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without glasses. Needless to say I didn't solve 3-d. I didn't even do very many commercials over ten years, but I showed up at 8:30, took an hour off for lunch and worked till 5:30. I was paid $ 350 a month, and I could live on that then. He encouraged me generously without ever paying much attention
674:
I think I have a different concept of motion than most other animators. One thing that bothers me about so many contemporary animators is that they've learned a language from other animators. You see the same hand movements, the same 'blink' 'blink' 'blink' when a character asks a question. Too many
465:
at a party, the $ 14,000 film also was financed by
Cruikshank, with the higher budget going toward the hiring of additional cel painters and increased lab fees. Of its slicker look than her previous short, Cruikshank said, "People didn't know what to make of 'Quasi.' It was pretty hard to absorb in
423:-esque sideshow with such attractions as the Hall of Time Mirrors, which depict the viewer as he or she will look in "old age" or "100 years from now", and the Time Holes, in which one can lean on a railing and see a live slice of three million years
241:
and paper animation, it starred a prototype version of her future recurring character Quasi, which one writer characterized as "an infantile duck with buck front teeth, thick glasses and a red cape". Cruikshank, describing her
313:
company that also rented out space and film equipment, Cruikshank, at an employee's suggestion, showed her work to company president E. E. Gregg
Snazelle, who gave her a job a week later "to experiment in animation and do
485:, which she described as involving "three hedonistic ducks who try to open the ultimate tropical nightclub." She also tried developing feature projects combining live action and animation, one a comedy set in a
675:
animators don't try to picture the dynamics of movement, to use it creatively. I'm not that great an animator per se, but I do think I have a sense of motion that makes for an offbeat view of the world.
435:, used slide flute, xylophone, ukulele, duck call, boat whistle and bagpipe to create what Cruikshank called the "strange, gallopy feeling" of 1920s/1930s dance-band music, of which she is a devotee.
198:
in that state. Cruikshank has a brother, and had a sister, Carol, who died in 1991. Their maternal aunt, Bea, was a painter from the 1910s to the 1940s, whose work included a portrait commission by
217:
Summer Art School. At the urging of a classmate there, Warner Wada, she began considering adapting her drawing style to animation. Returning to Smith for her senior year and obtaining the primer
466:
one sitting, solid. So, I thought I would try directing the eye more, by simplifying things and giving the next film a clearer focus." The Cheap Suit
Serenaders again supplied music.
333:
and he just seemed to be happy to have me around. We were never particularly close. It spoiled me for any job after that. I made all my 'Quasi' films while I was working at
Snazelle.
327:
to me. These days if an opportunity like that even existed, you'd be forced to sign all kinds of rights statements for characters and content created, but this was before
1162:
1405:
445:, and made its first theatrical booking at the Northside Theater in Berkeley, not far from Cruikshank's home at the time at 1890 Arch Street in that city.
351:
In 1975 Cruikshank made a comic strip based on her characters Anita and Quasi, which was published in the third issue of the underground comics magazine
384:
short, with 100 watercolor backgrounds and approximately 5,000 cels, took two years for
Cruikshank to draw, followed by four months for photography and
1568:
195:
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493:, "sort of a humorous horror story" about the effects of computer animation on an artist modeled on herself. Additionally, she attempted to sell
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sent slides of her colored-pencil and clay-relief-on-paper drawings to a screening committee that resulted in a scholarship to the two-month
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407:, with Kathryn Lenihan doing most of the cel painting. The short starred Quasi, voiced by Deitch; Anita, which one writer described as "
1032:
322:
The job was to experiment with animation, and do commercials for him when the jobs came in. He also hoped I'd figure out how to solve
318:
when there was work". By the end of summer 1972, Cruikshank was head animator there. In 2009, she recalled of her time with
Snazelle,
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802:
461:) returns Quasi and Anita and adds the suave Snozzy. Built around a device that taps into one's latent telekinetic power, leading to
225:, Cruikshank, with additional research, arranged for a special-studies class in animation. With an animation stand consisting of a
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432:
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419:-like voice was supplied by Cruikshank; and robot Rollo, also voiced by Cruikshank. They progress through the Quackadero, a
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1427:
1420:"Michael Jackson, the Muppets and Early Cinema Tapped for Preservation in 2009 Library of Congress National Film Registry"
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Cruikshank was in the process, as of 2011, of transferring her works into 35mm film format, for archival purposes.
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250:' comics. But I guess they got twisted in memory, because people don't seem to see much similarity between them."
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For a short time in the 1990s, Cruikshank was employed by the Palo Alto laboratory and technology incubator
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Sally
Cruikshank at Snazelle Films in the 1970s, where she produced her signature "Quasi" animated shorts
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camera attached to a photo enlarger, constructed by instructor David
Batchelder, she produced her first
285:. Produced for $ 100, it also featured early versions of her trademark duck-creatures. Her next short,
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Encouraged by the response of "Ducky", Cruikshank, after graduation, enrolled at the
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194:. Ernest's mother had been the president of the boarding school formerly known as
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1377:"The Best Of The International Tournee Of Animation | Jonathan Rosenbaum"
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during the period 1971–c. 1982. On March 17, 1984, she married producer
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The Second
Century of Cinema: The Past and Future of the Moving Image
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design. Cruikshank also animated and produced many music videos for
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Sally
Cruikshank: A Career Retrospective, Part 1 — Art of the Title
595:
416:
323:
118:
67:
1196:"Screen Novelties Scares Up Stop-Mo Magic for ‘SpongeBob’ Special"
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166:, the daughter of parents Rose and Ernest. Her parents were both
670:. In a 1981 interview, she said of her own style at the time,
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289:(1972), created with a $ 400 grant secured in association with
274:
122:
75:
1362:
1209:"Mad About Music: My Life in Records: Part 10: Cartoon Tunes,"
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At Snazelle, Cruikshank began developing her best-known work,
309:
While editing "Chow Fun" at San Francisco's Snazelle Films, a
400:
226:
896:
Collected Interviews: Voices from Twentieth-Century Cinema.
234:
905: : Southern Illinois University Press, 2001, p. 208.
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Comics through Time: A History of Icons, Idols, and Ideas
290:
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characters, said, "My ducks are based on the ducks from
801:. Sally Cruikshank's official blog. September 9, 2008.
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Cruikshank then participated in a Halloween special of
1301:
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746:
for independent film and video artists, given by the
869:
Counts, Kyle. "The Short Life of Sally Cruikshank",
1309:"Cartoons Considered For An Academy Award – 1978 -"
767:was selected for preservation in the United States
1159:"Sally Cruikshank: A Career Retrospective, Part 2"
817:
469:In 1980, Cruikshank won a $ 10,000 grant from the
1396:"AFI Gives 1st Award For Independent Film Makers"
1363:"20th Tournee of Animation Entertainment Tonight"
1291:"Cartoons Considered For An Academy Award 1975 -"
1217:
1500:
453:Cruikshank's next short, the eight-minute, 35mm
341:Still from 6:49 of Cruikshank's signature work,
968:
966:
594:(2007). She has also worked in commercials and
399:, then Cruikshank's boyfriend, did some of the
293:, mixed paper animation and cutouts glued onto
1446:: As Selected by 1,000 Animation Professionals
780:: As Selected by 1,000 Animation Professionals
730:Several other short films are on Cruikshank's
775:. It was voted No. 46 in the 1994 book
537:singing his song "Don't Go in the Basement."
517:Cruikshank evolved a recognizable style with
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141:(1975) was inducted into the United States
300:
269:, she made the five-minute animated short
29:
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1046:"Sally Cruikshank - Lambiek Comiclopedia"
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265:, to study filmmaking. Under instructor
125:, whose work includes animation for the
1569:People from Chatham Borough, New Jersey
1408:from the original on November 27, 2012.
888:
844:Well, I was born in New Jersey in 1949.
679:
649:
646:, with whom she has a daughter, Dinah.
448:
209:, where in her junior year art teacher
1549:American women experimental filmmakers
1501:
1430:from the original on February 1, 2011.
1393:
1365:. December 22, 2015 – via Vimeo.
1355:
1337:
1198:, Animation Magazine, October 12, 2017
960:at Cruikshank blog, September 10, 2008
635:Cruikshank was in a relationship with
512:
1345:"'ANIMATION' SERVES UP A SMORGASBORD"
815:
1440:
1369:
1280:, Cruikshank blog, February 08, 2010
1186:, Cruikshank blog, November 29, 2011
1104:, Cruikshank blog, December 23, 2009
1035:, Cruikshank blog, December 30, 2009
958:"Auntie Bea's portrait of my sister"
948:, Cruikshank blog, December 05, 2008
936:, Cruikshank blog, November 11, 2008
924:, Cruikshank blog, November 28, 2009
885:, Cruikshank blog, December 29, 2008
742:In 1986, Cruikshank won the initial
737:
347:, depicting Anita and Quasi at left.
1594:Nickelodeon Animation Studio people
1584:Film and television title designers
1394:Taylor, Clarke (February 1, 1986).
658:animation of such producers as the
627:in the 2D section of that special.
13:
1579:San Francisco Art Institute alumni
1327:"A MOVEABLE FEAST FOR IMAGINATION"
1165:from the original on June 23, 2015
805:from the original on July 8, 2011.
14:
1605:
1494:AWN.com: Sally Cruikshank gallery
1469:
1255:, Cruikshank blog, March 18, 2009
1128:, Cruikshank blog, March 30, 2009
1509:American animated film directors
630:
529:(1987) bears a musical score by
441:won awards and was shown at the
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1177:
1157:Landekic, Lola (May 27, 2015).
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1131:
1119:
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1095:
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1038:
1026:
1001:
951:
816:Dixon, Wheeler Winston (2000).
560:(1984), as well as the opening
471:National Endowment for the Arts
273:(1971), which used watercolor,
1524:American female comics artists
1147:at Fun on Mars (official site)
1116:at Fun on Mars (official site)
939:
927:
915:
876:
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127:Children's Television Workshop
1:
1564:Women experimental filmmakers
1519:American women film directors
1514:Women animated film directors
1228:. In Booker, M. Keith (ed.).
1114:Portfolio: "Face Like a Frog"
1102:"A letter from Jan. 18, 1981"
871:Starlog Presents Comics Scene
785:
654:Cruikshank prefers the early
624:The Legend of Boo-Kini Bottom
609:Interval Research Corporation
158:Sally Cruikshank was born in
894:Dixon, Wheeler Winston, ed.
826:State University of New York
205:. Cruikshank studied art at
148:
7:
1589:American storyboard artists
540:Cruikshank has contributed
443:Los Angeles Film Exposition
255:San Francisco Art Institute
113:(born 1949) is an American
48:1949 (age 74–75)
10:
1610:
1476:Sally Cruikshank's channel
934:"July 17, 1958 from Carol"
427:unfold. The music, by the
1534:Animators from New Jersey
1441:Beck, Jerry, ed. (1994).
1224:Murphyao, Amanda (2014).
392:and lab and camera work.
203:Franklin Delano Roosevelt
100:
89:
81:
63:
40:
28:
21:
1554:American women animators
1444:The 50 Greatest Cartoons
778:The 50 Greatest Cartoons
551:Twilight Zone: The Movie
154:Early life and education
1539:Artists from New Jersey
873:#7, January 1982, p. 40
764:Quasi at the Quackadero
748:American Film Institute
718:Quasi's Cabaret Trailer
705:Quasi at the Quackadero
439:Quasi at the Quackadero
361:Quasi at the Quackadero
344:Quasi at the Quackadero
303:Quasi at the Quackadero
138:Quasi at the Quackadero
1559:American women artists
1226:"Deitch, Kim (1944- )"
769:National Film Registry
677:
637:underground cartoonist
394:Underground cartoonist
348:
335:
170:, with her father, an
143:National Film Registry
1452:: Turner Publishing.
1426:. December 30, 2009.
1381:jonathanrosenbaum.net
1161:. ArtOfTheTitle.com.
672:
619:SpongeBob SquarePants
457:(1978; working title
433:Cheap Suit Serenaders
340:
320:
174:who worked in nearby
1574:Smith College alumni
1266:Collected Interviews
1126:"Smiley Face Titles"
680:Animated short films
650:Influences and style
449:Other early projects
429:Berkeley, California
415:wardrobe" and whose
403:, using dip pen and
370:I Walked with a Duck
233:, the three-minute,
1424:Library of Congress
1351:. 18 December 1992.
1313:cartoonresearch.com
1295:cartoonresearch.com
1253:"March 17 the Good"
922:"10 Little Indians"
773:Library of Congress
666:, as well as early
533:, with the group's
525:elements. Her film
513:Later work and life
237:"Ducky". Done with
1212:The Comics Journal
1184:"Obsolete Formats"
1143:2011-07-11 at the
664:Van Beuren Studios
487:mental institution
368:of which included
349:
277:markers on paper,
196:St. Mary's College
135:, and whose short
1422:(Press release).
1401:Los Angeles Times
1033:"Quasi's Big Day"
1007:Counts, pp. 41–42
972:Counts, pp. 40–41
839:978-0-7914-4516-7
738:Awards and honors
660:Fleischer Studios
604:from 1989–1999.
495:cable-TV networks
459:Mesmeroid Madness
380:. The 10-minute,
108:
107:
82:Years active
16:American animator
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1485:Sally Cruikshank
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1450:Atlanta, Georgia
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1278:"10 days or so!"
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795:
744:Maya Deren Award
724:Face Like a Frog
611:as an animator.
527:Face Like a Frog
507:flight attendant
479:animated feature
111:Sarah Cruikshank
45:Sarah Cruikshank
33:
23:Sally Cruikshank
19:
18:
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1333:. 9 April 1987.
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712:Make Me Psychic
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567:Ruthless People
562:title sequences
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505:and Anita as a
503:charter airline
483:Quasi's Cabaret
455:Make Me Psychic
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390:sound recording
386:post-production
378:Quasi Quacks Up
374:Hold That Quasi
311:commercial-film
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244:anthropomorphic
188:Duke University
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531:Oingo Boingo
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519:surrealistic
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182:, holding a
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85:1971–present
1529:1949 births
692:Fun on Mars
644:Jon Davison
591:Smiley Face
557:Top Secret!
554:(1983) and
523:psychedelic
405:rapidograph
271:Fun on Mars
168:Southerners
94:Jon Davison
1503:Categories
899:Carbondale
786:References
640:Kim Deitch
475:storyboard
409:Betty Boop
397:Kim Deitch
263:California
248:Carl Barks
239:watercolor
172:accountant
164:New Jersey
115:cartoonist
72:cartoonist
56:New Jersey
761:In 2009,
734:channel.
573:Mannequin
542:animation
463:slapstick
431:band the
330:Star Wars
219:Animation
186:key from
149:Biography
1428:Archived
1406:Archived
1169:June 23,
1163:Archived
1141:Archived
903:Illinois
803:Archived
698:Chow Fun
662:and the
585:Madhouse
582:(1989),
579:Loverboy
576:(1987),
570:(1986),
491:Joystick
417:Mae West
413:New Wave
364:(1975),
287:Chow Fun
180:New York
129:program
119:animator
101:Children
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1480:YouTube
1268:, p.209
1264:Dixon,
771:by the
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411:with a
283:collage
279:cutouts
160:Chatham
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720:(1980)
714:(1978)
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700:(1972)
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688:(1971)
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376:, and
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281:, and
275:crayon
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686:Ducky
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190:, in
1489:IMDb
1454:ISBN
1234:ISBN
1171:2015
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754:and
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425:B.C.
382:35mm
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1487:at
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324:3-d
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
