432:, the work involves nature: The dyes require sunlight for colours to be brought out, with varying weather conditions affecting how the colours came out. With concerns of possible damage the painting might face due to constant exposure to commuter traffic, a photographed digital copy was installed at the station. Even if the original work was protected by glass, the panels might still break. The painting was photographed, printed and laminated before being mounted on the station walls. The original was donated to the
263:
to learn from batik printing centres and develop his knowledge of batik techniques. In his travels to
Indonesia, he further visited Karang Malang, his grandparents’ hometown. During this trip, Sarkasi also studied under Aznam Effendy, a teacher and painter at the Yayasan Akademi Senipura Nasional in
235:
Sarkasi was born in
Singapore on 27 Mar 1940. Sarkasi would be raised by his grandparents as his parents had separated when he was three years old. His grandparents were originally from Karang Malang, Indonesia. As a boy, Sarkasi would help his grandmother sell batik, learning and experimenting with
420:
painting, but eventually decided to challenge commuters to think of art "beyond just aesthetics", giving them a learning experience on art as they "communicate what they see" from the work. The type of each brush stroke on the painting depended on the artist's movements and character. The coloured
271:
In 1970, Sarkasi established the shop Tzee
Creations in Singapore with four other partners, creating batik designs for clothes to be sold there. Batik-print dresses were sold at Tzee Creation, with Sarkasi expanding his batik designs to shirts, scarves and other products that were sold locally and
212:
to wear during national events. Sarkasi promoted the technique of Malay batik painting by holding various art workshops, also volunteering as an art teacher at a drug rehabilitation centre. Besides visual art, Sarkasi was also involved in acting in Malay dramas and films.
58:
299:
In 1980, a nationwide search for a national dress for formal wear in
Singapore and abroad was initiated by the Ministry of Culture, though the project was eventually cancelled by 1981. In 1989, the search was revived as a "textile design" competition by the
239:
From 1946 to 1948, Sarkasi studied at
Tanglin Tinggi Malay Primary School, later attending Madrasah Aljunied Al-Islamiah from 1948 to 1949, and Duchess Primary School from 1950 to 1951. He would then begin attending
275:
The year 1973 is considered
Sarkasi's breakout year, with the artist holding two solo exhibitions, the first featuring 300 paintings, and the second, 50. These featured a range of mediums, spanning batik paintings,
311:
In 1981 Sarkasi would win the Best
Foreign Entry at the Sarasota Art Exhibition in the US. In 1993, Sarkasi started conducting classes as a volunteer art teacher at the Khalsa Crescent Drug Rehabilitation Centre.
415:
Feeling that
Singapore's development was underappreciated, Sarkasi decided to create a painting that reflects the "optimism, joy and vitality" of the country's achievements. Initially, the artist wanted to do an
868:
193:
batik paintings and his use of unconventional wax-resist techniques. Sarkasi experimented with batik techniques since young, later travelling extensively from the 1960s throughout locations such as
323:
from 2006 to 2008, Singapore’s Modern Art
Society, and the Malay Museum Committee, also being appointed the Chairman of Public Affairs and Education at the Malay Heritage Foundation.
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Sarkasi's artworks have been internationally exhibited in
Malaysia, Indonesia, Brunei, Japan, and the US, and his works can be found in public and private collections, including the
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After leaving school in 1956, Sarkasi took to street painting, cycling around Singapore to paint scenes of nature. He sold his paintings in the
288:. In 1974, Sarkasi would be awarded Pingat APAD (from the Association of Artists of Various Resources, Singapore). In 1977, after attending a
805:
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304:(NTUC) through the Singapore Dress Fabric Design Drawing Competition 1989. Sarkasi's design, incorporating a batik painting of an
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that used to grow in the Serangoon area, the work was intended to reflect the artist's love of batik painting.
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425:, the artist treated each splash with chemicals to dye the colour on the canvas made of thick denim material.
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634:
991:
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for the world’s longest batik painting. Sarkasi has also designed several batik shirts for Prime Minister
436:. Some of the panels were initially mounted upside down, but Sarkasi corrected the panels' alignments.
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for the world’s longest batik painting. Sarkasi would be a board member of art committees such as the
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and Gilstead areas of Singapore, his works becoming popular with the expatriates living there.
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334:’s Art in Transit project, with reproductions of the original batik pieces displayed at the
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857:"Getting Around | Public Transport | A Better Public Transport Experience | Art in Transit"
8:
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batik techniques during a time where batik was considered a desired artistic commodity.
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exhibition of Italian artist Ottavio Romano using batik techniques, Sarkasi, as a
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970:
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498:"Cultural Medallion batik artist Sarkasi Said, 81, dies from kidney failure"
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565:"Cultural Medallion 2020: For Sarkasi Said, 80, batik is a life passion"
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painting expressing the movements of change and nature. Inspired by the
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collection. In 2003, he created a 103-metre batik painting which set a
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24:
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In 2003, Sarkasi created a 103-metre batik painting which set a
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835:. Singapore: Land Transport Authority. pp. 87–89.
376:
Sarkasi died on 14 October 2021 due to kidney failure.
227:
On 14 October 2021, Sarkasi died of kidney failure.
338:. The original batik pieces would be gifted by the
259:In the 1960s, Sarkasi travelled extensively around
788:"... Always Moving": The Batik Art of Sarkasi Said
671:"... Always Moving": The Batik Art of Sarkasi Said
563:
351:"... Always Moving": The Batik Art of Sarkasi Said
891:"Annex B: Summary of CCL Art-in-Transit Concepts"
106:Tanglin Tinggi Malay Primary School (1946–1948);
968:
35:, and the person should be referred to by their
165:(27 March 1940–14 October 2021), best known as
244:in 1952, dropping out in 1956 to pursue art.
230:
987:Recipients of the Cultural Medallion for art
421:wax was splashed on the white canvas. Using
349:A solo exhibition of Sarkasi's batik works,
883:
108:Madrasah Aljunied Al-Islamiah (1948–1949);
723:"Search for a national dress fizzles out"
695:"A public show to pick a national dress?"
849:
668:
1002:Singaporean people of Javanese descent
969:
830:
384:
826:
824:
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820:
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780:
778:
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673:. Singapore: NUS Museum. p. 4.
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110:Duchess Primary School (1950–1951);
669:Mashadi, Ahmad (2017). "Foreword".
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495:
404:by Sarkasi is an 18-panel abstract
13:
871:from the original on 21 April 2020
815:
811:from the original on 16 July 2022.
771:
751:Wong, Brenton (8 September 1989).
562:Ong, Sor Fern (10 December 2020).
308:, was one of four designs chosen.
169:and also known by the artist name
14:
1013:
741:
657:
645:from the original on 15 July 2022
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552:
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496:Ong, Sor Fern (15 October 2021).
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360:In 2020, Sarkasi was awarded the
216:In 2020, Sarkasi was awarded the
321:National Arts Council, Singapore
56:
923:
833:Art in Transit: Circle Line MRT
428:Created in Sarkasi's studio in
715:
687:
302:National Trades Union Congress
16:Singaporean artist (1940–2021)
1:
439:
753:"4 designs for S'pore dress"
202:National Museum of Singapore
7:
231:Education and personal life
10:
1018:
785:Chang, Yueh-Siang (2017).
703:. 29 July 1980. p. 10
18:
794:. Singapore: NUS Museum.
729:. 8 April 1981. p. 7
364:for his contributions to
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220:for his contributions to
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119:
102:
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82:14 October 2021 (aged 81)
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55:
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942:Land Transport Authority
902:Land Transport Authority
865:Land Transport Authority
371:
340:Land Transport Authority
326:In 2009, the batik work
197:to develop his skills.
831:Zhuang, Justin (2013).
366:visual art in Singapore
242:Beatty Secondary School
222:visual art in Singapore
113:Beatty Secondary School
633:Hong, Xinying (2016).
379:
25:surname or family name
538:eresources.nlb.gov.sg
398:Serangoon MRT station
336:Serangoon MRT station
317:Guinness World Record
206:Guinness World Record
997:Singaporean painters
992:Singaporean artists
951:on 11 February 2017
396:concourse level of
132:watercolor painting
911:on 27 October 2011
362:Cultural Medallion
353:, was held at the
218:Cultural Medallion
155:Cultural Medallion
931:"Circle Line Art"
842:978-981-07-4982-8
801:978-981-11-4789-0
700:The Straits Times
680:978-981-11-4789-0
570:The Straits Times
502:The Straits Times
467:www.esplanade.com
392:Displayed at the
330:was made for the
163:Sarkasi bin Said
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944:. Archived from
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904:. Archived from
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534:"Target reached"
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142:Contemporary art
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635:"Sarkasi Said"
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463:"SARKASI SAID"
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261:Southeast Asia
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120:Known for
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23:, there is no
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639:NLB Infopedia
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68:27 March 1940
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955:20 September
953:. Retrieved
946:the original
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913:. Retrieved
906:the original
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873:. Retrieved
860:
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787:
761:. Retrieved
759:. p. 10
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731:. Retrieved
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647:. Retrieved
638:
581:. Retrieved
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513:. Retrieved
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470:. Retrieved
466:
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414:
402:View of Life
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391:
386:View of Life
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359:
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328:View of Life
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286:watercolours
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178:contemporary
172:
170:
167:Sarkasi Said
166:
162:
161:
151:
50:Sarkasi Said
40:
28:
27:. The name
982:2021 deaths
977:1940 births
394:Circle Line
332:Circle Line
181:Singaporean
115:(1952–1956)
97:Singaporean
93:Nationality
971:Categories
938:lta.gov.sg
915:11 October
898:lta.gov.sg
861:lta.gov.sg
727:New Nation
583:18 October
544:18 October
515:18 October
472:18 October
440:References
434:NUS Museum
423:wax-resist
355:NUS Museum
344:NUS Museum
272:overseas.
189:known for
37:given name
33:patronymic
21:Malay name
757:New Paper
578:0585-3923
510:0585-3923
430:Indonesia
357:in 2017.
195:Indonesia
103:Education
86:Singapore
72:Singapore
869:Archived
806:Archived
643:Archived
294:Javanese
191:abstract
138:Movement
128:painting
19:In this
875:11 July
763:16 July
733:16 July
707:16 July
649:18 July
410:lalangs
342:to the
290:gallery
278:acrylic
266:Jakarta
254:Bartley
41:Sarkasi
839:
798:
677:
576:
508:
388:(2009)
306:orchid
284:, and
248:Career
187:artist
176:was a
148:Awards
949:(PDF)
934:(PDF)
909:(PDF)
894:(PDF)
809:(PDF)
792:(PDF)
406:batik
372:Death
184:batik
152:2020:
124:Batik
31:is a
957:2020
917:2011
877:2020
837:ISBN
796:ISBN
765:2022
735:2022
709:2022
675:ISBN
651:2022
585:2021
574:ISSN
546:2021
517:2021
506:ISSN
474:2021
171:Tzee
79:Died
65:Born
29:Said
380:Art
282:ink
224:.
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