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Robert Bruce (opera)

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57: 306: 1750: 1776: 1444: 1248: 644:, p. 238 explains that the premiere was originally scheduled for 23 December, which is the date found in the printed libretto, but was postponed to 30 December because the lead mezzo-soprano, 232:
in Paris, would be "most suitable for the French stage, the one that more than the others, had need of your big choruses, your magnificent orchestra, your beautiful staging. ... Now that you have
236:
at your disposal you would do well to profit by it." However, Pillet was reluctant to present a work which since 1824 in its Italian version was already well known to Parisian audiences.
336:(Act 2); and René Philastre and Charles Cambon (Act 3). The costumes were designed by Paul Lormier. It was a moderate success, but the opera was the subject of much criticism from 224:, the director of the Paris Opera. Pillet begged Rossini to compose a new work for the house. Rossini declined because of his poor health, but pointed out that his opera 1678: 839: 56: 208:. The audience may not have noticed, but the orchestra included for the first time a recently invented instrument, which later came to be known as the 316:
Rossini was clearly involved in the collaboration but did not attend the premiere in Paris. The production included a ballet with the dancers
640:, p. 288. In his second edition (2007), Osborne gives the date of the premiere on p. 137 as 23 December and on p. 357 as 30 December. 1049: 1069: 1022: 537:
English knights, soldiers and pages, ladies of the Court of England, Scottish bards, Bruce's knights and soldiers, gypsies, jugglers
239:
Rossini went back to his home in Bologna, where in June 1846 he was again visited by Pillet, who was accompanied by librettist
971: 935: 913: 875: 1816: 1811: 1015: 1225: 1074: 1624: 1247: 990: 894: 928:
Les Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théâtre, à Paris sous les deux restorations
1821: 1806: 1042: 671: 602: 411: 305: 1575: 1766: 1753: 1154: 1035: 864:"Partners in Rhyme: Alphonse Royer, Gustave Vaëz, and Foreign Opera in Paris During the July Monarchy" 1826: 1716: 1606: 1541: 1114: 1106: 1582: 1443: 188:. The music was stitched together by Niedermeyer, with the composer's permission, with pieces from 1557: 1178: 655: 1413: 1688: 1549: 1502: 1146: 62: 681: 1710: 1241: 923: 863: 1722: 1006: 823: 333: 1801: 1437: 1294: 1201: 392: 321: 229: 169: 8: 1590: 1450: 1318: 1233: 1162: 1122: 275: 1693: 1660: 1405: 1366: 1334: 1209: 1098: 1728: 1652: 1509: 1350: 1342: 1130: 1058: 986: 967: 953: 945: 931: 909: 890: 871: 420: 269: 244: 205: 190: 157: 153: 129: 45: 39: 1421: 1302: 329: 287: 1523: 1286: 1262: 1138: 281: 173: 451: 220:
After Rossini's arrival in Paris in 1843 for medical treatment, he was visited by
1796: 385: 325: 1516: 650: 240: 165: 82: 1644: 1278: 1270: 596: 577: 337: 248: 200:, and other Rossini operas. The work was premiered on 30 December 1846, by the 161: 77: 221: 1790: 1310: 645: 441: 436: 317: 309: 233: 177: 1780: 1683: 1429: 1010: 859: 371: 181: 108: 961: 1358: 1254: 978: 293: 201: 1734: 1382: 1217: 957: 516: 359: 1475: 1466: 256: 209: 146: 29: 1027: 328:. The décor was designed by Joseph Thierry (Act 1); Charles Cambon, 1598: 1170: 593:
Orchestra Internazionale d'Italia and the Bratislava Chamber Choir,
455: 380: 1374: 1326: 475: 228:(1819), which he felt had never been performed adequately at the 196: 247:. The result (which also involved Vaëz's regular collaborator 401: 149: 32: 1775: 985:. Paris: Bibliothèque nationale, Département de la Musique. 297:. Niedermeyer apparently wrote the necessary recitatives. 868:
Fashions and Legacies of Nineteenth-Century Italian Opera
779: 777: 983:
Décors et costumes du XIX siècle. Tome I: Opéra de Paris
747: 723: 699: 687: 1155:
L'occasione fa il ladro, ossia Il cambio della valigia
866:. In Roberta Montemorra Marvin; Hilary Poriss (eds.). 774: 1764: 1406:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1242:
Il barbiere di Siviglia, ossia L'inutile precauzione
735: 711: 595:(Recorded from a performance in the Palazzo Ducale, 1679:
Conservatorio Statale di Musica "Gioachino Rossini"
789: 1367:Matilde di Shabran, ossia Bellezza e Cuor di Ferro 908:(2nd ed.). Oxford: Oxford University Press. 824:Recording(s) on operadis-opera-discography.org.uk 1788: 1163:Il signor Bruschino, ossia Il figlio per azzardo 1131:Ciro in Babilonia, ossia La caduta di Baldassare 764: 762: 168:. The plot concerns the defeat of the forces of 1422:Moïse et Pharaon, ou Le passage de la mer rouge 1295:Adelaide di Borgogna, ossia Ottone, re d'Italia 930:(2 volumes) (in French). Paris: CNRS Editions. 870:. Cambridge University Press. pp. 30–52. 633: 631: 1351:Bianca e Falliero, ossia Il consiglio dei tre 1255:La gazzetta, ossia Il matrimonio per concorso 1043: 759: 628: 1090: 1050: 1036: 55: 1271:La Cenerentola, ossia La bontà in trionfo 1023:International Music Score Library Project 944: 811: 729: 705: 693: 641: 837: 807: 304: 922: 903: 884: 858: 783: 768: 753: 741: 717: 677: 637: 324:, and Maria Jacob, and choreography by 1789: 1057: 1031: 966:Reprint (1987): New York: Limelight. 487:an official in the service of Édouard 977: 795: 850:. L'Almanacco di Gherardo Casaglia 13: 65:for act 3, scene 3 in the première 14: 1838: 1311:Adina, ossia Il califfo di Bagdad 1000: 656:vol. 14, no, 4 (27 December 1846) 160:to a French-language libretto by 1774: 1749: 1748: 1442: 1263:Otello, ossia Il Moro di Venezia 1246: 1226:Elisabetta, regina d'Inghilterra 350:Roles, voice type, premiere cast 817: 801: 259:, based on music not only from 831: 1: 616: 544: 215: 152:in three acts, with music by 665: 603:Festival della Valle d'Itria 7: 1817:Operas by Louis Niedermeyer 1812:Operas by Gioachino Rossini 300: 10: 1843: 838:Casaglia, Gherardo (2005). 566:opera house and orchestra 119:30 December 1846 16:Opera by Gioachino Rossini 1744: 1717:Duetto buffo di due gatti 1702: 1671: 1636: 1617: 1568: 1533: 1494: 1465: 1397: 1193: 1107:La cambiale di matrimonio 1083: 1065: 904:Osborne, Richard (2007). 885:Osborne, Richard (1986). 535: 114: 99: 91: 70: 54: 28: 23: 1656:(1991 biographical film) 1648:(1942 biographical film) 621: 343: 1558:Petite messe solennelle 588:Massimiliano Chiarolla 1822:Operas set in Scotland 1807:French-language operas 1689:Rossini Opera Festival 1503:Ecco, ridente in cielo 1147:La pietra del paragone 1115:L'equivoco stravagante 313: 251:as co-librettist) was 180:, and is adapted from 63:Charles-Antoine Cambon 1711:La boutique fantasque 1626:The Barber of Seville 308: 1607:Péchés de vieillesse 1414:Le siège de Corinthe 1202:Aureliano in Palmira 1179:L'italiana in Algeri 1070:List of compositions 1007:1847 French libretto 950:Rossini: A Biography 648:, was ill. See also 561:Eduard II, Douglas) 170:Edward II of England 1723:Matinées musicales 1637:Cultural depictions 1591:La regata veneziana 1319:Ricciardo e Zoraide 1234:Torvaldo e Dorliska 952:. New York: Knopf. 924:Tamvaco, Jean-Louis 352: 320:, Henri Desplaces, 276:Torvaldo e Dorliska 186:History of Scotland 104:History of Scotland 1694:Rossini in Wildbad 1576:Six string sonatas 1335:Eduardo e Cristina 1210:Il turco in Italia 1099:Demetrio e Polibio 946:Weinstock, Herbert 501:an English captain 348: 334:Édouard Desplechin 314: 1762: 1761: 1729:Messa per Rossini 1672:Named for Rossini 1653:Rossini! Rossini! 1610:(1857–1868) 1510:Largo al factotum 1461: 1460: 1393: 1392: 1343:La donna del lago 1189: 1188: 1059:Gioachino Rossini 972:978-0-87910-071-1 937:978-2-271-05685-6 915:978-0-19-518129-6 877:978-0-521-88998-8 848:30 December 1846" 756:, pp. 39–40. 614: 613: 610:Cat: CDS 421/1-2 591:Paolo Arrivabene, 586:Davide Cicchetti, 542: 541: 366:30 December 1846 270:Bianca e Falliero 261:La donna del lago 245:Louis Niedermeyer 226:La donna del lago 206:Salle Le Peletier 191:La donna del lago 158:Louis Niedermeyer 154:Gioachino Rossini 138: 137: 130:Salle Le Peletier 46:Louis Niedermeyer 40:Gioachino Rossini 1834: 1827:Robert the Bruce 1779: 1778: 1770: 1752: 1751: 1703:Related articles 1618:Film adaptations 1524:Una voce poco fa 1451:Ugo, re d'Italia 1446: 1395: 1394: 1250: 1191: 1190: 1139:La scala di seta 1123:L'inganno felice 1088: 1087: 1052: 1045: 1038: 1029: 1028: 1021:: Scores at the 996: 965: 941: 919: 900: 889:. London: Dent. 881: 855: 853: 847: 826: 821: 815: 805: 799: 793: 787: 781: 772: 766: 757: 751: 745: 739: 733: 727: 721: 715: 709: 703: 697: 691: 685: 675: 659: 635: 584:Inga Balabanova, 549: 548: 494:Jérémie Bettini 425:Raffaele Anconi 376:King of Scotland 353: 351: 347: 340:, among others. 267:, but also from 174:Robert the Bruce 126: 124: 59: 21: 20: 1842: 1841: 1837: 1836: 1835: 1833: 1832: 1831: 1787: 1786: 1785: 1773: 1765: 1763: 1758: 1740: 1698: 1667: 1661:Rossini's Ghost 1632: 1613: 1564: 1542:Messa di Gloria 1529: 1490: 1457: 1389: 1185: 1079: 1061: 1056: 1003: 993: 938: 916: 897: 878: 851: 845: 834: 829: 822: 818: 806: 802: 794: 790: 782: 775: 767: 760: 752: 748: 740: 736: 728: 724: 716: 712: 704: 700: 692: 688: 676: 672: 668: 663: 662: 636: 629: 624: 619: 609: 601:as part of the 600: 594: 592: 587: 585: 583: 581: 565: 560: 558: 556: 547: 513:Édouard's page 416:Lord of Douglas 397:King of England 386:Paul Barroilhet 365: 349: 346: 326:Joseph Mazilier 322:Adèle Dumilâtre 303: 255:, an elaborate 230:Théâtre Italien 218: 134: 133: 127: 122: 120: 106: 87: 66: 50: 17: 12: 11: 5: 1840: 1830: 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1784: 1783: 1760: 1759: 1757: 1756: 1745: 1742: 1741: 1739: 1738: 1731: 1726: 1719: 1714: 1706: 1704: 1700: 1699: 1697: 1696: 1691: 1686: 1681: 1675: 1673: 1669: 1668: 1666: 1665: 1657: 1649: 1640: 1638: 1634: 1633: 1631: 1630: 1621: 1619: 1615: 1614: 1612: 1611: 1603: 1595: 1587: 1583:Edipo a Colono 1579: 1572: 1570: 1566: 1565: 1563: 1562: 1554: 1546: 1537: 1535: 1531: 1530: 1528: 1527: 1520: 1513: 1506: 1498: 1496: 1492: 1491: 1489: 1488: 1480: 1471: 1469: 1463: 1462: 1459: 1458: 1456: 1455: 1447: 1438:Guillaume Tell 1434: 1426: 1418: 1410: 1401: 1399: 1391: 1390: 1388: 1387: 1379: 1371: 1363: 1355: 1347: 1339: 1331: 1323: 1315: 1307: 1303:Mosè in Egitto 1299: 1291: 1283: 1279:La gazza ladra 1275: 1267: 1259: 1251: 1238: 1230: 1222: 1214: 1206: 1197: 1195: 1187: 1186: 1184: 1183: 1175: 1167: 1159: 1151: 1143: 1135: 1127: 1119: 1111: 1103: 1094: 1092: 1085: 1081: 1080: 1078: 1077: 1075:List of operas 1072: 1066: 1063: 1062: 1055: 1054: 1047: 1040: 1032: 1026: 1025: 1013: 1002: 1001:External links 999: 998: 997: 991: 975: 942: 936: 920: 914: 901: 895: 882: 876: 856: 833: 830: 828: 827: 816: 812:Weinstock 1968 800: 798:, p. 229. 788: 786:, p. 877. 773: 758: 746: 734: 732:, p. 237. 730:Weinstock 1968 722: 710: 708:, p. 231. 706:Weinstock 1968 698: 696:, p. 238. 694:Weinstock 1968 686: 669: 667: 664: 661: 660: 642:Weinstock 1968 626: 625: 623: 620: 618: 615: 612: 611: 606: 597:Martina Franca 589: 578:Nicolas Rivenq 575: 571: 570: 567: 562: 557:(Robert Bruce, 553: 546: 543: 540: 539: 533: 532: 530: 527: 523: 522: 519: 514: 510: 509: 506: 503: 496: 495: 492: 489: 482: 481: 478: 473: 466: 465: 462: 459: 445: 444: 439: 434: 427: 426: 423: 418: 408: 407: 404: 399: 389: 388: 383: 378: 368: 367: 364:Premiere cast, 362: 357: 345: 342: 338:Hector Berlioz 330:Jules Diéterle 302: 299: 288:Mosè in Egitto 249:Alphonse Royer 217: 214: 162:Alphonse Royer 136: 135: 128: 118: 116: 112: 111: 101: 97: 96: 93: 89: 88: 86: 85: 80: 78:Alphonse Royer 74: 72: 68: 67: 61:Set design by 60: 52: 51: 49: 48: 43: 36: 26: 25: 15: 9: 6: 4: 3: 2: 1839: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1794: 1792: 1782: 1777: 1772: 1771: 1768: 1755: 1747: 1746: 1743: 1737: 1736: 1732: 1730: 1727: 1725: 1724: 1720: 1718: 1715: 1713: 1712: 1708: 1707: 1705: 1701: 1695: 1692: 1690: 1687: 1685: 1682: 1680: 1677: 1676: 1674: 1670: 1663: 1662: 1658: 1655: 1654: 1650: 1647: 1646: 1642: 1641: 1639: 1635: 1629: 1627: 1623: 1622: 1620: 1616: 1609: 1608: 1604: 1601: 1600: 1596: 1593: 1592: 1588: 1585: 1584: 1580: 1577: 1574: 1573: 1571: 1567: 1560: 1559: 1555: 1552: 1551: 1547: 1544: 1543: 1539: 1538: 1536: 1532: 1525: 1521: 1518: 1514: 1511: 1507: 1504: 1500: 1499: 1497: 1493: 1486: 1485: 1481: 1478: 1477: 1473: 1472: 1470: 1468: 1464: 1453: 1452: 1448: 1445: 1440: 1439: 1435: 1432: 1431: 1427: 1424: 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898: 896:0-460-03179-1 892: 888: 883: 879: 873: 869: 865: 861: 860:Everist, Mark 857: 849: 843: 836: 835: 825: 820: 814:, p. 462 813: 809: 808:Casaglia 2005 804: 797: 792: 785: 780: 778: 770: 765: 763: 755: 750: 744:, p. 32. 743: 738: 731: 726: 720:, p. 39. 719: 714: 707: 702: 695: 690: 683: 679: 674: 670: 657: 653: 652: 647: 646:Rosine Stoltz 643: 639: 634: 632: 627: 607: 604: 598: 590: 579: 576: 573: 572: 568: 563: 559:Marie, Nelly, 554: 551: 550: 538: 534: 531: 528: 525: 524: 520: 518: 515: 512: 511: 507: 504: 502: 498: 497: 493: 490: 488: 484: 483: 479: 477: 474: 472: 468: 467: 463: 460: 458: 457: 453: 447: 446: 443: 442:Rosine Stoltz 440: 438: 437:mezzo-soprano 435: 433: 429: 428: 424: 422: 419: 417: 413: 410: 409: 406:Louis Paulin 405: 403: 400: 398: 394: 391: 390: 387: 384: 382: 379: 377: 373: 370: 369: 363: 361: 358: 355: 354: 341: 339: 335: 331: 327: 323: 319: 318:Lucien Petipa 311: 310:Rosine Stoltz 307: 298: 296: 295: 290: 289: 284: 283: 278: 277: 272: 271: 266: 262: 258: 254: 250: 246: 242: 237: 235: 231: 227: 223: 213: 211: 207: 203: 199: 198: 193: 192: 187: 183: 179: 178:King of Scots 175: 171: 167: 163: 159: 155: 151: 148: 144: 143: 131: 117: 113: 110: 105: 102: 98: 94: 90: 84: 81: 79: 76: 75: 73: 69: 64: 58: 53: 47: 44: 41: 38: 37: 34: 31: 27: 22: 19: 1733: 1721: 1709: 1684:Prix Rossini 1659: 1651: 1643: 1625: 1605: 1597: 1589: 1581: 1561:(1864, 1867) 1556: 1553:(1831, 1841) 1550:Stabat mater 1548: 1540: 1534:Sacred music 1517:Sombre forêt 1484:Robert Bruce 1483: 1482: 1474: 1454:(unfinished) 1449: 1436: 1430:Le comte Ory 1428: 1420: 1412: 1404: 1381: 1373: 1365: 1357: 1349: 1341: 1333: 1325: 1317: 1309: 1301: 1293: 1285: 1277: 1269: 1261: 1253: 1240: 1232: 1224: 1216: 1208: 1200: 1177: 1169: 1161: 1153: 1145: 1137: 1129: 1121: 1113: 1105: 1097: 1017:Robert Bruce 1016: 1011:Google Books 982: 979:Wild, Nicole 949: 927: 905: 886: 867: 852:(in Italian) 842:Robert Bruce 841: 819: 803: 791: 784:Tamvaco 2000 771:, p. 98 769:Osborne 1986 754:Everist 2009 749: 742:Everist 2009 737: 725: 718:Everist 2009 713: 701: 689: 678:Osborne 2007 673: 651:Le Ménestrel 649: 638:Osborne 1986 536: 500: 486: 471:his daughter 470: 449: 432:his daughter 431: 415: 396: 375: 372:Robert Bruce 315: 292: 286: 280: 274: 268: 264: 260: 253:Robert Bruce 252: 241:Gustave Vaëz 238: 225: 219: 195: 189: 185: 182:Walter Scott 166:Gustave Vaëz 142:Robert Bruce 141: 140: 139: 109:Walter Scott 103: 83:Gustave Vaëz 24:Robert Bruce 18: 1802:1846 operas 1664:(1996 film) 1628:(1947 film) 1569:Other works 1398:Later works 1359:Maometto II 1091:Early works 832:Works cited 680:, pp.  582:Iano Tamar, 294:Maometto II 222:Léon Pillet 202:Paris Opera 145:is an 1846 1791:Categories 1735:Rossiniana 1383:Semiramide 1218:Sigismondo 617:References 564:Conductor, 545:Recordings 517:musichetto 480:Maria Nau 452:highlander 393:Édouard II 360:Voice type 216:Background 123:1846-12-30 71:Librettist 1467:Pastiches 1019:(Rossini) 962:250474431 796:Wild 1987 666:Citations 448:Dickson, 257:pasticcio 210:saxophone 1754:Category 1599:La Danza 1194:Maturity 1171:Tancredi 981:(1987). 948:(1968). 926:(2000). 862:(2009). 521:Moisson 499:Morton, 485:Arthur, 456:Stirling 381:baritone 312:as Marie 301:Premiere 147:pastiche 115:Premiere 100:Based on 92:Language 30:Pastiche 1645:Rossini 1476:Ivanhoé 1441:(1829) 1375:Zelmira 1327:Ermione 1245:(1816) 906:Rossini 887:Rossini 682:136–137 608:Dynamic 526:A bard 476:soprano 469:Nelly, 464:Bessin 430:Marie, 412:Douglas 265:Zelmira 204:at the 197:Zelmira 132:, Paris 121: ( 1797:Operas 1767:Portal 1602:(1835) 1594:(1835) 1586:(1817) 1578:(1804) 1545:(1820) 1487:(1846) 1479:(1826) 1433:(1828) 1425:(1827) 1417:(1826) 1409:(1825) 1386:(1823) 1378:(1822) 1370:(1821) 1362:(1820) 1354:(1819) 1346:(1819) 1338:(1819) 1330:(1819) 1322:(1818) 1314:(1826) 1306:(1818) 1298:(1817) 1290:(1817) 1287:Armida 1282:(1817) 1274:(1817) 1266:(1816) 1258:(1816) 1237:(1815) 1229:(1815) 1221:(1814) 1213:(1814) 1205:(1813) 1182:(1813) 1174:(1813) 1166:(1813) 1158:(1812) 1150:(1812) 1142:(1812) 1134:(1812) 1126:(1812) 1118:(1811) 1110:(1810) 1102:(1812) 1084:Operas 989:  970:  958:192614 956:  934:  912:  893:  874:  846:  569:Label 508:Rommy 491:tenor 332:, and 291:, and 282:Armida 243:, and 234:Stoltz 95:French 1781:Opera 1495:Arias 622:Notes 574:2002 555:Cast 552:Year 529:bass 505:bass 461:bass 402:tenor 356:Role 344:Roles 150:opera 33:opera 987:ISBN 968:ISBN 954:OCLC 932:ISBN 910:ISBN 891:ISBN 872:ISBN 421:bass 263:and 164:and 156:and 1009:at 454:of 184:'s 172:by 107:by 42:and 35:by 1793:: 960:, 810:; 776:^ 761:^ 654:, 630:^ 605:) 450:a 414:, 395:, 374:, 285:, 279:, 273:, 212:. 194:, 176:, 1769:: 1526:" 1522:" 1519:" 1515:" 1512:" 1508:" 1505:" 1501:" 1051:e 1044:t 1037:v 995:. 974:. 964:. 940:. 918:. 899:. 880:. 854:. 844:, 840:" 684:. 658:. 599:, 580:, 125:)

Index

Pastiche
opera
Gioachino Rossini
Louis Niedermeyer
A painting of a stage setting based on the ramparts of Sterling Castle in the Late Middle Ages
Charles-Antoine Cambon
Alphonse Royer
Gustave Vaëz
Walter Scott
Salle Le Peletier
pastiche
opera
Gioachino Rossini
Louis Niedermeyer
Alphonse Royer
Gustave Vaëz
Edward II of England
Robert the Bruce
King of Scots
Walter Scott
La donna del lago
Zelmira
Paris Opera
Salle Le Peletier
saxophone
Léon Pillet
Théâtre Italien
Stoltz
Gustave Vaëz
Louis Niedermeyer

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