110:
2123:
3003:
165:
1890:
artists, a model inspired by the Venice
Biennale. The CAC defines three chapters for the exhibition: Anthological Exhibitions (replacing the Special Rooms), Great Confrontations and Contemporary Propositions – the latter composed of seven themes: Urban Archaeology, Nature Recuperation, Catastrophic Art, Video Art, Space Poetry, The Wall as a Display for Artworks, Non Codified Art. For the first time in its history, the Grand Prize "Itamaraty" was awarded to a Latin American artist, the Argentine Grupo CAYC of the
1610:’s 1937 masterpiece, the 2nd Bienal is by far one of the most memorable editions of the event. Exhibiting twice as many artworks as the first edition, the 2nd Bienal was held at two pavilions designed for the newly inaugurated Ibirapuera Park by Oscar Niemeyer (1917-2012): the States Pavilion (presently the Pavilion of Brazilian Cultures) and the Nations Pavilion (now home to the Afro Brasil Museum). The exhibition continued into the following year as part of the celebrations for São Paulo's 400th anniversary.
2186:. The project Mobile Radio set up a radio station on the mezzanine floor of the pavilion that had broadcasts throughout the entire period of the exhibition. The Biennial featured the largest corpus of works by Alair Gomes ever shown, the entire portfolio People of the XXth Century by August Sander and for the first time in the Americas the entire Alphabet Bété by Frédéric Bruly-Bouabré, among 119 artists represented within the Matarazzo Pavilion and other institutions throughout the city of São Paulo.
1570:
177:
expression from around the world. The 1998 edition cost almost $ 12 million and drew nearly 400,000 visitors during a two-month run. The 25th biennial was originally scheduled for 2000 but was delayed to 2002 after a gigantic exhibition marking the 500th anniversary of Brazil's discovery by the
Portuguese was organized by former biennial president
2068:
as associate curator. The concept, extracted from the roots of
Brazilian culture, permeated the work of all 76 curators involved in the exhibition, as well as was the result of powerful solo shows dedicated to each of the 53 National Representations. The curators worked with the idea of contamination
1911:
The emergence of the
General Curator role would change the course of the Bienal. The critic and former Director of the Museum of Contemporary Art of the University of São Paulo (MAC-USP), Walter Zanini, was the first to fill the position, in an edition which abolished separate spaces for each country
2177:
Titled “The
Imminence of Poetics”, this edition of the Bienal adopted the constellation as a metaphor and established discursive interconnections between past and present; center and periphery; object and language. With a large number of works by each artist, the exhibition focused on Latin American
1902:
The "Bienal of the
Bienals" was a retrospective of the previous fourteen editions and brought national and international prize-winning works since 1951 back to the pavilion, as well as artists selected by the Brazilian Association of Art Critics (ABCA). On the other hand, it was the first Bienal not
1638:
In the 4th Bienal, many
Brazilian artists contested the selection process and Ciccillo Matarazzo's inordinate influence. This was the first time the Bienal was held at its present home, the Industry Pavilion at Ibirapuera Park. This edition was surrounded by controversy when works by several leading
176:
Since 1951, 32 Bienals have been produced with the participation of 170 countries, more than 16 thousand artists and almost 10 million visitors, making direct contact possible between the
Brazilian public and visual, theatrical and graphic arts, music, film, architecture, and other forms of artistic
1699:
The 7th edition was marked by an excessive number of works selected, which, in turn, created an eclectic scene that was difficult to understand. This was the first time that Fundação Bienal (founded in 1962) organized the exhibition, instead of the Museum of Modern Art of São Paulo. The catalog was
2160:
Driven by a new impetus promoted by a new board of directors committed to the renewal of the institution, the Bienal inaugurated its 29th edition with a permanent educational project and a broad parallel program. Favoring politically oriented works, the curatorship of
Agnaldo Farias and Moacir dos
2151:
Rethinking the purpose and direction of the exhibition, the 28th Bienal – “In Living
Contact” carried out a radical proposal by keeping the second floor of the pavilion completely empty, as an Open Plan – a metaphor for the conceptual crisis experienced by traditional biennial systems faced by the
2043:
A new record in the number of national representations with 75 countries subscribing to the theme proposed by Nelson Aguilar: “The Dematerialization of Art at the End of the Millennium.” On this occasion, a Historical Nucleus with a broad diversity of countries brought together over 200 prints by
1889:
The first Bienal without Ciccillo was defined by meaningful changes: the appointment of a Council for Art and Culture with freedom to develop the exhibition program – among the new rules is the requirement that National Representations follow the themes proposed by the Bienal for the selection of
1839:
Controversy surrounded the opening of the Bienal with the boycott by artists, again, and the exile of Mario Pedrosa, who had been a leader for most of the editions in the Bienal's first decade, and director of the 6th and 7th editions. The selection of Brazilian artists was made from a pre-Bienal
2142:
in the 1970s – served curator Lisette Lagnado as a guide. The edition was marked by the extinction of National Representations – the selection of artists was up to the determination of the curators of the Bienals – and by the claim that art is a transnational language. Constituting a fundamental
2194:
The works of this edition – entitled “How to (…) things that don’t exist” – were designed within the concept of "project," many carried out in collaboration between two or more individuals – artists and professionals from other disciplines, such as teachers, sociologists, architects or writers.
2072:
The 1998 bienial was specifically acclaimes a new perspective on art history through a Brazilian lens. It introduced a novel curatorial approach relevant to the era of post-colonial globalization. The exhibition utilized the Brazilian concept of anthropophagy as both a theoretical framework and
172:
After the completion of the 6th Biennial, the São Paulo Biennial Foundation was created to advance the exhibition, which until then had been organized by the Museu de Arte Moderna de São Paulo (MAM-SP). The pavilion the institution occupies - its home to this day - only began holding the Bienal
2118:
This was the first year of the free admission policy, which would be applied to all subsequent editions. With the theme of “Free Territory,” the 26th Bienal, introduced a new generation into the art scene, such as Cabelo, Chelpa Ferro and Laura Vinci, among others. Once again the exhibition
1852:
derivations. Installations and environments that appealed to all of the senses were presented in the Art and Communication segment. Replacing the Art Technical Committee, the Council for Art and Culture (CAC) developed a new selection framework and denied entry to 90% of the Brazilian works
1997:
Only for this edition did the Bienal resume the system of open registration for artists from all over the world. Heading the curatorship, João Cândido Galvão repeated his role in the previous edition as curator of the dance, music and theater sections, and enjoyed success by presenting two
1988:
The 20th Bienal was conceived by a triumvirate: Carlos von Schmidt, Stella Teixeira de Barros, and João Cândido Galvão. Interrupting the propositions of past editions, the team resumed the granting of awards and the arrangement of national representations in separate rooms. The Brazilian
2212:
were seen alongside young artists, most of whom were women. Also noteworthy is the fact that this edition was the one that presented the highest number of commissioned artworks in the history of the exhibition. The curators traveled to four cities to bring forth Study Days
2229:, in Brazil), and also held a last meeting in São Paulo. Conceived as an artwork by Jorge Menna Barreto, the exhibition's restaurant unfolds notions regarding the relationships between human eating habits and the environment, landscape, climate and life on Earth.
2022:
The Bienal changes its calendar and starts taking place in even-numbered years. The historical segment takes on a major importance in this edition, whose theme, “Rupture as Support,” made it possible to explore platforms and poetics observed in the works of
2073:
practical methodology. This approach encouraged the "contamination" and "cannibalization" of established art historical narratives, alongside a broader understanding of the exhibition's educational role in integrating art, culture, and political history.
2119:
demonstrated its highly contemporary character by presenting works mostly produced between 2002 and 2004. At least one third of the works in the show were site-specific projects, developed specifically for the Bienal Pavilion.
1594:(1949) was initially rejected by the selection committee on the grounds that it did not fit any of the established categories, though the work was later accepted and awarded an honorable mention by the international jury.
2098:'s national pavilion was changed overnight read "Museum of Fine Arts, Taipei". This was revealed to had been caused by the Chinese government, who had threatened to pull their own artists out of the event. In protest
2081:
Centered on the theme “Metropolitan Iconographies”, the 25th Bienal has become famous for the strong presence of Brazilian artists off the São Paulo/Rio de Janeiro axis. The appointment of the first foreign curator,
2110:, who were running the neighbouring pavilion, invited other artists to donate letters from their own country titles in order to recreate the word "Taiwan". Although they were successful, this too was taken down.
1912:
and chose to group the works according to "analogy of language" (techniques and themes). This show also marks the end of the boycotts of the Bienal by artists and the beginning of political openness in Brazil.
1831:) came into force, effectively annulling personal freedoms, eighty percent of the artists invited to exhibition refused, in protest, to participate. The 10th edition was thus nicknamed the “Boycott Bienal”
2203:
The 32nd Bienal – “Live Uncertainty” set itself the aim of observing notions of uncertainty and strategies offered by contemporary art to embrace or inhabit it. Established artists like Öyvind Fahlström,
1786:
The “Pop Art Bienal” opened under a shroud of controversy: even before the exhibition opened, the Federal Police removed two works on the grounds that they were “offensive” to the Brazilian Constitution:
161:, and provides an exhibition space of 30,000 m. The São Paulo Bienal features Brazilian and international contemporary art and is one of South America's most important large-scale art exhibitions.
40:
1952:
This edition showed the rising trend of expressionism in contemporary painting and featured an unusual expography that set the debate through the course of the entire 18th Bienal. The curator,
1675:
Ciccillo Matarazzo ceases to be the main patron of the Bienal and the exhibition endured its first financial crisis. The 6th edition is remembered for its museology and the predominance of
2261:, most events were for this year were postponed to September 4 through December 5, 2021, with future Bienales being in odd-numbered years. The theme is "Though it’s dark, still I sing".
2169:(2010), by Nuno Ramos, stirred controversy due to its live vultures flying in the central span of the pavilion accompanied by a montage of sounds from the national popular tradition.
2237:
The 33rd Bienal – “Affective Affinities” was held from September 7 to December 9. According to the general curator, Gabriel Pérez-Barreiro, this theme was inspired by both the novel
2152:
institutions that organize them. The noteworthy episode of that edition was the graffiti on the pavilion's guardrails, which led to a discussion in the art milieu about urban art.
2352:
2322:
2143:
innovation for the exhibition, the curatorial projects would be chosen from then on through a selection process conducted by an international committee of critics and curators.
1853:
submitted. The Brazilian Representation was made up of 100 artists selected through regional juries (Fortaleza, Salvador, Belo Horizonte, Rio de Janeiro, São Paulo, Curitiba).
1819:. Many works were damaged and the US room was vandalized a few days into the exhibition. From this show on, the award jury was composed of art critics rather than consultants.
2992:
1865:
Eager for updating, the so-called "Videomakers Bienal" brought Brazil a precise selection video art produced by renowned artists from all parts of the world, ranging from
1932:
was installed on the ground floor of the pavilion and was one of the most memorable installations. It even included a room with documentation on the group – records of
3290:
3192:
3350:
3197:
2654:
3187:
2195:
Daring, the exhibition established itself as being deeply connected with some central themes of contemporary life: identity, sexuality and transcendence.
1647:, who died the year before, was honoured with a special room organized by the American delegation, which marked the height of his international renown.
2985:
2370:
3207:
3345:
3305:
2628:
3232:
2820:
3846:
2978:
3395:
3728:
2388:
1795:
was considered “anti-nationalist” – the work was destroyed and the artist almost arrested by the DOPS – and the series by Quissak Jr.,
3169:
2086:, from Germany, excited controversy. However, the show received excellent acclaim and beat attendance records, at 668,428 visitors.
1618:
Having established itself as an important event in international art world, the Bienal's 3rd edition featured the Mexican muralists
3222:
2970:
2684:
2410:
1956:, arranged most of the works in three 100-meter long halls, installing paintings side by side – a display called the Great Canvas.
181:
and booked into the Ciccillo Matarazzo pavilion. That year, for the first time, the chief curator of the biennial was a foreigner,
3763:
1968:. Marked by a strong presence of installations and sculptures, the third floor of the pavilion received the monumental sculpture,
3787:
3466:
3841:
3227:
3048:
2434:
Lafuente, Pablo; Lagnado, Lisette; Marins de Oliveira, Mirtes; Andrade, Oswald de; Fraser, Andrea; Morris, David, eds. (2015).
2269:
The 2023 São Paulo Biennial sought to address and question activism, repressed cultures, and the art history of South America.
2064:
Known as one of the best editions ever produced, the "Anthropophagy Bienal" was led by Paulo Herkenhoff as general curator and
1712:. At the awards ceremony, artists Maria Bonomi and Sérgio Camargo deliver a motion for the repeal of the preventive arrests of
3672:
3360:
3295:
3099:
2917:
2443:
3768:
3519:
17:
129:) was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the
3549:
3390:
3370:
2599:
3355:
3063:
2750:
2674:
1725:
3851:
2532:
1655:
200,000 visitors ensured the success of this exhibition, whose highlights included a selection of thirty works by the
3826:
3446:
3375:
3159:
3365:
1583:
3856:
35:
3632:
3612:
3380:
3247:
3164:
3149:
3104:
2283:
1891:
3280:
3212:
3002:
2828:
2775:
1687:. Furthermore, part of the selection committee was elected by artists. The Bienal received a delegation from the
3662:
3622:
2161:
Anjos held nearly 400 activities in the six conceptual spaces entitled Terreiros, and made its theme a verse by
3202:
2623:
3733:
1857:'s works, which were brought by the French Representation, are exhibited for the first time in South America.
1586:(MAM-SP) in a temporary pavilion located on the Belvedere Trianon, in the neighborhood along Paulista Avenue.
3456:
2876:
2459:
1848:
A giant mouth designed by Vera Figueiredo "swallowed" visitors to 12th Bienal, demonstrating the strength of
109:
3753:
3134:
1964:
Adopting “Utopia versus Reality” as its theme, the 19th Bienal's highlights were the works by German artist
3524:
3053:
146:
3602:
3534:
3385:
3094:
2353:
Bienal de São Paulo celebrates its 70th anniversary this month with a podcast series and other programmes
2323:
Bienal de São Paulo celebrates its 70th anniversary this month with a podcast series and other programmes
2258:
1799:, which infringed laws that prohibited the free use of the flag. The US delegation presented a sample of
158:
3320:
3315:
3265:
3154:
149:(1898–1977). Since 1957, the São Paulo Biennial has been held in the Ciccillo Matarazzo pavilion in the
2871:
2011:
3574:
3564:
3340:
3237:
2179:
3738:
3421:
3043:
2480:
1717:
1709:
3748:
3451:
3038:
3000:
2577:
3285:
3023:
2339:
3436:
3079:
2735:
2592:
1376:
3124:
3058:
1623:
3831:
3702:
3033:
2689:
2242:
1903:
to grant any awards, a strategy that would continue on definitively in the following editions.
1627:
3242:
3617:
3471:
3217:
2855:
2122:
1980:, which would slide from the ceiling to the floor in the large central span of the pavilion.
1849:
1676:
3758:
3692:
3461:
3441:
3119:
3089:
1640:
3836:
3723:
3114:
2901:
2850:
2838:
2049:
150:
1728:. Despite the complications, the exhibition is remembered for a special room dedicated to
1408:
196:, push the country's access to the current art scene in other metropolises, and establish
8:
3718:
3139:
3084:
2760:
2238:
1816:
1721:
1135:
1103:
178:
122:
3647:
1708:
The Bienal comes under political pressure from the government with the beginning of the
3426:
3330:
3310:
3144:
2922:
2780:
2740:
2730:
2704:
2649:
2585:
2069:
and put contemporary Brazilian works in dialogue with works in the Historical Nucleus.
1603:
719:
682:
675:
640:
595:
558:
512:
466:
431:
399:
359:
319:
279:
247:
3682:
3667:
3559:
3486:
1713:
200:
itself as an international art center. Naturally, the biennial always serves to bring
3431:
3335:
3325:
3270:
2810:
2765:
2699:
2679:
2669:
2439:
2356:
2326:
2183:
1854:
611:
142:
3697:
3400:
3109:
2560:
2102:, the artist chosen to represent Taiwan at the Biennial, closed their installation.
2024:
524:
478:
366:
326:
286:
3677:
3569:
3476:
2896:
2800:
2745:
2694:
2664:
2659:
1812:
1660:
1587:
61:
3687:
2246:
2209:
1788:
1771:
1364:
691:
438:
3773:
3652:
3642:
3627:
3554:
3509:
3300:
2886:
2845:
2833:
2815:
2795:
2790:
2725:
2720:
2127:
2099:
2065:
1921:
1775:
1644:
1287:
1181:
869:
774:
768:
Council for Art and Culture: Alberto Beuttenmüller, Clarival do Prado Valladares,
726:
164:
130:
3584:
2507:
1877:(1974) surprised the Brazilian audience by arranging TV monitors among vases of
647:
3657:
3607:
3504:
3416:
3275:
2954:
2891:
2633:
2392:
2374:
2139:
2138:
The theme “How to Live Together” – the title of a set of seminars delivered by
2045:
1977:
1953:
1733:
1001:
989:
957:
189:
154:
3820:
3802:
3789:
3637:
3579:
3529:
3028:
2881:
2770:
2566:
2304:
2278:
2205:
2162:
2032:
1965:
1870:
1738:
1656:
1607:
1450:
1372:
201:
31:
532:
Aldo Calvo, Sábato Magaldi (Theater); Jannar Murtinho Ribeiro (Graphic Arts)
486:
Aldo Calvo, Sábato Magaldi (Theater); Jannar Murtinho Ribeiro (Graphic Arts)
2959:
2485:
2411:"São Paulo Biennial Postponed to 2021 as Coronavirus Spreads Across Brazil"
2053:
2007:
1941:
1937:
1804:
1767:
1747:
1688:
1619:
1500:
Co-curators: Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen, Sofía Olascoaga
602:
3007:
1989:
Representation was considered to be one of the most solid in a long time.
1751:
197:
79:
3481:
2533:"Cindy Sherman's unsettling, fragmented portraits go on show in New York"
2218:
2028:
1933:
1866:
1808:
1680:
1458:
569:
Henrique E. Mindlin, Jayme Maurício, José Geraldo Vieira, Salvador Candia
2433:
188:
The biennial's initial aim was to make contemporary art (primarily from
3129:
2083:
1729:
1250:
1213:
1038:
Curators: Carlos von Schmidt (International), Stella Teixeira de Barros
859:
Curators: Petrônio França, Agnaldo Farias, Samuel Eduardo Leon, Cacilda
182:
914:
Curators: Julio Plaza, Berta Sichel, Walter Zanini, Rui Moreira Leite,
810:
Council for Art and Culture: Casimiro Xavier de Mendonça, Emmanuel von
2785:
2755:
2609:
2607:
2107:
1925:
1878:
1763:
1743:
1643:, were turned down by the selection jury. The abstract expressionist
996:
Curators: Ivo Mesquita, Sônia Salzstein-Goldberg, Gabriela S. Wilder,
815:
Lauenstein Massarani, Esther Emílio Carlos, Geraldo Edson de Andrade,
2226:
153:. The three-story pavilion was designed by a team led by architects
2222:
1755:
1664:
864:
Teixeira da Costa, Gabriela Suzana, Julio Plaza, Annateresa Fabris,
57:
3539:
3544:
2805:
2103:
1800:
1759:
1920:
The increasingly common languages in contemporary global art of
3514:
2095:
1929:
564:
Consultants for Plastic Arts: Alfredo Mesquita, Geraldo Ferraz,
193:
83:
2249:
titled "On the Affective Nature of Form in the Work of Art."
2214:
2571:
773:
Leopoldo Raimo, Lisetta Levi, Marc Berkowitz, Maria Bonomi,
734:
José Simeão Leal, Norberto Nicola, Olívio Tavares de Araújo,
1828:
1569:
133:(in existence since 1895), which serves as its role model.
101:
820:
João Cândido Martins Galvão Barros, Pedro Manuel Gismondi,
2436:
Cultural Anthropophagy. The 24th Bienal de Sao Paulo 1998
2371:
Undeterred by Crises, São Paulo Biennial Celebrates at 50
646:
Art Technical Committee: Antonio Bento, Geraldo Ferraz,
2389:
A Tilt Toward the Third World at the São Paulo Biennial
2481:"Cross-strait rivalry infringes on artists' gathering"
1700:
dedicated to Wanda Svevo, who died the previous year.
3291:
Centro Cultural e de Estudos Superiores Aúthos Pagano
2126:
São Paulo Art Biennial, Pavilhão Ciccillo Matarazzo,
1004:, Rafael França, Joice Joppert Leal, Angela Carvalho,
681:
Technical Secretariat: Antonio Bento, Bethy Giudice,
2655:
Bat-Yam International Biennale of Landscape Urbanism
1466:
Associate Curators: Benjamin Seroussi, Luiza Proença
1320:
President of Bienal: Manoel Francisco Pires da Costa
1277:
President of Bienal: Manoel Francisco Pires da Costa
1245:
President of Bienal: Manoel Francisco Pires da Costa
173:exhibitions starting with its 4th edition in 1957.
801:President of Bienal: Luiz Fernando Rodrigues Alves
1077:Curators: Ana Helena Curti, Gloria Cristina Motta
3818:
1358:Chief-curators: Agnaldo Farias, Moacir dos Anjos
1043:(National), João Cândido Galvão (Special Events)
2305:"Active Cultures: Maria Lind on the Curatorial"
905:President of Bienal: Luiz Diederichsen Villares
850:President of Bienal: Luiz Diederichsen Villares
207:
113:São Paulo Biennial: Pavilhão Ciccillo Matarazzo
2629:Arts in Marrakech (AiM) International Biennale
2574:- feature on São Paulo Biennial, November 2006
2505:
2986:
2821:International Architecture Biennale Rotterdam
2593:
2530:
2165:: “There is always a cup of sea to sail in”.
2004:O Trilogie Antica: Medeea, Troienele, Electra
1679:, typified by the revolutionary presence of
1415:Associate Curators: André Severo, Tobi Maier
2002:, by the Catalan group Fura dels Baus, and
1691:for the first time in the event’s history.
1290:, Cristina Freire, José Roca, Rosa Martínez
1068:President of Bienal: Jorge Eduardo Stockler
3729:Electronic Language International Festival
2993:
2979:
2600:
2586:
1639:names in the Brazilian art scene, such as
1564:
880:Cida Galvão, Marília Saboya, Renata Barros
2252:
1220:Brazilian Nucleus Curator: Agnaldo Farias
405:Artistic Director: Lourival Gomes Machado
253:Artistic Director: Lourival Gomes Machado
3396:Professor Aristóteles Orsini Planetarium
2685:International Roaming Biennial of Tehran
2608:Major international art exhibitions and
2121:
1972:(1985), by Kiefer, and the installation
1568:
163:
108:
2478:
2245:and the thesis of Brazilian art critic
14:
3819:
3188:Basilica of the Most Blessed Sacrament
3049:Monument to the Independence of Brazil
2506:Pérez-Barreiro, Gabriel (2018-11-07).
3764:São Paulo International Film Festival
3296:Ema Gordon Klabin Cultural Foundation
2974:
2918:Melbourne International Biennial 1999
2581:
2565:Bienal Brasileira de Artes Plásticas
2438:. Exhibition histories. Köln: König.
2408:
2089:
2048:, illustrated the posthumous work of
2012:National Theater Company of Bucharest
2010:, narrated in Latin and Greek by the
1924:, video, videotext, installation and
1827:Months after Institutional Act n. 5 (
1453:, Pablo Lafuente, Nuria Enguita Mayo,
1420:Assistant Curator: Isabela Villanueva
1034:President of Bienal: Alex Periscinoto
952:President of Bienal: Roberto Muylaert
875:Associate Curators: Roberto Sandoval,
373:Technical Director: Wolfgang Pfeiffer
333:Technical Director: Wolfgang Pfeiffer
293:Technical Director: Wolfgang Pfeiffer
2404:
2402:
2302:
2264:
2232:
2198:
2189:
2172:
2155:
2146:
2133:
2113:
2076:
2059:
2038:
2017:
1992:
1983:
1959:
1947:
1915:
1906:
1897:
1884:
1860:
1843:
1834:
1822:
1742:(1913) was shown alongside works by
1072:General Curator: João Cândido Galvão
805:Cultural Advisor: Carlos von Schmidt
2460:"XXV Bienal De Sao Paulo; Artforum"
2351:Gabriella Angeleti (July 9, 2021),
2321:Gabriella Angeleti (July 9, 2021),
1797:Meditação sobre a Bandeira Nacional
1781:
1703:
1694:
1670:
1650:
1633:
1613:
1597:
1577:
1403:President of Bienal: Heitor Martins
1354:President of Bienal: Heitor Martins
764:President of Bienal: Oscar Landmann
24:
3769:São Paulo International Motor Show
3198:Nossa Senhora da Consolação Church
2751:Courtray Design Biennale Interieur
1491:President of Bienal: Luis Terepins
1445:President of Bienal: Luis Terepins
1329:Associate Curator: Ana Paula Cohen
1208:President of Bienal: Carlos Bratke
1171:President of Bienal: Julio Landman
984:President of Bienal: Jorge Wilheim
25:
3868:
3376:Museum of the Portuguese Language
3193:Imaculado Coração de Maria Church
2553:
2409:Durón, Maximilíano (2020-07-01).
2399:
1928:set the tone of the 17th Bienal.
1584:Museum of Modern Art of São Paulo
1582:The first Bienal was held by the
1573:27. São Paulo Art Biennial - 2006
1551:Curator: Jacopo Crivelli Visconti
1175:General Curator: Paulo Herkenhoff
1146:Associate Curator: Agnaldo Farias
919:Gino Di Maggio, Norberto Nicola /
3847:Tourist attractions in São Paulo
3100:Centro Empresarial Nações Unidas
3064:Octávio Frias de Oliveira Bridge
3001:
2052:, and presented 37 paintings by
1724:and Cruz Costa to the President
1367:, Fernando Alvim, Rina Carvajal,
1281:General Curator: Lisette Lagnado
922:Cinema Curators: Agnaldo Farias,
610:Frederico Nasser, Mário Barata,
192:and the United States) known in
141:The Biennial was founded by the
3467:Estádio Universitário São Paulo
3346:Museum of Art of the Parliament
3213:Orthodox Metropolitan Cathedral
2829:Venice Biennale of Architecture
2776:Light Art Biennale Austria 2010
2675:Incheon Women Artists' Biennale
2524:
2499:
2472:
2094:During the event, the title of
1710:military dictatorship in Brazil
1525:Curator: Gabriel Perez-Barreiro
1141:General Curator: Nelson Aguilar
825:Radha Abramo, Wolfgang Pfeiffer
527:, Walter Zanini (Plastic Arts);
518:General Director: Mário Pedrosa
481:, Walter Zanini (Plastic Arts);
472:General Director: Mário Pedrosa
3281:Bank of Brazil Cultural Center
3208:Ordem Terceira do Carmo Church
3203:Nossa Senhora do Brasil Church
2624:African Photography Encounters
2452:
2427:
2381:
2369:Larry Rohter (July 11, 2001),
2363:
2345:
2333:
2315:
2296:
1944:during an action in New York.
909:General Curator: Walter Zanini
854:General Curator: Walter Zanini
739:Olney Krüse, Wolfgang Pfeiffer
13:
1:
3842:1951 establishments in Brazil
3575:University of São Paulo (USP)
2877:Chicago Architecture Biennial
2559:Bienal de São Paulo homepage
2479:Frazier, David (2002-11-29).
2387:Larry Rohter (May 27, 2002),
2289:
2284:São Paulo Biennial Foundation
1892:Centro de Arte y Comunicación
1324:General Curator: Ivo Mesquita
725:Council for Art and Culture:
523:Consultants: Geraldo Ferraz,
477:Consultants: Geraldo Ferraz,
3525:Brigadeiro Faria Lima Avenue
3447:Ícaro de Castro Melo Stadium
3054:Monument to Ramos de Azevedo
2531:Hannah Silver (2024-01-26).
2342:Biennial Foundation, Athens.
2340:Fundação Bienal de São Paulo
2303:Lind, Maria (October 2009).
2178:artists and paid tribute to
1998:unforgettable performances:
274:Dec 13, 1953 – Feb 26, 1954
208:Artists, works and countries
7:
3095:Centro Comercial Aricanduva
2272:
10:
3873:
3754:São Paulo Gay Pride Parade
3351:Museum of Contemporary Art
2872:Biennial of Hawaii Artists
1663:, and a strong showing of
1295:Guest Curator: Jochen Volz
204:closer to foreign guests.
136:
3739:Saint Silvester Road Race
3711:
3603:Albert Löfgren State Park
3593:
3495:
3422:Anhembi Convention Center
3409:
3361:Museum of Image and Sound
3336:Museu Paulista (Ipiranga)
3256:
3178:
3170:List of tallest buildings
3072:
3044:Monument to the Bandeiras
3014:
2947:
2931:
2910:
2864:
2713:
2642:
2616:
2512:33 bienal são paulo 2018
1974:Enquanto flora a borda...
1718:Fernando Henrique Cardoso
1606:Bienal”, in reference to
605:, Edyla Mangabeira Unger,
601:Art Technical Committee:
97:
89:
75:
71:Biennial, every two years
67:
53:
48:
3827:Arts festivals in Brazil
3457:Parque São Jorge Stadium
3321:Memória do Bixiga Museum
3316:Mário de Andrade Library
3286:Centro Cultural da Penha
3266:CAIXA Cultural São Paulo
1840:held the previous year.
102:http://www.bienal.org.br
3857:Art festivals in Brazil
3623:Cemitério da Consolação
3341:São Paulo Museum of Art
3238:São Paulo Brazil Temple
3080:Altino Arantes Building
3006:Visitor attractions in
2736:Brighton Photo Biennial
2508:"Affective Affinities)"
2180:Arthur Bispo do Rosário
1940:playing the piano, and
1881:and artificial plants.
1565:Highlights year by year
1109:Curator: Nelson Aguilar
729:, Isabel Moraes Barros,
36:Infobox recurring event
29:
3852:Festivals in São Paulo
3749:São Paulo Fashion Week
3744:São Paulo Art Biennial
3703:Villa-Lobos State Park
3452:Nicolau Alayon Stadium
3034:Latin America Memorial
2939:São Paulo Art Biennial
2690:Kochi-Muziris Biennale
2253:34th Bienal, 2020/2021
2243:Johann Wolfgang Goethe
2130:
1628:David Alfaro Siqueiros
1592:Aparelho cinecromático
1574:
1350:Sep 25 – Dec 12, 2010
1241:Sep 25 – Dec 19, 2004
1098:Oct 12 – Dec 11, 1994
1064:Sep 21 – Dec 10, 1991
1030:Oct 14 – Dec 10, 1989
901:Oct 14 – Dec 18, 1983
846:Oct 16 – Dec 20, 1981
714:Oct 17 – Dec 14, 1975
590:Sep 27 – Dec 14, 1969
461:Sep 28 – Dec 22, 1963
394:Sep 21 – Dec 31, 1959
354:Sep 22 – Dec 30, 1957
242:Oct 20 – Dec 23, 1951
169:
119:São Paulo Art Biennial
114:
49:São Paulo Art Biennial
41:considered for merging
3618:Cantareira State Park
3472:Ibirapuera Auditorium
3259:cultural institutions
3125:Júlio Prestes Station
3085:Brazil Stock Exchange
3024:Bandeirantes TV Tower
2856:Music Biennale Zagreb
2208:, Lourdes Castro and
2125:
2050:Jean-Michael Basquiat
1873:, whose installation
1736:’s famous ready-made
1572:
1487:Sep 7 – Dec 11, 2016
1316:Oct 26 – Dec 6, 2008
1273:Oct 7 – Dec 17, 2006
1204:Mar 23 – Jun 2, 2002
1134:President of Bienal:
1102:President of Bienal:
980:Oct 2 – Dec 13, 1987
948:Oct 4 – Dec 15, 1985
797:Oct 3 – Dec 16, 1979
760:Oct 1 – Nov 30, 1977
718:President of Bienal:
674:President of Bienal:
639:President of Bienal:
635:Sep 4 – Nov 15, 1971
594:President of Bienal:
557:President of Bienal:
553:Sep 22 – Dec 8, 1967
511:President of Bienal:
507:Sep 4 – Nov 28, 1965
465:President of Bienal:
430:President of MAM-SP:
426:Oct 1 – Dec 31, 1961
398:President of MAM-SP:
358:President of MAM-SP:
318:President of MAM-SP:
314:Jul 2 – Oct 12, 1955
278:President of MAM-SP:
246:President of MAM-SP:
223:Directors / Curators
167:
112:
3724:Brazilian Grand Prix
3391:Pinacoteca do Estado
3371:Museum of Sacred Art
3366:Museum of Modern Art
3233:São Cristóvão Church
3223:Santo Antônio Church
3059:Obelisk of São Paulo
2902:Visual Collaborative
2851:Vladivostok biennale
2839:Venice Film Festival
1624:José Clemente Orozco
1521:Sep 7 – Dec 9, 2018
1495:Curator: Jochen Volz
1441:Sep 6 – Dec 7, 2014
1399:Sep 7 – Dec 7, 2012
1167:Oct 3 – Dec 3, 1998
1130:Oct 5 – Dec 8, 1996
670:Oct 5 – Dec 2, 1973
151:Parque do Ibirapuera
3803:23.5880°S 46.6538°W
3799: /
3356:Museum of Fine Arts
3243:São Paulo Cathedral
3228:São Bento Monastery
3155:Bandeirantes Palace
3140:Martinelli Building
2239:Elective Affinities
1817:Robert Rauschenberg
1732:and Fantastic art.
1722:Florestan Fernandes
1180:Associate Curator:
1136:Edemar Cid Ferreira
1104:Edemar Cid Ferreira
927:Samuel Eduardo Leon
614:, Wolfgang Pfeiffer
365:Artistic Director:
325:Artistic Director:
285:Artistic Director:
213:
179:Edemar Cid Ferreira
127:Bienal de São Paulo
3808:-23.5880; -46.6538
3759:São Paulo Indy 300
3693:Vale do Anhangabaú
3673:Praça da República
3462:Rua Javari Stadium
3427:Anhembi Sambadrome
3331:Museu Lasar Segall
3311:Butantan Institute
3306:Immigration Museum
3145:Matarazzo Building
3120:Iguatemi São Paulo
2923:Biennale of Sydney
2781:Liverpool Biennial
2741:Bucharest Biennale
2731:Biennale of Design
2705:Singapore Biennale
2650:Asian Art Biennial
2131:
2090:Taiwan controversy
1970:Palette mit Flügel
1894:in Buenos Aires.
1739:Roue de bicyclette
1667:and Informal Art.
1641:Flávio de Carvalho
1575:
1547:Sep 4–Dec 5, 2021
720:Ciccillo Matarazzo
683:Ciccillo Matarazzo
676:Ciccillo Matarazzo
641:Ciccillo Matarazzo
596:Ciccillo Matarazzo
559:Ciccillo Matarazzo
513:Ciccillo Matarazzo
467:Ciccillo Matarazzo
437:General Director:
432:Ciccillo Matarazzo
400:Ciccillo Matarazzo
360:Ciccillo Matarazzo
320:Ciccillo Matarazzo
280:Ciccillo Matarazzo
248:Ciccillo Matarazzo
212:
170:
168:São Paulo 9 (1967)
147:Ciccillo Matarazzo
115:
18:São Paulo Biennial
3782:
3781:
3633:Independence Park
3432:Arena Corinthians
3386:Industries Palace
3326:Museu Afro Brasil
3271:Carmo Planetarium
3248:Temple of Solomon
3165:Municipal Theater
3160:São Pedro Theater
3105:Conjunto Nacional
2968:
2967:
2811:Biennale de Paris
2766:Florence Biennale
2700:Shanghai Biennale
2680:Istanbul Biennial
2670:Herzliya Biennial
2445:978-3-86335-554-8
2357:The Art Newspaper
2327:The Art Newspaper
2265:35th Bienal, 2023
2259:COVID-19 pandemic
2233:33rd Bienal, 2018
2199:32nd Bienal, 2016
2190:31st Bienal, 2014
2184:Waldemar Cordeiro
2173:30th Bienal, 2012
2156:29th Bienal, 2010
2147:28th Bienal, 2008
2134:27th Bienal, 2006
2114:26th Bienal, 2004
2077:25th Bienal, 2002
2060:24th Bienal, 1998
2046:Francisco de Goya
2039:23rd Bienal, 1996
2018:22nd Bienal, 1994
1993:21st Bienal, 1991
1984:20th Bienal, 1989
1960:19th Bienal, 1987
1948:18th Bienal, 1985
1916:17th Bienal, 1983
1907:16th Bienal, 1981
1898:15th Bienal, 1979
1885:14th Bienal, 1977
1861:13th Bienal, 1975
1844:12th Bienal, 1973
1835:11th Bienal, 1971
1823:10th Bienal, 1969
1562:
1561:
1552:
1526:
1501:
1496:
1492:
1467:
1462:
1454:
1446:
1421:
1416:
1411:
1409:Luis Pérez-Oramas
1404:
1379:
1368:
1359:
1355:
1330:
1325:
1321:
1296:
1291:
1282:
1278:
1253:
1249:General Curator:
1246:
1221:
1216:
1212:General Curator:
1209:
1184:
1176:
1172:
1147:
1142:
1138:
1110:
1106:
1078:
1073:
1069:
1044:
1039:
1035:
1010:
1009:Ana Maria Kieffer
1005:
997:
992:
988:General Curator:
985:
960:
956:General Curator:
953:
928:
923:
920:
915:
910:
906:
881:
876:
873:
872:, Josette Balsa /
865:
860:
855:
851:
826:
821:
816:
811:
806:
802:
777:
769:
765:
740:
735:
730:
722:
694:
686:
678:
650:
643:
615:
612:Waldemar Cordeiro
606:
598:
570:
565:
561:
533:
528:
519:
515:
487:
482:
473:
469:
441:
434:
406:
402:
374:
369:
362:
334:
329:
322:
294:
289:
282:
254:
250:
143:Italian-Brazilian
107:
106:
16:(Redirected from
3864:
3814:
3813:
3811:
3810:
3809:
3804:
3800:
3797:
3796:
3795:
3792:
3648:Largo da Memória
3613:Botanical Garden
3570:Rua Oscar Freire
3477:Pacaembu Stadium
3218:Pátio do Colégio
3150:Municipal Market
3005:
2995:
2988:
2981:
2972:
2971:
2897:Whitney Biennial
2801:Mykonos Biennale
2746:Coruche Biennial
2695:Nanjing Biennale
2665:Gwangju Biennale
2660:Chengdu Biennale
2602:
2595:
2588:
2579:
2578:
2547:
2546:
2544:
2543:
2528:
2522:
2521:
2519:
2518:
2503:
2497:
2496:
2494:
2493:
2476:
2470:
2469:
2467:
2466:
2456:
2450:
2449:
2431:
2425:
2424:
2422:
2421:
2406:
2397:
2385:
2379:
2367:
2361:
2349:
2343:
2337:
2331:
2319:
2313:
2312:
2300:
2225:, in Chile, and
1869:to South Korean
1813:Roy Lichtenstein
1782:9th Bienal, 1967
1704:8th Bienal, 1965
1695:7th Bienal, 1963
1671:6th Bienal, 1961
1661:Vincent van Gogh
1651:5th Bienal, 1959
1634:4th Bienal, 1957
1614:3rd Bienal, 1955
1598:2nd Bienal, 1953
1588:Abraham Palatnik
1578:1st Bienal, 1951
1550:
1524:
1499:
1494:
1490:
1465:
1457:
1448:
1444:
1419:
1414:
1406:
1402:
1371:
1363:Guest Curators:
1362:
1357:
1353:
1328:
1323:
1319:
1294:
1285:
1280:
1276:
1248:
1244:
1219:
1211:
1207:
1179:
1174:
1170:
1145:
1140:
1133:
1108:
1101:
1076:
1071:
1067:
1042:
1037:
1033:
1008:
1000:
995:
987:
983:
955:
951:
926:
921:
918:
913:
908:
904:
879:
874:
868:
863:
858:
853:
849:
824:
819:
814:
809:
804:
800:
772:
767:
763:
738:
733:
724:
717:
689:
680:
673:
645:
638:
609:
600:
593:
568:
563:
556:
531:
522:
517:
510:
485:
476:
471:
464:
436:
429:
404:
397:
372:
364:
357:
332:
324:
317:
292:
284:
277:
252:
245:
214:
211:
62:contemporary art
46:
45:
21:
3872:
3871:
3867:
3866:
3865:
3863:
3862:
3861:
3817:
3816:
3807:
3805:
3801:
3798:
3793:
3790:
3788:
3786:
3785:
3783:
3778:
3774:Virada Cultural
3734:March for Jesus
3707:
3683:Praça Roosevelt
3668:Pico do Jaraguá
3653:Parque do Carmo
3643:Largo da Batata
3628:Ibirapuera Park
3595:
3589:
3560:Rua 25 de Março
3555:Paulista Avenue
3510:Alto de Santana
3497:
3491:
3487:Vibra São Paulo
3442:Morumbi Stadium
3437:Canindé Stadium
3405:
3301:Football Museum
3258:
3252:
3181:religious sites
3180:
3174:
3135:Mappin Building
3115:Itália Building
3090:Butantã's House
3068:
3016:
3010:
2999:
2969:
2964:
2943:
2927:
2906:
2887:Havana Biennial
2860:
2846:Vienna Biennale
2834:Venice Biennale
2816:Prague Biennale
2796:Munich Biennale
2791:Moscow Biennale
2726:Berlin Biennale
2721:ART Ii Biennale
2709:
2638:
2612:
2606:
2556:
2551:
2550:
2541:
2539:
2529:
2525:
2516:
2514:
2504:
2500:
2491:
2489:
2477:
2473:
2464:
2462:
2458:
2457:
2453:
2446:
2432:
2428:
2419:
2417:
2407:
2400:
2386:
2382:
2368:
2364:
2350:
2346:
2338:
2334:
2320:
2316:
2301:
2297:
2292:
2275:
2267:
2255:
2235:
2201:
2192:
2175:
2167:Bandeira branca
2158:
2149:
2136:
2128:Ibirapuera Park
2116:
2100:Chien-Chi Chang
2092:
2079:
2066:Adriano Pedrosa
2062:
2041:
2020:
1995:
1986:
1962:
1950:
1918:
1909:
1900:
1887:
1863:
1846:
1837:
1825:
1784:
1776:Francis Picabia
1714:Mário Schenberg
1706:
1697:
1673:
1653:
1645:Jackson Pollock
1636:
1616:
1600:
1580:
1567:
1288:Adriano Pedrosa
1182:Adriano Pedrosa
870:Victor Musgrave
775:Yolanda Mohalyi
727:Aldemir Martins
690:Mário Wilches,
210:
139:
131:Venice Biennale
44:
28:
23:
22:
15:
12:
11:
5:
3870:
3860:
3859:
3854:
3849:
3844:
3839:
3834:
3829:
3780:
3779:
3777:
3776:
3771:
3766:
3761:
3756:
3751:
3746:
3741:
3736:
3731:
3726:
3721:
3715:
3713:
3709:
3708:
3706:
3705:
3700:
3698:Viaduto do Chá
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3660:
3658:Parque Trianon
3655:
3650:
3645:
3640:
3635:
3630:
3625:
3620:
3615:
3610:
3608:Beco do Batman
3605:
3599:
3597:
3596:public squares
3591:
3590:
3588:
3587:
3582:
3577:
3572:
3567:
3562:
3557:
3552:
3547:
3542:
3537:
3532:
3527:
3522:
3517:
3512:
3507:
3501:
3499:
3493:
3492:
3490:
3489:
3484:
3479:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3439:
3434:
3429:
3424:
3419:
3417:Allianz Parque
3413:
3411:
3407:
3406:
3404:
3403:
3401:Sala São Paulo
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3303:
3298:
3293:
3288:
3283:
3278:
3276:Casa das Rosas
3273:
3268:
3262:
3260:
3254:
3253:
3251:
3250:
3245:
3240:
3235:
3230:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3184:
3182:
3176:
3175:
3173:
3172:
3167:
3162:
3157:
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3117:
3112:
3110:Copan Building
3107:
3102:
3097:
3092:
3087:
3082:
3076:
3074:
3070:
3069:
3067:
3066:
3061:
3056:
3051:
3046:
3041:
3036:
3031:
3026:
3020:
3018:
3012:
3011:
2998:
2997:
2990:
2983:
2975:
2966:
2965:
2963:
2962:
2957:
2955:BiennaleOnline
2951:
2949:
2945:
2944:
2942:
2941:
2935:
2933:
2929:
2928:
2926:
2925:
2920:
2914:
2912:
2908:
2907:
2905:
2904:
2899:
2894:
2892:Quilt National
2889:
2884:
2879:
2874:
2868:
2866:
2862:
2861:
2859:
2858:
2853:
2848:
2843:
2842:
2841:
2836:
2831:
2823:
2818:
2813:
2808:
2803:
2798:
2793:
2788:
2783:
2778:
2773:
2768:
2763:
2758:
2753:
2748:
2743:
2738:
2733:
2728:
2723:
2717:
2715:
2711:
2710:
2708:
2707:
2702:
2697:
2692:
2687:
2682:
2677:
2672:
2667:
2662:
2657:
2652:
2646:
2644:
2640:
2639:
2637:
2636:
2634:Dakar Biennale
2631:
2626:
2620:
2618:
2614:
2613:
2605:
2604:
2597:
2590:
2582:
2576:
2575:
2569:
2563:
2555:
2554:External links
2552:
2549:
2548:
2523:
2498:
2471:
2451:
2444:
2426:
2398:
2393:New York Times
2380:
2375:New York Times
2362:
2344:
2332:
2314:
2294:
2293:
2291:
2288:
2287:
2286:
2281:
2274:
2271:
2266:
2263:
2254:
2251:
2234:
2231:
2200:
2197:
2191:
2188:
2174:
2171:
2157:
2154:
2148:
2145:
2140:Roland Barthes
2135:
2132:
2115:
2112:
2091:
2088:
2078:
2075:
2061:
2058:
2040:
2037:
2025:Hélio Oiticica
2019:
2016:
1994:
1991:
1985:
1982:
1961:
1958:
1954:Sheila Leirner
1949:
1946:
1917:
1914:
1908:
1905:
1899:
1896:
1886:
1883:
1862:
1859:
1845:
1842:
1836:
1833:
1824:
1821:
1803:that included
1783:
1780:
1734:Marcel Duchamp
1726:Castelo Branco
1705:
1702:
1696:
1693:
1672:
1669:
1652:
1649:
1635:
1632:
1615:
1612:
1602:Known as the “
1599:
1596:
1579:
1576:
1566:
1563:
1560:
1559:
1557:
1555:
1553:
1548:
1545:
1534:
1533:
1531:
1529:
1527:
1522:
1519:
1513:
1512:
1509:
1506:
1503:
1488:
1485:
1479:
1478:
1475:
1472:
1469:
1442:
1439:
1433:
1432:
1429:
1426:
1423:
1400:
1397:
1391:
1390:
1387:
1384:
1381:
1351:
1348:
1342:
1341:
1338:
1335:
1332:
1317:
1314:
1308:
1307:
1304:
1301:
1298:
1274:
1271:
1265:
1264:
1261:
1258:
1255:
1242:
1239:
1233:
1232:
1229:
1226:
1223:
1205:
1202:
1196:
1195:
1192:
1189:
1186:
1168:
1165:
1159:
1158:
1155:
1152:
1149:
1131:
1128:
1122:
1121:
1118:
1115:
1112:
1099:
1096:
1090:
1089:
1086:
1083:
1080:
1065:
1062:
1056:
1055:
1052:
1049:
1046:
1031:
1028:
1022:
1021:
1018:
1015:
1012:
1002:Arturo Schwarz
990:Sheila Leirner
981:
978:
972:
971:
968:
965:
962:
958:Sheila Leirner
949:
946:
940:
939:
936:
933:
930:
902:
899:
893:
892:
889:
886:
883:
847:
844:
838:
837:
834:
831:
828:
798:
795:
789:
788:
785:
782:
779:
761:
758:
752:
751:
748:
745:
742:
715:
712:
706:
705:
702:
699:
696:
671:
668:
662:
661:
658:
655:
652:
636:
633:
627:
626:
623:
620:
617:
591:
588:
582:
581:
578:
575:
572:
554:
551:
545:
544:
541:
538:
535:
525:Sérgio Milliet
508:
505:
499:
498:
495:
492:
489:
479:Sérgio Milliet
462:
459:
453:
452:
449:
446:
443:
427:
424:
418:
417:
414:
411:
408:
395:
392:
386:
385:
382:
379:
376:
367:Sérgio Milliet
355:
352:
346:
345:
342:
339:
336:
327:Sérgio Milliet
315:
312:
306:
305:
302:
299:
296:
287:Sérgio Milliet
275:
272:
266:
265:
262:
259:
256:
243:
240:
234:
233:
230:
227:
224:
221:
218:
209:
206:
190:Western Europe
185:from Germany.
155:Oscar Niemeyer
145:industrialist
138:
135:
105:
104:
99:
95:
94:
91:
87:
86:
77:
73:
72:
69:
65:
64:
55:
51:
50:
26:
9:
6:
4:
3:
2:
3869:
3858:
3855:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3832:Art biennials
3830:
3828:
3825:
3824:
3822:
3815:
3812:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3752:
3750:
3747:
3745:
3742:
3740:
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3720:
3717:
3716:
3714:
3710:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3688:São Paulo Zoo
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3663:People's Park
3661:
3659:
3656:
3654:
3651:
3649:
3646:
3644:
3641:
3639:
3638:Jardim da Luz
3636:
3634:
3631:
3629:
3626:
3624:
3621:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3601:
3600:
3598:
3592:
3586:
3583:
3581:
3580:Vila Madalena
3578:
3576:
3573:
3571:
3568:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3536:
3533:
3531:
3530:Brooklin Novo
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3502:
3500:
3498:and districts
3496:Neighborhoods
3494:
3488:
3485:
3483:
3480:
3478:
3475:
3473:
3470:
3468:
3465:
3463:
3460:
3458:
3455:
3453:
3450:
3448:
3445:
3443:
3440:
3438:
3435:
3433:
3430:
3428:
3425:
3423:
3420:
3418:
3415:
3414:
3412:
3408:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3269:
3267:
3264:
3263:
3261:
3255:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3185:
3183:
3177:
3171:
3168:
3166:
3163:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3111:
3108:
3106:
3103:
3101:
3098:
3096:
3093:
3091:
3088:
3086:
3083:
3081:
3078:
3077:
3075:
3071:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3037:
3035:
3032:
3030:
3029:Beco do Pinto
3027:
3025:
3022:
3021:
3019:
3015:Monuments and
3013:
3009:
3004:
2996:
2991:
2989:
2984:
2982:
2977:
2976:
2973:
2961:
2958:
2956:
2953:
2952:
2950:
2946:
2940:
2937:
2936:
2934:
2932:South America
2930:
2924:
2921:
2919:
2916:
2915:
2913:
2909:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2882:Iowa Biennial
2880:
2878:
2875:
2873:
2870:
2869:
2867:
2865:North America
2863:
2857:
2854:
2852:
2849:
2847:
2844:
2840:
2837:
2835:
2832:
2830:
2827:
2826:
2824:
2822:
2819:
2817:
2814:
2812:
2809:
2807:
2804:
2802:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2771:Kyiv Biennial
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2718:
2716:
2712:
2706:
2703:
2701:
2698:
2696:
2693:
2691:
2688:
2686:
2683:
2681:
2678:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2648:
2647:
2645:
2641:
2635:
2632:
2630:
2627:
2625:
2622:
2621:
2619:
2615:
2611:
2603:
2598:
2596:
2591:
2589:
2584:
2583:
2580:
2573:
2570:
2568:
2564:
2562:
2558:
2557:
2538:
2537:wallpaper.com
2534:
2527:
2513:
2509:
2502:
2488:
2487:
2482:
2475:
2461:
2455:
2447:
2441:
2437:
2430:
2416:
2412:
2405:
2403:
2395:
2394:
2390:
2384:
2377:
2376:
2372:
2366:
2359:
2358:
2354:
2348:
2341:
2336:
2329:
2328:
2324:
2318:
2310:
2306:
2299:
2295:
2285:
2282:
2280:
2279:Brazilian art
2277:
2276:
2270:
2262:
2260:
2250:
2248:
2247:Mário Pedrosa
2244:
2240:
2230:
2228:
2224:
2220:
2216:
2211:
2210:Víctor Grippo
2207:
2206:Sonia Andrade
2196:
2187:
2185:
2181:
2170:
2168:
2164:
2163:Jorge de Lima
2153:
2144:
2141:
2129:
2124:
2120:
2111:
2109:
2105:
2101:
2097:
2087:
2085:
2074:
2070:
2067:
2057:
2055:
2051:
2047:
2036:
2034:
2033:Mira Schendel
2030:
2026:
2015:
2013:
2009:
2005:
2001:
1990:
1981:
1979:
1975:
1971:
1967:
1966:Anselm Kiefer
1957:
1955:
1945:
1943:
1939:
1935:
1931:
1930:Fluxus Street
1927:
1923:
1913:
1904:
1895:
1893:
1882:
1880:
1876:
1872:
1871:Nam June Paik
1868:
1858:
1856:
1851:
1841:
1832:
1830:
1820:
1818:
1814:
1810:
1806:
1802:
1798:
1794:
1790:
1789:Cybèle Varela
1779:
1777:
1773:
1772:René Magritte
1769:
1765:
1761:
1757:
1753:
1749:
1745:
1741:
1740:
1735:
1731:
1727:
1723:
1719:
1715:
1711:
1701:
1692:
1690:
1686:
1682:
1678:
1677:Neoconcretism
1668:
1666:
1662:
1658:
1657:impressionist
1648:
1646:
1642:
1631:
1629:
1625:
1621:
1611:
1609:
1608:Pablo Picasso
1605:
1595:
1593:
1589:
1585:
1571:
1558:
1556:
1554:
1549:
1546:
1544:
1543:
1539:
1536:
1535:
1532:
1530:
1528:
1523:
1520:
1518:
1515:
1514:
1510:
1507:
1504:
1502:
1497:
1489:
1486:
1484:
1481:
1480:
1476:
1473:
1470:
1468:
1463:
1460:
1455:
1452:
1451:Charles Esche
1443:
1440:
1438:
1435:
1434:
1430:
1427:
1424:
1422:
1417:
1412:
1410:
1401:
1398:
1396:
1393:
1392:
1388:
1385:
1382:
1380:
1378:
1377:Yuko Hasegawa
1374:
1373:Sarat Maharaj
1369:
1366:
1365:Chus Martinez
1360:
1352:
1349:
1347:
1344:
1343:
1339:
1336:
1333:
1331:
1326:
1318:
1315:
1313:
1310:
1309:
1305:
1302:
1299:
1297:
1292:
1289:
1286:Co-curators:
1283:
1275:
1272:
1270:
1267:
1266:
1262:
1259:
1256:
1254:
1252:
1243:
1240:
1238:
1235:
1234:
1230:
1227:
1224:
1222:
1217:
1215:
1206:
1203:
1201:
1198:
1197:
1193:
1190:
1187:
1185:
1183:
1177:
1169:
1166:
1164:
1161:
1160:
1156:
1153:
1150:
1148:
1143:
1137:
1132:
1129:
1127:
1124:
1123:
1119:
1116:
1113:
1111:
1105:
1100:
1097:
1095:
1092:
1091:
1087:
1084:
1081:
1079:
1074:
1066:
1063:
1061:
1058:
1057:
1053:
1050:
1047:
1045:
1040:
1032:
1029:
1027:
1024:
1023:
1019:
1016:
1013:
1011:
1006:
1003:
998:
993:
991:
982:
979:
977:
974:
973:
969:
966:
963:
961:
959:
950:
947:
945:
942:
941:
937:
934:
931:
929:
924:
916:
911:
903:
900:
898:
895:
894:
890:
887:
884:
882:
877:
871:
866:
861:
856:
848:
845:
843:
840:
839:
835:
832:
829:
827:
822:
817:
812:
807:
799:
796:
794:
791:
790:
786:
783:
780:
778:
776:
770:
762:
759:
757:
754:
753:
749:
746:
743:
741:
736:
731:
728:
721:
716:
713:
711:
708:
707:
703:
700:
697:
695:
693:
692:Vilém Flusser
687:
684:
677:
672:
669:
667:
664:
663:
659:
656:
653:
651:
649:
642:
637:
634:
632:
629:
628:
624:
621:
618:
616:
613:
607:
604:
597:
592:
589:
587:
584:
583:
579:
576:
573:
571:
566:
560:
555:
552:
550:
547:
546:
542:
539:
536:
534:
529:
526:
520:
514:
509:
506:
504:
501:
500:
496:
493:
490:
488:
483:
480:
474:
468:
463:
460:
458:
455:
454:
450:
447:
444:
442:
440:
439:Mário Pedrosa
433:
428:
425:
423:
420:
419:
415:
412:
409:
407:
401:
396:
393:
391:
388:
387:
383:
380:
377:
375:
370:
368:
361:
356:
353:
351:
348:
347:
343:
340:
337:
335:
330:
328:
321:
316:
313:
311:
308:
307:
303:
300:
297:
295:
290:
288:
281:
276:
273:
271:
268:
267:
263:
260:
257:
255:
249:
244:
241:
239:
236:
235:
231:
228:
225:
222:
219:
216:
215:
205:
203:
202:Brazilian art
199:
195:
191:
186:
184:
180:
174:
166:
162:
160:
156:
152:
148:
144:
134:
132:
128:
124:
120:
111:
103:
100:
96:
92:
88:
85:
81:
78:
74:
70:
66:
63:
59:
56:
52:
47:
42:
38:
37:
33:
19:
3784:
3743:
3585:Vila Olímpia
3535:Central Zone
3381:Oca Pavilion
3179:Churches and
2960:Web Biennial
2938:
2572:Artkrush.com
2540:. Retrieved
2536:
2526:
2515:. Retrieved
2511:
2501:
2490:. Retrieved
2486:Taipei Times
2484:
2474:
2463:. Retrieved
2454:
2435:
2429:
2418:. Retrieved
2414:
2391:
2383:
2373:
2365:
2355:
2347:
2335:
2325:
2317:
2308:
2298:
2268:
2256:
2236:
2217:, in Ghana,
2202:
2193:
2176:
2166:
2159:
2150:
2137:
2117:
2093:
2080:
2071:
2063:
2054:Edvard Munch
2042:
2021:
2008:Henrik Ibsen
2003:
1999:
1996:
1987:
1973:
1969:
1963:
1951:
1942:Wolf Vostell
1938:Dick Higgins
1919:
1910:
1901:
1888:
1874:
1864:
1850:Neo-concrete
1847:
1838:
1826:
1805:Jasper Johns
1796:
1792:
1791:’s painting
1785:
1768:Paul Delvaux
1748:Marc Chagall
1737:
1707:
1698:
1684:
1674:
1654:
1637:
1620:Diego Rivera
1617:
1601:
1591:
1581:
1541:
1540:
1537:
1516:
1498:
1493:
1482:
1464:
1461:, Oren Sagiv
1456:
1447:
1436:
1418:
1413:
1405:
1394:
1370:
1361:
1356:
1345:
1327:
1322:
1311:
1293:
1284:
1279:
1268:
1247:
1236:
1218:
1210:
1199:
1178:
1173:
1162:
1144:
1139:
1125:
1107:
1093:
1075:
1070:
1059:
1041:
1036:
1025:
1007:
999:
994:
986:
975:
954:
943:
925:
917:
912:
907:
896:
878:
867:
862:
857:
852:
841:
823:
818:
813:
808:
803:
792:
771:
766:
755:
737:
732:
723:
709:
688:
679:
665:
648:Sérgio Ferro
644:
630:
608:
603:Aracy Amaral
599:
585:
567:
562:
548:
530:
521:
516:
502:
484:
475:
470:
456:
435:
421:
403:
389:
371:
363:
349:
331:
323:
309:
291:
283:
269:
251:
237:
187:
175:
171:
140:
126:
118:
116:
34:
27:Art biennial
3837:1951 in art
3806: /
3719:Anima Mundi
3678:Praça da Sé
3565:Rua Augusta
3482:Via Funchal
3257:Museums and
3130:Luz Station
2415:ARTnews.com
2257:Due to the
2221:, in Peru,
2029:Lygia Clark
1976:(1987), by
1934:Ben Vautier
1922:performance
1867:Andy Warhol
1809:Andy Warhol
1681:Lygia Clark
1517:33nd Bienal
1483:32nd Bienal
1459:Galit Eilat
1437:31st Bienal
1395:30th Bienal
1346:29th Bienal
1312:28th Bienal
1269:27th Bienal
1237:26th Bienal
1200:25th Bienal
1163:24th Bienal
1126:23rd Bienal
1094:22nd Bienal
1060:21st Bienal
1026:20th Bienal
976:19th Bienal
944:18th Bienal
897:17th Bienal
842:16th Bienal
793:15th Bienal
756:14th Bienal
710:13th Bienal
666:12th Bienal
631:11th Bienal
586:10th Bienal
159:Hélio Uchôa
90:Inaugurated
76:Location(s)
60:, focus on
30:‹ The
3821:Categories
3794:46°39′14″W
3791:23°35′17″S
3520:Bom Retiro
3039:Marco Zero
2542:2024-01-30
2517:2024-01-10
2492:2022-09-09
2465:2022-09-08
2420:2021-03-28
2290:References
2084:Alfons Hug
1936:sleeping,
1879:Palm trees
1793:O presente
1730:Surrealism
1449:Curators:
1251:Alfons Hug
1214:Alfons Hug
549:9th Bienal
503:8th Bienal
457:7th Bienal
422:6th Bienal
390:5th Bienal
350:4th Bienal
310:3rd Bienal
270:2nd Bienal
238:1st Bienal
232:Countries
183:Alfons Hug
123:Portuguese
3594:Parks and
3550:Liberdade
3505:Aclimação
3073:Buildings
3017:landmarks
3008:São Paulo
2786:Manifesta
2756:Documenta
2610:biennales
2108:Monochrom
2000:Suz/O/Suz
1926:happening
1875:TV Garden
1855:Kandinsky
1764:Paul Klee
1752:Joan Miró
1744:Max Ernst
1590:’s first
1407:Curator:
198:São Paulo
80:São Paulo
68:Frequency
39:is being
3410:Stadiums
2761:Estuaire
2309:Artforum
2273:See also
2223:Santiago
2104:Austrian
1756:Jean Arp
1604:Guernica
226:Artists
58:Biennale
43:. ›
32:template
3545:Jardins
2911:Oceania
2825:Venice
2806:Netmage
2567:Website
2561:Website
1801:Pop Art
1760:Man Ray
1665:Tachism
137:History
98:Website
3712:Events
3515:Bixiga
2948:Online
2714:Europe
2617:Africa
2442:
2227:Cuiabá
2106:group
2096:Taiwan
1685:Bichos
1659:icon,
1542:Bienal
229:Works
217:Title
194:Brazil
84:Brazil
3540:Japão
2219:Lamas
2215:Accra
2006:, by
1978:Tunga
1428:3796
1191:1140
1154:1181
1085:1028
1051:1824
1017:1740
967:1674
935:1650
888:1766
747:1579
701:2484
657:2459
622:2572
577:4638
540:4054
494:4131
448:4990
413:3804
381:3800
341:2074
301:3374
261:1854
220:Date
54:Genre
2643:Asia
2440:ISBN
2182:and
2031:and
1829:AI-5
1815:and
1774:and
1689:USSR
1626:and
1538:34th
1508:415
1425:111
1386:850
1383:159
1303:645
1300:118
1260:400
1257:141
1228:546
1225:194
1188:326
1151:134
1117:972
1114:206
1082:144
1048:143
1014:215
964:214
932:187
885:213
833:302
830:158
784:476
781:302
744:280
698:468
654:351
619:446
574:956
537:653
491:625
445:681
410:689
378:599
338:463
298:712
258:729
157:and
117:The
93:1951
2241:by
1683:’s
1511:33
1505:81
1477:34
1474:81
1471:69
1431:31
1389:40
1340:20
1337:54
1334:41
1306:51
1263:61
1231:68
1194:54
1157:75
1120:70
1088:32
1054:41
1020:53
970:45
938:43
891:32
836:43
787:36
750:43
704:49
660:57
625:53
580:63
543:54
497:55
451:50
416:47
384:43
344:31
304:33
264:25
3823::
2535:.
2510:.
2483:.
2413:.
2401:^
2307:.
2056:.
2035:.
2027:,
2014:.
1811:,
1807:,
1778:.
1770:,
1766:,
1762:,
1758:,
1754:,
1750:,
1746:,
1720:,
1716:,
1630:.
1622:,
1375:,
125::
82:,
2994:e
2987:t
2980:v
2601:e
2594:t
2587:v
2545:.
2520:.
2495:.
2468:.
2448:.
2423:.
2396:.
2378:.
2360:.
2330:.
2311:.
2213:(
685:,
121:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_07.JPG)
.jpg)