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other three sides. The proposal proved controversial. Although recumbent effigies were not uncommon on tombs and (to a lesser extent) war memorials, a sculpture of a dead soldier at eye level was an unusual and dramatic feature among First World War memorials—architects often preferred abstract, classical designs (such as the
Cenotaph) or portrayed death through allegory. Jagger was adamant about the inclusion, even offering to pay for the casting of the additional figure himself. After considerable debate, the RAWCF agreed to the modification. Jagger's work continued to take longer than planned, partially due to shortages of staff, the need to approve each amendment to the plan, and practical problems on the site itself. The names of his models for three of the statues are known—William Fosten for the driver, another ex-gunner called Metcalfe for the ammunition carrier, and Lieutenant
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214:. The static nature of the conflict, particularly on the Western Front, meant that artillery played a major role in the war, though physical reminders of the fighting were often avoided in the years after the war. The Royal Artillery War Commemoration Fund (RAWCF) was formed in 1918 to preside over the regiment's commemorations, aware of some dissatisfaction with memorials to previous wars. The RAWCF approached several eminent architects but its insistence on a visual representation of artillery meant that none was able to produce a satisfactory design. Thus they approached Jagger, himself an ex-soldier who had been wounded in the war. Jagger produced a design which was accepted in 1922, though he modified it several times before construction.
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895:, and in July 2014 it was one of five memorials in London to be upgraded to Grade I status to mark the centenary of the First World War. Listed building status provides legal protection from demolition or modification. Grade II* is applied to "particularly important buildings of more than special interest" and applied to about 5.5 per cent of listed buildings; Grade I is reserved for structures of "the greatest historic interest", and applies to around 2.5 per cent of listed buildings. The list entry notes its group value with the multiple other monuments on the Hyde Park Corner island (many of which are also listed), including the Wellington Arch and the multiple other war memorials.
655:, who focused on depicting the physical labour of soldiers and workers during the war. The memorial shows the three upright bronze figures stood at ease, rather than to attention; the driver leans back against the parapet, his cape hanging over his outstretched arms, suggesting an attitude of exhaustion or contemplation. The faceless, heavily laden statue of the fallen soldier appears less at rest than exhausted, pulled down as if by a great weight. At the same time, the sheer size of the memorial, including the oversized gun and larger-than-life bronze figures, exudes a sense of strength and power; the figures are stocky, confident and imposing. This contributes to the sense of
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448:, a member of the RAWCF committee, encouraged his fellow members to consider Jagger on the grounds that the memorial would be the work which established Jagger's reputation and thus the sculptor would produce his best work. The RAWCF requested that he submit a model for a realist sculpture, which should include a group of soldiers in bronze on a pedestal. The RAWCF felt that a realist design would have broader appeal and would be inclusive of the tastes of ordinary artillerymen—rather than catering solely for the tastes of the officers—while at the same time creating a historical record of the era for future generations.
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687:. The carved stone reliefs have an aggressive, hostile quality to them, a consequence of their focus on surface detail at the expense of the humans in the design. When questioned about his lifelike depictions, Jagger said that the "experience in the trenches persuaded me of the necessity for frankness and truth". According to historian John Glaves-Smith, the memorial uses themes of "endurance and sacrifice, not dynamism and conflict", and thus speaks to its audience about the experience of war in a way that the Cenotaph, for example, does not.
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accepted their advice on technical matters related to artillery procedures and the appearance of the howitzer, but was protective of his artistic independence and would not brook suggestions which he felt would impinge on the quality of the work. There were concerns on the committee that the design would shock members of the public, especially women, but the RAWCF eventually voted 50 to 15 in favour of accepting the design and the proposed cost of ÂŁ25,000. Jagger was formally awarded the contract for the memorial in March 1922.
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331:, with contributions from the Royal Artillery and other regiments, though this was quickly discarded as unlikely to gain approval from the relevant authorities. The national proposals stalled, partly because of concerns that individual regiments would not be able to maintain their individuality—something of great importance to the RAWCF—within a uniform whole. The RAWCF began exploring sites for its own individual monument, either at
288:, found the scale of the losses difficult to deal with, or felt that their trust in the political leadership that had led them into the war had been challenged. Visual reminders of the conflict were often avoided: mutilated servicemen, for example, were banned in the 1920s from joining in veterans' marches, and those with facial injuries often hid them in public. Where sculpture of human figures was used in
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827:, remarks that the memorial "is now internationally recognised as one of the finest memorials to have been erected anywhere after the First World War. Its combination of sculptural force, boldness of conception, vivid narrative and humanity makes the memorial pre-eminent", and notes that "the inclusion of an over-life size corpse was boldly direct and is without parallel on any major British memorial". The
241:, which used pure architectural forms and classical symbolism. The design was controversial when unveiled; some critics viewed the dead soldier as too graphic or felt that the howitzer did not lend itself to rendition in stone. Nonetheless, the memorial was popular with others, including ex-servicemen, and later came to be recognised as Jagger's masterpiece and one of Britain's finest war memorials.
303:. The RAWCF's intention was to remember the artillerymen who had died during the war, and after some discussions of various options, including purchasing a house for wounded soldiers, or building a number of small shrines across the country, the RAWCF decided to construct a single memorial to the fallen Royal Artillery servicemen. Memorials to lost servicemen from the previous major conflict, the
864:. Despite the delay, the RAWCF and Jagger parted on very good terms, the committee exceptionally pleased with the final memorial. Such was the toll on Jagger that after its unveiling he suspended work on all his other projects for six months to recuperate. Although at first the memorial met conflicting opinions, it further bolstered Jagger's professional reputation. He was awarded the
804:, an art historian and Director of the Imperial War Museum, described the work in 1991 as "undoubtedly" Jagger's masterpiece, noting the quality of the sculptural work which makes it "one of the outstanding examples of 20th-century British art" and "perhaps the only war memorial" to be recognised as intrinsically important in its own right.
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The unveiling was originally scheduled for 28 June 1925 but early in 1925 Jagger's most capable assistant resigned, leaving Jagger to complete the work alone. He advised the RAWCF that it could not be completed in time without sacrificing quality. The memorial was eventually unveiled four months late
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echoed Lord Curzon's comments, complaining in 1980 that it was a "squat toad of foolish stone". A renewed focus on Jagger's works, including the Royal
Artillery memorial, in the 1980s led to a fresh reappraisal of the piece; the most recent critical work on the memorial has described it as a "work of
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to design the stone structure of the memorial, and through June and July 1921 the RAWCF and the authorities considered the proposal. Jagger's model was similar to the eventual memorial, but had only two gunners at either end of an oblong memorial; the howitzer on the top was smaller than the eventual
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Despite the realist nature of the bronze statues in the design, commentators have often also noted the dehumanising aspects of the memorial. Its sheer size and the bulk of the howitzer serve to distance the observer, which—according to art historian John Glaves-Smith—depersonalises the soldiers in a
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Jagger at that time was preoccupied with the Anglo-Belgian
Memorial in Brussels and did not begin work on the Royal Artillery memorial until October, at which point he made several changes to the proposed design, which he submitted to the RAWCF early the following year. The revised memorial would be
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in
Brussels, though the Royal Artillery memorial is arguably his leading work. Most of these works were in the design stage or under construction concurrently. Jagger was approached by the RAWCF both because of his reputation as a designer and because of his service as an infantry officer, although
708:, the inaugural curator of the Imperial War Museum, was more impressed, and described the corpse as "a poignant and tremendous statement of fact which unconsciously makes the onlooker raise his hat". The figure was shocking to a public who were unused to graphic images of the war due to censorship.
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be a war memorial". Jagger explained that the artillery had "terrific power" and was the "last word in force", and that the howitzer he had chosen was the only suitable weapon to symbolise those capabilities. During the design process, the committee presented Jagger with many suggestions. He gladly
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The RAWCF first explored the option of joining some form of national commemoration which was under consideration in the aftermath of the First World War, initially wishing to spend only a small proportion of the fund on a physical monument. Plans were floated for a national memorial in the vicinity
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towards
Buckingham Palace. A year-long debate occurred within the RAWCF as to what inscription should be placed on the memorial, adding to the delay. Jagger made another change in early 1924, adding an effigy of a dead soldier to the fourth side of the memorial, in keeping with the soldiers on the
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stated that it would not approve
Lutyens' designs on the grounds that all would be too tall for their surroundings. After the RAWCF insisted that a howitzer be prominently incorporated into the designs, Lutyens withdrew. Baker disagreed with the concept of single service monuments, but submitted a
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reported how, two days after the official ceremony, a crowd had gathered in the rain just before dawn to conduct a small ceremony at the memorial; the newspaper felt that this said more about the quality of the memorial than the more negative writings of art critics. These voices eventually held
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noted that the frankness of the portrayal was a "terrible revelation long overdue", and hoped that veterans would be able to show the monument to their wives and children as a way of explaining the events of the war. Ex-servicemen were quoted by the newspaper as reminiscing about the war as they
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The Royal
Artillery Memorial has been the subject of much critical discussion since its inception. Although the RAWCF was pleased with its memorial, some members disapproved of the design and of the dead soldier in particular. Some felt that it was too graphic, or that it would be distressing to
284:, made these guns a key element of the conflict: over half the casualties in the war were caused by artillery. Artillery guns and their crews were themselves targets, and 49,076 members of the Royal Artillery died during the conflict. In the years after the war, many former servicemen, including
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and most monuments contemporary to the First World War. Memorials of the South
African War typically included figures of soldiers, sometimes dying in conflict, but always heroically in a "beautiful death". Classical symbolism was often used to distance the event of death from the observer, as
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and a signaller and telephonist on the smaller relief. The memorial's main inscription on the west and east faces reads "In proud remembrance of the forty-nine thousand and seventy-six of all ranks of the Royal
Regiment of Artillery who gave their lives for King and country in the Great War
632:, close to the Royal Artillery Memorial. Where dead soldiers were shown, they were depicted in an image of serenity and peace, often physically distanced from the viewer on a high platform, the entire effect enhanced by the silence that traditionally surrounds ceremonies at the Cenotaph.
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a third larger than before, cruciform in plan, and guarded by three bronze soldiers. Jagger rotated the howitzer by 90 degrees, bringing it into line with the main axis of the base, pointing towards the
Wellington Arch. After much discussion—including advice from Lutyens and Sir
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The Royal Artillery Memorial is located in what Malcolm Miles has termed the "leafy traffic island" of Hyde Park Corner in central London. It is one of several war memorials which dominate the roundabout and its surrounds; it is directly opposite the
232:. At the end of each arm of the cross is a sculpture of a soldier—an officer at the front (south side), a shell carrier on the east side, a driver on the west side, and at the rear (north) a dead soldier. The sides of the base are decorated with
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approach to his figures, embracing detailed images of military power with none of the classical symbolism of other monuments, or even Jagger's own pre-war pieces. The art historian Reginald Wilenski likens the memorial to the work of
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A set of bronze tablets was added to the south of the memorial in 1949, lying on a flat plinth which replaced a set of steps. Designed by Darcy Braddell, the addition commemorates 29,924 Royal Artillerymen who were killed in the
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version, and pointed sideways, rather than lengthways along the pedestal. In reporting to the committee, Jagger said that he felt strongly that the design should unashamedly focus on the events of the war, noting that it "should
379:(designer of the regiment's Boer War memorial). Lutyens sent in three designs, each costed at less than ÂŁ15,000 (approximately equivalent to ÂŁ853,000 in 2023), but several committee members felt them to be too similar to
624:. These memorials frequently used abstract designs intended to remove the viewer from the real world, and focus them on an idealised sense of self-sacrifice. Soldiers in these memorials were still frequently depicted as
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was sharply critical of the close relationship between the sculptor and the client, which it viewed as the root cause, believing that Jagger had given the artillerymen far too much influence over artistic matters.
616:. Most First World War memorials reacted to the criticism of this approach by adopting cleaner architectural forms, but still retaining the ideal of a "beautiful death", an approach which can be seen at Lutyens'
339:. The RAWCF sought a design that would be "unmistakably recognisable" as an artillery monument, and were insistent that the eventual designer take detailed advice from a junior officer who had served in the war.
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highlighted the cost of the monument, and argued that the money could have been better spent on directly caring for injured veterans. Both the dead soldier and the howitzer drew particular comment; art critic
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Black, Jonathan. (2004b) "'Who Dies if England Live?' Masculinity, the Problematics and the Image of the Ordinary Soldier in British War Art, c.1915–1928", in Caunce, Mazierska, Sydney-Smith and Walton (eds)
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relatives and others who should have been consoled by the memorial, while a group of former artillerymen felt that any recumbent figure should be of a man just shot down so as to present a more heroic image.
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sculptures depicting wartime scenes. The realism of the memorial, with the depiction of the howitzer and the dead soldier, differed significantly from other First World War memorials, notably the influential
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proposal costed at over ÂŁ25,000 (approximately equivalent to ÂŁ1,421,000 in 2023), which was declined and he withdrew from the project. Webb declined to submit a proposal and also withdrew.
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419:. The realism and starkness of the sculptures there marked Jagger out as unconventional among war memorial designers. Nonetheless, it was highly celebrated after it was exhibited at the
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In proud remembrance of the forty-nine thousand & seventy-six of all ranks of the Royal Regiment of Artillery who gave their lives for king and country in the Great War 1914–1919
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for the area praises the detail in Jagger's sculptures, especially the corpse, and notes that the memorial is "now recognised as a masterpiece of British 20th century sculpture".
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415:. At the end of the war, Jagger became involved in the design of war memorials, which formed the basis of his artistic reputation. His first major memorial commission was the
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The Royal Artillery Memorial is 43 feet long, 21 feet wide and 30 feet high (13 metres by 6 metres by 9 metres); the pedestal and the one-third over-lifesize replica of a
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554:. The plinth is in the form of a squat Roman cross. Cast by the A. B. Burton foundry, bronze figures are placed at the ends of each arm—an artillery captain holding a
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296:. Sculptures of soldiers were uncommon. Where they were used, the soldiers appeared healthy and smartly presented in military uniform, not dishevelled or injured.
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Glaves-Smith, John. (1985) "Realism and Propaganda in the Work of Charles Sargeant Jagger and their Relationship to Artistic Tradition", in Compton (ed) (1985a).
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wearing a heavy cape to the west; and to the north, a dead soldier on the north, his greatcoat thrown over him and his helmet resting on his chest. Carved stone
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put forward recommendations that far more care, time and funding be given to the construction of future war memorials, which were taken on board by the RAWCF.
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was quoted as describing the howitzer as "a toad squatting, which is about to spit fire out of its mouth...nothing more hideous could ever be conceived".
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Black, Jonathan. (2004a) "Thanks for the Memory: War Memorials, Spectatorship and the Trajectories of Commemoration 1919–2001", in Saunders (ed) (2004).
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Abousnnouga, Gill and Machin, David. (2008) "Defence Discourse I: the Visual Institutionalization of Discourses in War Monuments", in Mayr (ed) (2008).
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485:—Jagger agreed that the howitzer would point south to produce a pleasing silhouette from the park. The change also resolved an objection raised by
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fought between 1899 and 1902, had been widely criticised as being unimaginative and members of the RAWCF were unimpressed by the Royal Artillery's
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praising it in 1928 as "a strikingly imaginative and most worthy representation". By the 1930s, it was one of the best-known monuments in Europe.
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Stephenson, Andrew P. "Palimpsestic Promenades: Memorial Environments and the Consumption of Space in Post-1918 London", in Codell (ed) (2008).
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1914—1919". Beneath the dead soldier is the inscription "Here was a royal fellowship of death", a quote from William Shakespeare's
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on 18 October 1925. Dedications were later added to the memorial in memory of the 29,924 Royal Artillerymen killed in the
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examined the statue, and remarking on how the bronze figures had captured the reality of their time in the artillery.
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show various detailed military scenes from the First World War—two on each side, one larger than the other—and the
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both likened the howitzer to a children's toy, complaining that the gun did not lend itself to recreation in art.
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warriors, and classical ideals and symbols remained popular, as can be seen at the Machine Gun Corps Memorial by
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A surviving howitzer of the type represented on the Royal Artillery Memorial, this one in the collection of the
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in 1921, and led to other commissions across England and on foreign battlefields. Other examples include the
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252:. It underwent restoration in 2011 after years of weathering and water ingress. The memorial is a Grade I
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Curl, James Stevens. (1985) "The Royal Artillery Memorial at Hyde Park Corner", in Compton (ed) (1985a).
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The memorial in 2016, following the 2011 cleaning and restoration work; the building behind is
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After the unveiling, a vigorous debate occurred in the British newspapers about the memorial.
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The memorial enjoyed a still higher profile in the 21st century. The architectural historian
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pronounced the Royal Artillery Memorial "the greatest sculpture of the twentieth century".
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sway, and the memorial came to be popularly termed "the special Cenotaph of the Gunners",
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criticised the conventional, secure structure that underpins the memorial. Editorials in
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The Outdoor Monuments of London: Statues, Memorial Buildings, Tablets and War Memorials
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1747:"First World War Centenary Marked by Upgrading Listed Status of London War Memorials"
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with the Artillery's cannon badge. The reliefs on the east side portray an action by
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Caunce, Steven, Ewa Mazierska, Susan Sydney-Smith and John K. Walton (eds) (2004)
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and to give insufficient prominence to artillery. Further problems arose when the
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conducted a major restoration of the memorial during 2011, completed in time for
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in the form of an equestrian statue. Other memorials in the vicinity include the
516:
384:
304:
269:
253:
211:
207:
2052:
Memorials of the Great War in Britain: The Symbolism and Politics of Remembrance
408:
4951:
4622:
4436:
758:
719:
652:
647:
646:
The Royal Artillery Monument attempted a very different effect. Jagger takes a
585:
551:
464:
412:
316:
281:
218:
206:, and unveiled in 1925, the memorial commemorates the 49,076 soldiers from the
203:
123:
5474:
4810:
4741:
4695:
4591:
4483:
4385:
2324:
2283:
885:
857:
680:
640:
563:
506:
420:
372:
368:
285:
85:
72:
1820:
The Glorious Dead: Figurative Sculpture of British First World War Memorials
762:
The west side of the memorial, showing the over-lifesize howitzer, with the
635:
4991:
4817:
4463:
4390:
3650:
2318:
2312:
877:
816:
725:
603:
The memorial forms a sharp contrast with both the earlier monuments of the
380:
238:
3534:
Custard Apple (Annonaceae), Breadfruit (Moraceae) and Soursop (Annonaceae)
2196:
327:
or on the Mall. Another option mooted was a memorial cloister attached to
4680:
3588:
3443:
808:
746:
728:
complained about having any sort of artillery gun on the monument, while
656:
2006:
1994:
Compton, Ann. (1985b) "A Sculptural Biography," in Compton (ed) (1985a).
1946:
Reconstructing the Body: Classicism, Modernism, and the First World War
1857:
A Century of Remembrance: One Hundred Outstanding British War Memorials
376:
663:
image of the howitzer, to the solid, muscular figures of the gunners.
4608:
4316:
4299:
2132:
Matters of Conflict: Material Culture, Memory and the First World War
1870:
801:
737:
733:
713:
621:
555:
396:
273:
221:
578:
and the crew of a howitzer; on the west side is an action involving
498:, VC, who fought in the same regiment as Jagger, for the commander.
489:
about the "gloomy" figure on the front of the memorial staring down
280:. Technical advances, combined with the relatively static nature of
228:(a type of artillery field gun), which Jagger based on a gun in the
486:
356:
272:, which took place between 1914 and 1918, saw the extensive use of
225:
660:
558:
at the front (facing south, below the barrel of the howitzer); a
717:
was critical, comparing it unfavourably to the Cenotaph, while
676:
567:
456:
233:
104:
2083:
Language and Power: An Introduction to Institutional Discourse
625:
5111:
Metropolitan Drinking Fountain and Cattle Trough Association
1697:
1695:
292:, it tended to depict allegorical figures such as Peace or
5453:: †No longer extant, on public display or in London (see
1963:
The Political Economy of Art: Making the Nation of Culture
915:
List of public art in Hyde Park, London § Hyde Park Corner
315:. As a result of these problems, the prominent artist Sir
3296:
Upton Park—with Geoff Hurst, Martin Peters and Ray Wilson
1892:. (English Heritage Guidebooks) London: English Heritage
1692:
224:
base supporting a one-third over-lifesize sculpture of a
1890:
Wellington Arch, Marble Arch and Six Great War Memorials
876:. They were unveiled by Princess Elizabeth (later Queen
1966:. Cranbury, New Jersey: Associated University Presses.
2365:
1461:
1459:
1721:"Royal Artillery Memorial repaired for Armistice Day"
1431:
1429:
1427:
1425:
1406:
1404:
5506:
Grade I listed buildings in the City of Westminster
1456:
1344:
954:
952:
950:
948:
905:
Grade I listed buildings in the City of Westminster
2168:Public Sculpture of Historic Westminster: Volume 1
1422:
1401:
519:while at the north end is another memorial to the
43:For casualties of the Royal Regiment of Artillery
5541:Grade I listed statues in the City of Westminster
3378:
1129:
1127:
5472:
3023:Simon Milton (Paddington, St James's, Southwark)
2100:Urban Avant-Gardes: Art, Architecture and Change
1980:Charles Sargeant Jagger: War and Peace Sculpture
1915:) New Haven, Connecticut: Yale University Press
945:
891:In 1970 the memorial was designated a Grade II*
5020:From this moment despair ends and tactics begin
1888:Bowdler, Roger H and Brindle, Steven P. (2015)
620:, the precursor to his more famous Cenotaph on
5551:Tourist attractions in the City of Westminster
1837:. Annapolis, Maryland: Naval Institute Press.
1124:
1072:
1070:
1068:
1066:
970:
968:
966:
964:
5501:Buildings and structures in Hyde Park, London
3620:61st Battery Royal Field Artillery (Woolwich)
2351:
2212:
811:compared its quality to the memorials of the
459:, showing gunners operating a trench howitzer
363:The RAWCF first examined a design by Captain
5491:Bronze sculptures in the City of Westminster
5101:Commission for Diversity in the Public Realm
1875:War Memorials: From Antiquity to the Present
1803:Abousnnouga, Gill and Machin, David. (2013)
1605:
1603:
791:The memorial's reputation diminished in the
699:The bronze statue of the fallen artilleryman
2226:
1932:. Manchester: Manchester University Press.
1063:
1012:
1010:
1008:
1006:
1004:
1002:
1000:
998:
961:
391:The committee then approached the sculptor
5496:Buildings and structures completed in 1925
4851:Diana, Princess of Wales Memorial Fountain
2358:
2344:
2219:
2205:
1822:. Kirstead, Norfolk: Frontier Publishing.
1773:"The Listing and Grading of War Memorials"
1644:
1642:
1581:
1579:
1577:
1549:
1547:
1545:
1543:
1232:
1230:
1211:
1209:
1207:
1056:
1054:
1052:
1024:
1022:
510:The bronze statue of the artillery captain
34:
5486:British military memorials and cemeteries
2146:Skelton, Tim and Gliddon, Gerald. (2009)
1739:
1600:
589:, which was suggested by Jagger himself.
4089:London, Brighton and South Coast Railway
2170:. Liverpool: Liverpool University Press
1593:
1591:
1262:
1255:
1253:
1251:
995:
992:Abousnnouga and Machin (2013), pp.92–93.
986:
838:
757:
694:
665:
634:
591:
505:
450:
346:
16:War memorial on Hyde Park Corner, London
5536:Sculptures of men in the United Kingdom
4916:St Lawrence Jewry and St Mary Magdalene
1765:
1639:
1574:
1540:
1394:
1392:
1390:
1340:
1338:
1336:
1334:
1332:
1330:
1328:
1227:
1204:
1161:
1159:
1157:
1115:
1049:
1019:
910:Grade I listed war memorials in England
501:
5546:Stone sculptures in the United Kingdom
5511:Grade I listed monuments and memorials
5473:
3357:Statues in London on Wikimedia Commons
2378:
800:the highest quality and distinction".
5531:Sculptures by Charles Sargeant Jagger
5455:List of public art formerly in London
5131:
5011:
4211:
3377:
2826:Admiral Lord Nelson (Nelson's Column)
2377:
2339:
2200:
1779:from the original on 28 December 2020
1588:
1571:Abousnnouga and Machin (2013), p.151.
1510:Abousnnouga and Machin (2008), p.136.
1248:
917:, for other monuments in the vicinity
690:
550:, that sits on top of it are made of
3564:
3352:
1727:from the original on 15 January 2020
1680:from the original on 15 January 2020
1387:
1350:"Royal Artillery Memorial (1231613)"
1325:
1154:
1133:Abousnnouga and Machin (2013), p.92.
670:Shell carrier sculpture on East side
4866:Edward VII Jewish Memorial Fountain
3504:Victims of the Atlantic slave trade
2254:Hoylake and West Kirby War Memorial
2001:. London: The Homeland Association
770:Other opinions were more positive.
417:Hoylake and West Kirby War Memorial
395:in early 1921. Jagger trained as a
13:
4735:Large Standing Figure (Knife Edge)
2367:Public art and memorials in London
2248:Great Western Railway War Memorial
2129:Saunders, Nicholas J. (ed) (2004)
1949:. Oxford: Oxford University Press
1749:. Historic England. 16 July 2014.
1355:National Heritage List for England
866:Royal British Society of Sculptors
825:National Heritage List for England
813:Commonwealth War Graves Commission
425:Great Western Railway War Memorial
14:
5577:
5106:London Mural Preservation Society
3679:Blood Swept Lands and Seas of Red
3256:Emmeline and Christabel Pankhurst
2183:Osprey Men-at-Arms: A Celebration
1151:Black (2004a), p.141; Curl, p.84.
823:, in the memorial's entry on the
659:that pervades the work, from the
599:Audio description of the memorial
5516:World War II memorials in London
5422:Partly in Kensington and Chelsea
4546:Tortoises with Triangle and Time
4084:London and North Western Railway
3594:New Zealand Campaign (1863–1864)
3351:
2568:Memorial to the Great Exhibition
2260:Anglo-Belgian Memorial, Brussels
1859:. Barnsley: Pen and Sword Books
1753:from the original on 1 July 2017
1648:Bradley and Pevsner, pp.658–659.
834:
342:
198:in London, England. Designed by
5556:World War I memorials in London
5132:
4592:Fourth plinth, Trafalgar Square
4212:
3702:Flanders Fields Memorial Garden
2278:Cambrai Memorial to the Missing
1997:Cooper, Charles Samuel. (1928)
1983:. London: Imperial War Museum.
1807:. London: Bloomsbury Academic.
1794:
1713:
1704:
1660:
1651:
1630:
1621:
1612:
1565:
1556:
1531:
1522:
1513:
1504:
1495:
1486:
1477:
1468:
1447:
1438:
1413:
1378:
1369:
1316:
1307:
1298:
1289:
1280:
1271:
1239:
1218:
1195:
1186:
1177:
1168:
1145:
1136:
1106:
1097:
1088:
1079:
1040:
5566:1925 establishments in England
4003:St Saviour, Southwark (parish)
2067:London's Statues and Monuments
1833:Bailey, Jonathan B. A. (2004)
1031:
977:
936:
927:
862:Chaplain-General to the Forces
815:, and in 2004, the art critic
455:Part of the memorial's carved
1:
3998:St Michael, Cornhill (parish)
3379:Other monuments and memorials
2673:Heminges and Condell Memorial
2580:George VI and Queen Elizabeth
2415:Queen Eleanor (Charing Cross)
2185:. Botley: Osprey Publishing.
2166:Ward-Jackson, Philip. (2011)
2016:. Oxford: Shire Publications
1960:Codell, Julie F. (ed) (2008)
1835:Field Artillery and Firepower
1805:The Language of War Monuments
1723:. BBC News. 7 November 2011.
921:
463:Jagger engaged the architect
263:
244:The memorial was unveiled by
202:, with architectural work by
5521:Outdoor sculptures in London
5432:Partly in the City of London
4981:National Covid Memorial Wall
4931:Lady Henry Somerset Memorial
4899:Readymoney Drinking Fountain
4728:Knife Edge Two Piece 1962–65
4574:The World Turned Upside Down
4560:Union (Horse with Two Discs)
3578:Guards Brigade (Crimean War)
3484:Silver Jubilee Crystal Crown
562:carrier on the east side; a
7:
4749:Three Standing Figures 1947
4721:Draped Seated Woman 1957–58
4049:British Medical Association
3722:Ships named on the memorial
2118:. Hereford: Authors Online
1977:Compton, Ann. (ed) (1985a)
1076:Skelton and Gliddon, p.150.
898:
829:Pevsner Architectural Guide
780:The Illustrated London News
614:Worcester Boer War Memorial
546:, modelled on a gun in the
537:Commonwealth Memorial Gates
217:The memorial consists of a
10:
5582:
4861:Diana Fountain, Green Park
4856:Diana Fountain, Bushy Park
4688:Two Forms (Divided Circle)
4245:Bellerophon Taming Pegasus
4100:South Suburban Gas Company
3630:Royal Artillery (The Mall)
3540:National Windrush Monument
2152:. London: Frances Lincoln
2080:Mayr, Andrea. (ed) (2008)
1943:Carden-Coyne, Ana. (2009)
1701:Bowdler and Brindle, p.32.
1259:Bowdler and Brindle, p.33.
1245:Bowdler and Brindle, p.31.
525:Machine Gun Corps Memorial
483:Royal Fine Arts Commission
5461: ‡ Changing displays
5448:
5310:
5142:
5138:
5127:
5081:
5065:
4944:
4838:
4784:
4758:
4705:
4664:
4632:
4616:Nelson's Ship in a Bottle
4590:
4444:Nelson's Ship in a Bottle
4222:
4218:
4207:
4171:
4141:
4108:
4031:
3850:
3757:
3643:
3612:
3562:
3555:
3384:
3373:
3339:
3311:
3279:
3231:
3173:
3137:
3040:
2980:
2914:
2907:
2900:
2874:
2768:
2730:
2709:
2594:
2388:
2384:
2373:
2299:
2234:
2149:Lutyens and the Great War
1519:Carden-Coyne, pp.157–158.
1085:Compton (1985b), pp.9–11.
983:Carden-Coyne, pp.159–160.
639:The bronze statue of the
337:Buckingham Palace gardens
290:First World War memorials
180:
176:
166:
158:
150:
140:
136:
129:
115:
64:
53:18 October 1925
49:
42:
33:
28:
23:
4767:The Artist as Hephaestus
4641:Blind Beggar and his Dog
4294:Crystal Palace Dinosaurs
3658:Africa and the Caribbean
3452:Golden Boy of Pye Corner
2266:Royal Artillery Memorial
2181:Windrow, Martin. (2008)
2069:. Oxford: Shire Library
2065:Matthews, Peter. (2012)
2054:Oxford: Berg Publishers
2033:The Missing of the Somme
2014:War Memorials in Britain
1913:The Buildings of England
1676:. Imperial War Museums.
1618:Glaves-Smith, pp.52, 78.
192:First World War memorial
188:Royal Artillery Memorial
154:Royal Artillery Memorial
24:Royal Artillery Memorial
3424:Conscientious objectors
3188:Isambard Kingdom Brunel
3028:Marquess of Westminster
2962:William Ewart Gladstone
2242:Portsmouth War Memorial
2228:Charles Sargeant Jagger
2135:. Abingdon: Routledge.
2103:. Abingdon: Routledge.
2097:Miles, Malcolm. (2004)
1855:Boorman, Derek. (2005)
1537:Glaves-Smith, pp.75–76.
773:The Manchester Guardian
535:war memorials, and the
433:Portsmouth War Memorial
393:Charles Sargeant Jagger
353:Australian War Memorial
200:Charles Sargeant Jagger
120:Charles Sargeant Jagger
5242:Kensington and Chelsea
5207:Hammersmith and Fulham
5089:Art on the Underground
5003:Sutton Heritage Mosaic
4986:Poplar Rates Rebellion
4871:Henry Fawcett Memorial
4681:Single Form (Memorial)
4490:Putney Sculpture Trail
4306:Dolphin lamp standards
4274:The Burghers of Calais
4186:Kensington and Chelsea
4116:Victoria Tower Gardens
3918:Friern Barnet (parish)
2114:Quinlan, Mark. (2005)
1929:Relocating Britishness
1818:Archer, Geoff. (2009)
1710:Compton (1985b), p.28.
1673:War Memorials Register
1142:Compton (1985b), p.16.
1094:Compton (1985b), p.15.
858:Reverend Alfred Jarvis
852:on 18 October 1925 by
848:
767:
700:
671:
643:
600:
511:
460:
437:Anglo-Belgian Memorial
360:
276:, particularly on the
45:in the First World War
5035:One Nation Under CCTV
4514:Sculpture in the City
4311:Dragon boundary marks
4074:Great Western Railway
4069:Great Eastern Railway
3749:Women of World War II
3464:Heroic self-sacrifice
3448:Great Fire of London
3198:James Henry Greathead
2791:Charles George Gordon
2422:St Thomas' Hospital:
2290:Shrine of Remembrance
2116:British War Memorials
2086:. London: Continuum.
1909:London 6: Westminster
1877:. London: Leo Cooper
1609:Black (2004a), p.142.
1528:Compton (1982b), p.8.
1313:Matthews, pp.127–131.
1016:Black (2004a), p.141.
842:
761:
698:
669:
638:
598:
509:
454:
399:before attending the
350:
5152:Barking and Dagenham
4921:Shaftesbury Memorial
4877:The Horses of Helios
4359:The Hampstead Figure
4159:Iraq and Afghanistan
4149:Victims of Communism
3837:Royal Naval Division
3800:Imperial Camel Corps
3780:Civil Service Rifles
3529:Windrush generation
3489:Star and Garter Home
3479:Queen Elizabeth Gate
2887:Florence Nightingale
2821:Charles James Napier
2669:William Shakespeare
2272:Port Tewfik Memorial
2030:Dyer, Geoff. (2009)
1775:. Historic England.
1597:Ward-Jackson, p.100.
1483:Carden-Coyne, p.157.
1465:Carden-Coyne, p.156.
1453:Carden-Coyne, p.158.
1286:Black (2004b), p.161
1192:Archer, pp. 188–189.
786:Lord Edward Gleichen
630:Francis Derwent Wood
618:Southampton Cenotaph
544:BL 9.2-inch howitzer
502:Design and symbolism
440:the American artist
411:, being awarded the
401:Royal College of Art
309:memorial to that war
5405:Victoria Embankment
5312:City of Westminster
4423:Monolith and Shadow
4252:The Bermondsey Lion
4191:City of Westminster
3842:Royal Tank Regiment
3547:Mary Wollstonecraft
3520:Wellington Monument
3409:Lady Burdett-Coutts
2861:George Stuart White
2845:Duke of Wellington
2559:Prince Albert
2050:King, Alex. (1998)
2012:Corke, Jim. (2005)
1903:Bradley, Simon and
1501:Glaves-Smith, p.21.
1474:Glaves-Smith, p.78.
1444:Carden-Coyne, p.155
1435:Glaves-Smith, p.72.
1410:Glaves-Smith, p.61.
1398:Ward-Jackson, p.97.
1165:Ward-Jackson, p.99.
1037:Ward-Jackson, p.98.
675:similar way to the
548:Imperial War Museum
496:Eugene Paul Bennett
230:Imperial War Museum
82: /
5345:Kensington Gardens
4825:A Slice of Reality
4714:The Arch 1979–1980
4553:Traffic Light Tree
4496:The Queen's Beasts
4366:Homage to Leonardo
3909:(3 memorials)
3820:RAF Bomber Command
3625:Barnet Boys School
3604:Westminster School
3510:Virginia colonists
3419:Cleopatra's Needle
3251:Margaret MacDonald
3105:JosĂ© de San MartĂn
3008:Henry Bartle Frere
2998:Duke of Devonshire
2957:David Lloyd George
2931:Winston Churchill
2379:Portrait sculpture
2036:. London: Phoenix
1562:King, pp.139, 232.
1183:King, pp.107, 159.
958:Stephenson, p.144.
849:
768:
701:
691:Critical reception
672:
644:
601:
521:Duke of Wellington
512:
479:Reginald Blomfield
461:
429:Paddington station
361:
335:or on the edge of
256:and is managed by
167:Reference no.
86:51.5025°N 0.1519°W
5466:
5465:
5444:
5443:
5440:
5439:
5123:
5122:
5119:
5118:
5061:
5060:
5027:Girl with Balloon
4998:Sutton twin towns
4905:Revolving Torsion
4834:
4833:
4503:The Rush of Green
4458:Paternoster Vents
4404:The Meeting Place
4345:The Gold Smelters
4238:The Barbican Muse
4203:
4202:
4199:
4198:
4167:
4166:
4137:
4136:
3805:Machine Gun Corps
3668:Battle of Britain
3525:Whittington Stone
3494:Stratford Martyrs
3429:COVID-19 pandemic
3369:
3368:
3365:
3364:
3246:Millicent Fawcett
3234:and humanitarians
3223:Robert Stephenson
3183:Joseph Bazalgette
3150:John Henry Newman
3133:
3132:
3125:George Washington
3068:Charles de Gaulle
3036:
3035:
3003:Charles James Fox
2981:Other politicians
2952:Benjamin Disraeli
2935:Parliament Square
2781:Lord Baden-Powell
2553:Victoria Memorial
2548:Kensington Palace
2540:Duke of Cambridge
2477:Kensington Palace
2333:
2332:
1905:Pevsner, Nikolaus
1668:"Royal Artillery"
1046:Stephenson, p.144
933:Bailey, p.xvviii.
795:. The art critic
766:in the background
679:war paintings of
605:South African War
596:
491:Constitution Hill
481:representing the
329:Westminster Abbey
325:Buckingham Palace
305:South African War
184:
183:
5573:
5433:
5428:
5427:Partly in Camden
5423:
5395:Trafalgar Square
5140:
5139:
5129:
5128:
5009:
5008:
4958:Children at Play
4888:Matilda Fountain
4759:Eduardo Paolozzi
4665:Barbara Hepworth
4588:
4587:
4581:The Young Lovers
4430:The Naked Ladies
4220:
4219:
4209:
4208:
4053:Dulwich College
3755:
3754:
3566:
3560:
3559:
3553:
3552:
3414:Lord Cheylesmore
3375:
3374:
3355:
3354:
3271:Raoul Wallenberg
3261:Sylvia Pankhurst
3232:Social reformers
2912:
2911:
2905:
2904:
2854:Hyde Park Corner
2816:Lord Mountbatten
2678:Leicester Square
2627:Geoffrey Chaucer
2518:Trafalgar Square
2405:Alfred the Great
2386:
2385:
2375:
2374:
2360:
2353:
2346:
2337:
2336:
2221:
2214:
2207:
2198:
2197:
1789:
1788:
1786:
1784:
1769:
1763:
1762:
1760:
1758:
1743:
1737:
1736:
1734:
1732:
1717:
1711:
1708:
1702:
1699:
1690:
1689:
1687:
1685:
1664:
1658:
1655:
1649:
1646:
1637:
1634:
1628:
1625:
1619:
1616:
1610:
1607:
1598:
1595:
1586:
1583:
1572:
1569:
1563:
1560:
1554:
1551:
1538:
1535:
1529:
1526:
1520:
1517:
1511:
1508:
1502:
1499:
1493:
1490:
1484:
1481:
1475:
1472:
1466:
1463:
1454:
1451:
1445:
1442:
1436:
1433:
1420:
1417:
1411:
1408:
1399:
1396:
1385:
1382:
1376:
1373:
1367:
1366:
1364:
1362:
1346:Historic England
1342:
1323:
1320:
1314:
1311:
1305:
1302:
1296:
1293:
1287:
1284:
1278:
1275:
1269:
1266:
1260:
1257:
1246:
1243:
1237:
1234:
1225:
1222:
1216:
1213:
1202:
1199:
1193:
1190:
1184:
1181:
1175:
1172:
1166:
1163:
1152:
1149:
1143:
1140:
1134:
1131:
1122:
1119:
1113:
1110:
1104:
1101:
1095:
1092:
1086:
1083:
1077:
1074:
1061:
1058:
1047:
1044:
1038:
1035:
1029:
1026:
1017:
1014:
993:
990:
984:
981:
975:
972:
959:
956:
943:
940:
934:
931:
882:English Heritage
874:Second World War
845:The Lanesborough
821:Historic England
797:Geoffrey Grigson
706:Charles ffoulkes
685:Richard Nevinson
612:'s work for the
597:
446:Sir John Du Cane
333:Hyde Park Corner
258:English Heritage
250:Second World War
196:Hyde Park Corner
116:Designed by
101:Hyde Park Corner
97:
96:
94:
93:
92:
91:51.5025; -0.1519
87:
83:
80:
79:
78:
75:
60:
58:
38:
21:
20:
5581:
5580:
5576:
5575:
5574:
5572:
5571:
5570:
5526:Royal Artillery
5481:1925 sculptures
5471:
5470:
5467:
5462:
5436:
5431:
5426:
5421:
5306:
5134:
5115:
5094:Tube map covers
5077:
5073:Northala Fields
5057:
5007:
4940:
4893:Poets' Fountain
4846:Buxton Memorial
4830:
4780:
4754:
4701:
4660:
4648:Horse and Rider
4633:Elisabeth Frink
4628:
4623:One & Other
4586:
4533:South Bank Lion
4509:St Paul's Cross
4477:Platforms Piece
4470:Physical Energy
4417:Millennium Dial
4324:Enwrought Light
4214:
4195:
4163:
4133:
4129:Kindertransport
4104:
4094:Pearl Assurance
4044:Bank of England
4039:Baltic Exchange
4027:
3887:Chipping Barnet
3846:
3832:Royal Fusiliers
3827:Royal Artillery
3815:Royal Air Force
3785:Eagle Squadrons
3753:
3639:
3608:
3551:
3515:Wellington Arch
3434:Michael Faraday
3394:Queen Alexandra
3389:7 July bombings
3380:
3361:
3347:Talking Statues
3335:
3331:Sherlock Holmes
3321:Paddington Bear
3313:
3307:
3275:
3241:Thomas Barnardo
3233:
3227:
3175:
3169:
3129:
3100:Peter the Great
3085:Abraham Lincoln
3079:John F. Kennedy
3052:Mahatma Gandhi
3032:
2976:
2967:Lord Palmerston
2915:Prime ministers
2896:
2870:
2811:Lord Montgomery
2776:Lord Alanbrooke
2764:
2754:Robert Milligan
2726:
2705:
2691:Arthur Sullivan
2665:Joshua Reynolds
2648:Michael Jackson
2633:Agatha Christie
2622:Charlie Chaplin
2590:
2563:Albert Memorial
2442:Oliver Cromwell
2391:
2390:British/English
2380:
2369:
2364:
2334:
2329:
2307:Édouard Lantéri
2295:
2230:
2225:
1797:
1792:
1782:
1780:
1771:
1770:
1766:
1756:
1754:
1745:
1744:
1740:
1730:
1728:
1719:
1718:
1714:
1709:
1705:
1700:
1693:
1683:
1681:
1666:
1665:
1661:
1656:
1652:
1647:
1640:
1635:
1631:
1626:
1622:
1617:
1613:
1608:
1601:
1596:
1589:
1584:
1575:
1570:
1566:
1561:
1557:
1552:
1541:
1536:
1532:
1527:
1523:
1518:
1514:
1509:
1505:
1500:
1496:
1491:
1487:
1482:
1478:
1473:
1469:
1464:
1457:
1452:
1448:
1443:
1439:
1434:
1423:
1418:
1414:
1409:
1402:
1397:
1388:
1383:
1379:
1375:Curl, pp.86–89.
1374:
1370:
1360:
1358:
1343:
1326:
1321:
1317:
1312:
1308:
1303:
1299:
1294:
1290:
1285:
1281:
1277:Curl, pp.94–95.
1276:
1272:
1267:
1263:
1258:
1249:
1244:
1240:
1235:
1228:
1223:
1219:
1214:
1205:
1201:Curl, pp.84–85.
1200:
1196:
1191:
1187:
1182:
1178:
1173:
1169:
1164:
1155:
1150:
1146:
1141:
1137:
1132:
1125:
1121:Boorman, p.154.
1120:
1116:
1111:
1107:
1102:
1098:
1093:
1089:
1084:
1080:
1075:
1064:
1059:
1050:
1045:
1041:
1036:
1032:
1028:Curl, pp.81–83.
1027:
1020:
1015:
996:
991:
987:
982:
978:
973:
962:
957:
946:
941:
937:
932:
928:
924:
901:
893:listed building
837:
793:post-war period
764:Wellington Arch
693:
592:
580:horse artillery
576:heavy artillery
517:Wellington Arch
504:
385:Office of Works
345:
270:First World War
266:
254:listed building
212:First World War
208:Royal Artillery
162:14 January 1970
146:
143:Listed Building
132:
111:
98:
90:
88:
84:
81:
76:
73:
71:
69:
68:
56:
54:
44:
17:
12:
11:
5:
5579:
5569:
5568:
5563:
5561:1925 in London
5558:
5553:
5548:
5543:
5538:
5533:
5528:
5523:
5518:
5513:
5508:
5503:
5498:
5493:
5488:
5483:
5464:
5463:
5449:
5446:
5445:
5442:
5441:
5438:
5437:
5435:
5434:
5429:
5424:
5418:
5417:
5412:
5407:
5402:
5397:
5392:
5387:
5382:
5377:
5372:
5367:
5362:
5357:
5352:
5347:
5342:
5337:
5332:
5327:
5322:
5316:
5314:
5308:
5307:
5305:
5304:
5299:
5297:Waltham Forest
5294:
5289:
5284:
5279:
5274:
5269:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5194:
5189:
5184:
5179:
5174:
5169:
5164:
5159:
5154:
5149:
5147:City of London
5143:
5136:
5135:
5125:
5124:
5121:
5120:
5117:
5116:
5114:
5113:
5108:
5103:
5098:
5097:
5096:
5085:
5083:
5079:
5078:
5076:
5075:
5069:
5067:
5063:
5062:
5059:
5058:
5056:
5055:
5047:
5039:
5031:
5023:
5015:
5013:
5006:
5005:
5000:
4995:
4988:
4983:
4978:
4973:
4968:
4963:
4962:
4961:
4948:
4946:
4942:
4941:
4939:
4938:
4933:
4928:
4918:
4913:
4908:
4901:
4896:
4890:
4885:
4883:Guilford Place
4880:
4873:
4868:
4863:
4858:
4853:
4848:
4842:
4840:
4836:
4835:
4832:
4831:
4829:
4828:
4821:
4814:
4807:
4800:
4795:ArcelorMittal
4791:
4789:
4782:
4781:
4779:
4778:
4771:
4762:
4760:
4756:
4755:
4753:
4752:
4745:
4738:
4731:
4724:
4717:
4709:
4707:
4703:
4702:
4700:
4699:
4692:
4684:
4677:
4668:
4666:
4662:
4661:
4659:
4658:
4651:
4644:
4636:
4634:
4630:
4629:
4627:
4626:
4619:
4612:
4605:
4597:
4595:
4585:
4584:
4577:
4570:
4563:
4556:
4549:
4542:
4535:
4530:
4523:
4517:
4511:
4506:
4499:
4492:
4487:
4480:
4473:
4466:
4461:
4454:
4447:
4440:
4437:The Neighbours
4433:
4426:
4419:
4414:
4407:
4400:
4393:
4388:
4383:
4376:
4369:
4362:
4355:
4348:
4341:
4334:
4327:
4320:
4313:
4308:
4303:
4296:
4291:
4284:
4277:
4270:
4263:
4255:
4248:
4241:
4234:
4226:
4224:
4216:
4215:
4205:
4204:
4201:
4200:
4197:
4196:
4194:
4193:
4188:
4183:
4177:
4175:
4169:
4168:
4165:
4164:
4162:
4161:
4156:
4151:
4145:
4143:
4139:
4138:
4135:
4134:
4132:
4131:
4126:
4120:
4119:
4112:
4110:
4106:
4105:
4103:
4102:
4097:
4091:
4086:
4081:
4076:
4071:
4066:
4065:
4064:
4059:
4051:
4046:
4041:
4035:
4033:
4029:
4028:
4026:
4025:
4020:
4015:
4010:
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3925:
3920:
3915:
3910:
3904:
3899:
3894:
3889:
3884:
3879:
3878:
3877:
3867:
3861:
3860:
3854:
3852:
3848:
3847:
3845:
3844:
3839:
3834:
3829:
3824:
3823:
3822:
3812:
3807:
3802:
3797:
3795:Guards Brigade
3792:
3787:
3782:
3777:
3772:
3767:
3761:
3759:
3752:
3751:
3746:
3741:
3736:
3731:
3726:
3725:
3724:
3714:
3712:Memorial Gates
3709:
3704:
3699:
3692:
3687:
3682:
3675:
3670:
3665:
3660:
3654:
3653:
3647:
3645:
3641:
3640:
3638:
3637:
3632:
3627:
3622:
3616:
3614:
3610:
3609:
3607:
3606:
3601:
3599:Siege of Cádiz
3596:
3591:
3586:
3580:
3575:
3573:Animals in War
3569:
3567:
3557:
3550:
3549:
3544:
3543:
3542:
3537:
3527:
3522:
3517:
3512:
3507:
3501:
3496:
3491:
3486:
3481:
3476:
3471:
3466:
3461:
3460:
3459:
3454:
3446:
3441:
3436:
3431:
3426:
3421:
3416:
3411:
3406:
3401:
3396:
3391:
3385:
3382:
3381:
3371:
3370:
3367:
3366:
3363:
3362:
3360:
3359:
3349:
3343:
3341:
3337:
3336:
3334:
3333:
3328:
3323:
3317:
3315:
3309:
3308:
3306:
3305:
3304:
3303:
3298:
3290:
3283:
3281:
3277:
3276:
3274:
3273:
3268:
3263:
3258:
3253:
3248:
3243:
3237:
3235:
3229:
3228:
3226:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3179:
3177:
3171:
3170:
3168:
3167:
3166:
3165:
3160:
3152:
3147:
3141:
3139:
3135:
3134:
3131:
3130:
3128:
3127:
3122:
3117:
3112:
3107:
3102:
3097:
3092:
3090:Nelson Mandela
3087:
3082:
3076:
3073:Haile Selassie
3070:
3065:
3064:
3063:
3058:
3050:
3044:
3042:
3038:
3037:
3034:
3033:
3031:
3030:
3025:
3020:
3018:Wilfrid Lawson
3015:
3013:Sidney Herbert
3010:
3005:
3000:
2995:
2990:
2988:Robert Clayton
2984:
2982:
2978:
2977:
2975:
2974:
2969:
2964:
2959:
2954:
2949:
2944:
2943:
2942:
2937:
2929:
2927:George Canning
2924:
2922:Clement Attlee
2918:
2916:
2909:
2902:
2898:
2897:
2895:
2894:
2889:
2884:
2878:
2876:
2872:
2871:
2869:
2868:
2863:
2858:
2857:
2856:
2851:
2843:
2838:
2833:
2828:
2823:
2818:
2813:
2808:
2806:Lord Kitchener
2803:
2801:Henry Havelock
2798:
2793:
2788:
2786:Ferdinand Foch
2783:
2778:
2772:
2770:
2766:
2765:
2763:
2762:
2760:Hugh Myddelton
2757:
2751:
2746:
2741:
2734:
2732:
2728:
2727:
2725:
2724:
2719:
2713:
2711:
2707:
2706:
2704:
2703:
2698:
2693:
2688:
2687:
2686:
2680:
2675:
2667:
2662:
2657:
2651:
2645:
2640:
2635:
2630:
2624:
2619:
2617:Thomas Carlyle
2614:
2609:
2604:
2598:
2596:
2592:
2591:
2589:
2588:
2582:
2577:
2572:
2571:
2570:
2565:
2557:
2556:
2555:
2550:
2542:
2537:
2532:
2527:
2522:
2521:
2520:
2515:
2506:
2501:
2500:
2499:
2494:
2486:
2485:
2484:
2479:
2471:
2466:
2465:
2464:
2458:
2453:
2445:
2440:(Interregnum:
2438:
2433:
2432:
2431:
2426:
2417:
2412:
2407:
2402:
2396:
2394:
2382:
2381:
2371:
2370:
2363:
2362:
2355:
2348:
2340:
2331:
2330:
2328:
2327:
2322:
2316:
2310:
2303:
2301:
2297:
2296:
2294:
2293:
2287:
2281:
2275:
2269:
2263:
2257:
2251:
2245:
2238:
2236:
2232:
2231:
2224:
2223:
2216:
2209:
2201:
2195:
2194:
2179:
2164:
2161:
2144:
2127:
2112:
2095:
2078:
2063:
2048:
2045:
2028:
2025:
2010:
1995:
1992:
1975:
1958:
1941:
1924:
1901:
1886:
1868:
1853:
1849:
1846:
1831:
1816:
1801:
1796:
1793:
1791:
1790:
1764:
1738:
1712:
1703:
1691:
1659:
1650:
1638:
1636:Quinlan, p.46.
1629:
1620:
1611:
1599:
1587:
1573:
1564:
1555:
1539:
1530:
1521:
1512:
1503:
1494:
1485:
1476:
1467:
1455:
1446:
1437:
1421:
1412:
1400:
1386:
1377:
1368:
1324:
1322:Quinlan, p.61.
1315:
1306:
1297:
1295:Windrow, p.11.
1288:
1279:
1270:
1261:
1247:
1238:
1226:
1217:
1203:
1194:
1185:
1176:
1167:
1153:
1144:
1135:
1123:
1114:
1105:
1096:
1087:
1078:
1062:
1048:
1039:
1030:
1018:
994:
985:
976:
960:
944:
942:Bailey, p.239.
935:
925:
923:
920:
919:
918:
912:
907:
900:
897:
836:
833:
720:The Daily Mail
692:
689:
653:Frank Brangwyn
610:William Colton
552:Portland stone
503:
500:
470:in every sense
465:Lionel Pearson
413:Military Cross
397:metal engraver
359:, seen in 2016
344:
341:
317:Edward Poynter
282:trench warfare
265:
262:
219:Portland stone
210:killed in the
204:Lionel Pearson
182:
181:
178:
177:
174:
173:
168:
164:
163:
160:
156:
155:
152:
148:
147:
141:
138:
137:
134:
133:
130:
127:
126:
124:Lionel Pearson
117:
113:
112:
99:
66:
62:
61:
51:
47:
46:
40:
39:
31:
30:
29:United Kingdom
26:
25:
15:
9:
6:
4:
3:
2:
5578:
5567:
5564:
5562:
5559:
5557:
5554:
5552:
5549:
5547:
5544:
5542:
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5479:
5478:
5476:
5469:
5460:
5456:
5452:
5447:
5430:
5425:
5420:
5419:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5380:St Marylebone
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5350:Knightsbridge
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5325:Covent Garden
5323:
5321:
5318:
5317:
5315:
5313:
5309:
5303:
5300:
5298:
5295:
5293:
5292:Tower Hamlets
5290:
5288:
5285:
5283:
5280:
5278:
5275:
5273:
5270:
5268:
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5248:
5245:
5243:
5240:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5144:
5141:
5137:
5130:
5126:
5112:
5109:
5107:
5104:
5102:
5099:
5095:
5092:
5091:
5090:
5087:
5086:
5084:
5080:
5074:
5071:
5070:
5068:
5064:
5053:
5052:
5048:
5045:
5044:
5040:
5037:
5036:
5032:
5029:
5028:
5024:
5022:
5021:
5017:
5016:
5014:
5010:
5004:
5001:
4999:
4996:
4994:
4993:
4989:
4987:
4984:
4982:
4979:
4977:
4976:Old Kent Road
4974:
4972:
4969:
4967:
4964:
4960:
4959:
4955:
4954:
4953:
4950:
4949:
4947:
4943:
4937:
4936:Victoria Park
4934:
4932:
4929:
4926:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4906:
4902:
4900:
4897:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4878:
4874:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4843:
4841:
4837:
4827:
4826:
4822:
4820:
4819:
4815:
4813:
4812:
4811:Quantum Cloud
4808:
4806:
4805:
4801:
4799:
4798:
4793:
4792:
4790:
4787:
4783:
4777:
4776:
4772:
4769:
4768:
4764:
4763:
4761:
4757:
4751:
4750:
4746:
4744:
4743:
4742:Locking Piece
4739:
4737:
4736:
4732:
4730:
4729:
4725:
4723:
4722:
4718:
4716:
4715:
4711:
4710:
4708:
4704:
4698:
4697:
4696:Winged Figure
4693:
4690:
4689:
4685:
4683:
4682:
4678:
4675:
4674:
4670:
4669:
4667:
4663:
4657:
4656:
4652:
4650:
4649:
4645:
4643:
4642:
4638:
4637:
4635:
4631:
4625:
4624:
4620:
4618:
4617:
4613:
4611:
4610:
4606:
4604:
4603:
4599:
4598:
4596:
4593:
4589:
4583:
4582:
4578:
4576:
4575:
4571:
4569:
4568:
4564:
4562:
4561:
4557:
4555:
4554:
4550:
4548:
4547:
4543:
4541:
4540:
4536:
4534:
4531:
4529:
4528:
4524:
4521:
4518:
4515:
4512:
4510:
4507:
4505:
4504:
4500:
4498:
4497:
4493:
4491:
4488:
4486:
4485:
4481:
4479:
4478:
4474:
4472:
4471:
4467:
4465:
4462:
4460:
4459:
4455:
4453:
4452:
4448:
4446:
4445:
4441:
4439:
4438:
4434:
4432:
4431:
4427:
4425:
4424:
4420:
4418:
4415:
4413:
4412:
4411:The Messenger
4408:
4406:
4405:
4401:
4399:
4398:
4394:
4392:
4389:
4387:
4386:Liberty Clock
4384:
4382:
4381:
4377:
4375:
4374:
4370:
4368:
4367:
4363:
4361:
4360:
4356:
4354:
4353:
4349:
4347:
4346:
4342:
4340:
4339:
4335:
4333:
4332:
4328:
4326:
4325:
4321:
4319:
4318:
4314:
4312:
4309:
4307:
4304:
4302:
4301:
4297:
4295:
4292:
4290:
4289:
4285:
4283:
4282:
4278:
4276:
4275:
4271:
4269:
4268:
4264:
4261:
4260:
4256:
4254:
4253:
4249:
4247:
4246:
4242:
4240:
4239:
4235:
4233:
4232:
4228:
4227:
4225:
4221:
4217:
4210:
4206:
4192:
4189:
4187:
4184:
4182:
4179:
4178:
4176:
4174:
4170:
4160:
4157:
4155:
4152:
4150:
4147:
4146:
4144:
4140:
4130:
4127:
4125:
4122:
4121:
4117:
4114:
4113:
4111:
4107:
4101:
4098:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4079:Lincoln's Inn
4077:
4075:
4072:
4070:
4067:
4063:
4060:
4058:
4055:
4054:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4036:
4034:
4030:
4024:
4021:
4019:
4016:
4014:
4011:
4009:
4006:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
3971:
3969:
3966:
3964:
3963:Monken Hadley
3961:
3959:
3956:
3954:
3951:
3949:
3946:
3944:
3941:
3939:
3936:
3934:
3931:
3929:
3928:Golders Green
3926:
3924:
3921:
3919:
3916:
3914:
3911:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3876:
3873:
3872:
3871:
3868:
3866:
3863:
3862:
3859:
3858:London Troops
3856:
3855:
3853:
3849:
3843:
3840:
3838:
3835:
3833:
3830:
3828:
3825:
3821:
3818:
3817:
3816:
3813:
3811:
3810:Rifle Brigade
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3790:Fleet Air Arm
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3771:
3768:
3766:
3765:24th Division
3763:
3762:
3760:
3756:
3750:
3747:
3745:
3742:
3740:
3737:
3735:
3732:
3730:
3727:
3723:
3720:
3719:
3718:
3717:Merchant Navy
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3697:
3696:La DĂ©livrance
3693:
3691:
3688:
3686:
3685:Burma Railway
3683:
3681:
3680:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3655:
3652:
3649:
3648:
3646:
3642:
3636:
3635:Royal Marines
3633:
3631:
3628:
3626:
3623:
3621:
3618:
3617:
3615:
3611:
3605:
3602:
3600:
3597:
3595:
3592:
3590:
3587:
3584:
3581:
3579:
3576:
3574:
3571:
3570:
3568:
3561:
3558:
3556:War memorials
3554:
3548:
3545:
3541:
3538:
3536:
3535:
3531:
3530:
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3485:
3482:
3480:
3477:
3475:
3472:
3470:
3467:
3465:
3462:
3458:
3455:
3453:
3450:
3449:
3447:
3445:
3442:
3440:
3437:
3435:
3432:
3430:
3427:
3425:
3422:
3420:
3417:
3415:
3412:
3410:
3407:
3405:
3404:Bali bombings
3402:
3400:
3397:
3395:
3392:
3390:
3387:
3386:
3383:
3376:
3372:
3358:
3350:
3348:
3345:
3344:
3342:
3338:
3332:
3329:
3327:
3324:
3322:
3319:
3318:
3316:
3310:
3302:
3299:
3297:
3294:
3293:
3291:
3288:
3285:
3284:
3282:
3278:
3272:
3269:
3267:
3266:Robert Raikes
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
3239:
3238:
3236:
3230:
3224:
3221:
3219:
3216:
3214:
3213:Joseph Lister
3211:
3209:
3208:Edward Jenner
3206:
3204:
3203:Nigel Gresley
3201:
3199:
3196:
3194:
3193:Sigmund Freud
3191:
3189:
3186:
3184:
3181:
3180:
3178:
3172:
3164:
3161:
3159:
3156:
3155:
3153:
3151:
3148:
3146:
3145:Thomas Becket
3143:
3142:
3140:
3136:
3126:
3123:
3121:
3118:
3116:
3113:
3111:
3108:
3106:
3103:
3101:
3098:
3096:
3093:
3091:
3088:
3086:
3083:
3080:
3077:
3074:
3071:
3069:
3066:
3062:
3059:
3057:
3054:
3053:
3051:
3049:
3048:SimĂłn BolĂvar
3046:
3045:
3043:
3041:International
3039:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3011:
3009:
3006:
3004:
3001:
2999:
2996:
2994:
2991:
2989:
2986:
2985:
2983:
2979:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2941:
2938:
2936:
2933:
2932:
2930:
2928:
2925:
2923:
2920:
2919:
2917:
2913:
2910:
2906:
2903:
2899:
2893:
2890:
2888:
2885:
2883:
2880:
2879:
2877:
2873:
2867:
2866:Lord Wolseley
2864:
2862:
2859:
2855:
2852:
2850:
2847:
2846:
2844:
2842:
2841:Viscount Slim
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2817:
2814:
2812:
2809:
2807:
2804:
2802:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2773:
2771:
2767:
2761:
2758:
2755:
2752:
2750:
2747:
2745:
2742:
2739:
2736:
2735:
2733:
2729:
2723:
2720:
2718:
2715:
2714:
2712:
2708:
2702:
2701:Amy Winehouse
2699:
2697:
2694:
2692:
2689:
2684:
2681:
2679:
2676:
2674:
2671:
2670:
2668:
2666:
2663:
2661:
2660:George Orwell
2658:
2655:
2652:
2649:
2646:
2644:
2641:
2639:
2636:
2634:
2631:
2628:
2625:
2623:
2620:
2618:
2615:
2613:
2610:
2608:
2605:
2603:
2602:John Betjeman
2600:
2599:
2597:
2593:
2586:
2583:
2581:
2578:
2576:
2573:
2569:
2566:
2564:
2561:
2560:
2558:
2554:
2551:
2549:
2546:
2545:
2543:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2519:
2516:
2513:
2510:
2509:
2507:
2505:
2502:
2498:
2495:
2493:
2490:
2489:
2487:
2483:
2480:
2478:
2475:
2474:
2472:
2470:
2467:
2462:
2461:Stocks Market
2459:
2457:
2454:
2452:
2449:
2448:
2446:
2443:
2439:
2437:
2434:
2430:
2427:
2425:
2421:
2420:
2418:
2416:
2413:
2411:
2408:
2406:
2403:
2401:
2398:
2397:
2395:
2393:
2387:
2383:
2376:
2372:
2368:
2361:
2356:
2354:
2349:
2347:
2342:
2341:
2338:
2326:
2325:New Sculpture
2323:
2320:
2317:
2314:
2311:
2308:
2305:
2304:
2302:
2298:
2291:
2288:
2285:
2284:Jaipur Column
2282:
2279:
2276:
2273:
2270:
2267:
2264:
2261:
2258:
2255:
2252:
2249:
2246:
2243:
2240:
2239:
2237:
2233:
2229:
2222:
2217:
2215:
2210:
2208:
2203:
2202:
2199:
2192:
2191:9781846034374
2188:
2184:
2180:
2177:
2176:9781846316913
2173:
2169:
2165:
2162:
2159:
2158:9780711228788
2155:
2151:
2150:
2145:
2142:
2141:9780415280532
2138:
2134:
2133:
2128:
2125:
2124:9780755201860
2121:
2117:
2113:
2110:
2109:9780415266871
2106:
2102:
2101:
2096:
2093:
2092:9780826487438
2089:
2085:
2084:
2079:
2076:
2075:9780747807988
2072:
2068:
2064:
2061:
2060:9781859739884
2057:
2053:
2049:
2046:
2043:
2042:9780753827543
2039:
2035:
2034:
2029:
2026:
2023:
2022:9780747806264
2019:
2015:
2011:
2008:
2004:
2000:
1996:
1993:
1990:
1989:9780901627315
1986:
1982:
1981:
1976:
1973:
1972:9780838641682
1969:
1965:
1964:
1959:
1956:
1955:9780199546466
1952:
1948:
1947:
1942:
1939:
1938:9780719070266
1935:
1931:
1930:
1925:
1922:
1921:9780300095951
1918:
1914:
1910:
1906:
1902:
1899:
1898:9781910907054
1895:
1891:
1887:
1884:
1883:9780850523638
1880:
1876:
1872:
1869:
1866:
1865:9781844153169
1862:
1858:
1854:
1850:
1847:
1844:
1843:9781591140290
1840:
1836:
1832:
1829:
1828:9781872914381
1825:
1821:
1817:
1814:
1813:9781623563332
1810:
1806:
1802:
1799:
1798:
1778:
1774:
1768:
1752:
1748:
1742:
1726:
1722:
1716:
1707:
1698:
1696:
1679:
1675:
1674:
1669:
1663:
1654:
1645:
1643:
1633:
1624:
1615:
1606:
1604:
1594:
1592:
1582:
1580:
1578:
1568:
1559:
1550:
1548:
1546:
1544:
1534:
1525:
1516:
1507:
1498:
1489:
1480:
1471:
1462:
1460:
1450:
1441:
1432:
1430:
1428:
1426:
1416:
1407:
1405:
1395:
1393:
1391:
1381:
1372:
1357:
1356:
1351:
1347:
1341:
1339:
1337:
1335:
1333:
1331:
1329:
1319:
1310:
1304:Miles, p.103.
1301:
1292:
1283:
1274:
1265:
1256:
1254:
1252:
1242:
1233:
1231:
1221:
1212:
1210:
1208:
1198:
1189:
1180:
1171:
1162:
1160:
1158:
1148:
1139:
1130:
1128:
1118:
1109:
1100:
1091:
1082:
1073:
1071:
1069:
1067:
1057:
1055:
1053:
1043:
1034:
1025:
1023:
1013:
1011:
1009:
1007:
1005:
1003:
1001:
999:
989:
980:
974:Miles, p.102.
971:
969:
967:
965:
955:
953:
951:
949:
939:
930:
926:
916:
913:
911:
908:
906:
903:
902:
896:
894:
889:
887:
886:Armistice Day
883:
879:
875:
869:
867:
863:
859:
855:
854:Prince Arthur
846:
841:
835:Later history
832:
830:
826:
822:
818:
814:
810:
805:
803:
798:
794:
789:
787:
782:
781:
775:
774:
765:
760:
756:
753:
749:
748:
743:
739:
735:
731:
727:
722:
721:
716:
715:
709:
707:
697:
688:
686:
682:
681:Wyndham Lewis
678:
668:
664:
662:
658:
654:
649:
642:
637:
633:
631:
627:
623:
619:
615:
611:
606:
590:
588:
587:
581:
577:
573:
569:
565:
561:
557:
553:
549:
545:
540:
538:
534:
530:
526:
522:
518:
508:
499:
497:
492:
488:
484:
480:
474:
471:
466:
458:
453:
449:
447:
443:
438:
434:
430:
426:
422:
421:Royal Academy
418:
414:
410:
406:
402:
398:
394:
389:
386:
382:
378:
374:
373:Herbert Baker
370:
369:Edwin Lutyens
366:
358:
354:
349:
343:Commissioning
340:
338:
334:
330:
326:
320:
318:
314:
311:, located on
310:
306:
302:
297:
295:
291:
287:
283:
279:
278:Western Front
275:
271:
261:
259:
255:
251:
247:
246:Prince Arthur
242:
240:
235:
231:
227:
223:
220:
215:
213:
209:
205:
201:
197:
193:
189:
179:
175:
172:
169:
165:
161:
157:
153:
151:Official name
149:
144:
139:
135:
128:
125:
121:
118:
114:
110:
106:
102:
95:
67:
63:
52:
48:
41:
37:
32:
27:
22:
19:
5468:
5458:
5450:
5051:Slave Labour
5049:
5043:Pulp Fiction
5041:
5033:
5025:
5018:
4992:Poured Lines
4990:
4966:Cable Street
4956:
4924:
4903:
4875:
4823:
4818:Liberty Grip
4816:
4809:
4802:
4796:
4773:
4765:
4747:
4740:
4733:
4726:
4719:
4712:
4694:
4686:
4679:
4671:
4653:
4646:
4639:
4621:
4614:
4607:
4600:
4579:
4572:
4567:The Watchers
4565:
4558:
4551:
4544:
4537:
4525:
4501:
4494:
4482:
4475:
4468:
4464:Peckham Arch
4456:
4449:
4442:
4435:
4428:
4421:
4409:
4402:
4397:London Pride
4395:
4391:London Noses
4378:
4371:
4364:
4357:
4350:
4343:
4336:
4329:
4322:
4315:
4298:
4286:
4281:Christ Child
4279:
4272:
4265:
4257:
4250:
4243:
4236:
4229:
4173:Blue plaques
3938:Hampton Wick
3907:Enfield Town
3826:
3739:South Africa
3694:
3677:
3651:The Cenotaph
3532:
3499:Suffragettes
3457:The Monument
3439:Firefighters
3399:Anti–air war
3292:Bobby Moore
3218:Isaac Newton
3154:John Wesley
2993:Robert Clive
2892:Mary Seacole
2882:Edith Cavell
2836:Lord Roberts
2831:James Outram
2749:Quintin Hogg
2722:Yuri Gagarin
2643:Henry Irving
2612:Robert Burns
2585:Elizabeth II
2535:Duke of Kent
2525:Duke of York
2512:King's Cross
2473:William III
2319:David Jagger
2313:Edith Jagger
2265:
2182:
2167:
2147:
2130:
2115:
2098:
2081:
2066:
2051:
2031:
2013:
1998:
1978:
1961:
1944:
1927:
1908:
1889:
1874:
1856:
1834:
1819:
1804:
1795:Bibliography
1781:. Retrieved
1767:
1755:. Retrieved
1741:
1729:. Retrieved
1715:
1706:
1682:. Retrieved
1671:
1662:
1653:
1632:
1623:
1614:
1567:
1558:
1533:
1524:
1515:
1506:
1497:
1488:
1479:
1470:
1449:
1440:
1419:Cooper, p.8.
1415:
1380:
1371:
1359:. Retrieved
1353:
1318:
1309:
1300:
1291:
1282:
1273:
1268:King, p.135.
1264:
1241:
1224:King, p.118.
1220:
1197:
1188:
1179:
1170:
1147:
1138:
1117:
1108:
1103:King, p.124.
1099:
1090:
1081:
1042:
1033:
988:
979:
938:
929:
890:
878:Elizabeth II
870:
850:
817:Brian Sewell
806:
790:
778:
771:
769:
751:
745:
741:
726:Selwyn Image
718:
712:
710:
702:
673:
645:
608:typified in
602:
584:
541:
513:
475:
469:
462:
442:John Sargent
409:Neuve-Église
390:
381:the Cenotaph
365:Adrian Jones
362:
321:
298:
267:
243:
216:
187:
185:
18:
5410:Westminster
5133:By location
4706:Henry Moore
4655:Paternoster
4539:Still Water
4331:Father Time
4288:Cornerstone
4213:Other works
3902:East Barnet
3892:Cockfosters
3729:New Zealand
3589:Marble Arch
3469:Journalists
3444:W. G. Grace
3176:engineering
3174:Science and
3061:Westminster
2972:Robert Peel
2696:Oscar Wilde
2654:John Milton
2497:Westminster
2447:Charles II
1657:Curl, p.96.
1627:Borg, p.81.
1585:Curl, p.81.
1553:Curl, p.98.
1492:Dyer, p.62.
1384:Corke, p.1.
1236:Curl, p.94.
1215:Curl, p.85.
1174:Curl, p.89.
1112:Borg, p.80.
1060:Curl, p.83.
809:Gavin Stamp
752:The Builder
747:The Builder
730:Lord Curzon
657:masculinity
533:New Zealand
431:in London,
301:other ranks
194:located on
89: /
5475:Categories
5375:St James's
5365:Paddington
5340:Kensington
5330:Green Park
5302:Wandsworth
5227:Hillingdon
4911:Roehampton
4527:Slipstream
4484:Pope's Urn
4223:Sculptures
4154:Korean War
4023:Wood Green
4018:Twickenham
4008:Silvertown
3978:Paddington
3973:New Malden
3968:New Barnet
3758:Regimental
3744:Submarines
3644:WWI · WWII
3314:characters
3287:Harry Kane
3163:Shoreditch
3056:Bloomsbury
2947:Lord Derby
2744:Thomas Guy
2717:James Cook
2638:John Donne
2607:Marc Bolan
2530:William IV
2508:George IV
2504:George III
2482:St James's
2419:Edward VI
2235:Sculptures
1871:Borg, Alan
1783:28 October
1757:28 October
1731:28 October
1684:28 October
1361:27 October
922:References
734:Modernists
572:Royal Arms
529:Australian
435:, and the
377:Aston Webb
375:, and Sir
264:Background
159:Designated
74:51°30′09″N
57:1925-10-18
5415:Whitehall
5335:Hyde Park
5320:Belgravia
5282:Southwark
5272:Redbridge
5237:Islington
5197:Greenwich
4839:Fountains
4609:Hahn/Cock
4380:Labyrinth
4317:Elfin Oak
4300:The Diver
4142:Post-WWII
4124:Hyde Park
4118:(planned)
4109:Holocaust
4032:Corporate
4013:Streatham
3953:Islington
3933:Hampstead
3882:Chingford
3663:Australia
3613:Boer Wars
3506:(planned)
3326:Peter Pan
3312:Fictional
3289:(planned)
3158:St Paul's
3120:Volodymyr
3110:Jan Smuts
3095:Karl Marx
2796:Earl Haig
2738:John Cass
2731:Merchants
2710:Explorers
2683:Park Lane
2587:(planned)
2544:Victoria
2492:St Paul's
2436:Charles I
2410:Richard I
2321:(brother)
1907:. (2003)
1873:. (1991)
802:Alan Borg
742:The Times
738:Roger Fry
714:The Times
622:Whitehall
556:greatcoat
405:Gallipoli
274:artillery
222:cruciform
145:– Grade I
77:0°09′07″W
5400:Victoria
5360:Millbank
5277:Richmond
5257:Lewisham
5247:Kingston
5232:Hounslow
5222:Havering
5212:Haringey
5082:See also
5066:Land art
4786:The Line
4775:Piscator
4673:Meridian
4231:Atalanta
3993:Richmond
3958:Kingston
3913:Finchley
3775:Chindits
3340:See also
3138:Religion
2940:Woodford
2901:Politics
2769:Military
2575:George V
2469:James II
2315:(sister)
2309:(master)
1777:Archived
1751:Archived
1725:Archived
1678:Archived
899:See also
856:and the
736:such as
487:the King
357:Canberra
313:the Mall
239:Cenotaph
226:howitzer
65:Location
50:Unveiled
5457:)
5370:Pimlico
5355:Mayfair
5252:Lambeth
5202:Hackney
5192:Enfield
5182:Croydon
5172:Bromley
4971:Dulwich
4952:Brixton
4602:The End
4352:Gorilla
4338:Fulcrum
3988:Rainham
3948:Hornsey
3897:Croydon
3870:Bromley
3770:Cavalry
3673:Belgium
3585:(1816–)
3583:Gurkhas
3301:Wembley
2908:British
2451:Chelsea
2400:Boudica
2392:royalty
2300:Related
2007:2067198
1852:(2004).
661:phallic
648:realist
626:Homeric
586:Henry V
568:reliefs
457:reliefs
294:Victory
286:gunners
171:1231613
55: (
5459:·
5390:Strand
5287:Sutton
5267:Newham
5262:Merton
5217:Harrow
5187:Ealing
5177:Camden
5162:Bexley
5157:Barnet
5012:Banksy
4945:Murals
4520:Skylon
4373:Icarus
4181:Camden
3983:Poplar
3943:Hendon
3923:Fulham
3875:parish
3865:Arkley
3734:Poland
3690:Canada
3474:Police
3115:Trajan
2875:Nurses
2424:bronze
2292:(1934)
2286:(1930)
2280:(1930)
2274:(1926)
2268:(1925)
2262:(1923)
2256:(1922)
2250:(1922)
2244:(1921)
2189:
2174:
2156:
2139:
2122:
2107:
2090:
2073:
2058:
2040:
2020:
2005:
1987:
1970:
1953:
1936:
1919:
1896:
1881:
1863:
1841:
1826:
1811:
847:Hotel.
677:Cubist
641:driver
564:driver
527:, the
234:relief
105:London
5167:Brent
4797:Orbit
4259:Big 4
3851:Local
3707:Malta
3280:Sport
2488:Anne
2429:stone
560:shell
190:is a
5385:Soho
4925:Eros
4804:Here
4451:Nike
4267:Bull
3563:Pre-
2849:City
2595:Arts
2456:Soho
2187:ISBN
2172:ISBN
2154:ISBN
2137:ISBN
2120:ISBN
2105:ISBN
2088:ISBN
2071:ISBN
2056:ISBN
2038:ISBN
2018:ISBN
2003:OCLC
1985:ISBN
1968:ISBN
1951:ISBN
1934:ISBN
1917:ISBN
1894:ISBN
1879:ISBN
1861:ISBN
1839:ISBN
1824:ISBN
1809:ISBN
1785:2020
1759:2020
1733:2020
1686:2020
1363:2020
744:and
683:and
531:and
407:and
268:The
186:The
5451:Key
4062:New
4057:Old
3565:C20
1911:. (
427:at
355:in
323:of
109:SW1
5477::
4927:")
4923:("
1694:^
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1389:^
1352:.
1348:.
1327:^
1250:^
1229:^
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1156:^
1126:^
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1021:^
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860:,
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2111:.
2094:.
2077:.
2062:.
2044:.
2024:.
2009:.
1991:.
1974:.
1957:.
1940:.
1923:.
1900:.
1885:.
1867:.
1845:.
1830:.
1815:.
1787:.
1761:.
1735:.
1688:.
1365:.
59:)
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