60:, but unlike these it does not adhere to traditional strictures on length, rhythm, and diction. Renshi are typically composed by a group of Japanese and foreign poets collaborating in the writing process in sessions lasting several days. In addition to Ooka, poets who have participated in renshi include
350:
136:"The Japan Foundation > About Us > Awards and Special Prizes > Special Prizes (2002) > Profile > Makoto Ooka (Japan) Poet"
178:
135:
275:
331:
374:
171:
369:
164:
326:
379:
202:
42:
73:
8:
295:
17:
139:
288:
77:
65:
130:
93:
209:
187:
50:
81:
46:
363:
216:
69:
281:
85:
61:
89:
16:
This article is about the poetic genre. For the martial arts shÅgÅ, see
302:
251:
336:
156:
309:
258:
244:
237:
230:
223:
57:
53:
49:in the 1980s. It is a development of traditional
361:
117:Look Japan: Volume 48, Issues 553â564. 2002, p4
33:
27:
172:
179:
165:
320:Individuals and groups of Japanese poets
362:
160:
125:
123:
113:
111:
109:
276:List of Japanese poetry anthologies
186:
13:
120:
106:
14:
391:
332:Thirty-Six Immortals of Poetry
327:Japanese poets (category list)
1:
269:Poetry works and collections
7:
34:
10:
396:
133:'s profile of Makoto Åoka
15:
345:
319:
268:
194:
28:
99:
375:Collaborative poetry
43:collaborative poetry
351:Articles with poems
18:Japanese honorifics
38:, "linked poetry")
357:
356:
78:Jerome Rothenberg
74:ShuntarÅ Tanikawa
66:Charles Tomlinson
387:
346:Individual poems
181:
174:
167:
158:
157:
151:
150:
148:
147:
138:. Archived from
131:Japan Foundation
127:
118:
115:
39:
37:
31:
30:
395:
394:
390:
389:
388:
386:
385:
384:
370:Japanese poetry
360:
359:
358:
353:
341:
315:
264:
190:
188:Japanese poetry
185:
155:
154:
145:
143:
134:
128:
121:
116:
107:
102:
25:
21:
12:
11:
5:
393:
383:
382:
377:
372:
355:
354:
349:
347:
343:
342:
340:
339:
334:
329:
323:
321:
317:
316:
314:
313:
306:
299:
296:Nijūichidaishū
292:
285:
278:
272:
270:
266:
265:
263:
262:
255:
248:
241:
234:
227:
220:
213:
206:
198:
196:
192:
191:
184:
183:
176:
169:
161:
153:
152:
119:
104:
103:
101:
98:
82:Joseph Stanton
9:
6:
4:
3:
2:
392:
381:
380:Stanzaic form
378:
376:
373:
371:
368:
367:
365:
352:
348:
344:
338:
335:
333:
330:
328:
325:
324:
322:
318:
312:
311:
307:
305:
304:
300:
298:
297:
293:
291:
290:
286:
284:
283:
279:
277:
274:
273:
271:
267:
261:
260:
256:
254:
253:
249:
247:
246:
242:
240:
239:
235:
233:
232:
228:
226:
225:
221:
219:
218:
214:
212:
211:
207:
205:
204:
200:
199:
197:
193:
189:
182:
177:
175:
170:
168:
163:
162:
159:
142:on 2013-01-06
141:
137:
132:
126:
124:
114:
112:
110:
105:
97:
95:
94:MikirÅ Sasaki
91:
87:
83:
79:
75:
71:
67:
63:
59:
55:
52:
48:
45:pioneered by
44:
41:is a form of
40:
36:
19:
308:
301:
294:
287:
280:
257:
250:
243:
236:
229:
222:
215:
208:
201:
144:. Retrieved
140:the original
86:Wing Tek Lum
62:James Lasdun
23:
22:
195:Major forms
90:Karin Kiwus
47:Makoto Åoka
364:Categories
146:2012-06-05
70:Hiromi ItÅ
289:Man'yÅshÅ«
337:Rokkasen
51:Japanese
282:KaifÅ«sÅ
303:Kai Åi
252:senryū
210:kanshi
203:haikai
35:renshi
24:Renshi
310:Iroha
259:tanka
245:renku
238:renga
231:hokku
224:haiku
100:Notes
58:renku
54:renga
217:waka
129:The
92:and
56:and
366::
122:^
108:^
96:.
88:,
84:,
80:,
76:,
72:,
68:,
64:,
32:,
29:é£è©©
180:e
173:t
166:v
149:.
26:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.