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An S-curve can help guide the viewer's eye through the image to the main subject at the end of the curve, but can also serve as a subject in and of itself. It has been variously described as dynamic, feminine, restful, and hypnotic. The S-curve is particularly prominent in a vertical composition,
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from the 14th century onwards, especially in sculptures of the
Madonna. Gothic figures in ivory, typically of the Madonna, had already acquired a "Gothic sway" to one side to fit into the curved tusk, and curving the head or upper body back the other gave a more satisfactory result.
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to one side. However, the S Curve involves more of the body than the contrapposto, and is therefore considered to be a more advanced technical development. The "S Curve" concept was probably invented by the famous Greek sculptor
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that serves a wide variety of compositional purposes. The term is usually applied to the standing human figure bending first one way and then back the other. It may also be applied more generally, for example in
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86:, the S-curve is a traditional art concept where the figure's body and posture is depicted like a sinuous or serpentine manner. It is related to and is an extension of the art term of
110:("three bend") pose is similar, but generally more pronounced, often with the neck also curved to one side. This goes back to at least 100 BC. The S-curve was revived in
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is often regarded as its inventor. While in all these periods the S-curve originated in sculpture, it was also used in two-dimensional figures in various other media.
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is a variant or development of the pose. The term is usually applied only to art from the
Renaissance onwards, and
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An S-curve meanders into the distance in this photograph of a dirt path in the
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where it may be stacked to form a double S-curve for maximum effect.
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Power
Composition for Photography: Develop Your Artistic Eye
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340:Taylor, David (21 February 2015).
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241:Personal Styles in Greek Sculpture
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269:Indian Art: A Concise History
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314:"Donatello (ca. 1386–1466)"
169:Abduction of a Sabine Woman
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422:Composition in visual art
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402:Ancient Greek art
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289:Gothic Art
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227:References
176:, Florence
112:Gothic art
101:Praxiteles
27:See also:
206:Landscape
200:, c. 1800
190:tribhanga
124:Donatello
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194:Krishna
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