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This poem clearly derives its humor from shock value. Never before in recorded
Japanese culture had anyone dared to talk of the goddess of spring in such a manner. Taking an ostensibly traditional and poetic prompt and injecting vulgar humor while maintaining the connection of the damp hems and the
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Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in response to the verse that came before; the more interesting the relationship between the two verses the more impressive the poet’s ability. The links between verses could range
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spirit, as it came to be called, embraced the natural humor that came from the combination of disparate elements. To that end haikai poets would often combine elements of traditional poems with new ones they created. A well-known example of this early attitude is the opening couplet, possibly by
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Haikai no renga, in response to the stale set forms that preceded it, embraced this vulgar attitude and was typified by contempt for traditional poetic and cultural ideas, and by the rough, uncultured language that it used. The
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from vulgar to artistic, but as renga was taken up by skilled poets and developed into a set form, the vulgarity of its early days came to be ignored.
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distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the
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Crowley, Cheryl, translator of
Horikiri Minoru. "Exploring Bashō's World of Poetic Expression: Soundscape Haiku" in Kerkham, Eleanor, editor.
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61:, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14
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54:, is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of
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339:– a 2003 animated film, based on one of the renku in the collection of the same name by the 17th-century Japanese poet Bashō
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China, and it has been argued that this
Chinese form influenced Japanese renga during its formative period.
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The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the
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spring mists was exactly the sort of thing that early haikai poets were known for.
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Below is a list of the formats most commonly used in writing renku
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Traditional
Japanese Literature: An Anthology, Beginnings to 1600
331:– magnum opus of Bashō-school poetry, containing four kasen renku
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A comparable, though less evolved, tradition of 'linked verse' (
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275:– the genre which encompasses renku and related forms such as
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World Within Walls: A History of
Japanese Literature, Vol. 2
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317:– the earlier collaborative poetry from which renku evolved
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163:, written with the same characters as 'renku') evolved in
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298:– a season word or phrase used in many renku verses
392:One Hundred Frogs: from renga to haiku to English
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151:Princess Saho of spring pissed while standing
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26:
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145:sahohime no haru tachi nagara shito o shite
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615:Individuals and groups of Japanese poets
415:New York: Columbia University Press. p16
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323:, modern development of renga and renku
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381:. Columbia University Press. p. 522.
116:(犬筑波集, "Mongrel Renga Collection").
571:List of Japanese poetry anthologies
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302:List of Japanese poetry anthologies
133:The robe of haze is wet at its hem
119:He was given the following prompt:
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73:form of Japanese poetry. The term
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428:, Oxford University Press, 1993,
127:kasumi no koromo suso wa nurekeri
77:gained currency after 1904, when
627:Thirty-Six Immortals of Poetry
622:Japanese poets (category list)
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685:Japanese literary terminology
564:Poetry works and collections
360:. Palgrave Macmillan, 2006.
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112:(1464–1552), from his
171:Formats used in renku
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670:Collaborative poetry
411:Keene, Donald 1999.
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266:Collaborative poetry
16:Japanese poetic form
646:Articles with poems
81:started to use it.
424:Reckert, Stephen,
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194:(writing sheets)
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641:Individual poems
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390:Sato, Hiroaki.
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212:poetic geniuses
205:Date of origin
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181:Name of format
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141:佐保姫の春立ちながら尿をして
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79:Kyoshi Takahama
67:haikai no renga
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43:haikai no renga
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34:"linked verses"
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680:Haikai forms
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65:. Initially
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490:Major forms
336:Winter Days
234:Han-kasen (
202:Originator
186:of stanzas
165:Qin dynasty
95:(1356–57).
85:Development
659:Categories
236:half-kasen
189:Number of
123:霞の衣裾は塗れけり
92:Tsukubashū
584:Man'yōshū
199:of sides
632:Rokkasen
328:Sarumino
260:See also
250:unknown
226:unknown
577:Kaifūsō
210:Kasen (
197:Number
184:Number
161:lián jù
598:Kai Ōi
547:senryū
505:kanshi
498:haikai
436:, p.43
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321:Renshi
289:haibun
281:senryū
272:Haikai
191:kaishi
105:haikai
605:Iroha
554:tanka
540:renku
533:renga
526:hokku
519:haiku
344:Notes
314:Renga
285:haiga
277:haiku
229:1423
75:renku
71:haiku
63:morae
59:renga
56:ushin
49:俳諧の連歌
41:, or
21:Renku
512:waka
430:ISBN
402:p.53
396:ISBN
368:p159
362:ISBN
295:Kigo
287:and
241:18
217:36
661::
283:,
279:,
247:2
244:1
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223:4
220:2
214:)
31:,
28:連句
475:e
468:t
461:v
46:(
38:)
25:(
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