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80:, Devon, the second son of Richard Bowden Beard (1773–1840) and his wife, Elizabeth (1775–1818). Beard's father was a grocer and Beard joined the family business, marrying Elizabeth Branscombe (born 1798) on 12 March 1825. After Beard became manager of the business it thrived, acquiring other local concerns. Beard moved to London in the early 1830s and, in 1833, invested in a coal merchants, again expanding it with his
127:'s publication of the fact that fuming the silver plate with bromine as well as iodine improved sensitivity to light, thereby reducing exposure times. In 1841, with the assistance of William S. Johnson through instructions of his son (camera inventor), Beard opened England's first professional photography studio at
167:. This long and complicated case seems ultimately to have exhausted his appetite for litigation. Though he was declared bankrupt in 1849, this seems likely to have been a mere commercial device and there is no evidence that he was impoverished, his son Richard having gradually acquired the running of the business.
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officers:Top row left to right:Lt. Edward Couch (mate); James Walter
Fairholme; Charles Hamilton Osmer (Purser); Charles Frederick Des Voeux . 2nd row from top Left to right: Francis Crozier (HMS Terror); Sir John Franklin; James FitzJames. 3rd row from top left to right: Graham Gore (Commander);
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process in
England and Wales and spent ÂŁ20,000 in establishing a chain of photographic studios in London and selling licenses for studios in the provinces, Goddard acting as technical adviser. He explored the possibility of licensing Fox Talbot's
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Stephen Samuel
Stanley (Surgeon); 2nd Lt. Henry Thomas Dundas Le Vesconte. Bottom row left to right: Robert Orme Sergeant ; James Reid ; Harry Duncan Goodsir (Assistant Surgeon); Henry Foster Collins (2nd Master), sketches from daguerreotypes by
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William
Carpmael (1804–1867, who was also Talbot's agent). Carpmael brokered a meeting between Beard and an American, William S. Johnson who was marketing a photographic camera on behalf of his son,
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The camera performed poorly but Beard grasped the business potential of photography so entered into a commercial agreement with
Johnson and Wolcott, secured a patent on the camera and used
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Beard's interest in photography declined and by 1861 he was describing himself as a "coal merchant". In the 1860s, Beard briefly established himself as a "
147:, there is little evidence that he was himself an extensive practitioner. The surviving Daguerreotypes attributed to him are largely the works of others.
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In 1839, Beard took an interest in the frenzy of public excitement over the first announcements of practical photographic processes by
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Jabez Hughes “The
Discoverer of the Use of Bromine in Photography: a few facts and an Appeal,” 15 December 1863
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Heathcote, B. V. & Heathcote, P. F. (1979). "Richard Beard: an ingenious and enterprising patentee".
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John
Hannavy, Encyclopedia of nineteenth-century photography, Volume 1 (Routledge Publishers, 2005) p126
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over his photographic patents and helped to establish professional photography in the UK.
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Court of Queen's Bench before Lord Chief
Justice Denman. June 25, 1842. BERRY v. CLAUDET
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Though Beard was describing himself in 1851 as a "photographic artist" and exhibited at
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skill and vigour. Beard's business interests were broad. In 1839, he filed a patent for
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Literary
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John F. Goddard, “Valuable
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Beard was a robust defender of his commercial interests, engaging in many
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Hughes, J. (1864). "The bromine question and Mr J. F. Goddard".
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317:(1849) 8 CB 165, 19 LJCP 36, 13 Jur 1004, 13 LTOS 426
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The Calotype Patent Lawsuit of Talbot v. Laroche 1854
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140:process but the two could not agree terms.
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335:(2nd rev. ed.). Thames & Hudson.
331:Gernsheim, H. & Gernsheim, A. (1969).
278:(London) No. 1247 (12 December 1840): 803.
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104:. In early 1840, Beard was contacted by
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390:Oxford Dictionary of National Biography
333:The History of Photography, 1685 – 1914
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233:. Bromley, Kent: privately published.
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263:(London) (15 December 1863): 487–8.
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780:Photographers from Plymouth, Devon
765:19th-century English photographers
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163:(which he lost) and most famously
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664:William Eastman Palmer & Sons
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775:People from Stonehouse, Plymouth
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261:British Journal of Photography
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460:(ed. John Hannavy) article:
399:The Evolution of Photography
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514:William Makepeace Thackeray
509:William de Wiveleslie Abney
48:The Illustrated London News
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385:Beard, Richard (1801–1885)
151:Litigation and disillusion
57:Franklin's lost expedition
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704:Francis Meadow Sutcliffe
544:Robert Jefferson Bingham
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770:Pioneers of photography
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579:Philip Henry Delamotte
569:Julia Margaret Cameron
422:History of Photography
352:History of Photography
125:John Frederick Goddard
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25:1841 Daguerreotype of
624:Alfred Horsley Hinton
519:Sarah Angelina Acland
440:on 23 September 2007.
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709:Constance Fox Talbot
699:Jane Martha St. John
679:Henry Peach Robinson
659:Farnham Maxwell-Lyte
654:Richard Cockle Lucas
416:Wood, R. D. (1979).
227:Wood, R. D. (1975).
159:, including against
145:The Great Exhibition
114:Alexander S. Wolcott
724:Henry Van der Weyde
689:Alice Seeley Harris
397:Werge, J. (1890).
188:Hampstead Cemetery
186:and was buried at
102:William Fox Talbot
76:Beard was born at
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604:Peter Wickens Fry
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559:Sarah Anne Bright
534:Alexander Bassano
529:William Bambridge
383:Ward, J. (2006) "
373:Photographic News
247:on 23 March 2010.
177:medical galvanist
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694:Charles Shepherd
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614:Norman Heathcote
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401:. Ayer Co.
308:Wood (1979)
217:Ward (2006)
92:Photography
88:of fabric.
744:Categories
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171:Later life
72:Early life
66:litigation
184:Hampstead
138:calotype
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112:, and
51:(1845)
38:Erebus
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116:, an
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337:ISBN
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