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is used merely for synchronization and does not function as a metric indicator. Accordingly, no stresses are made when performing the piece, and the piece is meant to be performed fluently and without discernible rhythm. The composition aims to sound as a heterogeneous, amorphous texture in which the
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The composition is presented in two different versions: one for 12 soloists and one for a string orchestra. For the orchestra version, it is recommended that the instruments are distributed in a balanced manner. Only the orchestra version makes distinctions when performing tutti and solo parts.
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music, but to create "mistuned music" instead. The performers are seated near to each other, so that the audience can listen to the music as if it is coming from only one source.
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The piece is in one movement that takes approximately eight minutes to perform. It is scored for an ensemble of 12 strings, split into two groups: Group I comprises four
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Roig-Francolí, Miguel A. (1995). "Harmonic and Formal
Processes in Ligeti's Net-Structure Compositions".
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on this occasion. The version for 12 soloists was premiered a few months later, on
October 10, 1969, in
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Pitch and
Harmony in Gyorgy Ligeti's "Hamburg Concerto" and "Syzygy" for String Quartet
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254:"Ramifications composer: György Ligeti für Streichorchester oder 12 Solostreicher"
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two groups try to retune each other. Ligeti's intention was not to create
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Following are some of the most well-known recordings of this piece:
277:"György Ligeti Ramifications, for 12 strings (or string orchestra)"
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However, Ligeti himself preferred the version for soloists.
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Ramifications for string orchestra or 12 solo strings
24:is a composition for strings by Hungarian composer
331:. Pittsburgh: University of Pittsburgh. p. 5.
28:. It was finished in 1968 and premiered in 1969.
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74:Kammerorchester des Saarländischen Rundfunks
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670:Three Fantasies after Friedrich Hölderlin
16:Composition for strings by György Ligeti
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238:. Mainz: Schott Music. Archived from
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44:and is meant to be a gift for the
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112:=453) than Group II, which is in
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164:Orchestre de Chambre de Toulouse
36:The composition is dedicated to
522:Trio for Violin, Horn and Piano
343:"20th Century Classics: Ligeti"
104:. Moreover, Group I is tuned a
66:Radio-Sinfonie-Orchester Berlin
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312:10.1525/mts.1995.17.2.02a00050
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684:Síppal, dobbal, nádihegedűvel
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52:. The first version, for
32:Composition and premiere
325:Corey, Charles (2011).
232:Ligeti, György (1968).
804:Music with dedications
565:Chromatische Phantasie
382:A preview of the score
108:higher (approximately
642:Mátraszentimrei dalok
300:Music Theory Spectrum
498:Chamber/Instrumental
427:List of compositions
42:Natalia Koussevitzky
607:Pletykázó asszonyok
275:Kirzinger, Robert.
199:Deutsche Grammophon
76:under the baton of
60:on April 23, 1969.
56:, was premiered in
50:Library of Congress
712:Other compositions
279:. Rovi Corporation
155:Year of recording
136:Notable recordings
38:Serge Koussevitzky
794:1968 compositions
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747:Related articles
739:(100 metronomes)
702:Le Grand Macabre
649:Éjszaka – Reggel
571:Three Bagatelles
558:Musica ricercata
487:Hamburg Concerto
471:Chamber Concerto
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256:. Schott Music
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242:on 2014-02-23.
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258:. Retrieved
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240:the original
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174:EMI Classics
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106:quarter tone
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663:Lux Aeterna
536:Piano music
459:Concertante
449:Atmosphères
365:"Catalogue"
349:23 February
283:23 February
260:23 February
102:double bass
72:, with the
70:Saarbrücken
783:Categories
614:Lakodalmas
216:References
201:/PolyGram
149:Conductor
146:Orchestra
126:microtonal
96:, and one
728:Continuum
551:Invention
770:Category
84:Analysis
656:Requiem
635:Pápainé
600:Bujdosó
158:Format
121:barring
90:violins
48:in the
723:(tape)
593:Magány
576:Études
490:(horn)
92:, one
58:Berlin
694:Opera
204:1982
178:1970
98:cello
94:viola
351:2014
285:2014
262:2014
308:doi
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224:^
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110:A
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