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Rayner Heppenstall

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magazine. In short order he became a Catholic convert, and married Margaret Edwards in 1937 (with whom he later had two children: Adam Heppenstall and Lindy Heppenstall, later Foord). In the mid-1930s he was influenced by
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shared a flat in Lawford Road, Camden. Heppenstall once came home drunk and noisy, and when Orwell emerged from his bedroom and asked him to pipe down, Heppenstall took a swing at him. Orwell then beat him up with a
306:. During this time he took a strong dislike to his working-class neighbours and began deliberately lighting bonfires in order to antagonise them. Heppenstall's final novel, 1015:"Having moved to Deal, Heppenstall was soon on equally dire terms with his neighbours there, deliberately lighting bonfires in order to annoy them." King 6 December 1986. 130:, Heppenstall stated he had once been a left-winger, but since the 1960s had become politically more conservative. Heppenstall also said he was especially opposed to " 269:
on radio as a feature writer and producer, and then for two further years as a drama producer. His contemporaries in the department included the fellow poets
108:, and the following morning told him to move out. Friendship was restored, but after Orwell's death, Heppenstall wrote an account of the incident called 634: 294:
regarding a radio broadcast in the 1940s. Waugh apparently felt that Heppenstall purposely insulted him when he was sent to take him to the broadcast.
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After his death, Heppenstall's journals were published: they caused some controversy by revealing his hostility to fellow writers such as
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Lives and Letters: A. R. Orage, Katherine Mansfield, Beatrice Hastings, John Middleton Murry, S. S. Koteliansky, 1906–1957
1115: 175:, in fact as an anticipator, or as a writer of the "anti-novel". Several critics (including, according to his diaries, 416:
The Double Image: Mutations of Christian Mythology in the Work of Four French Catholic Writers of To-Day and Yesterday
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The Fourfold Tradition: Notes on the French and English Literatures, with Some Ethnological and Historical Asides
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The intellectuals and the masses : pride and prejudice among the literary intelligentsia, 1880–1939
95:, whom he first encountered in 1935 through Thomas and Rees, and later wrote about him in his memoir 50:, where he read English and Modern Languages, graduating in 1932. He had a brief teaching career, in 57:
Coming to London in 1934, he rapidly made initial contacts in the literary world. A short study,
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award. He was Francophile in literary terms, and his non-fiction writing reflects his tastes.
1105: 1100: 62: 310:, depicts a writer resembling himself murdering a similar family living next door to him. 8: 1029: 580: 527: 188: 180: 47: 176: 116: 79: 1062: 1074: 1037: 716: 673: 665: 638: 139: 783: 179:) have named Heppenstall in this connection. He is sometimes therefore grouped with 600: 532: 382: 370: 204: 147: 135: 596: 588: 560: 544: 254: 223: 184: 1057: 750: 115:
During World War II he was in the British Army, but with a Pay Corps posting at
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World Authors 1950-1970 : a companion volume to Twentieth Century Authors
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commune at "The Oaks", where in 1935 he worked as a cook. Also in 1935 he met
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Four Absentees: Dylan Thomas, George Orwell, Eric Gill, J. Middleton Murry
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Architecture of Truth: The Cistercian Abbey of Le Thoronnet in Provence
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The Sex War and Others: Survey of Recent Murder, Principally in France
162:(1939), was critically acclaimed. Much later, in 1967, it received an 540: 208: 120: 85: 27: 631:
The Master Eccentric: The Journals of Rayner Heppenstall, 1969–1981
330: 200: 51: 326: 257:, who expressed admiration for "its pleasure in literature". 242:. He also wrote a short study of the French Catholic writer 290:
In his journals, Heppenstall mentions problems he had with
637:(London and New York, Allison & Busby, 1986), 278 pp. 35: 16:
British novelist, poet, diarist, and a BBC radio producer
924:, "The loneliness of a long-distance hater" (Reviews of 34:, England) was a British novelist, poet, diarist, and a 521:
Bluebeard and After: Three Decades of Murder in France
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Dalkey Archive Press on Heppenstall's life and works
960:, Oxford English Literary History, vol. 12, p. 408. 215:(1962) is singled out as being influenced by the 1087: 169:Critical attention has linked him to the French 119:, close enough to remain in touch with literary 343:Middleton Murry: A Study in Excellent Normality 302:Later in life Heppenstall moved to the town of 281:. One of his early adaptations was of Orwell's 59:Middleton Murry: A Study in Excellent Normality 1004:George Orwell: A Kind of Compulsion 1903–1936 715:. New York : H.W. Wilson Company, 1975. 889:Under Siege: Literary Life in London 1939–45 509:Portrait of the Artist as a Professional Man 422:Imaginary Conversations: Eight Radio Scripts 123:. He was also posted to Northern Ireland. 317:, and also expressing prejudices against 99:. Heppenstall, Orwell and the Irish poet 1036:. London : Faber and Faber, 1992. 485:The Intellectual Part: An Autobiography 1088: 770: 768: 246:(Cambridge: Bowes & Bowes, 1953). 1025: 1023: 1021: 917: 915: 913: 613:Reflections on the "Newgate Calendar" 265:From 1945 to 1965, he worked for the 707: 705: 703: 701: 699: 697: 695: 693: 230:he translated. Later novels include 977:Vol. 61, No. 1, Winter 1985, p 84-5 765: 654: 61:(1934) brought him for a time into 13: 1018: 971:Radio Drama: The Stage of the Mind 910: 14: 1147: 1136:Alumni of the University of Leeds 1131:20th-century British male writers 1051: 690: 625:Tales from the "Newgate Calendar" 491:Raymond Roussel: A Critical Study 46:Heppenstall was a student at the 776:"Rayner Heppenstall (1911-1981)" 515:French Crime in the Romantic Age 503:A Little Pattern of French Crime 267:British Broadcasting Corporation 150:as the writers he most admired. 1009: 997: 980: 963: 950: 941: 894: 881: 865: 222:He was certainly influenced by 1111:20th-century British novelists 938:, 6 December 1986, (pp. 44–5). 849: 836: 827: 814: 798: 735: 726: 662:Heppenstall – A Critical Study 1: 683: 394:Blind Men's Flowers Are Green 297: 260: 126:In an interview for the book 41: 994:, Vol 79 No 5, February 1952 7: 988:Broadcast Poetry in Britain 158:Heppenstall's first novel, 153: 30:, England – 23 May 1981 in 10: 1152: 1116:20th-century British poets 402:(1943) novel, reissued as 975:Virginia Quarterly Review 1081:Leeds University Library 932:by Rayner Heppenstall). 822:Dylan Thomas: A New Life 336: 1096:British radio producers 660:Buckell, G. J. (2007). 20:John Rayner Heppenstall 1126:British male novelists 449:My Bit of Dylan Thomas 251:The Fourfold Tradition 73:, sent to meet him by 24:Lockwood, Huddersfield 1079:Archival Material at 876:George Orwell: A Life 846:(1989), pp. 162, 269. 833:Lycett, pp. 146, 175. 780:homepage.ntlworld.com 747:www.dalkeyarchive.com 428:Three Tales of Hamlet 404:The Greater Infortune 361:Sebastian: New Poetry 228:Impressions of Africa 958:The Last of England? 926:The Master Eccentric 743:"Rayner Heppenstall" 437:The Lesser Infortune 63:John Middleton Murry 956:Randall Stevenson, 905:That Neutral Island 528:London Consequences 479:The Connecting Door 355:Apology for Dancing 249:Heppenstall's book 213:The Connecting Door 181:Alain Robbe-Grillet 91:He was a friend of 48:University of Leeds 1121:British male poets 1071:Rayner Heppenstall 907:(2007), pp. 158–9. 753:on 11 October 2008 110:The Shooting-Stick 969:E.S. Guralnick. ' 842:Fiona MacCarthy, 678:978-1-56478-471-1 388:The Blaze of Noon 377:, Patrick Evans, 160:The Blaze of Noon 140:Jorge Luis Borges 22:(27 July 1911 in 1143: 1045: 1027: 1016: 1013: 1007: 1001: 995: 984: 978: 967: 961: 954: 948: 945: 939: 919: 908: 898: 892: 887:Robert Hewison, 885: 879: 869: 863: 853: 847: 840: 834: 831: 825: 818: 812: 802: 796: 795: 793: 791: 786:on 22 March 2011 782:. Archived from 772: 763: 762: 760: 758: 749:. Archived from 739: 733: 730: 724: 709: 655:Critical studies 635:Jonathan Goodman 601:Stefan Themerson 533:Margaret Drabble 410:Poems, 1933–1945 383:Oswell Blakeston 371:Lawrence Durrell 205:Stefan Themerson 148:Vladimir Nabokov 136:World Government 75:Sir Richard Rees 38:radio producer. 1151: 1150: 1146: 1145: 1144: 1142: 1141: 1140: 1086: 1085: 1054: 1049: 1048: 1028: 1019: 1014: 1010: 1006:(1998), p. 378. 1002: 998: 985: 981: 968: 964: 955: 951: 947:Buckell, p. 38. 946: 942: 920: 911: 899: 895: 886: 882: 870: 866: 862:(2003), p. 164. 854: 850: 841: 837: 832: 828: 824:(2003), p. 130. 820:Andrew Lycett, 819: 815: 803: 799: 789: 787: 774: 773: 766: 756: 754: 741: 740: 736: 732:Buckell, p. 15. 731: 727: 723:. (pp. 632-34). 710: 691: 686: 657: 597:Piers Paul Read 589:Julian Mitchell 561:Adrian Mitchell 545:Gillian Freeman 339: 300: 263: 255:V. S. Pritchett 253:was praised by 224:Raymond Roussel 185:Anthony Burgess 156: 44: 17: 12: 11: 5: 1149: 1139: 1138: 1133: 1128: 1123: 1118: 1113: 1108: 1103: 1098: 1084: 1083: 1077: 1068: 1066:on Heppenstall 1060: 1053: 1052:External links 1050: 1047: 1046: 1017: 1008: 996: 986:G D Bridson. ' 979: 962: 949: 940: 909: 893: 891:(1977), p. 62. 880: 864: 848: 835: 826: 813: 811:, pp. 247–249. 805:J. P. Carswell 797: 764: 734: 725: 711:John Wakeman, 688: 687: 685: 682: 681: 680: 656: 653: 652: 651: 645: 628: 622: 616: 610: 604: 567:, John Bowen, 557:Olivia Manning 524: 518: 512: 506: 500: 494: 488: 482: 476: 470: 464: 458: 452: 446: 440: 434: 425: 419: 413: 412:(poems) (1946) 407: 397: 391: 385: 364: 358: 352: 346: 338: 335: 299: 296: 279:Terence Tiller 271:Louis MacNeice 262: 259: 155: 152: 144:Samuel Beckett 106:shooting-stick 101:Michael Sayers 97:Four Absentees 43: 40: 15: 9: 6: 4: 3: 2: 1148: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1104: 1102: 1099: 1097: 1094: 1093: 1091: 1082: 1078: 1076: 1072: 1069: 1067: 1065: 1064:3:AM Magazine 1061: 1059: 1056: 1055: 1044:(pp. 209–210) 1043: 1039: 1035: 1031: 1026: 1024: 1022: 1012: 1005: 1000: 993: 989: 983: 976: 972: 966: 959: 953: 944: 937: 936: 935:The Spectator 931: 927: 923: 918: 916: 914: 906: 902: 897: 890: 884: 877: 873: 872:Bernard Crick 868: 861: 860:George Orwell 857: 856:Gordon Bowker 852: 845: 839: 830: 823: 817: 810: 806: 801: 785: 781: 777: 771: 769: 752: 748: 744: 738: 729: 722: 718: 714: 708: 706: 704: 702: 700: 698: 696: 694: 689: 679: 675: 671: 670:1-56478-471-1 667: 663: 659: 658: 649: 646: 644: 643:0-85031-536-0 640: 636: 632: 629: 626: 623: 620: 617: 614: 611: 608: 605: 602: 598: 594: 593:Andrea Newman 590: 586: 582: 578: 577:Peter Buckman 574: 573:Vincent Brome 570: 566: 562: 558: 554: 553:Wilson Harris 550: 546: 542: 538: 537:B. S. Johnson 534: 530: 529: 525: 522: 519: 516: 513: 510: 507: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 433: 432:Michael Innes 429: 426: 423: 420: 417: 414: 411: 408: 405: 401: 398: 396:(1940) poetry 395: 392: 389: 386: 384: 380: 376: 372: 368: 365: 362: 359: 357:(1936) ballet 356: 353: 350: 347: 344: 341: 340: 334: 332: 328: 324: 320: 316: 315:Alan Sillitoe 311: 309: 305: 295: 293: 288: 286: 285: 280: 276: 272: 268: 258: 256: 252: 247: 245: 241: 237: 233: 229: 225: 220: 218: 217:nouveau roman 214: 210: 206: 202: 198: 197:B. S. Johnson 194: 193:Angela Carter 190: 186: 182: 178: 177:Hélène Cixous 174: 173: 172:nouveau roman 167: 165: 161: 151: 149: 145: 141: 137: 133: 132:Progressivism 129: 128:World Authors 124: 122: 118: 113: 111: 107: 102: 98: 94: 93:George Orwell 89: 87: 82: 81: 76: 72: 68: 64: 60: 55: 53: 49: 39: 37: 33: 29: 25: 21: 1063: 1033: 1011: 1003: 999: 991: 982: 974: 965: 957: 952: 943: 933: 929: 925: 922:Francis King 904: 896: 888: 883: 875: 867: 859: 851: 843: 838: 829: 821: 816: 808: 800: 788:. Retrieved 784:the original 779: 755:. Retrieved 751:the original 746: 737: 728: 712: 661: 647: 630: 624: 618: 612: 606: 569:Melvyn Bragg 565:Paul Ableman 549:Jane Gaskell 531:(1972) with 526: 520: 514: 508: 502: 497:The Shearers 496: 490: 484: 478: 473:The Woodshed 472: 466: 460: 454: 448: 442: 439:(1953) novel 436: 430:(1950) with 427: 421: 415: 409: 403: 399: 393: 390:(1939) novel 387: 379:Edgar Foxall 375:Ruthven Todd 369:(1938) with 366: 360: 354: 348: 342: 323:Irish people 319:black people 312: 307: 301: 292:Evelyn Waugh 289: 282: 264: 250: 248: 239: 235: 232:The Shearers 231: 227: 221: 216: 212: 170: 168: 164:Arts Council 159: 157: 138:. He listed 127: 125: 114: 109: 96: 90: 78: 71:Dylan Thomas 66: 58: 56: 45: 19: 18: 1106:1981 deaths 1101:1911 births 901:Clair Wills 349:First Poems 284:Animal Farm 275:W R Rodgers 1090:Categories 1042:0571162738 1030:John Carey 790:15 January 757:15 January 721:0824204190 684:References 585:Barry Cole 581:Alan Burns 298:Later life 261:Radio work 189:Alan Burns 42:Early life 32:Deal, Kent 844:Eric Gill 619:Two Moons 541:Eva Figes 443:Léon Bloy 400:Saturnine 287:in 1947. 244:Léon Bloy 236:Two Moons 209:Eva Figes 121:Fitzrovia 86:Eric Gill 28:Yorkshire 930:The Pier 807:(1978), 672: : 648:The Pier 331:lesbians 308:The Pier 240:The Pier 226:, whose 201:Ann Quin 154:Novelist 52:Dagenham 664:(DAP). 117:Reading 80:Adelphi 77:of the 67:Adelphi 1040:  992:Poetry 990:', in 973:', in 878:, 1982 719:  676:  668:  650:(1986) 641:  633:, ed. 627:(1981) 621:(1977) 615:(1975) 609:(1973) 523:(1972) 517:(1970) 511:(1969) 505:(1969) 499:(1969) 493:(1966) 487:(1963) 481:(1962) 475:(1962) 469:(1961) 463:(1960) 457:(1957) 451:(1957) 445:(1953) 424:(1948) 418:(1947) 406:(1960) 381:, and 363:(1937) 351:(1935) 345:(1934) 146:, and 134:" and 367:Poems 337:Works 327:Arabs 1075:IMDb 1038:ISBN 928:and 792:2022 759:2022 717:ISBN 674:ISBN 666:ISBN 639:ISBN 599:and 329:and 304:Deal 277:and 238:and 207:and 1073:at 65:'s 36:BBC 1092:: 1032:, 1020:^ 912:^ 903:, 874:: 858:, 778:. 767:^ 745:. 692:^ 595:, 591:, 587:, 583:, 579:, 575:, 571:, 563:, 559:, 555:, 551:, 547:, 543:, 539:, 535:, 373:, 333:. 325:, 321:, 273:, 234:, 219:. 211:. 203:, 199:, 195:, 191:, 187:, 142:, 112:. 88:. 54:. 26:, 794:. 761:. 603:.

Index

Lockwood, Huddersfield
Yorkshire
Deal, Kent
BBC
University of Leeds
Dagenham
John Middleton Murry
Dylan Thomas
Sir Richard Rees
Adelphi
Eric Gill
George Orwell
Michael Sayers
shooting-stick
Reading
Fitzrovia
Progressivism
World Government
Jorge Luis Borges
Samuel Beckett
Vladimir Nabokov
Arts Council
nouveau roman
Hélène Cixous
Alain Robbe-Grillet
Anthony Burgess
Alan Burns
Angela Carter
B. S. Johnson
Ann Quin

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