Knowledge

Disaster preparedness (cultural property)

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considered a 'disaster' in the context of disaster planning as the incident likely can be dealt with as part of regular day-to-day business. Events considered 'disasters' in the context of disaster preparedness tend to be sudden or acute incidents with widespread and disruptive effects (such as natural disasters), which require a substantial redirection of resourcing from a normal business. The type of events included in an organisations disaster preparedness plan will depend on their risk appetite. Examples of disasters affecting cultural organisations and cultural heritage are given below using the '
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for identified scenarios. Other preparatory activities include creating and maintaining an inventory of the collection, identifying salvage priorities for different disaster scenarios, developing emergency telephone contact lists, identifying critical resources and contractors, and assembling useful disaster salvage equipment and supplies (e.g. spill kits, wet-dry vacuum cleaners, fans). Training for museum personnel is another key part of the preparation stage. Cultural organizations may also consider setting up a mobile laboratory such as the heritage ambulance set up by IAPH in Seville.
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identify hazards to health and safety and to implement controls before recovery salvage work begins. For example, damaged structures may need to be stabilised before it is safe for salvage teams to enter. Collections and facilities may be contaminated with sewage, toxic chemicals or other hazardous substances. There may be electrical risks from damaged or exposed wiring. Salvage teams will also need safe, dry and warm rest areas and toilet facilities.
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damage has occurred. However, many of the sources of danger mentioned above are controllable, and others are at least predictable. Disaster preparedness strives to mitigate the occurrence of damage and deterioration through risk management, research and the implementation of procedures which enhance the safety of cultural heritage objects and collections. Disaster preparedness is considered an integral part of
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consultation with various stakeholders. Copies of disaster preparedness plan are kept in different locations within and outside of the museum, in case the emergency situation prevents access to the museum site. Training is an important part of a disaster preparedness plan, to ensure that staff are familiar with the contents of the plan and understand how to effectively carry out the established protocols.
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temperatures. Cultural heritage 'disasters' relating to extreme heat are typically those associated with fire, though extreme high temperatures can cause structural damage, desiccation of textiles, embrittlement of paint layers, and softening and melting of adhesives and plastics. Change in weather conditions may also cause low temperatures which can cause stiffening and embrittlement to collection items.
47:. 'Disasters' in this context may include large-scale natural events such as earthquakes, flooding or bushfire, as well as human-caused events such as theft and vandalism. Increasingly, anthropogenic climate change is a factor in cultural heritage disaster planning, due to rising sea levels, changes in rainfall patterns, warming average temperatures, and more frequent extreme weather events. 71:
includes details such as: floor plans and evacuation routes, emergency supply locations, contact information for emergency response team members and critical stakeholders, collection priority salvage lists, and locations that can be used for emergency salvage work or storage. In some countries and jurisdictions there may be official requirements for an emergency preparedness plan,
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closed cabinets reduces the chance of water damage should water leaks still occur. However, disaster preparedness is generally recognised as an ongoing process of planning, preparation, response and review in order to learn from disasters which do occur. The professions most influenced by disaster preparedness in this context include
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Many disaster recovery activities are limited by a lack of available resources and funding. Strategies to raise funds have included approaches to existing donors, 'adopt an artefact' campaigns where groups or individuals sponsor the conservation of damaged objects or exhibits, and fundraising events.
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are forces which act upon materials and cause them to change or deteriorate over time. There are commonly held to be ten main agents of deterioration. These are incorrect temperature, incorrect relative humidity, light, dust & pollutants (also called contaminants), pests, physical forces, theft
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Salvage activities are more effective if salvage priorities are established prior to the commencement of recovery activities, even before a disaster has even occurred. Priority salvage lists are a common component of disaster preparedness plans. Cultural organisations may prioritise objects based on
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Immediate action taken within the first few hours or days to stabilize the environment, assess the damage, and report conditions and recommendations may be considered the 'response' phase of the disaster. Contingency and communication strategies in the disaster preparedness plan are put into action.
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Regular monitoring of the temperature and relative humidity in collection spaces (storage and display) helps identify new trends or unusual occurrences - for example, if a sudden increase in relative humidity is detected early enough, it may be possible to correct the environment before mould growth
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To prepare for disasters, cultural organisations may conduct regular risk assessments to identify potential dangers to the collection or related organisational activities. This assessment is used to prepare both preventive maintenance programs (to prevent disasters from occurring) and response plans
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or dust storms. These types of hazards can cause extreme structural and object damage to museums and cultural heritage sites. Many such disasters have resulted in loss of life and livelihoods in addition to loss or damage to cultural heritage. Some types of natural disasters are becoming more likely
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Natural disasters are usually dictated by region and climate. They may be predictable to a degree (in that some geographic locations are known to be more prone to earthquakes, hurricanes etc.) but the exact timing and intensity of natural disasters is uncertain. Examples of natural disasters include
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The welfare of staff and visitors is the primary concern during an emergency, and their safety must be ensured first and foremost. The best response is executed by following the prescribed emergency response plan, remaining safe and calm, and acting deliberately. Risk assessments are recommended to
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to identify potential hazards and how they might be ameliorated. From this they will develop a disaster (or emergency) response plan that is tailored to the needs of their institution, taking into consideration factors like climate, location, and specific collection vulnerabilities. A response plan
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Contacting pre-approved engineers, disaster response and salvage organizations, and other service providers, to make them aware of the incident and potential requests for assistance (e.g. for transport, generators, new or interim security controls, drying systems (fans/air pumps), clean water, and
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Extreme forms of dissociation (separation of the physical item from the information that makes it significant) might include a critical loss of electronic data that cannot be retrieved, or the closure or sale of the collection (in parts or in its entirety) due to financial or political pressures.
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faces threats from a variety of sources on a daily basis, from thieves, vandals, and pests; to pollution, light, humidity, and temperature; to natural emergencies and physical forces. Effects stemming from these issues can be treated and sometimes reversed with interventive conservation after the
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The primary goal of disaster preparedness is to identify actions that can be taken to reduce either the chance of a disaster occurring or to lessen its effects. For example, clearing building gutters reduces the chance of overflow and leaks during heavy rainfall; storing collection objects inside
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Documentation of the incident and any damage caused before commencing salvage activities is an important part of the response stage. This helps with planning, reduces recovery time, and provides a record for insurance purposes and other reporting. Photographs showing where dislodged objects have
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Facilities management ensure gas, sewage, electricity and water services are well-maintained and compliant with local codes. They maintain any fire doors, fire detection and suppression systems and check the building regularly for fire risks. Emergency access routes are signposted and cleared of
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There are many online resources that specify how to stabilize and care for various object formats that have been damaged by material and condition. Activities may include protecting undamaged objects with plastic sheeting, packing damaged objects to move offsite (e.g. to a freezer, if they have
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The primary objectives of emergency planning are to identify risks in order to anticipate and, if possible, to avoid emergencies; to retain control when an emergency occurs; and to mitigate potential damage as quickly as possible. Disaster preparedness plans are usually created and reviewed in
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may be planned acts or opportunistic. There have been many high-profile cases of planned thefts from cultural organisations worldwide, though not all such events come to public notice; other thefts have occurred when normal security controls are interrupted, such as during building works, civil
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Most of these forces can vary in intensity and severity. For example, earthquakes are a type of physical force that can cause widespread and severe damage to cultural heritage. A handling accident, where a single item is dropped and damaged, is also an example of physical forces but may not be
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The disaster response team can use the information collected to discuss the next steps. These may include establishing salvage work areas, establishing personal protective equipment and hazardous substances mitigation requirements, recommendations for additional security controls, and triage
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is a major factor in the rate of chemical deterioration, higher average temperatures and fluctuations will cause cultural heritage to deteriorate at a faster rate. Biological deterioration from insects, mould (or mold) and micro-organisms may also occur more quickly as they thrive in higher
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The recovery phase begins when the disaster situation is brought under control and work to retrieve and treat damaged collection objects can begin. Plans developed during the response phase are put into action, and regularly reviewed and revised for as long as salvage operations continue.
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or material acquired by unethical means; political or social perspectives on activities undertaken by the governing body, a donor, or even the institution's founder; and wider societal economic pressures leading to the closure of collecting organisations due to loss of income.
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Periodically, museums will reevaluate their disaster preparedness plan to account for changes in contact numbers, locations or personnel, revised salvage priority lists, and other modifications impacting the institution's prevention, mitigation and preparedness strategy.
198:(RH) can cause damage to cultural heritage when it is too high, too low or fluctuates to widely or frequently for specific materials. On its own it is not typically a cause of 'disasters', though high humidity is a major factor in mould (or mold) outbreaks. 404:. They may not result in direct damage or loss to collection material but instead affect the reputation or operation of the organisation. For example, serious issues can be created due to funding or sponsorship scandals; misuse of funds; the presence of 202:(or mold) outbreaks are more often associated with flooding or water leaks, causing temporary increases in the moisture content of the air; however mould (or mold) caused by high humidity is an ongoing concern for cultural heritage in tropical climates. 498:
The Emergency Preparedness and Response wiki, prepared by the American Institute for Conservation and including the Emergency Response and Salvage Wheel. The Wheel was previously available as an iPhone app but as of 2021 requires updating from 32-bit
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is a useful preparation strategy. A policy may specify the replacement value of objects owned by the museum and those loaned by other organisations, and cover building repairs, temporary offsite storage, clean-up operations and other costs incurred.
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Water-damaged records are air-dried through hanging at the Land Registration Authority (Leyte, Philippines). Photo taken during the Society of Filipino Archivists' Assessment and Technical Assistance to records offices affected by Super
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Preparedness for personnel includes providing museum staff with emergency training and predetermined designated responsibilities. Trianing may take the form of 'desktop' walkthroughs of scenarios, quizzes, and hands-on salvage practice.
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Collection management teams ensure items are stored in a manner to prevent water, dust and pest ingress. Storage enclosures and furniture keeps collection objects at least 10 cm above the floor to reduce the risk from floodwaters.
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In an attempt to maintain control of any emergency, the policies and procedures in the emergency plan outline the chain of command, prescribed team roles and responsibilities, documentation requirements, and salvage priorities.
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Museums develop disaster (or emergency) preparedness plans for natural and man-made events that may be expected to occur. These plans are collection-focussed and separate to or a sub-component of wider organisational
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fallen can help to identify them later, based on their location. Documentation may need to be carried out under supervision of emergency services personnel, especially if the building is damaged or unstable.
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and perimeter markings), detect intrusions and monitor/record intruders (e.g. intruder alarms and CCTV systems) and trigger appropriate incident responses (e.g. by security guards and police).
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There are many high-profile examples of loss caused by such events. As well as the devastating injuries and loss of life, the destruction of the World Trade Centre building in New York on
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Though cultural damage is usually dwarfed by loss of life and humanitarian effects, examples of major earthquakes causing loss of historic buildings and moveable heritage include the
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damaging cultural heritage. Fire can cause internal and external damage to singular exhibits or of whole building depending on the cause and speed of responsiveness.
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crisis). Despite their focus on cultural heritage, collection disaster preparedness plans still emphasise the need to put human safety above collection safety.
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become wet), isolating items that have become mouldy, retrieving broken pieces that have become detached, setting up fans to dry objects that have become wet.
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in coastal areas, and rising sea levels. Disasters have also been caused by faulty pipe or sprinkler systems, and the improper use of water during cleaning.
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A conservator carefully handles a book. Preventive conservation protocols protect the lifespan of cultural objects while allowing them to be viewed safely.
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caused extensive damage to museums, temples, monasteries, libraries, and historic houses. Traditional craft practices were also disrupted by the quakes.
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Political, business, social, religious or media pressure groups may in some cases interfere with the operation of cultural organisations, leading to
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in locations that experience extreme weather conditions (rainfall, storms) is one relatively common type of disaster affecting cultural collections.
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Physical forces that may result in collection disasters include earthquakes, structural collapse of buildings, and damage caused by civil unrest and
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activities. Although many preventive measures are universal, certain measures are particularly useful in mitigating against collection disasters.
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area in nineteenth century New York. These losses are detailed in the 2002 report by the Heritage Emergency National Task Force (HENTF),
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details the steps involved in creating a Preservation Needs Assessment for a museum or gallery (National Library of Australia).
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Dust storms and excessive dust deposition due to building works or building collapse have caused damage to cultural heritage.
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a Museums Victoria resource outlining how to develop conservation and disaster preparedness plans for community-run museums.
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Contacting the organisation's insurance company and agents with any available information and photographs of the incident.
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are also becoming more common due to the effects of anthropogenic climate change. Water damage may also occur due to
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A variety of templates and guides have been published to assist cultural organisations prepare for disasters:
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Buck, Rebecca; Gilmore, Jean (2010). MRM5: Museum Registration Methods. Washington, D.C.: AAM Press. p. 363.
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short, focused leaflets discussing how to be prepared for an emergency and salvage artifacts by material.
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Contacting museum emergency response teams to notify them to be on standby (if not required immediately).
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are becoming more common and more extreme in many areas of the world due to the effects of anthropogenic
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The National Trust manual of housekeeping : care and conservation of collections in historic houses
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to combat the impacts to culture and communities, as result of climate calamities, is on the agenda for
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resulted in the destruction of civic, business and non-profit archives, and library, archaeological and
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To plan for and prevent disasters from occurring, cultural heritage organisations will often perform a
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Building recovery may occur concurrently by Facilities, Security, and other custodial departments.
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Social media has increasingly played a major role in fundraising and mobilizing recovery efforts.
270:, New Zealand. Many churches were damaged or destroyed in these earthquakes, including paintings, 3118: 3103: 2549: 2441: 2243: 2183: 2108: 542: 401: 358: 115: 106: 1115: 925: 3210: 2614: 2471: 2436: 2188: 2118: 1394: 1271:"Lost heritage Canterbury earthquakes | Lost heritage | Search the List | Heritage New Zealand" 751: 348: 234: 2057: 2007: 1637:(5th ed.). Washington, DC: AAM Press, American Association of Museums. pp. 351–369. 673:
Emergency Response and Salvage Wheel nine categories of collections by material. Step by step!
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The health and safety of staff, visitors and emergency personal remain the highest priority.
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A variety of teams within a cultural organisation contribute to its upkeep and maintenance.
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plans, which focus on human safety and business continuity (including procedures related to
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Cataclysm and Challenge: Impact of September 11, 2001, on Our Nation's Cultural Heritage.
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Disaster preparedness in museums, galleries, libraries, archives and private collections
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Manual of Housekeeping: The Care of Collections in Historic Houses Open to the Public
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in April 2019 that damaged priceless artefacts and the magnificent roof structure.
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anthropogenic climate change, placing many cultural heritage sites at greater risk
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standards, or other guidelines determined by the government or local authorities.
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Contacting organizations or private lenders with loaned items in affected spaces.
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attempts (e.g. in the presentation of exhibitions, or in recruitment processes).
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Discussions, recordings, and articles about emergency preparation and response.
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Building an Emergency Plan: A Guide for Museums and Other Cultural Institutions
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Minnesota Historical Society; Emergency Preparedness and Recovery Plan (2007)
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Physical security systems deter potential intruders (e.g. warning signs,
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Office board with emergency planning, response, and salvage documents.
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their value, their vulnerability, and their prospects for recovery (
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dPlan, hosted by the North East Document Conservation Centre (NEDCC)
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Isuu.com, page 8., News in Brief, NiC, Issue 88 Feb-March 2022, IIC
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Overview Report of the Nepal Cultural Emergency Crowdmap Initiative
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Not all risks to collections can be categorised according to the
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Preparing and releasing a press release via a media liaison.
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Conservation and restoration of immovable cultural property
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International Council of Museums-Committee for Conservation
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was destroyed by fire in 2018. In 1992 a fire broke out at
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Conservation and restoration of movable cultural property
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How to Develop a Conservation Plan for a Community Museum
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Conservation and restoration of movable cultural property
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Digital repository audit method based on risk assessment
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Staniforth, Sarah (2006). "5: Agents of Deterioration".
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Conservation-restoration of the Sistine Chapel frescoes
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Preserving and protecting cultural artifact collections
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Institute, Canadian Conservation (22 September 2017).
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Institute, Canadian Conservation (14 September 2017).
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Gilmore, Jean Allman (2010). Buck, Rebecca A. (ed.).
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Design and Evaluation of Physical Protection Systems
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Melbourne, Ben Rodin, University of (26 June 2017).
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https://www.doi.gov/museum/emergency-management-plan
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Rescheduling any tour groups or other appointments.
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(5 February 2022). 1583:"Emergency Preparedness and Response" 1446:Buck, Rebecca; Gilmore, Jean (2010). 1180:"The Death of the Buddhas of Bamiyan" 1063:Buck, Rebecca; Gilmore, Jean (2010). 967: 1606: 1419:Tremain, David (22 September 2017). 926:"Ten Agents of Deterioration - Wiki" 829:from the original on 4 December 2017 577: 1764:"Chapter 2: The Systems Approach". 24: 18:Risk management (cultural property) 2349:Preservation (library and archive) 1822:American Museum of Natural History 1346:. 6 September 2018. Archived from 1121:– via Heritage Preservation. 1052:. Amsterdam: Elsevier. p. 51. 974:. Pavilion Books. pp. 81–91. 666:protocols for salvage treatments. 260:2013 Bohol, Philippines earthquake 213: 25: 3293: 2021:Field Guide to Emergency Response 1987: 1448:MRM5: Museum Registration Methods 1427:. Canadian Conservation Institute 629:Response activities may include: 379:protests, or even during acts of 97:museum integrated pest management 3203:Conservation-restoration of the 3079:Indigenous intellectual property 1919:"Disaster Response and Recovery" 1818:"Emergency Plan for Collections" 775:of library and archive materials 656: 321:in Paris suffered a devastating 3238: 2314:Inventory (library and archive) 2214:Cultural property documentation 1958: 1933: 1911: 1866: 1857: 1757: 1726: 1701: 1676: 1651: 1626: 1600: 1575: 1550: 1532: 1514: 1496: 1482: 1464: 1439: 1421:"Agent of Deterioration: Water" 1412: 1387: 1362: 1332: 1288: 1263: 1237: 1197: 1172: 1146: 1107: 1081: 1056: 943:Ashley-Smith, Jonathan (1999). 386: 191:A cloud forest and a hygrometer 2712:Bone, horn, and antler objects 2254:Digital photograph restoration 2047:Preservation Needs Assessments 961: 918: 899: 880: 854: 841: 811: 510: 395: 296:National Museum of Brazil fire 274:, furniture, manuscripts, and 162: 13: 1: 2897:South Asian household shrines 2595:Reconstruction (architecture) 2525:Cultural property radiography 2482:Registrar (cultural property) 2234:Cultural resources management 2194:Collections management system 891:. CoOL: Conservation OnLine. 823:Energy Education Encyclopedia 804: 532: 3166:Conservation-restoration of 3157:Conservation-restoration of 2530:Detachment of wall paintings 2304:Intangible cultural heritage 2219:Cultural property exhibition 2204:Cultural heritage management 2023:by the Heritage Preservation 1370:"The fire at Windsor Castle" 862:"10 Agents of Deterioration" 519: 7: 2610:Transfer of panel paintings 2013:"Connecting to Collections" 1158:American Libraries Magazine 1065:Museum Registration Methods 740: 677: 616: 447:operational risk management 302:There are many examples of 206:Contamination or pollutants 183:Incorrect Relative Humidity 10: 3298: 3074:Heritage language learning 2344:Optical media preservation 1733:Garcia, Mary Lynn (2007). 1504:"PRR Guides and Resources" 784:Integrated pest management 484:Building an emergency plan 432:Disaster preparedness plan 3142: 3114:Oral history preservation 2955: 2684: 2628: 2495: 2397: 2229:Cultural property storage 2224:Cultural property imaging 2099: 2053:Blue Shield International 1684:"Preventive Conservation" 1526:www.conservation-wiki.com 930:www.conservation-wiki.com 908:"Agents of deterioration" 472:should also be included. 311:National Museum of Brazil 262:, the 2016 earthquake in 245:Bamiyan Buddha sculptures 3161:by ElĂ­as GarcĂ­a MartĂ­nez 2379:Sustainable preservation 1544:www.culturalheritage.org 1114:Hargraves, Ruth (2002). 718:Funding recovery efforts 608:Plan review and revision 569:Environmental monitoring 524:A detailed and flexible 502:Resources from ICCROM's 406:looted cultural property 328: 243:In 2001 two six-century 3119:Preservation of meaning 3104:Language revitalization 2772:Illuminated manuscripts 2550:Historic paint analysis 2442:Conservation technician 2244:Deaccessioning (museum) 2184:Collections maintenance 2109:Agents of deterioration 1941:"Funding Opportunities" 1785:Anderson, Ross (2001). 1425:Agents of Deterioration 1090:"Incorrect temperature" 599:Policies and procedures 590:Resources and personnel 543:collections maintenance 402:agents of deterioration 353:conservation profession 285: 155:and more severe due to 146:and their aftershocks, 116:agents of deterioration 107:Agents of deterioration 89:collections maintenance 3129:Tradition preservation 2782:Iron and steel objects 2671:Outdoor bronze objects 2615:UVC-based preservation 2472:Photograph conservator 2437:Conservation scientist 2189:Collections management 2119:Archaeological science 2019:Where to purchase the 2000:Knowledge Base portal. 1609:"News in Conservation" 1134:Cite journal requires 752:Collections management 692: 674: 553:Preventive maintenance 441: 363: 338:Extreme weather events 299: 192: 93:collections management 79:Categories of disaster 37: 3250:www.preventionweb.net 3134:Traditional knowledge 3099:Language preservation 2707:Ancient Greek pottery 2605:Textile stabilization 2467:Paintings conservator 2354:Preservation metadata 2239:Database preservation 2093:historic preservation 2028:28 April 2014 at the 1921:. Conservation-us.org 1184:Middle East Institute 1018:National Park Service 685: 672: 439: 361: 293: 276:stained glass windows 190: 118:' category headings. 53:conservator-restorers 35: 2922:Time-based media art 2732:Copper-based objects 2646:Archaeological sites 2575:Mass deacidification 2520:Cradling (paintings) 2432:Conservator-restorer 2259:Digital preservation 1789:Security Engineering 799:Emergency management 779:Digital preservation 768:Conservator-restorer 455:crisis communication 349:1966 Florence Floods 319:Notre Dame Cathedral 3226:World Heritage Site 3089:Indigenous language 2989:Endangered language 2887:Shipwreck artifacts 2867:Photographic plates 2817:Musical instruments 2570:Lining of paintings 2487:Textile conservator 2462:Objects conservator 2452:Exhibition designer 2359:Preservation survey 2284:Found in collection 2174:Collection (museum) 2144:Calendar (archives) 2114:Archival processing 1528:. 18 December 2023. 1490:"Disaster Planning" 1275:www.heritage.org.nz 367:Theft and vandalism 101:museum environments 57:collection managers 3084:Indigenous culture 2427:Collection manager 2324:Media preservation 2319:Inventory (museum) 2179:Collection catalog 1828:on 3 November 2019 1251:. 9 September 2016 1160:. 1 September 2021 932:. 29 October 2020. 732:green climate fund 693: 675: 646:freezer services). 442: 364: 300: 193: 150:or wildfires, and 95:and is related to 38: 3234: 3233: 3183:Pompeian frescoes 3069:Heritage language 2959:cultural heritage 2747:Flags and banners 2692:cultural property 2656:Heritage railways 2636:cultural property 2585:Paleo-inspiration 2269:Film preservation 2209:Cultural property 2199:Cultural heritage 2089:Cultural heritage 1906:978-1-933253-15-2 1852:978-1-933253-15-2 1800:978-0-471-38922-4 1669:978-1-58834-322-2 1644:978-1-933253-15-2 1457:978-1-933253-15-2 981:978-1-907892-18-9 868:on 27 August 2011 825:. 14 April 2018. 794:Disaster response 789:Disaster recovery 584:security lighting 578:Security measures 470:contingency plans 451:crisis management 298:in September 2018 227:11 September 2001 196:Relative Humidity 84:Cultural property 73:quality assurance 45:cultural property 16:(Redirected from 3289: 3282:Collections care 3262: 3261: 3259: 3257: 3242: 3170:by Thomas Eakins 3168:The Gross Clinic 3064:Folklore studies 2974:Applied folklore 2947:Wooden furniture 2942:Wooden artifacts 2937:Woodblock prints 2917:Tibetan thangkas 2777:Insect specimens 2666:Outdoor artworks 2661:Historic gardens 2294:Heritage science 2082: 2075: 2068: 2059: 2058: 1981: 1980: 1978: 1976: 1962: 1956: 1955: 1953: 1951: 1937: 1931: 1930: 1928: 1926: 1915: 1909: 1898: 1889: 1888: 1886: 1884: 1878: 1870: 1864: 1861: 1855: 1844: 1838: 1837: 1835: 1833: 1824:. Archived from 1814: 1805: 1804: 1792: 1782: 1776: 1775: 1761: 1755: 1754: 1730: 1724: 1723: 1721: 1719: 1713: 1705: 1699: 1698: 1696: 1694: 1680: 1674: 1673: 1655: 1649: 1648: 1630: 1624: 1623: 1621: 1619: 1604: 1598: 1597: 1595: 1593: 1579: 1573: 1572: 1570: 1568: 1554: 1548: 1547: 1536: 1530: 1529: 1518: 1512: 1511: 1500: 1494: 1493: 1486: 1480: 1479: 1468: 1462: 1461: 1443: 1437: 1436: 1434: 1432: 1416: 1410: 1409: 1407: 1405: 1391: 1385: 1384: 1382: 1380: 1366: 1360: 1359: 1357: 1355: 1336: 1330: 1329: 1327: 1325: 1311: 1305: 1304: 1302: 1292: 1286: 1285: 1283: 1281: 1267: 1261: 1260: 1258: 1256: 1241: 1235: 1234: 1228: 1220: 1218: 1216: 1201: 1195: 1194: 1192: 1190: 1176: 1170: 1169: 1167: 1165: 1150: 1144: 1143: 1137: 1132: 1130: 1122: 1120: 1111: 1105: 1104: 1102: 1100: 1085: 1079: 1078: 1060: 1054: 1053: 1045: 1039: 1038: 1037: 1035: 1026: 1014: 1008: 1007: 1001: 993: 965: 959: 958: 940: 934: 933: 922: 916: 915: 903: 897: 896: 884: 878: 877: 875: 873: 858: 852: 845: 839: 838: 836: 834: 815: 691:(Yolanda), 2013. 541:should dovetail 526:insurance policy 463:public relations 21: 3297: 3296: 3292: 3291: 3290: 3288: 3287: 3286: 3267: 3266: 3265: 3255: 3253: 3244: 3243: 3239: 3235: 3230: 3177:The Last Supper 3144: 3138: 3124:Primitive music 3034:Folk instrument 3009:Family folklore 2999:Ethnomusicology 2994:Ethnochoreology 2961: 2958: 2951: 2872:Plastic objects 2857:Performance art 2842:Panel paintings 2837:Painting frames 2802:Leather objects 2722:Ceramic objects 2694: 2691: 2689: 2688:and restoration 2687: 2680: 2638: 2635: 2633: 2632:and restoration 2631: 2624: 2590:Paper splitting 2505:Aging (artwork) 2497: 2491: 2477:Preservationist 2399: 2393: 2249:Digital library 2101: 2095: 2086: 2030:Wayback Machine 1990: 1985: 1984: 1974: 1972: 1964: 1963: 1959: 1949: 1947: 1939: 1938: 1934: 1924: 1922: 1917: 1916: 1912: 1899: 1892: 1882: 1880: 1876: 1872: 1871: 1867: 1862: 1858: 1845: 1841: 1831: 1829: 1816: 1815: 1808: 1801: 1783: 1779: 1763: 1762: 1758: 1747: 1731: 1727: 1717: 1715: 1711: 1707: 1706: 1702: 1692: 1690: 1682: 1681: 1677: 1670: 1656: 1652: 1645: 1631: 1627: 1617: 1615: 1605: 1601: 1591: 1589: 1581: 1580: 1576: 1566: 1564: 1556: 1555: 1551: 1538: 1537: 1533: 1520: 1519: 1515: 1502: 1501: 1497: 1488: 1487: 1483: 1470: 1469: 1465: 1458: 1444: 1440: 1430: 1428: 1417: 1413: 1403: 1401: 1393: 1392: 1388: 1378: 1376: 1368: 1367: 1363: 1353: 1351: 1350:on 2 March 2021 1338: 1337: 1333: 1323: 1321: 1312: 1308: 1303:. ICCROM. 2015. 1300: 1294: 1293: 1289: 1279: 1277: 1269: 1268: 1264: 1254: 1252: 1243: 1242: 1238: 1222: 1221: 1214: 1212: 1202: 1198: 1188: 1186: 1178: 1177: 1173: 1163: 1161: 1154:"What Was Lost" 1152: 1151: 1147: 1135: 1133: 1124: 1123: 1118: 1112: 1108: 1098: 1096: 1086: 1082: 1075: 1061: 1057: 1046: 1042: 1033: 1031: 1024: 1015: 1011: 995: 994: 982: 966: 962: 955: 941: 937: 924: 923: 919: 904: 900: 889:WAAC Newsletter 886: 885: 881: 871: 869: 860: 859: 855: 846: 842: 832: 830: 817: 816: 812: 807: 747:Risk management 743: 728:climate finance 720: 680: 659: 619: 610: 601: 592: 580: 571: 555: 535: 522: 513: 434: 398: 389: 369: 331: 288: 231:art collections 216: 214:Physical forces 208: 185: 165: 81: 68:risk assessment 28: 23: 22: 15: 12: 11: 5: 3295: 3285: 3284: 3279: 3264: 3263: 3252:. 10 June 2021 3236: 3232: 3231: 3229: 3228: 3223: 3218: 3213: 3208: 3200: 3195: 3190: 3185: 3180: 3172: 3163: 3154: 3148: 3146: 3140: 3139: 3137: 3136: 3131: 3126: 3121: 3116: 3111: 3109:Living history 3106: 3101: 3096: 3094:Language death 3091: 3086: 3081: 3076: 3071: 3066: 3061: 3056: 3051: 3046: 3041: 3036: 3031: 3029:Folk etymology 3026: 3021: 3016: 3011: 3006: 3001: 2996: 2991: 2986: 2981: 2979:Dance notation 2976: 2971: 2965: 2963: 2953: 2952: 2950: 2949: 2944: 2939: 2934: 2929: 2924: 2919: 2914: 2909: 2904: 2899: 2894: 2892:Silver objects 2889: 2884: 2879: 2874: 2869: 2864: 2859: 2854: 2849: 2844: 2839: 2834: 2829: 2824: 2819: 2814: 2809: 2804: 2799: 2794: 2789: 2784: 2779: 2774: 2769: 2764: 2759: 2754: 2749: 2744: 2739: 2734: 2729: 2724: 2719: 2714: 2709: 2704: 2698: 2696: 2682: 2681: 2679: 2678: 2676:Outdoor murals 2673: 2668: 2663: 2658: 2653: 2648: 2642: 2640: 2626: 2625: 2623: 2622: 2617: 2612: 2607: 2602: 2600:Rissverklebung 2597: 2592: 2587: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2547: 2542: 2537: 2532: 2527: 2522: 2517: 2515:Arrested decay 2512: 2507: 2501: 2499: 2498:and techniques 2493: 2492: 2490: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2403: 2401: 2395: 2394: 2392: 2391: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2351: 2346: 2341: 2336: 2331: 2326: 2321: 2316: 2311: 2306: 2301: 2296: 2291: 2289:Heritage asset 2286: 2281: 2276: 2271: 2266: 2261: 2256: 2251: 2246: 2241: 2236: 2231: 2226: 2221: 2216: 2211: 2206: 2201: 2196: 2191: 2186: 2181: 2176: 2171: 2166: 2161: 2156: 2151: 2146: 2141: 2136: 2134:Bioarchaeology 2131: 2126: 2121: 2116: 2111: 2105: 2103: 2097: 2096: 2085: 2084: 2077: 2070: 2062: 2056: 2055: 2050: 2044: 2038: 2032: 2016: 2010: 2001: 1989: 1988:External links 1986: 1983: 1982: 1957: 1932: 1910: 1890: 1865: 1856: 1839: 1806: 1799: 1777: 1756: 1745: 1725: 1700: 1675: 1668: 1650: 1643: 1625: 1599: 1574: 1549: 1531: 1513: 1495: 1481: 1463: 1456: 1438: 1411: 1386: 1361: 1331: 1306: 1287: 1262: 1236: 1196: 1171: 1145: 1136:|journal= 1106: 1080: 1073: 1055: 1040: 1009: 980: 960: 953: 935: 917: 898: 895:(2). May 1996. 879: 853: 840: 809: 808: 806: 803: 802: 801: 796: 791: 786: 781: 776: 770: 765: 760: 754: 749: 742: 739: 719: 716: 689:Typhoon Haiyan 679: 676: 658: 655: 654: 653: 650: 647: 643: 640: 637: 634: 618: 615: 609: 606: 600: 597: 591: 588: 579: 576: 570: 567: 554: 551: 534: 531: 521: 518: 512: 509: 508: 507: 500: 496: 493: 487: 433: 430: 422:discrimination 414:selection bias 397: 394: 388: 385: 368: 365: 330: 327: 315:Windsor Castle 287: 284: 215: 212: 207: 204: 184: 181: 172:climate change 164: 161: 80: 77: 26: 9: 6: 4: 3: 2: 3294: 3283: 3280: 3278: 3275: 3274: 3272: 3251: 3247: 3241: 3237: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3206: 3201: 3199: 3196: 3194: 3191: 3189: 3186: 3184: 3181: 3179: 3178: 3173: 3171: 3169: 3164: 3162: 3160: 3155: 3153: 3150: 3149: 3147: 3141: 3135: 3132: 3130: 3127: 3125: 3122: 3120: 3117: 3115: 3112: 3110: 3107: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 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Index

Risk management (cultural property)

cultural property
conservator-restorers
collection managers
registrars
risk assessment
quality assurance
Cultural property
collections maintenance
collections management
museum integrated pest management
museum environments
Agents of deterioration
agents of deterioration
hurricanes
tornados
floods
blizzards
landslides
earthquakes
bushfires
sandstorms
anthropogenic climate change, placing many cultural heritage sites at greater risk
Heatwaves
climate change
temperature

Relative Humidity
Mould

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