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308:. Kane believes the actual culprit to be an apparent employee, Fry, that he encountered earlier. When no one by that name is found to have worked there, Kane becomes the target of a manhunt. He remembers an address from an envelope carried by Fry, and hitches a truck ride out to a huge ranch in the desert. Kane discovers that the ranch's owner, Charles Tobin, is secretly collaborating with a group of saboteurs that includes Fry.
489:, Selznick's story editor, eventually rejected the script, which reviewer Leonard Maltin later called "extremely offbeat," so Selznick forced Hitchcock to offer it to other studios, "causing ill feelings between the producer and his director since it not only showed a lack of belief in Hitchcock's abilities, but also because the terms of Hitchcock's contract would net Selznick a three-hundred percent profit on the sale."
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818:(1959), including the ordinary/every-man protagonist who gets accused of a terrible crime and must avoid being captured by the police as he attempts to solve the mystery and clear his name (which is a recurring theme in Hitchcock's movies), and, the climactic scene in which the protagonist attempts to save another character from falling off a huge national monument.
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that one might forget, in the hubbub, that there is no logic in this wild-goose chase"; he also questioned the "casual presentation of the FBI as a bunch of bungling dolts, general disregard of authorized agents, and slur on the navy yard police", all of which "somewhat vitiates the patriotic implications which they have tried to emphasize in the film."
316:. Martin goes to the local sheriff, but he turns out to be in league with Tobin as well. Kane accompanies the saboteurs to New York, where they regroup at the mansion of a rich philanthropist and Nazi sympathizer, Mrs. Sutton. Tobin arrives and denounces Kane. Kane is locked in the Sutton basement, and Martin is imprisoned in an office high up
703:. For example, early in the film, the authorities are seen as menacing, while the well-respected rancher and kind grandfather is an enemy agent. In contrast, only ordinary folks and the down-on-their-luck perceive Kane's innocence and offer trust: a long-haul truck driver, a blind householder and the
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called the film a "swift, high-tension film which throws itself forward so rapidly that it permits slight opportunity for looking back. And it hurtles the holes and bumps which plague it with a speed that forcefully tries to cover them up." Crowther commented that "so abundant the breathless events
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There was no music score for neither the film's climactic Statue of
Liberty scene nor the Radio City sequence; instead, Hitchcock let these scenes carry on their own. For example, in the Radio City scene, Hitchcock combined action shown on the theater screen (including gunshots) with the action in
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In
November 1941, Universal announced that Hitchcock would make the film for the studio, and it would be produced by Frank Lloyd and Jack Skirball. Cummings and Lane were to star. Hitchcock later said he was "lucky" to have "young players who are intelligent and sensitive to direction" and "players
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Kane escapes the Sutton mansion by triggering a fire alarm, and rushes to the Navy Yard. He finds Fry preparing to blow up the battleship, and attempts to overpower him. By the time Fry detonates the bomb, the ship is already launched and safe. Fry takes Kane prisoner and returns to the
Rockefeller
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is an early example of the distrust of authority that is one of
Hitchcock's hallmarks. The plot structure of the film, with the falsely accused man having to go undercover and track down the real crooks/spies whilst criss-crossing the USA, and the final fight high up on an iconic American monument
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Kane escapes and takes refuge with a blind man and his niece, Patricia Martin. She believes Kane guilty and attempts to turn him in to the police, but Kane kidnaps Martin and travels east in search of Fry. They stow away on a circus caravan, and eventually reach the ghost town being used as an
599:. In particular, Lloyd lay on his side on a black saddle on a black floor while the camera was moved from close-up to 40 feet above him, making him appear to drop downward, away from the camera. Film taken from the top of the Statue was then superimposed onto the black background.
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who are unmistakeably young
American. It was easy to bring out the familiar qualities to make Bob seem the loveable boy at the next lathe or around the corner. In Priscilla too I had the resolute and daring attributes typical of American girlhood. I wanted the boy and girl in
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shot the background footage in New York City. For the New York City footage, special long lenses were used to shoot from great distances. One background shot shows a capsized ship in the harbor. Fry glances at it and smiles knowingly. The ship shown is the former
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Hitchcock Finds Drama In Terror of the Times: "Saboteur" Reflects
Hazards of War Industries As Seen Through Eyes of Master of Suspense; World Premiere at Keith's Wednesday Night By Nelson B. Bell. The Washington Post 19 Apr 1942:
626:(Simon & Schuster, 1967), Hitchcock says he and Parker filmed a cameo showing them as the elderly couple who see Cummings and Lane hitchhiking and drive away, but that he decided to change that shot to the existing cameo.
332:. Kane pursues Fry onto Lady Liberty's torch. Fry accidentally falls over the platform's railing and clings to the statue's hand. Kane tries to rescue him, but as the police and FBI arrive, Fry falls to his death.
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to write a few scenes, "mostly the patriotic speeches given by the hero." Although Parker had been brought in to "punch up the dialogue", Hitchcock also called in Peter
Viertel to continue to work on the script.
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for background, for example in shots of the western ghost town, "Soda City". The famed Statue of
Liberty sequence takes place on the torch platform, which had actually been closed to public access since the
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Hannon, Laura Bellew, “The
Stylish Battle, World War II and Clothing Design Restrictions in Los Angeles,” doctoral dissertation, University of California, Riverside, December 2012
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outpost by Tobin's spy ring. Kane successfully poses as an accomplice and infiltrates the group, who is next planning to sabotage the launch of a new battleship at the
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about an hour into the film (1:04:37), standing at a kiosk in front of Cut Rate Drugs in New York as the saboteurs' car pulls up. In his book-length interview with
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the theater. The contrast of the large screen images with the shootout below encompassed the audience into the action and was one of the more effective scenes in
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was premiered in
Washington, D.C., on April 22, 1942, with Hitchcock, Cummings and Lane, along with 80 U.S. Senators and 350 U.S. Congressmen, in attendance.
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had been sabotaged, which was a reflection on their lack of vigilance in guarding it." Despite the official objections, the scene remained in the final film.
687:, to create fashions that complied with the new restrictions on fabric. Saltern’s designs for the contest were then used for Priscilla Lane’s costumes in
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to suggest the thrilling importance of unimportant people, to forget they were movie stars, to remember only that they were free and in terrible danger."
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Hitchcock used extensive location footage in the film, which was unusual for Hollywood productions at the time. Second unit director
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issued guidelines for clothing rationing in 1942 (General Limitation Order L-85), the board invited Hollywood designers, including
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had other commitments. He settled on Robert Cummings who had a new contract with Universal, while Priscilla Lane was borrowed from
1236:"Saboteur (1942); 'Saboteur', Alfred Hitchcock melodrama, starring Priscilla Lane, Robert Cummings and Otto Kruger, at Music Hall"
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wrapped in 15 weeks, the fastest Hitchcock had ever worked. By January 1942, the film was in post-production. Early in April,
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melodrama from the hand of the master"; the film's "artful touches serve another purpose which is only incidental to
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SCREEN NEWS HERE AND IN HOLLYWOOD: Alfred Hitchcock Engaged to Direct 'The Saboteur' New York Times 8 Nov 1941: 11.
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in 1916. A mock-up built for filming accurately depicted this part of the statue. The scene also used innovative
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Guide to the Irene Saltern Salinger Papers MS.P.059, UCI Libraries finding aid, Online Archive of California,
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told Hitchcock after seeing the death of a character in the finale, "He should have had a better tailor."
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The final battle symbolizing tyranny against democracy takes place on the torch of the Statue of Liberty.
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did "very well at the box office even with its B-list cast"; it made a "tidy profit for all involved."
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https://escholarship.org/content/qt8469r3zg/qt8469r3zg_noSplash_c9deb431754f2a3c5d3a062ba2917d67.pdf
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Bailey, Gertrude, “Hollywood Saves Cloth Ingeniously: Soft Draping Makes a Little Fabric Go Far,”
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Universal signed on, but Hitchcock could not have the two actors he wanted for the leading roles.
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Driving along the New York waterfront, Kane's car passes by the capsized hulk of the liner
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Center office to find the authorities waiting. Fry flees, terrorizing a movie audience at
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533:. It was originally meant to finish with a climax at the movie theatre which was showing
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Aircraft factory worker Barry Kane wrongly falls under suspicion of setting fire to his
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s melodramatic intent. They warn Americans, as Hollywood has so far failed to do, that
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https://tile.loc.gov/storage-services/service/ll/fedreg/fr007/fr007070/fr007070.pdf
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1058:"United States Court of Appeals For the Ninth Circuit - Cummings vs Universal 1944"
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879:"United States Court of Appeals For the Ninth Circuit - Universal vs Cummings 1944"
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The Encyclopedia of Alfred Hitchcock: From Alfred Hitchcock Presents to Vertigo
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There was clever matching of the location footage with studio shots, many using
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Marie LeDeaux as Titania the Fat Woman - Circus Troupe (as Matie Ke Deaux)
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can be outwardly clean and patriotic citizens, just like themselves."
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was a kind of remake of the older film, Hitchcock confirms: "Yes".
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DISPATCHES VIA HOLLYWOOD TERMINAL New York Times 01 Feb 1942: X5.
714:(and with the hero assisted here by his lady), clearly prefigure
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https://oac.cdlib.org/findaid/ark:/13030/kt0c6022rp/entire_text/
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943:(paperback ed.). New York: Plume (Penguin). p. 1195.
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shares several essential elements with Hitchcock's later movie
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and cinematographer Charles Van Enger shot exteriors in the
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Production on the film began less than two weeks after the
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The Hitchcock Romance: Love and Irony in Hitchcock's Films
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Hitchcock described the film as a series of "cameos" like
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Scripting, pre-production, and principal photography on
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Filming took place from December 1941 to February 1942.
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The Dark Side of Genius: The Life of Alfred Hitchcock
1322:. Princeton, New Jersey: Princeton University Press.
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Hitchcock made use of irony on numerous occasions in
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Not to be confused with Alfred Hitchcock's 1936 film
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at gunpoint, and eventually taking the ferry to the
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899:. Variety. January 6, 1943. p. 58 – via
504:although her scenes had to wait while she finished
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3334:Films set on the home front during World War II
1279:, October 3, 2011. Retrieved: October 23, 2014.
641:who had concerns about the scene involving the
438:as Esmeralda - Circus Troupe (as Anita Bloster)
1033:"Original Print Information: Saboteur (1942)."
485:to keep an eye on its progress and direction.
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441:Jean Romer as Siamese Twins (as Jeanne Romer)
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444:Laura Mason as Siamese Twins (as Lynn Romer)
1270:"The Re-Premier of Hitchcock's "Lost" Film
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606:Location of the Radio City Music Hall scene
387:as Uncle Phillip Martin (as Vaughan Glazer)
3188:Alfred Hitchcock: The Art of Making Movies
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3195:Alfred Hitchcock and the Making of Psycho
3150:German Concentration Camps Factual Survey
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3344:Films with screenplays by Dorothy Parker
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941:Leonard Maltin's Movie & Video Guide
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458:The pivotal and controversial scene in
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1092:Saboteur DVD: A Closer Look; Making of
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2558:The Lodger: A Story of the London Fog
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637:was "redflagged" by officials in the
3208:Remakes of films by Alfred Hitchcock
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1115:“War Production Board Regulations,”
496:was uninterested in the project and
3339:Films shot in Lone Pine, California
3157:Alfred Hitchcock's Mystery Magazine
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1076:"Book review: Saboteurs and Spies."
774:"one hour and 45 minutes of almost
13:
3319:Films directed by Alfred Hitchcock
1119:, vol. 7, no. 70, April 10, 1942,
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429:as Major / Midget - Circus Troupe
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1344:. New York: Facts on File, Inc.
863:"Full credits: Saboteur (1942)."
477:Hitchcock was under contract to
417:as Mrs. Brown (Tobin's daughter)
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868:. Retrieved: November 30, 2014.
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3309:American black-and-white films
1038:. Retrieved: October 23, 2014.
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929:. Retrieved: October 23, 2014.
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804:Critic Rob Nixon, writing for
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1:
3359:Films scored by Frank Skinner
881:. pp. 94–95 – via
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264:with a screenplay written by
166:David O. Selznick Productions
16:1942 film by Alfred Hitchcock
3369:Statue of Liberty in fiction
3364:1940s English-language films
3164:Alfred Hitchcock's Anthology
1456:AFI Catalog of Feature Films
1290:"Saboteur (1942) - Articles"
922:"Articles: Saboteur (1942)."
850:
743:
7:
3304:American spy thriller films
1550:The Call of the Cumberlands
1363:. New York: Da Capo Press.
989:. Retrieved: April 9, 2014.
897:"101 Pix Gross in Millions"
552:
300:manufacturing plant during
10:
3390:
3329:Films set in New York City
1951:The Voice from the Minaret
1510:The Gentleman from Indiana
1382:. New York: Castle Books.
1060:. p. 567 – via
792:Norman Lloyd recalls that
695:Use of irony and symbolism
620:trademark cameo appearance
18:
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3094:Alfred Hitchcock Presents
3074:Alfred Hitchcock Presents
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2920:The Man Who Knew Too Much
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2699:The Man Who Knew Too Much
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1600:An International Marriage
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3349:Universal Pictures films
3294:1940s spy thriller films
3250:Pat Hitchcock (daughter)
1720:The Blindness of Divorce
1090:"Interview with Lloyd".
939:Maltin, Leonard (2003).
826:
423:as Bones - Circus Troupe
351:as Patricia "Pat" Martin
242:$ 1,250,000 (US rentals)
190:April 22, 1942
3324:Films set in California
3299:American aviation films
3055:The Fighting Generation
2501:Themes and plot devices
2323:The Howards of Virginia
1911:The Man from Lost River
1790:The World and Its Woman
1640:The World and the Woman
1590:The Making of Maddalena
1570:The Code of Marcia Gray
1337:Leitch, Thomas (2002).
1277:alfredhitchcockgeek.com
1259:magazine, May 11, 1942.
1217:"Hitchcock's Saboteur."
1158:New York World Telegram
521:Universal did bring in
335:
291:
164:Frank Lloyd Productions
3354:World War II spy films
3175:Transatlantic Pictures
2912:The Trouble with Harry
2343:The Lady from Cheyenne
1780:Pitfalls of a Big City
1359:Spoto, Donald (1999).
841:attack on Pearl Harbor
607:
469:
3023:Always Tell Your Wife
2776:Foreign Correspondent
1378:Wood, Robin (1978) .
1318:Brill, Lesly (1991).
1294:Turner Classic Movies
1036:Turner Classic Movies
987:Turner Classic Movies
926:Turner Classic Movies
866:Turner Classic Movies
806:Turner Classic Movies
605:
570:Lone Pine, California
457:
326:Radio City Music Hall
3374:1940s American films
3314:American chase films
3143:Lord Camber's Ladies
3086:Incident at a Corner
2872:Strangers on a Train
2784:Mr. & Mrs. Smith
2635:Juno and the Paycock
2252:Mutiny on the Bounty
2051:The Eagle of the Sea
2011:Her Husband's Secret
1861:A Tale of Two Worlds
1821:The Woman in Room 13
1670:A Tale of Two Cities
1660:The Price of Silence
1560:Madame la Presidente
1530:The Reform Candidate
1274:: A Special Report."
1081:, November 29, 1981.
669:War Production Board
618:Hitchcock makes his
507:Arsenic and Old Lace
298:Glendale, California
3245:Alma Reville (wife)
3170:Three Investigators
2691:Waltzes from Vienna
2542:The Pleasure Garden
2496:Unproduced projects
2061:Children of Divorce
1891:The Invisible Power
1881:A Voice in the Dark
1710:The Heart of a Lion
1690:When a Man Sees Red
1650:The Kingdom of Love
1252:"The New Pictures."
1182:Hitchcock as Auteur
535:Abbott and Costello
436:Anita Sharp-Bolster
253:is a 1942 American
130:Joseph A. Valentine
3221:Hitchcock/Truffaut
2944:North by Northwest
2731:Young and Innocent
2550:The Mountain Eagle
2384:The Shanghai Story
2333:This Woman Is Mine
2242:Servants' Entrance
2202:A Passport to Hell
2152:The Way of All Men
2001:The Silent Watcher
1971:Ashes of Vengeance
1800:The Loves of Letty
1630:Sins of Her Parent
1540:The Tongues of Men
1444:TCM Movie Database
1341:(Great Filmmakers)
1240:The New York Times
1234:Crowther, Bosley.
1193:Hitchcock/Truffaut
1094:. Universal, 2006.
1074:Jakab, Elisabeth.
984:"Notes: Saboteur."
815:North by Northwest
808:, points out that
758:The New York Times
728:North by Northwest
723:Hitchcock/Truffaut
717:North by Northwest
608:
593:Black Tom sabotage
546:The New York Times
470:
318:Rockefeller Center
314:Brooklyn Navy Yard
176:Universal Pictures
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3039:Aventure Malgache
3031:An Elastic Affair
3010:
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2888:Dial M for Murder
2840:The Paradine Case
2808:Shadow of a Doubt
2739:The Lady Vanishes
2582:The Farmer's Wife
2511:Awards and honors
2446:
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2353:Forever and a Day
2302:Rulers of the Sea
2031:The Splendid Road
1921:The Eternal Flame
1901:The Grim Comedian
1750:The Rainbow Trail
1610:The Stronger Love
1389:978-0-49801-749-0
1380:Hitchcock's Films
1370:978-0-30680-932-3
1351:978-0-81604-386-6
1329:978-0-69100-286-6
624:François Truffaut
479:David O. Selznick
330:Statue of Liberty
306:domestic sabotage
276:. The film stars
246:
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40:Theatrical poster
3381:
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2904:To Catch a Thief
2683:Number Seventeen
2675:Rich and Strange
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2480:Alfred Hitchcock
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1831:The Silver Horde
1825:
1804:
1794:
1784:
1774:
1764:
1754:
1744:
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1724:
1714:
1704:
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1680:American Methods
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1272:The White Shadow
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1117:Federal Register
1113:
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1062:Internet Archive
1054:
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901:Internet Archive
893:
887:
886:
883:Internet Archive
875:
869:
860:
844:
837:
787:fifth columnists
784:
770:magazine called
498:Barbara Stanwyck
421:Pedro de Cordoba
405:as Society Woman
391:Dorothy Peterson
357:as Charles Tobin
262:Alfred Hitchcock
197:
195:
116:Dorothy Peterson
82:Jack H. Skirball
50:Alfred Hitchcock
38:
26:
25:
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3254:
3233:
3129:The Short Night
3104:
3061:
3006:
2856:Under Capricorn
2759:
2753:
2651:Elstree Calling
2618:
2612:
2533:
2520:
2482:
2477:
2447:
2442:
2435:Invisible Agent
2432:
2422:
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2391:
2381:
2370:
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2309:
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2262:Under Two Flags
2259:
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2222:Berkeley Square
2219:
2209:
2199:
2189:
2179:
2169:
2159:
2149:
2142:Son of the Gods
2139:
2128:
2118:
2108:
2098:
2091:The Divine Lady
2088:
2078:
2068:
2058:
2048:
2038:
2028:
2021:Winds of Chance
2018:
2008:
1998:
1988:
1978:
1968:
1958:
1948:
1938:
1928:
1918:
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1898:
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1868:
1858:
1851:The Great Lover
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1422:Rotten Tomatoes
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1287:
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1268:McFadden, Pat.
1267:
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1233:
1226:
1222:, June 9, 2009.
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753:Bosley Crowther
746:
697:
677:Walter Plunkett
665:
588:matte paintings
555:
543:. According to
540:Ride 'Em Cowboy
475:
452:
447:
411:as Truck Driver
343:Robert Cummings
338:
294:
278:Robert Cummings
207:
200:
193:
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184:
167:
165:
160:
158:
118:
114:
110:
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96:Robert Cummings
94:
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41:
24:
17:
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11:
5:
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3136:The Blackguard
3132:
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3090:
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2292:If I Were King
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2197:
2187:
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2126:
2121:Young Nowheres
2116:
2106:
2096:
2086:
2076:
2066:
2056:
2046:
2036:
2026:
2016:
2006:
1996:
1986:
1976:
1966:
1961:Within the Law
1956:
1946:
1936:
1926:
1916:
1906:
1896:
1886:
1876:
1866:
1856:
1846:
1836:
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1815:
1813:
1809:
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1805:
1795:
1785:
1775:
1770:The Man Hunter
1765:
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1745:
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1715:
1705:
1700:Les Misérables
1695:
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1399:External links
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1242:, May 8, 1942.
1224:
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1185:
1174:
1162:
1160:, May 13, 1942
1149:
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1124:
1108:
1106:, p. 253.
1096:
1083:
1079:New York Times
1067:
1049:
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1025:
1023:, p. 292.
1010:
1000:
991:
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969:, p. 291.
956:
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664:
663:Costume Design
661:
597:visual effects
574:John P. Fulton
554:
551:
523:Dorothy Parker
474:
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403:Frances Carson
400:
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385:Vaughan Glaser
382:
381:as Mrs. Sutton
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364:
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349:Priscilla Lane
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282:Priscilla Lane
274:Dorothy Parker
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172:Distributed by
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133:
132:
127:
126:Cinematography
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92:Priscilla Lane
89:
85:
84:
75:
71:
70:
68:Dorothy Parker
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15:
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2954:
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2933:
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2929:
2928:The Wrong Man
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2688:
2685:
2684:
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2672:
2669:
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2660:
2659:The Skin Game
2656:
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2525:Feature films
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2272:Maid of Salem
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2033:
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2027:
2023:
2022:
2017:
2013:
2012:
2007:
2003:
2002:
1997:
1993:
1992:
1987:
1983:
1982:
1977:
1973:
1972:
1967:
1963:
1962:
1957:
1953:
1952:
1947:
1943:
1942:
1937:
1933:
1932:
1931:The Sin Flood
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1580:David Garrick
1576:
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1526:
1522:
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1512:
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1506:
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1503:
1499:
1495:
1492:The films of
1487:
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1253:
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1237:
1231:
1229:
1221:
1218:
1213:
1207:, p. 51.
1206:
1201:
1194:
1189:
1183:
1178:
1172:, p. 86.
1171:
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1128:
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1017:
1015:
1004:
995:
988:
985:
980:
978:
976:
968:
963:
961:
952:
950:0-452-28329-9
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2425:The Spoilers
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2111:Dark Streets
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2041:The Wise Guy
2039:
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2019:
2009:
1999:
1991:The Sea Hawk
1989:
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1941:Oliver Twist
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1311:Bibliography
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465:SS Normandie
463:
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427:Billy Curtis
409:Murray Alper
375:as Frank Fry
373:Norman Lloyd
322:
310:
304:, an act of
302:World War II
295:
286:Norman Lloyd
260:directed by
249:
248:
247:
206:Running time
183:Release date
100:Norman Lloyd
3015:Short films
3000:Family Plot
2896:Rear Window
2747:Jamaica Inn
2619:sound films
2606:The Manxman
2590:Easy Virtue
2491:Filmography
2406:Productions
2282:Wells Fargo
2081:Weary River
1760:For Freedom
1494:Frank Lloyd
1021:Leitch 2002
967:Leitch 2002
494:Gary Cooper
473:Development
379:Alma Kruger
367:Clem Bevans
361:Alan Baxter
355:Otto Kruger
210:109 minutes
140:Otto Ludwig
120:Clem Bevans
112:Alma Kruger
108:Alan Baxter
104:Otto Kruger
78:Frank Lloyd
74:Produced by
46:Directed by
3289:1942 films
3283:Categories
3066:Television
3047:Bon Voyage
2824:Spellbound
2182:East Lynne
1981:Black Oxen
1220:Open Salon
1205:Brill 1991
1104:Spoto 1999
822:References
776:simon-pure
639:War Office
487:Val Lewton
450:Production
369:as Neilson
363:as Freeman
239:Box office
194:1942-04-22
157:Production
56:Written by
3202:Hitchcock
3122:Number 13
2960:The Birds
2880:I Confess
2832:Notorious
2792:Suspicion
2760:and later
2758:Hollywood
2627:Blackmail
2598:Champagne
2212:Cavalcade
2071:Adoration
1730:True Blue
1170:Wood 1978
851:Citations
794:Ben Hecht
744:Reception
685:Vera West
653:Normandie
647:(renamed
399:as Robert
397:Ian Wolfe
234:$ 780,000
159:companies
136:Edited by
3268:Category
3214:The Girl
3099:episodes
3079:episodes
2816:Lifeboat
2800:Saboteur
2723:Sabotage
2574:Downhill
2566:The Ring
2415:Saboteur
2162:The Lash
1841:Madame X
1450:Saboteur
1439:Saboteur
1433:AllMovie
1428:Saboteur
1417:Saboteur
1406:Saboteur
1299:July 10,
810:Saboteur
780:Saboteur
772:Saboteur
749:Saboteur
711:Saboteur
701:Saboteur
689:Saboteur
657:Saboteur
635:Saboteur
631:Saboteur
613:Saboteur
553:Shooting
537:'s film
516:Saboteur
460:Saboteur
250:Saboteur
223:Language
146:Music by
88:Starring
29:Saboteur
21:Sabotage
3109:Related
3097:(1985,
3077:(1955,
2936:Vertigo
2768:Rebecca
2643:Murder!
2617:British
2232:Hoop-La
1453:at the
1442:at the
226:English
215:Country
192: (
3238:Family
3089:(1960)
3058:(1944)
3050:(1944)
3042:(1944)
3034:(1930)
3026:(1923)
3003:(1976)
2995:(1972)
2992:Frenzy
2987:(1969)
2979:(1966)
2971:(1964)
2968:Marnie
2963:(1963)
2955:(1960)
2952:Psycho
2947:(1959)
2939:(1958)
2931:(1956)
2923:(1956)
2915:(1955)
2907:(1955)
2899:(1954)
2891:(1954)
2883:(1953)
2875:(1951)
2867:(1950)
2859:(1949)
2851:(1948)
2843:(1947)
2835:(1946)
2827:(1945)
2819:(1944)
2811:(1943)
2803:(1942)
2795:(1941)
2787:(1941)
2779:(1940)
2771:(1940)
2750:(1939)
2742:(1938)
2734:(1937)
2726:(1936)
2718:(1936)
2710:(1935)
2702:(1934)
2694:(1934)
2686:(1932)
2678:(1931)
2670:(1931)
2662:(1931)
2654:(1930)
2646:(1930)
2638:(1930)
2630:(1929)
2609:(1929)
2601:(1928)
2593:(1928)
2585:(1928)
2577:(1927)
2569:(1927)
2561:(1927)
2553:(1926)
2545:(1925)
2532:Silent
2506:Cameos
2438:(1942)
2428:(1942)
2418:(1942)
2397:(1955)
2387:(1954)
2366:(1945)
2356:(1943)
2346:(1941)
2336:(1941)
2326:(1940)
2305:(1939)
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2275:(1937)
2265:(1936)
2255:(1935)
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2205:(1932)
2195:(1931)
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2165:(1930)
2155:(1930)
2145:(1930)
2124:(1929)
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2104:(1929)
2094:(1929)
2084:(1929)
2074:(1928)
2064:(1927)
2054:(1926)
2044:(1926)
2034:(1925)
2024:(1925)
2014:(1925)
2004:(1924)
1994:(1924)
1984:(1923)
1974:(1923)
1964:(1923)
1954:(1923)
1944:(1922)
1934:(1922)
1924:(1922)
1914:(1921)
1904:(1921)
1894:(1921)
1884:(1921)
1874:(1921)
1864:(1921)
1854:(1920)
1844:(1920)
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1733:(1918)
1723:(1918)
1713:(1917)
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1533:(1915)
1523:(1915)
1513:(1915)
1386:
1367:
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1326:
1195:, 1966
947:
800:Legacy
683:, and
572:, and
231:Budget
2984:Topaz
2534:films
2375:1950s
2314:1940s
2133:1930s
1812:1920s
1501:1910s
827:Notes
783:'
3227:film
2848:Rope
2667:Mary
2101:Drag
1520:Jane
1411:IMDb
1384:ISBN
1365:ISBN
1346:ISBN
1324:ISBN
1301:2020
1256:Time
945:ISBN
767:Time
336:Cast
292:Plot
284:and
272:and
1431:at
1420:at
1409:at
1008:L3.
755:of
691:.
568:of
255:spy
3285::
1292:.
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1227:^
1013:^
974:^
959:^
909:^
679:,
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288:.
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268:,
3101:)
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
