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Re-recording (music)

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734:" speech are preserved for generations to listen to in the future. A department is in place at the library dedicated to the historical preservation of audio recordings and it has been working for decades. However, a problem that historians at the library cite is that often these recordings can be very old, and it is time critical that they be preserved before they are lost due to heat exposure or breakage from not being handled properly. The library is able to get past these problems and preserve them for future generations by digitising their collection, which preserves the audio if the original is lost and it allows for wider accessibility of the audio. The library is acquiring around 50,000 to 100,000 new audio sources for preservation from the general public each calendar year whilst it is only able to preserve and upload to the digital collection around 15,000 per year. The library staff are having to make sure that the rest are placed in environments that are able to conserve and slow down the deterioration of the original audio sources until they can digitise them, however many have been lost such as historical radio recordings that were dubbed an important piece of society's "sociocultural heritage". 719:. Re-recording of music can help in aiding the reproduction of lost voice recordings and music, with many universities using the latest technology to try and preserve history from remnants that are left. Technological advances have enabled sound specialists to draw larger quantities of sounds from old recordings as time passes, making it possible for sounds to be heard that have never been heard before. Recordings from the past can also be improved thanks to re-recording of music, allowing sound specialists the chance to reduce background noise or noise from older style microphones to enable clearer understanding of speech and tone, providing greater understanding and meaning to the recordings. The process of re-recording is therefore attributed to enabling the historic preservation of the past in sound form for future generations to study. This is useful not only in a historical context, but additionally for law enforcement and legal fields where evidence is needed. 92:. This new model is often seen as fairer to artists, especially financially. The internet has also given artists more power in negotiating fairer recording contracts, or even self-publishing music directly onto streaming platforms. An element of risk associated with record labels and up-and-coming artists is offered as an explanation for why record contracts can often be seen as unfavourable but necessary to avoid financial losses over time. Recording contracts are a fundamental part of the music industry and recording music, especially for commercial purposes. They serve as a way for artists to negotiate ownership of their music and for profits to be made and leveraged. 235:, where they had recorded a string of hits from 1957 to 1960. One of their earliest actions for their new label, Warner Brothers, was to re-record new versions of their most popular Cadence songs. The new versions of their Cadence songs were joined with their first hits on the WB label to form a new "Greatest Hits" album issued on WB, the album being the 1964 release "The Very Best of the Everly Brothers." In re-recording their music, 265:. Swift was a teenager when she signed away the ownership of those recordings, and has since expressed feelings of resentment and frustration as she feels her music should belong to her. Swift was advised by her lawyers that she could start the process of re-recording her old albums and release them as newer versions, after her contract with Big Machine expired in 2018. Following the American businessman 88:
often associated with the legal ownership of the music and how that ownership can bring financial gains to an artist, especially if initial contract terms are financially unfavourable. Different types of recording contracts exist, and a newer model that focuses on paying the artist a prolonged salary for limited ownership of their music is becoming favourable with high profile artists such as
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enabled the sharing of music with the click of a button for no monetary value. This has forced copyright laws to adapt to circumstances such as piracy to protect an artist’s intellectual property. Music copyright can provide an artist with freedom to license and re-record music but is constantly open to vulnerabilities from evolving technology.
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means that another individual or machine can reproduce a piece of music without causing copyright infringement, as long as the original recording is not used. This is particularly relevant to re-recording of music as it allows artists to record the same song later as a newer version or a special edition and own that independently.
279:(2019), the first she owns the masters of. Swift has been an advocate for artists to own their music and be aware of contractual terms that are unfavorable towards them, based on her own experiences. Her dispute with Big Machine and Braun was highly publicized and triggered an industry discourse on ethics, musicians' rights, and 537:
re-recorded most of their songs from the Peterpan era with the exception of songs written by former members, naming the project "Second Chance" and citing several reasons: wanting their old song to be released under Noah name, a desire to improve the recordings since some songs were not recorded the
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believed they were not receiving adequate remuneration for the digital versions of their albums and songs, and they also believed that an artist should receive the same amount of royalties from digital copies that they receive from physical copies of CDs and vinyl records sold. The band states they
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contract, and it was decided to cut a stereo version of "It's All in the Game" to have a stereo master available of the artist's most well-remembered recording. The re-recorded performance was issued as a single in July 1958 and became a hit, reaching number one for six weeks beginning September 29,
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recordings gained immense popularity in the late 1950s and early 1960s, with mono recordings gradually being completely phased out by record companies by the end of the 1960s. With recordings having been made and issued in single-channel mono up to that point, some artists re-recorded some of their
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Music copyright refers to protecting a recorded piece of music so that it cannot be reproduced or used without permission of the artist or copyright holder. Unlike copyright for films, music copyright focuses on the author of the piece of music and the sound within the music, not moving images. This
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Recording contracts are a way in which the ownership of sound recordings can be legally recognised. Recording contracts are often between an artist and a record label and stipulate terms relating to royalties, performance rights and recording costs. The motivation behind the re-recording of music is
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The band feels as though they have not been treated fairly by their record label, so in a move to reassert their power they have decided to re-record their popular hits and release them digitally so as to provide themselves with a fair share of the profits compared to what their record label was
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As the internet has evolved, copyright in music has been put at risk and forced to adapt. The digital landscape has changed the way in which music is shared and for what price, leading to music piracy threatening the legitimacy and control that copyright holders have over their music. Piracy has
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Re-recording of music is useful in understanding how sounds and recordings from the past have influenced history and can also be a way to preserve history. Early sound recordings can be traced back to 1888 in England, highlighting the historical trajectory of recordings and scope available for
339:”, which they re-recorded in their own home studio. These songs made over $ 40,000 for the band from online sales alone and the option of use in advertising, television and movies is listed as a possibility for the band to further capitalise on the re-recorded material. 35:
that would be considered unfair and exploitative today. When re-recordings are issued under newer contracts, artists can collect far higher royalties for use in films, commercials, and movie trailers. Other artists re-record their work for artistic reasons.
310:(2023). In addition to re-recordings of songs featured on their respective original records, the albums also contain previously-unreleased songs which are noted "From the Vault". The re-recordings have become critical and commercial successes. 115:. He was unable to own his master recordings, so he went so far as to change his name to a symbol and tried to release music under that in hopes that he would own the master recordings for those albums if his name was not 597:
albums because of a dispute with the label, which involved her first two albums being withheld from streaming and digital services. However, in 2021, her original catalog has been made available after the revival of the
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and that modifications made to their recording contract over the years have given them the unique position of being able to control via an approval process the way in which their music is sold and distributed.
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Re-recordings are often produced decades after the original recordings were released, usually under contract terms more favorable to the artists. This is especially common among acts who originally agreed to
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was also one of the first artists to utilise the internet as a way to release music without the involvement of record labels. In using the internet as a way of controlling the release of his music,
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was sold one year later and Swift’s master recordings for her first six albums followed the sale, leading Swift to re-record those albums. A similar record label contractual dispute is evident with
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acted as inspiration for other artists to think about how they want to release their music, particularly in the face of contractual battles, even extending to re-recording of music.
103:, in 2005, when she was not even considered an adult, and released six albums under that contract. Her record contract expired in 2018 and she signed with a new record label, 682:
had plans to re-record her debut eponymous album after twenty years, following contractual conflicts over master and publishing rights with her record label and/or Irv Gotti.
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Even though recording contracts are between an artist and the record label, they often involve the ownership of rights to specific recordings of music, as is the case with
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preservation. Due to the fragile nature of sound recordings, especially in the past on vinyl and tapes, historical artefacts have been lost including voice recordings of
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most famous songs so they would be available for purchase in the new stereo format. Sometimes these artists re-recorded their material for the same label, as with
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is a recording produced following a new performance of a work of music. This is most commonly, but not exclusively, by a popular artist or group. It differs from a
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willing to offer them in negotiations. The band referred to these re-recordings as “forgeries” and the first to be released were two of their most popular songs “
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is an American record label that has also released compilation albums with re-recordings of songs, through its sublabels X-Ray Records and Goldenlane Records.
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in the United States is an example of an institution that is working to ensure that sound recordings, such as those with historical significance such as
616:. The 2018 version is a full band recording in a studio, with updated production. The latter was subtitled (Mirror to Mirror) after the former's release. 60:, re-recorded their music because of disputes with their labels; Swift's re-recordings have become massive successes, both critically and commercially. 970:
Sanchez, R. (2012). Unfair? The unique status of sound recordings under U.S. copyright law and its impact on the progress of sample-based music.
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Stahl, M., & Meier, L. M. (2012). The firm foundation of organizational flexibility: The 360 contract in the digitalizing music industry.
938: 1386: 1280: 1414: 119:. This did not work but in 2014 the record label gave Prince back his master recordings after he held a public campaign shaming them. 1357: 172:", a song he had recorded for Columbia in mono in 1956. As well in the late 1950s, a number of dance bands (including the bands of 1472: 1117: 273:, she announced that she would re-record her first six studio albums. This coincided with the release of her seventh studio album, 1646: 1018: 356:" as the master of the original version had been damaged. The re-recording is the version commonly heard on Christmas radio today. 1575: 1549: 1239: 383: 1498: 415:
simultaneously, the Verve recording charting primarily based on airplay and the Curb re-recording primarily based on sales.
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re-recorded a selection of their singles which were originally released between 1978 and 1993. The resulting album title,
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Records Most Played by Disk Jockeys survey dated September 15, 1951. By 1958, Edwards had only one session left on his
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Papadopoulos, T. (2004). Are music recording contracts equitable? An economic analysis of the practice of recoupment.
1576:"Ashanti Celebrates 20 Years Since Breakthrough Album & Talks Launching Web3 Company: It's 'A Priceless Feeling'" 1002: 538:
way they wished, and in order to properly adapt their old songs to digital format. The first album from the project,
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was entirely re-recorded in stereo for Capitol in 1960, or Ray Conniff, who in 1969 re-recorded a stereo version of "
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co-produced the new recordings using equipment he had saved from the originals. Former Squeeze member
716: 294: 656:, due to licensing issues that had prevented the song from being used on DVD and streaming services. 503:. The main vocal lead adds echo and includes less of the original vocals, such as the 'heh' in the 477: 411:
which released the re-recording as a cassette single. Both recordings charted in the top 20 of the
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and others) issued stereo re-recordings of their best-known songs for a range of different labels.
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was planned to be released in 2015, but the release got delayed until December 2021–February 2022.
1681: 1676: 647: 546: 453: 269:'s purchase of Big Machine (and the ownership of the masters along with it) after Swift moved to 727: 632: 527: 390: 353: 1445: 1306: 1554: 1157: 332: 323: 280: 104: 1580: 1525:"Paula Cole's 'I Don't Want to Wait' is back as the 'Dawson's Creek' theme song on Netflix" 1223: 1197: 253:
A notable example of a musician re-recording their music is the American singer-songwriter
52:", the original of which Lynne described as " quite how I meant it". Some artists, such as 8: 723: 594: 515: 469: 258: 236: 228: 108: 100: 27:, which involves a second or subsequent release of a previously-recorded piece of music. 1086:"What's Next for Taylor's Version? Everything to Know About Swift's Re-Recorded Albums" 64: 32: 1163: 1060: 1019:"Taylor Swift's new 'Fearless' is a success, but beware the dangers of the re-record" 998: 652: 628: 624: 601: 473: 412: 399: 375:
has also released re-recordings of songs by country singers from the 1960s and 1970s.
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released music compilations including re-recordings of songs by the original artists.
262: 209: 124: 120: 116: 112: 905:"3 Lessons Taylor Swift's Rift with Big Machine Can Teach Us about Record Contracts" 814:"From Patrick Wolf to Def Leppard, why do artists keep re-recording their old hits?" 1419: 789: 758: 679: 664: 564: 544:, was released in 2014 and contained re-recordings of songs from Peterpan's albums 394: 270: 216: 1181: 570: 445: 232: 68: 1360:[Noah Collectible album is projected to sell over 2.5 million copies]. 731: 519: 511: 481: 169: 164: 208:
1958, making Edwards the first African-American to chart at number one on the
1670: 1167: 1064: 753: 686: 590: 425: 404: 274: 266: 192: 181: 1596:"Planetshakers Releases New Recording Of Popular Song Nothing Is Impossible" 997:(1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 150. 1600: 612: 558: 523: 485: 461: 457: 408: 372: 254: 173: 159: 96: 72: 57: 49: 671:. The song, titled "Cool Kids (our version)" includes a new bridge and an 441: 407:, but only on vinyl. The Righteous Brothers then re-recorded the song for 1502: 1450: 1441: 1053:"Analysis | Can Taylor Swift really rerecord her entire music catalogue?" 702: 620: 577: 534: 429: 420: 349: 318: 204: 177: 53: 472:", which contained multitracks for the instruments, had been lost. For " 239:
set a precedent that is still widely used in recording contracts today.
1261:"Wayne Kramer, Sex Pistols, And Motorhead Re-Record For GH: World Tour" 698: 672: 643: 518:, suggests a comparison to the original recordings. Squeeze co-founder 500: 465: 185: 37: 1387:"Noah Rilis Album Taman Langit, Iqbaal Ramadhan Jadi Model Video Klip" 1326: 1281:"Rock Band is Adding More R.E.M. and T. Rex, Featured in Rock Band 3" 1182:"Missing tapes and mystery choirs: The making of a Christmas classic" 693:
was Re-Recorded during a Sold-Out Concert on September 8-11, 2022 in
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Yoga Aditya Pratama (12 January 2022). Bernadetta Febriana (ed.).
650:", popular for being the broadcast theme of the television series 379: 191:
Perhaps the most commercially successful stereo re-recording was
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Recording produced following a new performance of a work of music
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Ellis, Michael (29 September 1990). "Hot 100 Sales Spotlight".
840:"Taylor Swift Says She Will Rerecord Her Old Music. Here's How" 748: 694: 668: 636: 496: 199:". Edwards' original (mono) 1951 version reached No. 18 on the 1623:
Welch, W. (1968). Recorded Music and Re-Recording Processes.
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Ellis, Michael (13 October 1990). "Hot 100 Sales Spotlight".
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It's the End of the World as We Know It (And I Feel Fine)
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to re-record the song using the original voice track of
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re-recorded 39 singles for her 2017 compilation album
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have re-recorded three songs from their albums with
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have paid back the money owed to their record label
1412: 1322:"NOAH Mengulang Kenangan Meremajakan Lagu Peterpan" 1240:"Sex Pistols reunite to record Guitar Hero 3 track" 986: 418:A few artists have re-recorded their songs for the 286:As of 2023, Swift's re-recorded albums consist of 1356:Subagyo (31 December 2014). Priyambodo RH (ed.). 533:After changing their name from Peterpan in 2012, 1668: 1116:Halperin, Shirley; Gardner, Eriq (2012-08-01). 1115: 556:. The re-recorded version of Peterpan's albums 1351: 1349: 1155: 1385:Tempo.co (17 December 2021). Marvela (ed.). 685:In 2023, Australian christian worship band, 99:. Swift signed with her first record label, 1346: 1273: 1547: 837: 261:, in 2005, she forfeited ownership of her 215:. In November, the song hit No. 1 on the 48:with new versions of previous hits like " 1384: 1320:Dyah Paramita Saraswati (29 June 2021). 1237: 995:The Guinness Book of 500 Number One Hits 811: 710:Re-recording and historical preservation 586:before retiring from the music industry. 1491: 1355: 1148: 805: 778: 776: 774: 148: 1669: 1641: 1639: 1637: 1635: 1633: 1619: 1617: 1615: 1613: 1611: 1522: 222: 82: 1258: 1220: 1194: 1111: 1109: 1107: 1105: 1083: 1047: 1045: 1043: 1041: 1039: 983:Billboard September 15, 1951, page 72 782: 384:I Wish It Could Be Christmas Everyday 382:re-recorded their Christmas classic " 1154:"The New K-Tel". by Matt Ashare. in 992: 966: 964: 962: 960: 958: 933: 931: 929: 927: 925: 899: 897: 895: 893: 866: 864: 862: 860: 812:Pattison, Louis (October 19, 2012). 771: 495:In 2010, re-recorded vocal stems of 464:. According to Sex Pistols vocalist 1630: 1608: 1499:"Aly & AJ Came to F––k 2021 Up" 1334:from the original on March 22, 2023 1238:Fletcher, J. (September 25, 2007). 1211:Billboard Hot 100, 3 November 1990. 838:Coscarelli, Joe (August 22, 2019). 689:releases a new Popular Song called 678:In 2022, R&B singer-songwriter 342: 143: 13: 1102: 1036: 1011: 130: 14: 1693: 1259:Fahey, Mike (September 3, 2008). 955: 922: 890: 885:Canadian Journal of Communication 857: 667:" after the song's resurgence on 468:, the original master tapes for " 63:Re-recordings commonly appear in 1548:Chandonnet, Henry (2022-09-09). 1440: 1162:. SPIN Media LLC. pp. 76–. 1156:SPIN Media LLC (December 1999). 424:video game franchise, including 386:" as the 1973 original was lost. 359:Throughout the 1960s and 1970s, 1588: 1568: 1541: 1516: 1465: 1434: 1406: 1378: 1313: 1299: 1252: 1231: 1214: 1205: 1188: 1174: 1134: 1077: 242: 1307:"Squeeze: Spot the Difference" 977: 877: 831: 631:version of their 2007 single " 313: 1: 764: 646:re-recorded her 1997 single " 785:"Same old song? 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The Slate Group LLC 639:and requests by fans. 393:' 1965 recording of " 333:Pour Some Sugar on Me 281:intellectual property 247:Further information: 648:I Don't Want to Wait 197:It's All In The Game 149:Stereo re-recordings 46:a solo best-of album 724:Library of Congress 717:Emperor Franz Josef 595:Blackground Records 516:Spot the Difference 470:Anarchy in the U.K. 237:The Everly Brothers 229:The Everly Brothers 223:The Everly Brothers 162:, whose 1955 album 109:Big Machine Records 101:Big Machine Records 83:Recording contracts 65:online music stores 844:The New York Times 728:Martin Luther King 1627:, 31(4), 379-383. 1446:"Hari Yang Cerah" 1309:. 11 August 2010. 1142:"White Christmas" 993:Rice, Jo (1982). 887:, 37(3), 441-458. 625:Hollywood Records 602:Car Seat Headrest 526:returned to sing 476:", MC5 guitarist 474:Kick Out the Jams 413:Billboard Hot 100 367:Cleopatra Records 263:master recordings 1689: 1661: 1660: 1658: 1657: 1643: 1628: 1621: 1606: 1605: 1592: 1586: 1585: 1572: 1566: 1565: 1563: 1562: 1545: 1539: 1538: 1536: 1535: 1520: 1514: 1513: 1511: 1510: 1505:. 7 January 2021 1495: 1489: 1488: 1486: 1484: 1469: 1463: 1462: 1460: 1458: 1438: 1432: 1431: 1429: 1427: 1410: 1404: 1403: 1401: 1399: 1382: 1376: 1375: 1373: 1371: 1353: 1344: 1343: 1341: 1339: 1317: 1311: 1310: 1303: 1297: 1296: 1294: 1292: 1277: 1271: 1270: 1256: 1250: 1249: 1235: 1229: 1228: 1218: 1212: 1209: 1203: 1202: 1192: 1186: 1185: 1178: 1172: 1171: 1152: 1146: 1145: 1138: 1132: 1131: 1129: 1128: 1113: 1100: 1099: 1097: 1096: 1081: 1075: 1074: 1072: 1071: 1049: 1034: 1033: 1031: 1030: 1015: 1009: 1008: 990: 984: 981: 975: 968: 953: 952: 950: 949: 935: 920: 919: 917: 916: 901: 888: 881: 875: 868: 855: 854: 852: 850: 835: 829: 828: 826: 824: 809: 803: 802: 800: 798: 780: 759:Sampling (music) 593:re-recorded her 565:Bintang di Surga 530:for the project. 454:Love and Rockets 395:Unchained Melody 343:Further examples 271:Republic Records 217:UK Singles Chart 144:Notable examples 1697: 1696: 1692: 1691: 1690: 1688: 1687: 1686: 1667: 1666: 1665: 1664: 1655: 1653: 1645: 1644: 1631: 1622: 1609: 1594: 1593: 1589: 1574: 1573: 1569: 1560: 1558: 1546: 1542: 1533: 1531: 1521: 1517: 1508: 1506: 1497: 1496: 1492: 1482: 1480: 1471: 1470: 1466: 1456: 1454: 1439: 1435: 1425: 1423: 1411: 1407: 1397: 1395: 1383: 1379: 1369: 1367: 1366:(in Indonesian) 1354: 1347: 1337: 1335: 1318: 1314: 1305: 1304: 1300: 1290: 1288: 1279: 1278: 1274: 1257: 1253: 1236: 1232: 1219: 1215: 1210: 1206: 1193: 1189: 1180: 1179: 1175: 1153: 1149: 1140: 1139: 1135: 1126: 1124: 1114: 1103: 1094: 1092: 1082: 1078: 1069: 1067: 1057:Washington Post 1051: 1050: 1037: 1028: 1026: 1017: 1016: 1012: 1005: 991: 987: 982: 978: 974:, 12(1), 13-41. 969: 956: 947: 945: 937: 936: 923: 914: 912: 903: 902: 891: 882: 878: 874:, 4(1), 83-104. 869: 858: 848: 846: 836: 832: 822: 820: 810: 806: 796: 794: 781: 772: 767: 740: 712: 627:, including an 571:Hari yang Cerah 446:Third Eye Blind 354:White Christmas 345: 316: 251: 245: 233:Cadence Records 225: 151: 146: 133: 131:Music copyright 85: 17: 12: 11: 5: 1695: 1685: 1684: 1682:Recorded music 1679: 1677:Music industry 1663: 1662: 1629: 1607: 1587: 1567: 1540: 1515: 1490: 1479:. 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Index

reissue
contracts
Jeff Lynne
Electric Light Orchestra
a solo best-of album
Mr. Blue Sky
Def Leppard
Taylor Swift
online music stores
streaming
iTunes Store
Spotify
Madonna
Taylor Swift
Big Machine Records
UMG
Big Machine Records
Prince
Prince
Prince
Prince
hi-fi
June Christy
Something Cool
S'Wonderful
Tommy Dorsey
Harry James
Benny Goodman
Artie Shaw
Tommy Edwards

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