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Samuel Peploe

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At his second exhibition in the Scottish Gallery in 1909 Peploe adopted a new style which did not please the dealers, with all sixty paintings were bought by McOmish Dott of Aitken Dott for a total of £450. The dealer George Proudfoot offered only £50 for 22 canvasses. Peploe was persuaded by his
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at 39 Manor Place, he was the son of a bank manager, Robert Luff Peploe (1828–1884). He left school at 14 and was initially apprenticed as a trainee lawyer to Scott, Bruce and Glover WS at 1 Hill Street in Edinburgh. Around 1889 he began studying art at the Trustees Academy in Edinburgh.
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and dark backgrounds with strong lighting. Returning to Scotland in 1912 he found that his usual dealer refused his work and Peploe was obliged to stage his own exhibition. In 1913 he was back in France with his wife and young son, painting with J.D. Fergusson and
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In 1910, Peploe married Margaret MacKay (1873–1958), whom he had known since 1894. He also moved to Paris in 1910, a period which saw him concentrate increasingly on still life and landscape painting. His still-life works show the influence of
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Peploe was strongly influenced by French painting throughout his life. Although his work never became overly abstract, it was notable for its use of strong colour, tight composition, and meticulous execution. Influences are said to include
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during the summer. After his return to Scotland on the outbreak of war, Peploe went on regular painting trips with friends to many parts of the country, and during the 1920s he spent several summers with
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in London for £937,250, is one of the most expensive Scottish paintings sold at auction. The previous record for a work by Peploe was £623,650 for
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Peploe was the first of the Scottish Colourists to have a one-man-show: in 1903 at Aitken & Dott in Edinburgh, at which he sold 19 paintings.
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in Edinburgh. His name is listed near the end of several names on a stone to the north side of the main east–west path, towards the west end.
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Not until December 1915 did Peploe have his second one-man-show: organised by the dealer Alexander Reid at his St Vincent Street Gallery in
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A painting which might or might not be by Peploe (the question is only resolved at the end of the book) plays a central role in the novel
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where a grandson of the painter makes a brief appearance. A Peploe painting also plays a small role in the novel
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sold for £225,000. The painting had been relegated to a spare room because the owner's wife did not like it.
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sold Peploe's first work to America in 1905 - to Charles Kurtz of the Albright Art Gallery in
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at a small profit to Reid of around 6%. Also in 1926, Robert Wemyss Honeyman of
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bought "Still Life with Roses" for £70 and "Cafe and Liquer" for £98, each from
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works and for being one of the group of four painters that became known as the
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began to collect Peploes, beginning with an Iona seascape for only £20.
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followed his father's career. Peploe is buried in the family plot in
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holds the largest collection of Peploe's paintings aside from the
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Meet the West Enders: Edinburgh World Heritage publications
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in Paris, where he shared a room with the Scottish painter
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Peploe 602:200 artworks by or after Samuel Peploe 518: 457: 455: 453: 539: 512: 551: 450: 24: 660:20th-century Scottish male artists 655:19th-century Scottish male artists 25: 711: 612:Works in the Aberdeen Art Gallery 595: 546:£1m coffee pot smashes art record 415:Grave inscription: Dean Cemetery 350:Kirkcaldy Museum and Art Gallery 650:20th-century Scottish painters 645:19th-century Scottish painters 503: 494: 474: 441: 432: 418: 409: 400: 354:National Galleries of Scotland 157:Art Gallery of New South Wales 13: 1: 519:Michie, David (28 May 1993). 393: 359: 132: 117:. The other colourists were 27:Scottish painter (1871–1935) 7: 685:Royal Scottish Academicians 10: 716: 480:Billcliffe, Roger (2024), 321:Still Life with Coffee Pot 153:Still life: apples and jar 29: 665:Académie Colarossi alumni 323:, sold on 26 May 2011 at 314: 90: 78: 60: 48: 41: 521:"Obituary: Denis Peploe" 471:, accessed December 2012 680:Painters from Edinburgh 675:British modern painters 467:4 February 2013 at the 370:by the Scottish writer 319:Peploe's 1905 painting 109:painter, noted for his 695:Scottish male painters 670:Académie Julian alumni 372:Alexander McCall Smith 346: 311: 172:Royal Scottish Academy 170:Peploe studied at the 159: 145: 341: 306: 151: 140: 119:John Duncan Fergusson 308:Stormy Weather, Iona 55:self portrait (1904) 690:Scottish Colourists 142:A Rocky Shore, Iona 115:Scottish Colourists 565:. 26 October 2012. 482:J.D. Fergusson 150 367:44 Scotland Street 347: 312: 180:Académie Colarossi 160: 146: 107:Post-Impressionist 103:Samuel John Peploe 65:Samuel John Peploe 18:Samuel John Peploe 380:Rosamunde Pilcher 232:Anne Estelle Rice 211:Buffalo, New York 155:, circa 1912–16, 100: 99: 16:(Redirected from 707: 700:Society of Eight 589: 588: 586: 584: 573: 567: 566: 555: 549: 543: 537: 536: 534: 532: 516: 510: 507: 501: 498: 492: 478: 472: 459: 448: 445: 439: 436: 430: 429: 422: 416: 413: 407: 404: 342:Peploe's grave, 198:with his friend 144:by Samuel Peploe 53: 39: 38: 21: 715: 714: 710: 709: 708: 706: 705: 704: 625: 624: 598: 593: 592: 582: 580: 575: 574: 570: 557: 556: 552: 544: 540: 530: 528: 525:The Independent 517: 513: 508: 504: 499: 495: 479: 475: 469:Wayback Machine 460: 451: 446: 442: 437: 433: 424: 423: 419: 414: 410: 405: 401: 396: 388:Liam McIlvanney 376:Winter Solstice 362: 317: 259:William Burrell 176:Académie Julian 135: 86: 83: 82:11 October 1935 74: 69: 68:27 January 1871 67: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 713: 703: 702: 697: 692: 687: 682: 677: 672: 667: 662: 657: 652: 647: 642: 637: 623: 622: 614: 609: 597: 596:External links 594: 591: 590: 579:. Fife Council 568: 550: 538: 511: 502: 493: 473: 449: 440: 431: 417: 408: 398: 397: 395: 392: 361: 358: 316: 313: 241:Francis Cadell 207:Alexander Reid 200:J.D. Fergusson 134: 131: 123:Francis Cadell 98: 97: 92: 88: 87: 84: 80: 76: 75: 70: 64: 62: 58: 57: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 712: 701: 698: 696: 693: 691: 688: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 646: 643: 641: 638: 636: 633: 632: 630: 620: 619: 615: 613: 610: 607: 603: 600: 599: 578: 572: 564: 560: 554: 547: 542: 526: 522: 515: 506: 497: 491: 490:9781912900831 487: 483: 477: 470: 466: 463: 458: 456: 454: 444: 435: 427: 421: 412: 403: 399: 391: 389: 385: 381: 377: 373: 369: 368: 357: 355: 351: 345: 344:Dean Cemetery 340: 336: 334: 330: 326: 322: 309: 305: 301: 299: 298:Dean Cemetery 295: 290: 288: 284: 280: 276: 270: 268: 264: 260: 257:In July 1926 255: 253: 248: 246: 242: 237: 233: 228: 224: 218: 214: 212: 208: 203: 201: 197: 193: 189: 185: 184:Robert Brough 181: 177: 173: 168: 165: 158: 154: 150: 143: 139: 130: 128: 127:Leslie Hunter 124: 120: 116: 112: 108: 104: 96: 93: 89: 81: 77: 73: 63: 59: 52: 47: 43:Samuel Peploe 40: 37: 33: 32:Samuel Peploe 19: 617: 604: at the 581:. 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Index

Samuel John Peploe
Samuel Peploe

Edinburgh
Scottish
Post-Impressionist
still life
Scottish Colourists
John Duncan Fergusson
Francis Cadell
Leslie Hunter


Art Gallery of New South Wales
Edinburgh
Royal Scottish Academy
Académie Julian
Académie Colarossi
Robert Brough
Rembrandt
Frans Hals
Hebrides
J.D. Fergusson
Alexander Reid
Buffalo, New York
Manet
impasto
Anne Estelle Rice
Cassis
Francis Cadell

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