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340:, Dijkstra visited two nightclubs, the first in Liverpool, dominated by 15-year-old working-class girls; the second, in the Netherlands, a hangout for working-class boys with shaved heads, wearing matching hip-hop outfits. She set up studios in the clubs and asked volunteers to dance one at a time in front of the camera, the contrast between the girls and boys, each assertive and vulnerable in equal proportion, being a subject of the video. She made another video in 1997,
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June 19, 2008. Thus began
Dijkstra's serial project, tracing her subject's transitions through both adolescence and relocation from East to West Europe. Dijkstra uses flash along with a reduction of colour in this Almerisa series. She declutters the room completely so it is void of any superfluous details such as furniture and pictures on the wall. This provides a blank background. This technique is also used in other series, e.g.
206:(1992â94), a series of full-length, nearly life-size color photographs of teenagers and slightly younger children taken at the water's edge in the United States, Poland, Britain, Ukraine, and Croatia. The series brought her to international prominence after it was exhibited in 1997 in the annual show of new photography at the
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194:(2005â2006). Her subjects are often shown standing, facing the camera, against a minimal background. This compositional style is evident in her beach portraits, which generally feature one or more adolescents against a seascape. This style is again seen in her studies of women who have just given birth.
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Dijkstra uses a
Japanese 4Ă5 inch view camera, with a standard lens on a tripod, and a flash on another tripod behind it. Even when she photographed children on the beach she used this same setup, with a portable flash to reduce contrast and bring the faces slightly out of deep shadow, modulating the
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During a project documenting refugees, six-year-old
Almerisa, whose family fled Bosnia, asked Dijkstra to take her photo. Almerisa was photographed approximately every two years. Firstly, at an asylum centre as a young child on March 14, 1994. The last photograph of the Almerisa series was taken on
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after she had emerged from a swimming pool â therapy to recover from a bicycle accident â it presents her in a state of near-collapse. Commissioned by a Dutch newspaper to make photographs based on the notion of summertime, she then took photographs of adolescent bathers. This project resulted in
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sunlight. However, daylight is always her main light source. In 1998 she started to print her photographs at the
Grieger Photo Lab in DĂŒsseldorf, Germany, two and a half hours by train from Amsterdam, where
1356:. Phillips, Sandra S., 1945-, Blessing, Jennifer., Adrichem, Jan van., San Francisco Museum of Modern Art., Solomon R. Guggenheim Museum. New York: Solomon R Guggenheim Foundation. pp. 242â246.
370:(1937) in the Tate Liverpool as the distraction device for a group of English schoolchildren, who were asked to describe what they saw in the painting which never appears on screen.
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274:(2003â06), Dijkstra photographed children, adolescents, and teenagers momentarily suspending their varied activities to stare into the lens from scenic spots in Amsterdam's
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through the years of his service in
Corsica, Gabon, CĂŽte d'Ivoire and Djibouti, showing his development, both physically and psychologically, into a soldier. For the series
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245:" in unlucky circumstances. These portraits were primarily taken in Berlin, though Dijkstra later expanded her subjects to include Milan, Barcelona, and Paris.
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in 2012. Bringing together more than 70 color photographs and 5 video works, the exhibition showed in 2012 at SFMOMA then at the
Solomon R. Guggenheim Museum.
259:(1999â2003) at stages over the course of a year and a half, is shown at her induction, twice more in her soldier uniform, and at home after leaving the army.
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in
Amsterdam for their new building: portraits of adolescent schoolgirls with their best friends, a poignant reminder that any girl could be an "
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Dijkstra concentrates on single portraits, and usually works in series, looking at groups such as adolescents, clubbers, and soldiers, from the
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671:. Exhibition catalogue. Depicts all of her video installations since 1996, and other photographs of young people. Text in English and German.
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in
Amsterdam from 1981 to 1986. She then spent a few years working commercially, taking corporate portraits and images for annual reports.
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126:(born 2 June 1959) is a Dutch photographer. She lives and works in Amsterdam. Dijkstra has been awarded an Honorary Fellowship of the
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Beach
Portraits, Almerisa, Olivier, The Buzzclub, Daniel, Adi, Shira, and Keren, Rishonim High School, Herzliya, Israel
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shows a young classical dancer rehearsing in a St
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park in Berlin, as well as in another park in Lithuania. Another series of works was commissioned by the
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Dijkstra's photographs have appeared in numerous international exhibitions, including the 1997 and 2001
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Dijkstra has also experimented with video in works such as the two-channel projection
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Dijkstra dates her artistic awakening to a 1991 self-portrait. Taken with a 4Ă5 inch
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series (1998â2000) shows portraits of adolescent girls and boys photographed in the
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How Rineke Dijkstra Transforms Trite Subjects Into Profoundly Revealing Photographs
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series (2000â03) follows a young man, Olivier Silva, from his enlistment with the
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1303:(Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 128â133.
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IN THE STUDIO WITH: RINEKE DIJKSTRA; An Artist Exploring An Enlisted Man's Look
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Whatâs Hiding in Plain Sight - Rineke Dijkstra at the Guggenheim Museum
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386:, Turin's Biennale Internationale di Fotografia in 1999, and the 2003
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1822:"Tiergarten, Berlin, August 31, 2000 | PAMM | PĂ©rez Art Museum Miami"
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178:(1999â2000), and the single-subject portraits in serial transition:
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One later series shows a young Israeli woman, Shany, in the series
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The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK,
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Dijkstra's work is held in the following permanent collections:
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In the United States, Dijkstra has had solo exhibitions at the
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Rineke Dijkstra at the Deutsche Börse Photography Foundation
1916:(25th anniversary ed.). Köln: Taschen. pp. 84â87.
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Rineke Dijkstra: A Retrospective, June 29 â October 8, 2012
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452:, Chicago (2004). A comprehensive exhibition of her work,
214:, a color photograph of a teenage boy on a beach, next to
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1998: 1999 Citibank Private Bank Photography Prize (now
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Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
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Getting to Know Clubbers, Beachgoers and Bullfighters
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The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL
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The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL
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Deutsche Börse Photography Foundation Prize winners
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The Metropolitan Museum of Art, i.e. The Met Museum
409:, Barcelona. In 2001, exhibitions were held at the
405:, Essen. In 1999, Dijkstra's work was exhibited at
390:'s Triennial of Photography and Video in New York.
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1048:Buzzclub, Liverpool, UK; Mysteryworld, Zaandam, NL
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1750:"Dijkstra, Rineke | The Art Institute of Chicago"
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1630:"Rineke Dijkstra: b. 1959, Sittard, Netherlands"
1550:"Rineke Dijkstra wins the 2017 Hasselblad Award"
1606:"Rineke Dijkstra | Kolobrzeg, Poland | The Met"
1201:Rineke Dijkstra, January 13 - February 21, 2015
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776:"Rineke Dijkstra: Hasselblad Award Winner 2017"
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417:, Israel. In 2005â2006 a travelling exhibition
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1958:Rineke Dijkstra at the National Gallery of Art
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413:(De Hallen), Haarlem, The Netherlands and the
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1404:"San Francisco Museum of Modern Art · SFMOMA"
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1702:"Hel, Poland, August 12 | LACMA Collections"
1384:: CS1 maint: multiple names: authors list (
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802:"Rineke Dijkstra - Marian Goodman Gallery"
166:of 1992 and on, to the video installation
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476:1993: Art Encouragement Award, Amstelveen
332:(2009), and the three-screen video piece
225:Begun during Dijkstra's residency at the
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890:Rineke Dijkstra, April 29 - June 5, 2010
326:Ruth Drawing Picasso, Tate Liverpool, UK
290:âs Amoy Botanical Garden, among others.
210:in New York; in 1999, the museum showed
1590:Rineke Dijkstra in the MoMA Collection.
1575:Rineke Dijkstra in the Tate Collection.
1500:"Mentoring Artist-in-Residence History"
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1453:. The Solomon R. Guggenheim Foundation
1354:Rineke Dijkstra : a retrospective
393:Solo exhibitions in 1998 were held at
328:(2009), the four-channel installation
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1117:Institute of Contemporary Art, Boston
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293:Filmed in Russia and commissioned by
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964:Hilarie M. Sheets (March 15, 2012),
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388:International Center for Photography
362:I See a Woman Crying (Weeping Woman)
334:I See a Woman Crying (Weeping Woman)
1422:"The Guggenheim Museum in New York"
966:A Photographerâs Testament of Youth
575:Museum of Contemporary Art, Chicago
415:Herzliya Museum of Contemporary Art
146:Dijkstra was born June 2, 1959, in
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2371:Royal Photographic Society members
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1408:San Francisco Museum of Modern Art
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1086:. Guggenheim Museum Publications.
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911:Jonathon Keats (August 10, 2012),
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585:San Francisco Museum of Modern Art
503:2011: Honorary Doctorate from the
458:San Francisco Museum of Modern Art
303:Vaganova Academy of Russian Ballet
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1678:"Rineke Dijkstra | Albright-Knox"
1263:Rineke Dijkstra's American Moment
1084:Rineke Dijkstra - A Retrospective
1054:, September 12 - October 28, 2000
747:"Citibank Photography Prize 1999"
510:2012: Honorary Fellowship of the
496:2009: Artist in residence at the
2366:21st-century women photographers
2361:20th-century women photographers
2356:21st-century Dutch photographers
2351:20th-century Dutch photographers
1352:Dijkstra, Rineke, 1959- (2012).
1280:Press Release: Rineke Dijkstra:
1261:Julie L. Belcove (May 2, 2012),
1027:Mark Stevens (October 8, 1999),
1011:Art Review; Time Jumps the Track
719:"Honorary Fellowships (HonFRPS)"
570:Los Angeles County Museum of Art
484:Deutsche Börse Photography Prize
454:Rineke Dijkstra: A Retrospective
132:Deutsche Börse Photography Prize
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1846:"Zilvitis, Lithuania, July 28"
1554:British Journal of Photography
1136:Art in Review; Rineke Dijkstra
990:Art in Review; Rineke Dijkstra
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823:. Phaidon Press. p. 120.
645:Munich: Schirmer/Mosel, 2005.
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212:Odesa, Ukraine, August 4, 1993
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491:Wexner Center Residency Award
446:Institute of Contemporary Art
1754:The Art Institute of Chicago
1504:Atlantic Center for the Arts
1474:, page 88 (physical page 54)
1426:Solomon R. Guggenheim Museum
1301:100 Contemporary Artists A-Z
1189:Solomon R. Guggenheim Museum
498:Atlantic Center for the Arts
473:1987: Kodak Award, Nederland
462:Solomon R. Guggenheim Museum
395:Museum Boymans-van Beuningen
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1946:Rineke Dijkstra Artist Page
1850:Museum of Fine Arts, Boston
1299:Holzwarth, Hans W. (2009).
1245:A Return to Video Is Moving
601:Museum of Fine Arts, Boston
520:, with a prize of âŹ100,000.
500:, New Smyrna Beach, Florida
229:, Berlin in 1998â1999, the
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2346:Dutch contemporary artists
1487:Wexner Center for the Arts
751:The Photographers' Gallery
723:Royal Photographic Society
546:Metropolitan Museum of Art
512:Royal Photographic Society
419:Rineke Dijkstra: Portraits
364:, Dijkstra used Picasso's
348:â song karaoke style. For
128:Royal Photographic Society
2341:Dutch women photographers
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1595:. Retrieved 1 April 2012.
1580:. Retrieved 1 April 2012.
564:Albright-Knox Art Gallery
558:Jewish Museum (Manhattan)
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299:Marianna (The Fairy Doll)
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2376:20th-century Dutch women
819:Phaidon Editors (2019).
661:Museum fĂŒr Moderne Kunst
580:Art Institute of Chicago
479:1994: Werner Mantz Award
460:(SFMOMA) and New York's
442:Art Institute of Chicago
152:Gerrit Rietveld Academie
148:Sittard, the Netherlands
142:Early life and education
81:Gerrit Rietveld Academie
1950:Sommer Contemporary Art
1472:Foam Magazine Issue #30
622:Baltimore Museum of Art
493:recipient in media arts
456:, was organised by the
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2174:Bernd and Hilla Becher
1134:(September 26, 2003),
1064:Marian Goodman Gallery
988:(September 22, 2000),
952:Guggenheim Collection.
900:Marian Goodman Gallery
704:Marian Goodman Gallery
606:Museo Cantonale d'Arte
596:PĂ©rez Art Museum Miami
2026:Henri Cartier-Bresson
1706:collections.lacma.org
1052:The Tiergarten Series
780:Hasselblad Foundation
427:Fotomuseum Winterthur
297:, the video portrait
268:French Foreign Legion
239:Anne Frank Foundation
168:Buzzclub/Mysteryworld
2032:Manuel Ălvarez Bravo
1682:www.albrightknox.org
1593:Museum of Modern Art
1529:Royal College of Art
1282:I See a Woman Crying
540:Museum of Modern Art
516:2017: Winner of the
505:Royal College of Art
448:, Boston (2001) and
350:Ruth Drawing Picasso
284:El Parque del Retiro
208:Museum of Modern Art
2336:People from Sittard
1798:"Walker Art Center"
1658:thejewishmuseum.org
1654:"The Jewish Museum"
1243:(August 12, 2010),
1228:Wall Street Journal
1009:(October 8, 1999),
934:Wall Street Journal
821:Great women artists
384:Bienal de Sao Paulo
150:. She attended the
2121:Christer Strömholm
1634:www.guggenheim.org
1206:2017-07-30 at the
1184:2014-07-01 at the
1160:(August 3, 2001),
1112:2012-08-02 at the
1059:2017-07-30 at the
1029:Shuffling the Deck
895:2017-07-30 at the
877:The New York Times
849:has generic name (
698:2017-07-17 at the
16:Dutch photographer
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2198:Graciela Iturbide
2127:William Eggleston
2062:SebastiĂŁo Salgado
1998:Laureates of the
1774:"Rineke Dijkstra"
1726:"Rineke Dijkstra"
1525:"College Honours"
1447:"Rineke Dijkstra"
1363:978-0-89207-424-2
1325:"Rineke Dijkstra"
1310:978-3-8365-1490-3
1158:Michael Kimmelman
1132:Michael Kimmelman
1046:Rineke Dijkstra:
1033:New York Magazine
986:Michael Kimmelman
930:The Awkward Years
590:Walker Art Center
552:Guggenheim Museum
433:, Barcelona, and
411:Frans Hals Museum
397:, Rotterdam, the
367:The Weeping Woman
336:(2009-2010). For
190:(2000â2003), and
172:Tiergarten Series
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2000:Hasselblad Award
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257:Israeli Soldiers
251:Beach Portraits.
176:Israeli soldiers
136:Hasselblad Award
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2150:Boris Mikhailov
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220:Male Bather
199:view camera
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