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Her talent for portrait painting soon became obvious and she quickly outgrew
Pfyffer's studio. Her opportunity came when her sister Johanna married a businessman from Berlin. Johanna and her husband agreed to let her live with them there, and she found a place as a student in a special women's class
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She was first attracted to painting when the now-forgotten Swiss painter Eduard
Pfyffer (1836–1899) came to their home to do family portraits. This interest grew with visits to local museums. For a woman, training as a painter would have gone against contemporary social conventions. Her mother was
76:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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249:. In 1882, she had her first exhibition with an art dealer in ZĂĽrich and it was well received. That same year, she followed a friend to Paris, where she found a position in the studios of
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to be with her friend, Elisabeth
Winterhalter; although she travelled widely (including a trip to Africa in 1913). She never lost track of her Swiss roots, however, and became an
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especially opposed to her wishes, but persistence eventually won over her father and, in 1876, she was allowed to study with
Pfyffer, so she would be close to home.
311:, Frankfurt's first school for girls. After the war she did a number of portraits of women widowed by the war. She continued to exhibit regularly until 1931.
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who was intrigued that
Roederstein wore a shirt, jacket and a fob watch. Roederstein's painting of her as "The Letter" was exhibited at the salon of the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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257:. By 1887, she was able to support herself with sales and commissions and no longer had to depend on her parents. She was a participant in the
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Ottilie W. Roederstein (1859–1937). Eine Künstlerin zwischen
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in 1908. That same year
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of ZĂĽrich in 1902. Five years later, she and
Elisabeth settled in
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The Aesthetics of Loss: German Women's Art of the First World War
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Roederstein died on 26 November 1937 in Hofheim am Taunus.
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Ida Gerhardi – Deutsche Künstlerinnen in Paris um 1900.
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261:and won a Silver Medal at the
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104:You may also add the template
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524:Lexicon on art in Switzerland
484: Tapan Bhattacharya:
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263:Exposition Universelle (1889)
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401:Susan Waller (5 July 2017).
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