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Rehearsals for Retirement

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302: 297: 292: 287: 282: 204:(where Ochs claimed to have witnessed the symbolic "death of America") it is often considered to be the darkest of Ochs's albums, exemplified not just by the lyrical matter but also by its cover: a tombstone sardonically proclaiming that Ochs had died in Chicago. 214:, incorporating orchestral accompaniments and electric guitar into his music. According to English studies scholar David Pichaske, songs such as "Pretty Smart on My Part" and "The Scorpion Departs but Never Returns" functioned as " 226:
member who is paranoid of switchblade-toting thieves, foreign operatives, dissident hitchhikers, and dominant, large-breasted women, and acts on this paranoia by killing them and others with a rifle and his friends from the
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said the musical arrangements are "excellent and work for voice". While observing "some predictable bummers", Christgau highlighted two flashes of greatness with "The Scorpion Departs But Never Returns" and "Another Age".
29: 365:, felt the album imbued Ochs' poetic sense with "the conflicts of the times", and noted how, with regard to Ochs' 1976 suicide, "it is impossible not to see the evidence of the songwriter's personal anguish in 966: 361:
where "the political gives way to the existential", with a combination of "angry disillusion and impassioned optimism" that is "entirely disarming." William Ruhlmann, in a retrospective review for
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was the poorest-selling of all of Ochs's albums released during his lifetime, having been deleted from the A&M Records catalog before sales of 20,000 units had occurred.
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in their list of "100 Records That Set the World on Fire (While No One Was Listening)", where the staff praised it "the single most eloquent collection of
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finding insecurity to be the source of violence in the United States. The latter song used the 1968 disappearance of
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20th Century Masters – The Millennium Collection: The Best of Phil Ochs
645:"100 Records That Set the World on Fire (While No One Was Listening)". 449: 395:"William Butler Yeats Visits Lincoln Park and Escapes Unscathed" - 2:55 358: 552:
Leaders from the 1960s: A Biographical Sourcebook of American Activism
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Trials and Tragedies: Phil Ochs and His Rehearsals for Retirement
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Pichaske, David (1994). "Phil Ochs". In De Leon, David (ed.).
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This Is Absolutely Real: Visions and Versions of Phil Ochs
418:"The World Began in Eden and Ended in Los Angeles" – 3:06 357:
in the English language." They further described it as a
398:(commonly called "Where Were You in Chicago?") – 0:29 222:". The former was written from the perspective of a 196:
Recorded in the aftermath of Ochs's presence at the
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Amchitka, The 1970 Concert That Launched Greenpeace
483: 518:America's Music, from the Pilgrims to the Present 1256: 415:"The Scorpion Departs but Never Returns" – 4:15 231:(NRA). Pichaske interpreted the narrative as a 727: 974:Cross My Heart: An Introduction to Phil Ochs 486:There But for Fortune: The Life of Phil Ochs 279: 1197:What's That I Hear?: The Songs of Phil Ochs 184:'s sixth studio album, released in 1969 on 734: 720: 481: 243:" who abandon the U.S. in response to the 27: 613: 421:"Doesn't Lenny Live Here Anymore?" – 6:11 549: 691: 1257: 939:The War Is Over: The Best of Phil Ochs 834:There and Now: Live in Vancouver 1968 715: 665: 514: 260: 229:National Rifle Association of America 1031:Outside of a Small Circle of Friends 609: 607: 577: 575: 1183:Poison Ochs: A Tribute to Phil Ochs 1125:List of songs recorded by Phil Ochs 198:1968 Democratic National Convention 13: 1280:Albums recorded at A&M Studios 1098:Here's to the State of Mississippi 659: 427:"Rehearsals for Retirement" – 4:09 16:1969 studio album by Phil Ochs 14: 1291: 685: 604: 572: 281: 1150:Phil Ochs: There but for Fortune 386:"Pretty Smart on My Part" – 3:18 372: 300: 295: 290: 285: 280: 767:All the News That's Fit to Sing 651:. No. 175. September 1998. 490:. New York: Hyperion. pp.  638: 543: 508: 475: 392:"I Kill Therefore I Am" – 2:55 237:the Scorpion nuclear submarine 1: 1176:Learn: The Songs of Phil Ochs 891:A Toast to Those Who Are Gone 741: 697:"Liner Notes for Phil Ochs's 468: 239:as an allegory for a modern " 191: 523:University of Illinois Press 482:Schumacher, Michael (1996). 431: 250: 7: 409: 380: 10: 1296: 437:Phil Ochs – guitar, vocals 1211: 1160: 1133: 1075: 1017:I Ain't Marching Any More 1001: 992:Interviews with Phil Ochs 983: 953:Farewells & Fantasies 921: 875: 857: 827:Gunfight at Carnegie Hall 811: 795:Rehearsals for Retirement 774:I Ain't Marching Any More 758: 749: 703:Gunfight at Carnegie Hall 699:Rehearsals for Retirement 666:MΓΆhle, Christine (2017). 585:Rehearsals for Retirement 367:Rehearsals for Retirement 351:Rehearsals for Retirement 324:Rehearsals for Retirement 268: 265: 208:Rehearsals for Retirement 177:Rehearsals for Retirement 152:Rehearsals for Retirement 136: 128: 118: 106: 90: 78: 64: 56: 48: 35: 26: 22:Rehearsals for Retirement 21: 377:All songs by Phil Ochs. 781:Pleasures of the Harbor 515:Chase, Gilbert (1992). 389:"The Doll House" – 4:39 1275:A&M Records albums 1229:Michael Ochs (brother) 1203:List of cover versions 1105:Love Me, I'm a Liberal 670:. Hamburg: Tredition. 440:Larry Marks – producer 233:psychological analysis 1119:Vietnam Talking Blues 1112:There but for Fortune 946:There but for Fortune 898:The Broadside Tapes 1 820:Phil Ochs in Concert 788:Tape from California 619:"Consumer Guide (1)" 424:"Another Age" – 3:42 256:Professional ratings 143:Tape from California 1224:Sonny Ochs (sister) 1052:One Way Ticket Home 1010:Power and the Glory 960:American Troubadour 884:Sings for Broadside 876:Posthumous releases 693:Unterberger, Richie 462:Ian Freebairn-Smith 257: 210:saw Ochs exploring 1234:Robyn Ochs (niece) 1059:Kansas City Bomber 446:– piano, accordion 255: 224:John Birch Society 1252: 1251: 677:978-3-7439-3963-9 624:The Village Voice 617:(July 10, 1969). 615:Christgau, Robert 521:. Vol. 432. 501:978-0-7868-6084-5 458:– drums (rumored) 332:The Village Voice 321: 320: 312:The Village Voice 173: 172: 169: 168: 1287: 1270:Phil Ochs albums 1091:Draft Dodger Rag 736: 729: 722: 713: 712: 708: 681: 653: 652: 642: 636: 635: 633: 631: 611: 602: 601: 599: 597: 579: 570: 569: 547: 541: 540: 512: 506: 505: 489: 479: 337:Robert Christgau 305: 304: 303: 299: 298: 294: 293: 289: 288: 284: 283: 258: 254: 138: 137: 102: 101: 97: 31: 19: 18: 1295: 1294: 1290: 1289: 1288: 1286: 1285: 1284: 1255: 1254: 1253: 1248: 1207: 1156: 1129: 1071: 1038:The War Is Over 997: 984:Interview album 979: 923: 917: 905:The Early Years 871: 853: 841:Live at Newport 807: 754: 745: 740: 688: 678: 662: 660:Further reading 657: 656: 644: 643: 639: 629: 627: 612: 605: 595: 593: 581: 580: 573: 566: 558:. p. 424. 548: 544: 537: 513: 509: 502: 480: 476: 471: 444:Lincoln Mayorga 434: 412: 383: 375: 301: 296: 291: 286: 253: 241:Lost Generation 194: 186:A&M Records 164: 155: 146: 99: 95: 94: 69:A&M Studios 44: 17: 12: 11: 5: 1293: 1283: 1282: 1277: 1272: 1267: 1250: 1249: 1247: 1246: 1241: 1236: 1231: 1226: 1221: 1215: 1213: 1209: 1208: 1206: 1205: 1200: 1193: 1186: 1179: 1172: 1164: 1162: 1158: 1157: 1155: 1154: 1146: 1142:Chords of Fame 1137: 1135: 1131: 1130: 1128: 1127: 1122: 1115: 1108: 1101: 1094: 1087: 1079: 1077: 1073: 1072: 1070: 1069: 1062: 1055: 1048: 1041: 1034: 1027: 1024:Cross My Heart 1020: 1013: 1005: 1003: 999: 998: 996: 995: 987: 985: 981: 980: 978: 977: 970: 963: 956: 949: 942: 935: 932:Chords of Fame 927: 925: 919: 918: 916: 915: 908: 901: 894: 887: 879: 877: 873: 872: 870: 869: 866:Camp Favorites 861: 859: 855: 854: 852: 851: 844: 837: 830: 823: 815: 813: 809: 808: 806: 805: 798: 791: 784: 777: 770: 762: 760: 756: 755: 750: 747: 746: 739: 738: 731: 724: 716: 710: 709: 687: 686:External links 684: 683: 682: 676: 661: 658: 655: 654: 637: 603: 571: 564: 542: 535: 507: 500: 473: 472: 470: 467: 466: 465: 464:– arrangements 459: 453: 452:– guitar, bass 447: 441: 438: 433: 430: 429: 428: 425: 422: 419: 416: 411: 408: 407: 406: 399: 396: 393: 390: 387: 382: 379: 374: 371: 329:Reviewing for 319: 318: 315: 307: 306: 277: 271: 270: 267: 263: 262: 252: 249: 193: 190: 171: 170: 167: 166: 157: 148: 134: 133: 126: 125: 122: 116: 115: 110: 104: 103: 92: 88: 87: 82: 76: 75: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1292: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1263: 1262: 1260: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1216: 1214: 1210: 1204: 1201: 1199: 1198: 1194: 1192: 1191: 1187: 1185: 1184: 1180: 1178: 1177: 1173: 1171: 1170: 1169:Get Your Phil 1166: 1165: 1163: 1159: 1153: 1151: 1147: 1145: 1143: 1139: 1138: 1136: 1134:Documentaries 1132: 1126: 1123: 1120: 1116: 1113: 1109: 1106: 1102: 1099: 1095: 1092: 1088: 1085: 1081: 1080: 1078: 1074: 1067: 1063: 1060: 1056: 1053: 1049: 1046: 1042: 1039: 1035: 1032: 1028: 1025: 1021: 1018: 1014: 1011: 1007: 1006: 1004: 1000: 994: 993: 989: 988: 986: 982: 976: 975: 971: 969: 968: 964: 962: 961: 957: 955: 954: 950: 948: 947: 943: 941: 940: 936: 934: 933: 929: 928: 926: 920: 914: 913: 909: 907: 906: 902: 900: 899: 895: 893: 892: 888: 886: 885: 881: 880: 878: 874: 868: 867: 863: 862: 860: 856: 850: 849: 845: 843: 842: 838: 836: 835: 831: 829: 828: 824: 822: 821: 817: 816: 814: 810: 804: 803: 802:Greatest Hits 799: 797: 796: 792: 790: 789: 785: 783: 782: 778: 776: 775: 771: 769: 768: 764: 763: 761: 759:Studio albums 757: 753: 748: 744: 737: 732: 730: 725: 723: 718: 717: 714: 706: 704: 700: 694: 690: 689: 679: 673: 669: 664: 663: 650: 649: 641: 626: 625: 620: 616: 610: 608: 592: 588: 586: 578: 576: 567: 561: 557: 553: 546: 538: 532: 528: 524: 520: 519: 511: 503: 497: 493: 492:201, 204, 211 488: 487: 478: 474: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 435: 426: 423: 420: 417: 414: 413: 404: 400: 397: 394: 391: 388: 385: 384: 378: 373:Track listing 370: 368: 364: 360: 356: 355:protest songs 352: 348: 347: 341: 338: 334: 333: 327: 325: 316: 314: 313: 309: 308: 278: 276: 273: 272: 264: 261:Review scores 259: 248: 246: 242: 238: 234: 230: 225: 221: 220:protest songs 217: 213: 209: 205: 203: 199: 189: 187: 183: 179: 178: 163: 162: 161:Greatest Hits 158: 154: 153: 149: 145: 144: 140: 139: 135: 131: 127: 123: 121: 117: 114: 111: 109: 105: 93: 89: 86: 83: 81: 77: 74: 70: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1195: 1188: 1181: 1174: 1167: 1149: 1141: 990: 972: 965: 958: 951: 944: 937: 930: 924:compilations 910: 903: 896: 889: 882: 864: 858:Other albums 846: 839: 832: 825: 818: 800: 794: 793: 786: 779: 772: 765: 702: 698: 667: 646: 640: 628:. Retrieved 622: 596:December 15, 594:. Retrieved 587:> Review" 584: 551: 545: 517: 510: 485: 477: 456:Kevin Kelley 376: 366: 350: 344: 342: 330: 328: 323: 322: 310: 207: 206: 195: 176: 175: 174: 159: 151: 150: 141: 52:May 16, 1969 37:Studio album 1265:1969 albums 1084:Crucifixion 1076:Other songs 812:Live albums 752:Discography 630:October 21, 245:Vietnam War 124:Larry Marks 73:Los Angeles 1259:Categories 1239:Jim Glover 922:Posthumous 565:0313029172 536:0252062752 525:. p.  469:References 450:Bob Rafkin 359:song cycle 192:Background 132:chronology 912:On My Way 743:Phil Ochs 432:Personnel 405:" – 3:12 349:included 343:In 1998, 335:in 1969, 251:Reception 212:folk rock 182:Phil Ochs 130:Phil Ochs 85:Folk rock 42:Phil Ochs 1219:Archives 1161:Tributes 648:The Wire 591:AllMusic 556:ABC-CLIO 410:Side two 381:Side one 363:AllMusic 346:The Wire 275:AllMusic 120:Producer 57:Recorded 49:Released 39: by 1244:Pigasus 1212:Related 1045:My Life 1002:Singles 403:My Life 202:Chicago 165:(1970) 156:(1969) 147:(1968) 113:A&M 60:1968–69 1152:(2011) 1144:(1984) 1066:Bwatue 674:  562:  533:  498:  269:Rating 266:Source 91:Length 65:Studio 108:Label 80:Genre 672:ISBN 632:2017 598:2011 560:ISBN 531:ISBN 496:ISBN 527:626 216:art 200:in 180:is 1261:: 695:. 621:. 606:^ 589:. 574:^ 554:. 529:. 494:. 369:. 247:. 188:. 100:54 96:38 71:, 1121:" 1117:" 1114:" 1110:" 1107:" 1103:" 1100:" 1096:" 1093:" 1089:" 1086:" 1082:" 1068:" 1064:" 1061:" 1057:" 1054:" 1050:" 1047:" 1043:" 1040:" 1036:" 1033:" 1029:" 1026:" 1022:" 1019:" 1015:" 1012:" 1008:" 735:e 728:t 721:v 707:. 705:" 701:/ 680:. 634:. 600:. 583:" 568:. 539:. 504:. 401:" 317:B 218:- 98::

Index


Studio album
Phil Ochs
A&M Studios
Los Angeles
Genre
Folk rock
Label
A&M
Producer
Phil Ochs
Tape from California
Greatest Hits
Phil Ochs
A&M Records
1968 Democratic National Convention
Chicago
folk rock
art
protest songs
John Birch Society
National Rifle Association of America
psychological analysis
the Scorpion nuclear submarine
Lost Generation
Vietnam War
AllMusic
The Village Voice
The Village Voice
Robert Christgau

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