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for two tours as a navigator in anti-shipping strike squadrons. He was the first
Captain-Navigator in the Royal Air Force, opening the way for navigators to captain aircraft. An attempt by Dickie Richardson to recruit him to the post-war RAF was turned down in favour of conducting. He left with the
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Irving contributed six tracks to the 1961 EMI LP 'Musical Merry-Go-Round' which attempted to recreate the effect of a revolving sound, using left and right stereo channels.
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Philip Stuart. Decca
Classical, 1929–2009 (Discography). AHRC Research Centre for the History and Analysis of Recorded Music. Retrieved 20 December 2016.
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He died in his birthplace in 1991, aged 78. A small memorial plaque to him may be found on the north-east wall of
Winchester College chapel cloisters.
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40:*, (28 August 1913 – 13 September 1991) was a British conductor whose reputation was mainly as a ballet conductor.
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Anonymous note for LP EMI CSD 1333 Musical Merry-Go-Round. The
Sinfonia of London conducted by Robert Irving and Douglas Gamley.
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in 1952, Irving helped the choreographer to surmount musical problems in the last act of his
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Richardson, Group
Captain Dickie. Man is not Lost, Airlife, Shrewsbury, 1997 p236 et. seq.
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for television, and in 1958 for BBC television he conducted the
Philharmonia Orchestra in
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WorldCat entry for
Cinderella with Fonteyn, Somes, Ashton, Macmillan, conducted by Irving
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This article is about the ballet conductor. For other persons of the same name, see
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Vaughan, David. Frederick Ashton and his
Ballets, Dance Books, London, 1999, p266.
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with the
Orchestra of the Royal Opera House, Covent Garden in 1955 both for HMV
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in
September the same year, by interpolating passages from the same composer's
182:. For many years he conducted the New York City Ballet's annual production of
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120:. In 1956, in celebration of the 25th anniversary of the Vic-Wells, now the
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Suite No. 2, Op. 55 with the London Symphony Orchestra in 1952 for HMV.
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on several ballets. Having assisted Ashton in choosing music for his
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258:, Opp.27 & 33 with the Philharmonia Orchestra for HMV in 1953
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and Philip Chatfield. He conducted the 1957 telecast of Ashton's
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Recipients of the Distinguished Flying Cross (United Kingdom)
188:, a task he repeated in the 1958 US telecast of the ballet.
373:, Op. 67, with the Philharmonia Orchestra, for HMV in 1954
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The five-movement suite from Ashton and Lambert's ballet
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In 1954 he introduced and conducted music from Act II of
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British Film Institute archive page for Swan Lake 1954
344:, Sz73 with the Philharmonia Orchestra for EMI in 1961
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From 1958 to 1989, he served as music director of the
59:, graduating with a degree in music. He studied with
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His own arrangement of the Glazunov music for ballet
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with the London Symphony Orchestra for Decca in 1953.
199:Irving's many recordings of ballet music include:
178:, where he worked extensively with choreographer
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329:with the Philharmonia Orchestra in 1961 for HMV.
287:with the Philharmonia Orchestra for HMV in 1954
274:(excerpts) with the Philharmonia in 1953, and
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47:, England, the son of mountaineer and author
98:from 1949 to 1958, working closely with Sir
94:, and was conductor and musical director of
90:He then became assistant conductor with the
538:Stuart, Philip. The LSO Discography. 2009.
386:, Op. 22, Royal Philharmonic Orchestra, HMV
215:, London Symphony Orchestra, for Decca 1952
209:(ballet music) and Meyerbeer (arr Lambert)
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348:Non-dance music recorded by him includes:
128:for a "grand pas de quatorze" by Ashton,
74:During World War II, he served with the
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608:20th-century British conductors (music)
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598:People educated at Winchester College
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588:Alumni of the Royal College of Music
613:20th-century British male musicians
171:in the series Producer's Showcase.
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503:New York Times, 17 September 1991
29:Robert Irving, signed photograph
583:British male conductors (music)
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393:, Op. 59, along with Britten's
297:and ballet music from Grétry's
92:BBC Scottish Symphony Orchestra
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593:Alumni of New College, Oxford
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318:Royal Philharmonic Orchestra
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542:. Retrieved 2 January 2019.
467:. Retrieved 2 January 2019.
367:coupled with Tchaikovsky's
307:of London for Decca in 1955
124:, Irving arranged music by
87:rank of Squadron Leader.
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540:Available at CHARM website
80:Distinguished Flying Cross
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578:Musicians from Winchester
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332:Suites from Shostakovich
245:London Symphony Orchestra
479:accessed 3 January 2019.
405:, Op. 9, for HMV in 1957
341:The Miraculous Mandarin
34:Robert Augustine Irving
378:La procesiĂłn del Rocio
365:Suite in F-sharp minor
305:New Symphony Orchestra
232:Philharmonia Orchestra
78:, and was awarded the
69:Royal College of Music
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254:Suite, Op.42 and his
221:La boutique fantasque
96:Sadler's Wells Ballet
51:, he was educated at
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391:Four Scottish Dances
256:Eight English Dances
176:New York City Ballet
108:New York City Ballet
276:The Sleeping Beauty
252:Homage to the Queen
71:from 1934 to 1936.
57:New College, Oxford
396:Matinées musicales
383:Danzas fantásticas
338:Op.22a and BartĂłk
300:CĂ©phale et Procris
218:Ballet music from
126:Alexander Glazunov
104:Picnic at Tintagel
53:Winchester College
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421:Dance Award, 1975
402:Soirées musicales
313:Birthday Offering
180:George Balanchine
131:Birthday Offering
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320:in 1956 for HMV.
281:A near complete
247:, for Decca 1953
243:suites with the
100:Frederick Ashton
65:Constant Lambert
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234:in 1952 for HMV
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76:Royal Air Force
61:Malcolm Sargent
49:R. L. G. Irving
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270:Tchaikovsky's
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185:The Nutcracker
145:Margot Fonteyn
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154:Les Sylphides
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149:Michael Somes
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323:An abridged
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159:Nadia Nerina
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122:Royal Ballet
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573:1991 deaths
568:1913 births
429:Award, 1984
316:, with the
195:Discography
562:Categories
434:References
290:The Gluck-
164:Cinderella
82:(DFC) and
45:Winchester
389:Arnold's
376:Turina's
355:Peer Gynt
303:with the
272:Swan Lake
264:Horoscope
250:Arnold's
237:Walton's
230:with the
203:Massenet
140:Swan Lake
118:La Source
362:Dohnányi
43:Born in
419:Capezio
326:Giselle
67:at the
489:IMDb:
413:Awards
370:Hamlet
352:Grieg
284:Sylvia
240:Façade
206:Le Cid
113:Sylvia
528:Naxos
292:Mottl
227:Faust
157:with
143:with
147:and
106:for
63:and
55:and
169:NBC
167:on
84:bar
38:DFC
564::
509:^
134:.
36:,
20:.
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