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Roni Horn

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31: 167: 469: 364:) were embedded into the floor in contrasting shades of tan-colored rubber. Horn manipulated passages of the text to shape partial and overlapping rings and loops, playing with the order and coherence of Lispector's text. The rubber floor's dimensions at Hauser & Wirth London were approximately 1,500 square feet, with each rubber tile 69 inches square. It contained 25 "rubber floor drawings" with additional plain tiles so that the piece would fit wall to wall. 278: 484: 666:
in Houston, Texas held a two part solo exhibition, "When I Breathe, I Draw". The first part, features Horn's large scale works on paper, and the second, was devoted to works created from cutting, housed in the Menil Drawing Institute's main gallery. She was also commissioned to install her "Wits' End
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depicts a living, rather than an inert, thing. Horn complicated the notion of surface and skin. This treatment of the face smudges the distinction between object and subject. Just who is the 'you'? Of course all answers are completely dependent upon who chooses to inhabit the role of 'you.' It's a
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The "Library of Water" is housed in a former library building in Stykkisholmur on the west coast of Iceland. Horn noticed the building in the 1990s. It is located at the high point of the town, overlooking the harbour and the sea. It was conceived by Horn in 2004 as a sculpture installation and a
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discovery process, which in some ways reflects the making of the work itself. The subtle and not so subtle difference in these photographs make it difficult for a viewer to dismiss any one image as being identical to the one next to it. 'You' have to look hard."
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inches. It is in the collection of the Museum of Modern Art. It was commissioned around 1998, and Horn has noted that it came about at the same time as the end of a long love relationship. Each of the 15 lithographs features a photograph of the surface of the
382:(1994-1996), is a photographic cycle featuring 100 close-up shots of the same woman, Margret, in a variety of Icelandic geothermal pools. Notes written by Horn about this work were included in the catalogue that accompanied Horn's 2009 traveling retrospective 538:(2008) is a solid cast glass cube 1219 x 1219 x 1219 mm, weighing 4536 kg manufactured by Schott, a German glass manufacturing company with whom she has worked since her student times. They also manufactured the columns of her Library of Water in Iceland. 109:(born September 25, 1955) is an American visual artist and writer. The granddaughter of Eastern European immigrants, she was born in New York City, where she lives and works. She is currently represented by 185:. She first traveled to Iceland in the 1970s. Since her first encounter with the island as a young arts graduate visiting on a fellowship from Yale, Horn has returned to Iceland frequently. 386:. The two-volume book includes a Subject Index that brought together writings and reflections on works, themes, titles and topics related to Horn's practice. Curator Donna De Salvo says, " 1867: 928: 125:
Horn was born on September 25, 1955, in New York City. She was named for her grandmothers, both of whom were named Rose. In a 2009 interview, Horn reflected on her
1439: 1289: 226:(2006) is a collection of cards rather than a bound volume. Printed on both sides, the cards show pictures of glacial water, taxidermied birds, and a face. 2335: 2330: 1935: 573:
Horn's first solo exhibition (outside the university) was held in 1980 at the Kunstraum München. With two New York shows at the Paula Cooper and
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that has been annotated with many small white numerals that correspond to a bar of footnotes that runs along the lower border of each image.
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In 2004-2006, the books were selected as some of the most important photobooks in history. A 2009 journal article stated that the nine
1184: 1705: 1969: 1901: 1829: 1701: 730: 506: 2300: 2295: 1863: 1671: 777: 2340: 2063: 1401: 1116: 830: 645: 222:(1998) records the endless horizon of the North Sea, the feathers of an eider nest, and the rotating beacon of a lighthouse. 1389: 2315: 790: 315:
in Iceland, consists of 80 photographs of water dispersed throughout the university's public spaces. In 2007 she undertook
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fellowships in 1984, 1986 and 1990, and a Guggenheim fellowship, also in 1990. She has had one-person exhibitions at the
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comprises eight square aluminium poles of different lengths leaning against the gallery wall, each bearing a line from
206:(1990) was produced in 1982 during a two-month stay in a lighthouse off the southern coast of Iceland in a town called 1562: 1999: 1172: 2310: 2248: 891: 2325: 1414: 582: 147:, she stated "I had a studio in a bad neighborhood with very little daylight. It was dangerous and depressing." 1529: 641: 606: 468: 307:(1997), a rubber-tiled walkway in Basel's east train station, mimics an unusual basalt formation of Iceland. 140: 72: 1923: 553:
from April 24 to July 4, 2010. The ten glass elements are cylinders in shades of blue and pale blue greens.
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name as an advantage, stating "when I was young I decided that my sex, my gender, was nobody’s business."
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Weather has played an important role in Horn's work. She has created several public artworks, including
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consists of ten solid cast glass parts, each measuring 91.5 cm in diameter and 45.5 cm in height.
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opened a survey show of Horn's work. Titled "Roni Horn aka Roni Horn", the show travelled to the
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Horn has been intimately involved with the singular geography, geology, climate and culture of
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is part of a private collection, but was included in an exhibition of the same title at
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books "together constitute one of the most important groups of artists' books since
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at age 16. She graduated with BFA in 1975 at age 19. Describing her "fast jaunt" in
1440:"American Artist Roni Horn Conceives Exhibition Specifically for Kunsthaus Bregenz" 762: 663: 622: 610: 327:, Iceland. The installation is made up of water collected from Icelandic glaciers. 1371:
Paired, Gold: Félix González-Torres and Roni Horn, October 2, 2009–January 6, 2010
427:(1999) is a single work composed of fifteen photographic offset lithographs, each 324: 289: 1377: 948: 630: 525: 517:(1994-1995), dedicated to the late González-Torres and his partner Ross Laycock. 151: 77: 2089: 1753: 210:. The series totals thirteen drawings, all made on note cards. The second book, 2021: 1330: 845: 110: 1593: 2274: 2240: 2123: 1022: 685: 234: 62: 51: 1625: 985: 964: 218:(1995) is the fifth in the series. A photographic essay, the seventh volume 1554: 1160: 706: 574: 457: 1991: 1145:
The Open Book: a History of the Photographic Book from 1878 to the Present
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galleries, Horn's career accelerated in the late 1980s. Horn received the
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Sampler" wall drawing in the entry space of the Menil Drawing Institute.
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in New York. The pictures were taken over a six-year period in Iceland.
241:'s publications on industrial architecture." Other publications include 951: 158:, whose landscape and isolation have strongly influenced her practice. 1091: 888:
Untitled ("The sensation of satisfaction at having outstared a baby.")
214:(1991), is a collection of photographs documenting extant sheepfolds. 1598: 794: 689: 626: 1275:
De Salvo, Donna. "You are the Weather." Ed. De Salvo, Donna, et al.
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White Dickinson I THINK OF YOUR FOREST AND SEA AS A FAR OFF SHERBET
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In 2016 Horn had a solo exhibition in Tilburg, The Netherlands, at
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Things That Happen Again, Pair Object VII (For a Here and a There)
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in London was the location of an installation by Horn entitled
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Félix González-Torres and Roni Horn, March 31 - April 30, 2005
1331:"Roni Horn. Still Water (The River Thames, for Example). 1999" 1402:
Roni Horn, When Dickinson Shut Her Eyes, no. 1259, 1993-2004
2213: 1856:"When Dickinson Shut Her Eyes No. 859: A Doubt If It Be Us" 877: 633:(1997), among others. In 2004 she was a visiting critic at 1353: 1351: 139:
Horn graduated from high school early and enrolled in the
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When Dickinson Shut Her Eyes No. 859: A Doubt If It Be Us
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Horn, Roni. "Still Water." Ed. De Salvo, Donna, et al.
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Key and Cue No. 1182 (Remembrance has a rear and front)
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wrote the accompanying monograph for the installation.
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Elements and Unknowns, September 4 – November 23, 2008
860:(2006-2007), National Gallery of Art, Washington, D.C. 670: 1588: 1586: 1584: 1582: 1580: 1167:. Volume II. London & New York: Phaidon, 2006. 513:. In response, Horn made a second gold field piece, 1190:, volume 32, issue 5, December 2009, pages 932-953. 1282: 202:Reproducing 13 watercolour and graphite drawings, 1577: 2272: 770:(1993), Museum of Contemporary Art, Los Angeles 621:, London (2009). Group exhibitions include the 565:series of biographies of contemporary artists. 417:(1998) were installed on all four walls of the 154:in 1978. Since 1975 she has travelled often to 1092:"Roni Horn" (interview with Claudia Spinelli). 1035: 1011:"Roni Horn Shares a Timely Record of Solitude" 2022:"Still Water (The River Thames, for Example)" 561:Horn was one of the artists featured on PBS' 501:had the opportunity to view Horn's sculpture 410:and features the same model, 15 years later. 16:American visual artist and writer (born 1955) 1147:. Göteborg, Sweden: Hasselblad Center, 2004. 924: 922: 920: 918: 916: 914: 319:’s first international commission, creating 299:(1996–97), a permanent installation for the 838:(2002-2004), Museum of Modern Art, New York 821:Still Water (The River Thames, for Example) 425:Still Water (The River Thames, for Example) 413:The 45 color images of Horn's installation 120: 1432: 323:, a long-term installation in the town of 29: 2336:21st-century American women photographers 2331:20th-century American women photographers 911: 899:(2013-2015), Glenstone, Potomac, Maryland 39:, where she was given the Joan Miró Award 1924:"Gold Mats, Paired - for Ross and Felix" 1530:"Roni Horn When I Breathe I Draw Part I" 1361:. Göttigen: Steidl, 2009. P. 134. Print. 1279:. Göttigen: Steidl, 2009. P. 195. Print. 1269: 1222:. Göttigen: Steidl, 2005. P. 100. Print. 482: 467: 378:Horn's first photographic installation, 311:(2000), a permanent installation at the 276: 165: 1830:Museum of Contemporary Art, Los Angeles 1702:Museum of Contemporary Art, Los Angeles 1404:Phillips de Pury & Company, London. 1235:. Göttigen: Steidl, 2005. P. 19. Print. 1106: 1008: 731:Museum of Contemporary Art, Los Angeles 507:Museum of Contemporary Art, Los Angeles 161: 150:Horn received an MFA in sculpture from 2273: 1864:Crystal Bridges Museum of American Art 1482:. tate.org. 2009-01-21. Archived from 1415:"Complex Glass Artworks of Great Dept" 1407: 1359:Roni Horn aka Roni Horn: Subject Index 1257: 1255: 1253: 1199: 1041: 823:(1999), Museum of Modern Art, New York 800:Gold Mats, Paired - for Ross and Felix 778:Crystal Bridges Museum of American Art 473:Gold Mats, Paired - For Ross and Felix 2064:Institute of Contemporary Art, Boston 1522: 1290:"Exhibitions — Roni Horn Recent Work" 1185:"Roni Horn's Icelandic Encyclopedia." 831:Institute of Contemporary Art, Boston 817:(1996-1997), The Guggenheim, New York 811:(1995-1996), Art Institute of Chicago 511:Untitled (Placebo-Landscape-for Roni) 195:The ongoing series of books entitled 2321:Rhode Island School of Design alumni 2154:"Opposite of White, v.2 (Large) (A)" 1802:from the original on 7 November 2020 1465:Roni Horn and the Art of Abstraction 1323: 980: 978: 854:(2006), Glenstone, Potomac, Maryland 791:University of Michigan Museum of Art 515:Gold Mats, Paired-For Ross and Felix 2291:21st-century American photographers 2286:20th-century American photographers 1708:from the original on 7 August 2020. 1250: 671:Notable works in public collections 13: 2221:from the original on 22 April 2022 2070:from the original on 14 April 2021 2036:from the original on 19 April 2021 1904:from the original on 21 April 2021 1870:from the original on 31 March 2022 1836:from the original on 7 August 2020 1768:from the original on 19 April 2021 940:Julie L. Belcove (November 2009), 884:; and Glenstone, Potomac, Maryland 858:Opposite of White, v.2 (Large) (A) 723:; and Glenstone, Potomac, Maryland 657:De Pont Museum of Contemporary Art 171:Opposite of White, v.2 (Large) (A) 14: 2357: 2255:from the original on 12 July 2022 2168:from the original on 12 July 2022 2104:from the original on 26 July 2021 2002:from the original on 21 June 2021 1938:from the original on 11 July 2022 1734:from the original on 12 July 2022 1674:from the original on 12 July 2022 1640:from the original on 9 March 2022 1606:from the original on 12 July 2022 1565:from the original on 26 July 2021 1463:William Wilson (April 22, 1990), 975: 2249:Los Angeles County Museum of Art 2134:from the original on 3 July 2021 1972:from the original on 15 May 2021 892:Los Angeles County Museum of Art 579:CalArts/Alpert Award in the Arts 272: 2233: 2201: 2180: 2146: 2116: 2082: 2048: 2014: 1984: 1950: 1916: 1882: 1848: 1814: 1780: 1746: 1712: 1686: 1652: 1618: 1547: 1472: 1457: 1395: 1392:Andrea Rosen Gallery, New York. 1383: 1364: 1307: 1238: 1225: 1212: 1193: 1177: 1150: 1137: 1125: 1009:Quinlan, Adriane (2021-02-19). 373: 1233:Rings of Lispector (Agua Viva) 1231:Horn, Roni and Hélène Cixous. 1220:Rings of Lispector (Agua Viva) 1218:Horn, Roni and Hélène Cixous. 1100: 1085: 1060: 1046:. Phaidon Press. p. 194. 1002: 957: 934: 642:Whitney Museum of American Art 607:Whitney Museum of American Art 568: 556: 1: 2301:Artists from New York (state) 2296:American contemporary artists 1505:"Roni Horn at Museum de Pont" 1313:Roberta Smith (May 07, 1999) 1200:Lossin, R.H. (January 2010). 904: 646:Institute of Contemporary Art 398:were published in one of the 141:Rhode Island School of Design 73:Rhode Island School of Design 2341:American LGBTQ photographers 1728:Museum of Fine Arts, Houston 1380:Guggenheim Museum, New York. 740:Museum of Fine Arts, Houston 682:Solomon R. Guggenheim Museum 617:festival, France (2009) and 522:When Dickinson shut her eyes 463: 321:Vatnasafn / Library of Water 263:Wonderwater (Alice Offshore) 7: 2316:American postmodern artists 1822:"How Dickinson Stayed Home" 1668:Museum of Fine Arts, Boston 1095:Journal of Contemporary Art 721:Museum of Fine Arts, Boston 406:, follows the same form as 404:You are the Weather, Part 2 188: 10: 2362: 2346:21st-century American Jews 297:You Are the Weather—Munich 1480:"Roni Horn aka Roni Horn" 1202:"Roni Horn aka Roni Horn" 1111:. Germany: Seidl Verlag. 768:How Dickinson Stayed Home 503:Forms from the Gold Field 350:' English translation of 216:To Place: Verne's Journey 199:(1990-) concern Iceland. 93: 83: 68: 58: 44: 28: 21: 1966:Art Institute of Chicago 1932:Art Institute of Chicago 1788:"Lava Fields of Iceland" 1335:The Museum of Modern Art 1315:Art in review: Roni Horn 1265:– via www.pbs.org. 1165:The Photobook: a History 804:Art Institute of Chicago 719:(1988-1990, 1998/2001), 680:(1980-1982, 1982/2013), 591:Art Institute of Chicago 488:Things That Happen Again 259:Her, Her, Her, & Her 121:Early life and education 97:Joan Miró Award 2013 by 2311:Jewish American artists 2162:National Gallery of Art 1890:"Key and Cute No. 1182" 1796:National Gallery of Art 1376:April 29, 2011, at the 1277:Roni Horn aka Roni Horn 1109:Roni Horn aka Roni Horn 870:, Otterlo (KM 133.928). 759:National Gallery of Art 599:Dia Center for the Arts 595:Centre Georges Pompidou 587:Nasher Sculpture Center 492:National Gallery of Art 477:National Gallery of Art 384:Roni Horn aka Roni Horn 267:Index Cixous, 2003 – 05 247:This is Me, This is You 175:National Gallery of Art 2326:Yale University alumni 2056:"Key and Cue, No. 288" 1898:University of Michigan 1720:"Pair Field: Group IV" 1509:Contemporary Art Daily 1143:Roth, Andrew, editor. 1107:Huseman, Beth (2008). 1042:Wright, Karen (2019). 931:Guggenheim Collection. 755:Lava Fields of Iceland 640:In November 2009, the 541:Horn's 2009-2010 work 495: 480: 394:Many of the images in 313:University of Akureyri 301:Deutscher Wetterdienst 292: 255:If on a Winter's Night 239:Bernd and Hilla Becher 178: 1992:"Untitled (Flannery)" 868:Kröller-Müller Museum 782:Bentonville, Arkansas 648:in Boston (2010),the 499:Félix González-Torres 486: 471: 419:Matthew Marks Gallery 280: 169: 117:. She is openly gay. 2188:"Opposites of white" 2098:Museum of Modern Art 2030:Museum of Modern Art 1762:Museum of Modern Art 1694:"Kafka's Palindrome" 1534:The Menil Collection 1419:Schott North America 827:Key and Cue, No. 288 749:Museum of Modern Art 736:Pair Field: Group IV 709:(longterm loan from 664:The Menil Collection 162:Work and recognition 35:Horn at Barcelona's 2090:"Untitled (Aretha)" 1044:Great women artists 876:(2009, 2008-2011), 815:Untitled (Flannery) 635:Columbia University 520:Horn's 1993 series 509:. In 1993, he made 475:(1994/1995) at the 408:You are the Weather 396:You Are the Weather 388:You are the Weather 380:You Are The Weather 342:for the exhibition 243:Dictionary of Water 237:'s 1960s books and 224:Doubt Box (Book IX) 173:(2006-2007) at the 1754:"Steven's Bouquet" 1634:Chinati Foundation 1294:Hauser & Wirth 1263:"ART21 | PBS" 1015:The New York Times 947:2012-10-03 at the 897:Water Double, v. 3 864:Opposites of White 727:Kafka's Palindrome 703:Chinati Foundation 662:In February 2019, 615:Rencontres d'Arles 496: 481: 362:The Stream of Life 344:Rings of Lispector 336:Hauser & Wirth 331:community center. 303:bureau in Munich. 293: 179: 115:Hauser & Wirth 48:September 25, 1955 37:Fundació Joan Miró 1958:"Deeps and Skies" 1468:Los Angeles Times 1206:The Brooklyn Rail 1118:978-3-86521-831-5 836:Untitled (Aretha) 694:Potomac, Maryland 551:Kunsthaus Bregenz 352:Clarice Lispector 104: 103: 2353: 2265: 2264: 2262: 2260: 2237: 2231: 2230: 2228: 2226: 2205: 2199: 2198: 2196: 2194: 2184: 2178: 2177: 2175: 2173: 2150: 2144: 2143: 2141: 2139: 2124:"Doubt by Water" 2120: 2114: 2113: 2111: 2109: 2086: 2080: 2079: 2077: 2075: 2052: 2046: 2045: 2043: 2041: 2018: 2012: 2011: 2009: 2007: 1988: 1982: 1981: 1979: 1977: 1954: 1948: 1947: 1945: 1943: 1920: 1914: 1913: 1911: 1909: 1886: 1880: 1879: 1877: 1875: 1852: 1846: 1845: 1843: 1841: 1818: 1812: 1811: 1809: 1807: 1784: 1778: 1777: 1775: 1773: 1750: 1744: 1743: 1741: 1739: 1716: 1710: 1709: 1690: 1684: 1683: 1681: 1679: 1656: 1650: 1649: 1647: 1645: 1622: 1616: 1615: 1613: 1611: 1590: 1575: 1574: 1572: 1570: 1551: 1545: 1544: 1542: 1540: 1526: 1520: 1519: 1517: 1515: 1501: 1495: 1494: 1492: 1491: 1476: 1470: 1461: 1455: 1454: 1452: 1450: 1436: 1430: 1429: 1427: 1425: 1411: 1405: 1399: 1393: 1387: 1381: 1368: 1362: 1355: 1346: 1345: 1343: 1341: 1327: 1321: 1311: 1305: 1304: 1302: 1300: 1286: 1280: 1273: 1267: 1266: 1259: 1248: 1245:Art21: Roni Horn 1242: 1236: 1229: 1223: 1216: 1210: 1209: 1197: 1191: 1181: 1175: 1154: 1148: 1141: 1135: 1129: 1123: 1122: 1104: 1098: 1089: 1083: 1082: 1080: 1078: 1072:Library of Water 1064: 1058: 1057: 1039: 1033: 1032: 1030: 1029: 1006: 1000: 999: 997: 996: 982: 973: 972: 961: 955: 938: 932: 926: 763:Washington, D.C. 745:Steven's Bouquet 623:Whitney Biennial 611:Kunsthalle Basel 605:, Porto (2001); 601:, New York, and 597:, Paris (2003); 530:A Wind that rose 454: 453: 449: 446: 440: 439: 435: 432: 286:Library of Water 113:in Brussels and 33: 19: 18: 2361: 2360: 2356: 2355: 2354: 2352: 2351: 2350: 2271: 2270: 2269: 2268: 2258: 2256: 2239: 2238: 2234: 2224: 2222: 2207: 2206: 2202: 2192: 2190: 2186: 2185: 2181: 2171: 2169: 2152: 2151: 2147: 2137: 2135: 2122: 2121: 2117: 2107: 2105: 2088: 2087: 2083: 2073: 2071: 2054: 2053: 2049: 2039: 2037: 2020: 2019: 2015: 2005: 2003: 1990: 1989: 1985: 1975: 1973: 1956: 1955: 1951: 1941: 1939: 1922: 1921: 1917: 1907: 1905: 1888: 1887: 1883: 1873: 1871: 1860:Crystal Bridges 1854: 1853: 1849: 1839: 1837: 1820: 1819: 1815: 1805: 1803: 1786: 1785: 1781: 1771: 1769: 1752: 1751: 1747: 1737: 1735: 1718: 1717: 1713: 1692: 1691: 1687: 1677: 1675: 1658: 1657: 1653: 1643: 1641: 1624: 1623: 1619: 1609: 1607: 1592: 1591: 1578: 1568: 1566: 1553: 1552: 1548: 1538: 1536: 1528: 1527: 1523: 1513: 1511: 1503: 1502: 1498: 1489: 1487: 1478: 1477: 1473: 1462: 1458: 1448: 1446: 1438: 1437: 1433: 1423: 1421: 1413: 1412: 1408: 1400: 1396: 1388: 1384: 1378:Wayback Machine 1369: 1365: 1356: 1349: 1339: 1337: 1329: 1328: 1324: 1312: 1308: 1298: 1296: 1288: 1287: 1283: 1274: 1270: 1261: 1260: 1251: 1243: 1239: 1230: 1226: 1217: 1213: 1198: 1194: 1183:Godfrey, Mark. 1182: 1178: 1155: 1151: 1142: 1138: 1134:MoMA, New York. 1130: 1126: 1119: 1105: 1101: 1090: 1086: 1076: 1074: 1066: 1065: 1061: 1054: 1040: 1036: 1027: 1025: 1007: 1003: 994: 992: 984: 983: 976: 963: 962: 958: 949:Wayback Machine 939: 935: 927: 912: 907: 902: 809:Deeps and Skies 711:Judd Foundation 673: 631:Venice Biennale 603:Museu Serralves 571: 559: 526:Emily Dickinson 505:in 1990 at the 466: 451: 447: 444: 442: 437: 433: 430: 428: 376: 275: 193: 164: 152:Yale University 134:Rockland County 132:She grew up in 123: 78:Yale University 76: 54: 49: 40: 24: 17: 12: 11: 5: 2359: 2349: 2348: 2343: 2338: 2333: 2328: 2323: 2318: 2313: 2308: 2303: 2298: 2293: 2288: 2283: 2267: 2266: 2232: 2200: 2179: 2145: 2115: 2081: 2047: 2013: 1983: 1949: 1915: 1881: 1847: 1813: 1779: 1745: 1711: 1685: 1651: 1617: 1576: 1546: 1521: 1496: 1471: 1456: 1431: 1406: 1394: 1382: 1363: 1347: 1322: 1318:New York Times 1306: 1281: 1268: 1249: 1237: 1224: 1211: 1192: 1176: 1149: 1136: 1124: 1117: 1099: 1084: 1059: 1053:978-0714878775 1052: 1034: 1001: 974: 956: 933: 909: 908: 906: 903: 901: 900: 894: 885: 871: 861: 855: 849: 846:Whitney Museum 842:Doubt by Water 839: 833: 824: 818: 812: 806: 797: 784: 771: 765: 752: 742: 733: 724: 714: 696: 674: 672: 669: 625:(1991, 2004); 570: 567: 558: 555: 547:Well and Truly 543:Well and Truly 490:(1986) at the 465: 462: 375: 372: 274: 271: 220:Arctic Circles 192: 187: 163: 160: 127:gender neutral 122: 119: 111:Xavier Hufkens 102: 101: 95: 91: 90: 85: 84:Known for 81: 80: 70: 66: 65: 60: 56: 55: 50: 46: 42: 41: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 2358: 2347: 2344: 2342: 2339: 2337: 2334: 2332: 2329: 2327: 2324: 2322: 2319: 2317: 2314: 2312: 2309: 2307: 2306:Living people 2304: 2302: 2299: 2297: 2294: 2292: 2289: 2287: 2284: 2282: 2279: 2278: 2276: 2254: 2250: 2246: 2242: 2236: 2220: 2216: 2215: 2210: 2204: 2189: 2183: 2167: 2163: 2159: 2155: 2149: 2133: 2129: 2125: 2119: 2103: 2099: 2095: 2091: 2085: 2069: 2065: 2061: 2057: 2051: 2035: 2031: 2027: 2023: 2017: 2001: 1997: 1993: 1987: 1971: 1967: 1963: 1959: 1953: 1937: 1933: 1929: 1925: 1919: 1903: 1899: 1895: 1891: 1885: 1869: 1865: 1861: 1857: 1851: 1835: 1831: 1827: 1823: 1817: 1801: 1797: 1793: 1789: 1783: 1767: 1763: 1759: 1755: 1749: 1733: 1729: 1725: 1721: 1715: 1707: 1703: 1699: 1695: 1689: 1673: 1669: 1665: 1661: 1655: 1639: 1635: 1631: 1627: 1621: 1605: 1601: 1600: 1595: 1589: 1587: 1585: 1583: 1581: 1564: 1560: 1556: 1550: 1535: 1531: 1525: 1510: 1506: 1500: 1486:on 2009-05-12 1485: 1481: 1475: 1469: 1466: 1460: 1445: 1441: 1435: 1420: 1416: 1410: 1403: 1398: 1391: 1386: 1379: 1375: 1372: 1367: 1360: 1354: 1352: 1336: 1332: 1326: 1319: 1316: 1310: 1295: 1291: 1285: 1278: 1272: 1264: 1258: 1256: 1254: 1246: 1241: 1234: 1228: 1221: 1215: 1207: 1203: 1196: 1189: 1186: 1180: 1174: 1173:0-7148-4433-0 1170: 1166: 1162: 1158: 1153: 1146: 1140: 1133: 1128: 1120: 1114: 1110: 1103: 1096: 1093: 1088: 1073: 1069: 1063: 1055: 1049: 1045: 1038: 1024: 1020: 1016: 1012: 1005: 991: 987: 981: 979: 970: 966: 960: 953: 950: 946: 943: 937: 930: 925: 923: 921: 919: 917: 915: 910: 898: 895: 893: 889: 886: 883: 879: 875: 872: 869: 866:, 2006-2007, 865: 862: 859: 856: 853: 850: 847: 844:(2003-2004), 843: 840: 837: 834: 832: 829:(1994-2004), 828: 825: 822: 819: 816: 813: 810: 807: 805: 802:(1994/1995), 801: 798: 796: 792: 788: 785: 783: 779: 775: 772: 769: 766: 764: 760: 756: 753: 750: 746: 743: 741: 737: 734: 732: 728: 725: 722: 718: 715: 712: 708: 704: 701:(1986-1988), 700: 697: 695: 691: 687: 683: 679: 676: 675: 668: 665: 660: 658: 653: 651: 647: 643: 638: 636: 632: 628: 624: 620: 616: 612: 609:, New York; 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Index


Fundació Joan Miró
New York City
American
Rhode Island School of Design
Yale University
Visual arts
Fundació Miró
Xavier Hufkens
Hauser & Wirth
gender neutral
Rockland County
Rhode Island School of Design
Providence
Yale University
Iceland

National Gallery of Art
Iceland
Dyrhólaey
Ed Ruscha
Bernd and Hilla Becher

Stykkishólmur
Deutscher Wetterdienst
University of Akureyri
Artangel
Stykkishólmur
Hauser & Wirth
Hélène Cixous

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