: 1788: 1780: 1776: 1768: 1759: 1747: 1743: 1727: 1723: 1715: 1711: 1699: 1695: 1687: 1676: 1668: 1664: 1656: 1647: 1631: 1627: 1623: 1618: 1617: 1608: 1604: 1591: 1584: 1579: 1556:Progressive rap 1521: 1516: 1514: 1511: 1505:in particular. 1438:science fiction 1212: 1170:Dr. Funkenstein 1129: 1113:Gamble and Huff 1072:What's Going On 1026:, frontman for 1017: 999:Gil Scott-Heron 914:Head to the Sky 883:What's Going On 881:(1968), Gaye's 809:similar to the 795:I Am the Walrus 793:on songs like " 770:What's Going On 747:string ensemble 660: 656: 610:, according to 588:Curtis Mayfield 544: 435:Keep On Pushing 431:the Impressions 341: 336: 288:Curtis Mayfield 273:science fiction 187:) is a type of 149:progressive rap 17: 12: 11: 5: 4306: 4296: 4295: 4290: 4285: 4280: 4275: 4270: 4265: 4263:1970s in music 4260: 4258:1960s in music 4243: 4242: 4240: 4239: 4234: 4232:Soul musicians 4229: 4224: 4219: 4214: 4209: 4204: 4199: 4194: 4193: 4192: 4185:Motown Records 4182: 4177: 4172: 4167: 4161: 4159: 4155: 4154: 4152: 4151: 4149:United Kingdom 4146: 4141: 4136: 4131: 4126: 4120: 4118: 4114: 4113: 4111: 4110: 4105: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4060: 4055: 4050: 4048:Cinematic soul 4045: 4040: 4035: 4033:Blue-eyed soul 4029: 4027: 4023: 4022: 4015: 4014: 4007: 4000: 3992: 3983: 3982: 3980: 3979: 3966: 3963: 3962: 3960: 3959: 3958: 3957: 3952: 3947: 3942: 3937: 3932: 3922: 3917: 3915:Romantic music 3912: 3907: 3902: 3901: 3900: 3890: 3884: 3882: 3878: 3877: 3875: 3874: 3869: 3861: 3855: 3853: 3849: 3848: 3846: 3845: 3840: 3835: 3829: 3827: 3823: 3822: 3820: 3819: 3814: 3809: 3804: 3799: 3794: 3789: 3784: 3779: 3774: 3769: 3764: 3759: 3754: 3749: 3743: 3741: 3737: 3736: 3734: 3733: 3732: 3731: 3721: 3716: 3710: 3708: 3704: 3703: 3701: 3700: 3695: 3694: 3693: 3688: 3683: 3673: 3668: 3663: 3662: 3661: 3656: 3646: 3641: 3636: 3631: 3626: 3621: 3615: 3613: 3609: 3608: 3601: 3600: 3593: 3586: 3578: 3572: 3571: 3554: 3533: 3508: 3484: 3481: 3479: 3478: 3456: 3432: 3426: 3410: 3383: 3363: 3350: 3330: 3324: 3307: 3296: 3276: 3270: 3264:. Open Court. 3257: 3251: 3231: 3209: 3187: 3162: 3136: 3116: 3088: 3056: 3031: 3020: 3014: 2992: 2965: 2945: 2925: 2905: 2885: 2860: 2855:978-0313340444 2854: 2837: 2815: 2799:Cool Accidents 2787: 2781: 2764: 2753: 2744: 2738: 2718: 2712: 2691: 2669: 2664:978-0190870201 2663: 2646: 2624: 2602: 2580: 2561: 2555: 2543:Backbeat Books 2530: 2524: 2511: 2473: 2451: 2428:Anon. (1975). 2424: 2422: 2419: 2417: 2416: 2404: 2392: 2377: 2365: 2353: 2341: 2329: 2317: 2305: 2293: 2281: 2269: 2267:, p. 129. 2257: 2255:, p. 129. 2241: 2226: 2214: 2199: 2197:, p. 446. 2195:Moskowitz 2015 2187: 2172: 2156: 2144: 2132: 2120: 2108: 2102:, p. 47; 2092: 2086:, p. 10; 2076: 2074:, p. 226. 2064: 2062:, p. 257. 2049: 2037: 2025: 2013: 1997: 1985: 1973: 1961: 1949: 1937: 1925: 1923:, p. 252. 1913: 1901: 1889: 1877: 1862: 1847: 1835: 1814: 1798: 1796:, p. 524. 1786: 1774: 1757: 1751:, p. 20; 1741: 1739:, p. 524. 1735:, p. 41; 1731:, p. 81; 1721: 1709: 1703:, p. 96; 1693: 1674: 1662: 1645: 1639:, p. 11; 1624: 1622: 1619: 1616: 1615: 1602: 1581: 1580: 1578: 1575: 1574: 1573: 1568: 1563: 1558: 1553: 1548: 1543: 1538: 1533: 1527: 1526: 1510: 1507: 1406:album-oriented 1341:Raphael Saadiq 1211: 1208: 1101:the Blackbyrds 1016: 1013: 965:from 1973 and 955:), as well as 834:Tower of Power 799:street culture 677:musical idioms 641: 592:George Clinton 564:Geoffrey Himes 543: 540: 415:Motown Records 340: 337: 335: 332: 175:; also called 164: 163: 162: 161: 156: 151: 146: 141: 136: 131: 126: 121: 113: 112: 108: 107: 106: 105: 100: 93: 89: 88: 85: 81: 80: 79: 78: 73: 68: 63: 58: 51: 47: 46: 45: 44: 41: 38: 35: 30: 26: 25: 15: 9: 6: 4: 3: 2: 4305: 4294: 4291: 4289: 4286: 4284: 4281: 4279: 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4255: 4253: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4191: 4188: 4187: 4186: 4183: 4181: 4178: 4176: 4173: 4171: 4168: 4166: 4163: 4162: 4160: 4156: 4150: 4147: 4145: 4142: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4121: 4119: 4115: 4109: 4106: 4104: 4101: 4099: 4098:Southern soul 4096: 4094: 4091: 4089: 4086: 4084: 4081: 4079: 4076: 4074: 4073:Northern soul 4071: 4069: 4066: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4044: 4041: 4039: 4036: 4034: 4031: 4030: 4028: 4024: 4020: 4013: 4008: 4006: 4001: 3999: 3994: 3993: 3990: 3978: 3977: 3968: 3967: 3964: 3956: 3953: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3933: 3931: 3928: 3927: 3926: 3923: 3921: 3918: 3916: 3913: 3911: 3908: 3906: 3903: 3899: 3896: 3895: 3894: 3893:Concept album 3891: 3889: 3886: 3885: 3883: 3879: 3873: 3870: 3868: 3866: 3862: 3860: 3857: 3856: 3854: 3850: 3844: 3841: 3839: 3836: 3834: 3831: 3830: 3828: 3824: 3818: 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3793: 3790: 3788: 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3748: 3745: 3744: 3742: 3738: 3730: 3727: 3726: 3725: 3722: 3720: 3717: 3715: 3712: 3711: 3709: 3705: 3699: 3696: 3692: 3689: 3687: 3684: 3682: 3679: 3678: 3677: 3674: 3672: 3669: 3667: 3664: 3660: 3657: 3655: 3652: 3651: 3650: 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3617: 3616: 3614: 3610: 3606: 3599: 3594: 3592: 3587: 3585: 3580: 3579: 3576: 3568: 3557: 3555:9780520300118 3551: 3547: 3543: 3539: 3534: 3523: 3522: 3517: 3513: 3509: 3498: 3497: 3492: 3487: 3486: 3468: 3467: 3462: 3457: 3446: 3442: 3438: 3433: 3429: 3427:9781847670038 3423: 3420:. Canongate. 3419: 3415: 3411: 3399: 3395: 3394: 3389: 3384: 3373: 3369: 3364: 3360: 3356: 3351: 3340: 3336: 3331: 3327: 3325:9781440803406 3321: 3317: 3313: 3308: 3304: 3303: 3297: 3286: 3282: 3277: 3273: 3271:9780812699395 3267: 3263: 3258: 3254: 3252:0-8126-9368-X 3248: 3244: 3240: 3236: 3232: 3221: 3220: 3215: 3210: 3199: 3198: 3193: 3188: 3177: 3176: 3171: 3167: 3163: 3159: 3148: 3147: 3142: 3137: 3126: 3122: 3117: 3105: 3101: 3094: 3089: 3085: 3073: 3069: 3062: 3057: 3045: 3041: 3040:MusicFestNews 3037: 3032: 3028: 3027: 3021: 3017: 3015:9780743201698 3011: 3007: 3003: 3002: 2997: 2993: 2981: 2977: 2976: 2971: 2966: 2955: 2951: 2946: 2935: 2931: 2926: 2915: 2911: 2906: 2895: 2891: 2886: 2875: 2874: 2869: 2865: 2861: 2857: 2851: 2847: 2843: 2838: 2827: 2826: 2821: 2816: 2804: 2800: 2796: 2792: 2791:Gourley, John 2788: 2784: 2782:0-8103-5403-9 2778: 2774: 2773:Gale Research 2770: 2765: 2761: 2760: 2759:Stereo Review 2754: 2750: 2745: 2741: 2739:0-7434-5566-5 2735: 2731: 2727: 2723: 2719: 2715: 2709: 2705: 2704:Omnibus Press 2701: 2697: 2692: 2681: 2680: 2675: 2670: 2666: 2660: 2656: 2652: 2647: 2636: 2635: 2630: 2625: 2614: 2613: 2608: 2603: 2592: 2591: 2586: 2581: 2577: 2573: 2572: 2567: 2562: 2558: 2556:9780879306274 2552: 2548: 2544: 2540: 2536: 2531: 2527: 2525:9780917702006 2521: 2517: 2512: 2500: 2496: 2492: 2488: 2487: 2482: 2478: 2474: 2463: 2462: 2457: 2452: 2448: 2437: 2436: 2431: 2426: 2425: 2413: 2408: 2401: 2396: 2390: 2386: 2381: 2374: 2369: 2362: 2357: 2350: 2345: 2338: 2337:Campbell 2021 2333: 2326: 2321: 2314: 2309: 2303:, p. 54. 2302: 2297: 2290: 2285: 2278: 2277:Cochrane 2020 2273: 2266: 2261: 2254: 2250: 2245: 2238: 2233: 2231: 2223: 2218: 2211: 2206: 2204: 2196: 2191: 2184: 2179: 2177: 2169: 2165: 2160: 2154:, p. 16. 2153: 2148: 2142:, p. 16. 2141: 2136: 2129: 2124: 2118:, p. 55. 2117: 2112: 2106:, p. 55. 2105: 2101: 2096: 2090:, p. 55. 2089: 2085: 2080: 2073: 2068: 2061: 2060:Glickman 1992 2056: 2054: 2047:, p. 47. 2046: 2041: 2035:, p. vi. 2034: 2029: 2022: 2017: 2011:, p. 16. 2010: 2006: 2001: 1994: 1989: 1982: 1977: 1970: 1965: 1958: 1953: 1947:, p. 35. 1946: 1941: 1934: 1929: 1922: 1917: 1911:, p. 10. 1910: 1905: 1899:, p. 96. 1898: 1893: 1886: 1881: 1875:, p. 76. 1874: 1869: 1867: 1859: 1854: 1852: 1844: 1839: 1832: 1827: 1825: 1823: 1821: 1819: 1811: 1807: 1802: 1795: 1790: 1783: 1778: 1771: 1766: 1764: 1762: 1755:, p. 41. 1754: 1750: 1745: 1738: 1734: 1730: 1725: 1718: 1713: 1707:, p. vi. 1706: 1702: 1697: 1691:, p. 81. 1690: 1685: 1683: 1681: 1679: 1671: 1666: 1660:, p. 79. 1659: 1654: 1652: 1650: 1643:, p. 21. 1642: 1638: 1634: 1629: 1625: 1612: 1611:rock and roll 1606: 1599: 1595: 1589: 1587: 1582: 1572: 1569: 1567: 1564: 1562: 1559: 1557: 1554: 1552: 1549: 1547: 1544: 1542: 1539: 1537: 1534: 1532: 1529: 1528: 1524: 1513: 1506: 1504: 1503: 1498: 1494: 1493: 1488: 1487: 1482: 1481: 1476: 1472: 1468: 1464: 1463: 1462:Stone Rollin' 1458: 1454: 1449: 1448: 1443: 1439: 1435: 1434:Janelle Monáe 1431: 1430:Anthony David 1427: 1422: 1420: 1419:bohemian chic 1416: 1412: 1407: 1403: 1399: 1398: 1393: 1392: 1387: 1386: 1385:Love for Sale 1381: 1373: 1369: 1368:Janelle Monáe 1365: 1361: 1359: 1354: 1350: 1346: 1342: 1338: 1334: 1330: 1326: 1322: 1319:and included 1318: 1314: 1310: 1305: 1303: 1302: 1297: 1293: 1289: 1285: 1281: 1277: 1273: 1272:Lenny Kravitz 1269: 1265: 1260: 1258: 1257: 1252: 1248: 1244: 1240: 1236: 1232: 1231:Peter Gabriel 1228: 1220: 1216: 1207: 1204: 1200: 1196: 1195: 1190: 1186: 1182: 1177: 1175: 1171: 1167: 1163: 1159: 1155: 1154:Broadway show 1146: 1142: 1137: 1133: 1128: 1127: 1126:Stereo Review 1122: 1118: 1114: 1110: 1106: 1102: 1098: 1094: 1093: 1088: 1083: 1081: 1077: 1073: 1069: 1068:Grammy Awards 1063: 1061: 1060: 1055: 1051: 1050: 1045: 1044: 1039: 1038: 1029: 1025: 1024:Maurice White 1021: 1012: 1010: 1009: 1004: 1000: 996: 992: 988: 987: 982: 981: 976: 975: 970: 969: 964: 963: 958: 954: 953: 948: 947: 946:All Day Music 942: 938: 937: 932: 931: 926: 922: 921: 916: 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Index

Soul
funk
progressive rock
psychedelic soul
jazz fusion
Neo soul
alternative R&B
Afrofuturism
album era
avant-funk
Black Arts Movement
concept album
funk rock
progressive rap
psychedelic funk
recording studio as an instrument
African-American music
progressive
soul
funk
rhythm and blues
rock
Motown
progressive rock
psychedelic soul
jazz fusion
African
European
rock
jazz

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