514:, criticises Horace for being lazy and writing so little. Damasippus explains that he used to make a living buying and selling, but lost all his money and went mad, until a philosopher called Stertinius rescued him. Damasippus describes various different kinds of mad people: creditors, misers, insane spenders, over-ambitious people, prodigals, spendthrifts, infatuated lovers, superstitious people. He says Horace is mad too, writing poetry in a bad temper, and living beyond his means.
412:, a wooden garden fertility god, narrates the visit of two terrible witches to Maecenas' garden that he is supposed to protect against trespassers and thieves. Maecenas' garden on the Esquiline Hill used to be a cemetery for executed criminals and the poor, and so it attracts witches that dig for magic bones and harmful herbs. The god is powerless until the summer heat makes the figwood that he is made of explode, and this divine "fart" chases the terrified witches away.
22:
164:("On the Nature of Things"), also written in hexameters, popularized Epicurean philosophy in Rome. For example, Horace's comparison of his satires with cookies that a teacher uses to encourage his students to learn their letters, reminds one of Lucretius' more traditional comparison of his poetry with the sugar that sweetens the bitter medicine of philosophy. Moreover, Lucretian stock phrases such as
608:. He contrasts life in the city, which he finds disagreeable, apart from his opportunities to converse with Maecenas; even then people jostle and sneer at him when he is on his way there. He returns to a description of his pleasant life on his farm, with books, simple fare, pleasant neighbours, and sensible conversation. The satire ends with a retelling of the famous tale of
132:, the conversational and sometimes even prosaic tone of his poetry, and the tradition of personal attack. In contrast to Lucilius, however, the victims of Horace's mockery are not members of the nobility, but overly ambitious freedmen, anonymous misers, courtesans, street philosophers, hired buffoons, and bad poets. In accordance with the Epicurean principle
227:, the arrangement is also symmetrical, based around poem 5. Thus the 1st and 9th satires describe two sides to an approach to Maecenas; 2 and 8 are linked by their erotic themes and their concern with the less romantic aspects of love (prostitution, witchcraft); 3 and 7 both have jokes on the nature of kingship and both have the word
632:
criticising other people for being inconsistent, is inconsistent himself. Horace criticises his slave for vices – desire for sex, picture-mania, gluttony, restlessness – but is just as bad himself! At the end Horace has had enough and tells the slave to make himself scarce or he will join the other eight slaves working on the farm.
233:"king" in the last line; 4 and 6 tell of Horace's relationship with his father. There are other links also between the poems, for example, the name Fabius occurs in 1.14 and 2.124; the name Tigellius in 2.3 and 3.4; Maecenas is addressed in 1.1. and 3.64; and Crispinus is mentioned in 1.120 and 3.139, linking up 1, 2, and 3.
651:
were present, with expensive food, wine, and slaves. The host got alarmed when two guests called for more wine. While the host was boasting about the quality of the food, a wall-hanging suddenly fell into the dishes and he burst into tears. The next course came and the food would have been delightful
431:
Horace is accosted by an ambitious flatterer and would-be poet who hopes that Horace will help him to worm his way into the circle of
Maecenas' friends. Horace tries in vain to get rid of the boor. He assures him that this is not how Maecenas and his friends operate. Yet he only manages to get rid of
257:
This satire targets avarice and greed. Most people, the satirist argues, complain about their lot yet do not really want to change it. Our insatiable greed for material wealth is just as silly. The true basic human needs, food and water, are easily satisfied. A person who recognizes the natural limit
194:, which were published three or four years earlier. The poems are of differing lengths: 121, 133, 142, 143, 104, 131, 34, 50, 78, and 92 lines respectively (total 1029 lines). Thus there are six relatively long poems (average length 129 lines) followed by four shorter poems (average length 64 lines).
331:, and others. Alluding to a famous satire in which Horace’s predecessor Lucilius described a trip to his estates near Tarentum, this poem offers a comic self-portrait of Horace as an insignificant member in the retinue of his powerful friend Maecenas when the latter negotiated one last truce between
94:
The second book also addresses the fundamental question of Greek
Hellenistic philosophy, the search for a happy and contented life. In contrast to book I, however, many of this book's poems are dialogues in which the poet allows a series of pseudo-philosophers, such as the bankrupt art-dealer turned
363:
1.5, Horace explains why he is not interested in a career in politics even though, during the Civil War, he once served as the tribune of a Roman legion (48). People would jeer at him because of his freedman father, and his father taught him to be content with his status in life (85–87) even though
277:
This satire deals with adultery and other unreasonable behaviour in sexual matters. Horace claims that there is also a natural mean with regard to sex. Our basic sexual urges are easily satisfied (any partner will do), so it seems silly to run after married noblewomen when freedwomen are available.
379:
This satire deals with a court case that
Persius, a Greek merchant of mixed birth, won against the Roman Rupilius Rex. Following the account of Horace's youth in 1.6, this satire tells a story from his service under Brutus during the Civil War. As in 1.5, it features a verbal contest in which two
219:
has been analysed by several scholars as having a triadic structure: 1,2,3 – 4,5,6 – 7,8,9, with 5 at the centre and the 10th poem concluding the whole. In satires 1, 2 and 3, Horace gives general philosophical advice on how to live and what vices to avoid; in 4 and 6 he discusses his reasons for
631:
A slave called Davus asks permission to speak. Since it is
December Horace gives him permission. He tells Horace some philosophical truths he has learnt from another slave, Crispinus's doorkeeper, and argues the Stoic principle that none but the wise are free. He shows that Horace, who is always
79:(Latin for "miscellaneous poems"), Horace combines Greek philosophy with Roman good sense to convince his readers of the futility and silliness of their ambitions and desires. As an alternative, he proposes a life that is based on the Greek philosophical ideals of
574:
in the
Underworld, asks him for advice on how to repair his broken fortunes. Tiresias advises him to become a toady to some rich man, in the hope of getting a legacy from the man when he dies. (The setting is imagined as a continuation of the famous scene in
236:
Book 2 is constructed on a different plan. In this book, in poems 1 and 5 a famous figure gives advice; 2 and 6 praise simple life in the country; 3 and 7 give precepts of Stoic philosophy; and 4 and 8 are concerned with gastronomy and fine dining.
343:
1.4, distinguishes scurrility from satire. Here, Horace pitches a ‘’scurra’’ (buffoon) from the capital, the freedman
Sarmentus, against his ultimately victorious local challenger, Messius Cicirrus (“the Fighting Cock”).
447:
This satire functions as an epilogue to the book. Here Horace clarifies his criticism of his predecessor
Lucilius, jokingly explains his choice of the genre ("nothing else was available") in a way that groups him and his
380:
different kinds of invective are set against each other. Initially, Greek verbosity seems to succumb to
Italian acidity, but in the end, the Greek wins with a clever turn of phrase, calling on the presiding judge,
220:
writing satire in the style of
Lucilius, with the 5th satire (the Journey to Brundisium) an imitation of one by Lucilius; and satires 7, 8 and 9 (the three shortest satires) are all amusing anecdotes.
95:
Stoic philosopher
Damasippus, the peasant Ofellus, the mythical seer Teiresias, and the poet's own slave, Davus, to espouse their philosophy of life, in satiric contrast to that of the narrator.
136:(Greek for "Live unnoticed"), Horace consciously does not get involved in the complicated politics of his times, but advocates instead a life that focuses on individual happiness and virtue.
548:, who wrote three books on gastronomy. The unnamed expert was most probably Matius himself. A letter written to Cicero from Matius and Trebatius jointly is preserved among Cicero's letters (
60:. Published probably in 35 BC and at the latest, by 33 BC, the first book of Satires represents Horace's first published work. It established him as one of the great poetic talents of the
838:. Translated into English verse by John Conington, m.a. corpus professor of Latin at the University of Oxford. Project Gutenberg. Retrieved 20 September 2010. N.B. Satire I-2 is excluded.
1371:
647:
Horace says he's heard that Fundanius, a comic poet, was at a banquet at Nasidienus house and asks him to describe. Fundanius describes a lavish banquet, at which he and
476:, who advises him to give up writing, or else to write an epic poem in honour of Augustus. Horace replies that epic is beyond him, and that just like his predecessor
495:
Horace writes about the virtues of living on simple fare. He claims to be quoting a certain Ofellus, who lost his land in the confiscations following the civil war.
151:
share with this genre some of their themes, typical imagery, and similes, and the fiction of an anonymous interlocutor whose objections the speaker easily refutes.
140:
529:
Horace meets a certain Catius, who is hurrying home to write down some precepts about food, wine and cookery which he has heard from a certain expert on
308:
In a programmatic declaration of Horace's poetic views, he applies these same critical principles to poetry and shows that his own satires follow them.
262:) set for our desires, the Just Mean between the extremes, will in the end, leave the Banquet of Life like a satisfied guest, full, and content.
1604:
1592:
1588:
1580:
1572:
1480:
1616:
1612:
1608:
1600:
1596:
1584:
108:, they have been received positively in recent decades. In the Middle Ages, they were very popular and quoted more frequently than the
768:
847:
841:
1740:
208:, except that the first half of book 1 (omitting line 1.2.13) has the same number of lines (643) as the first half of book 2.
1138:
877:
1669:
609:
293:
Horace demands fairness when we criticize other people’s flaws. In the case of friends, we should be especially lenient.
786:
947:
932:
774:
91:). In 1.6.110–131, Horace illustrates what he means by describing a typical day in his own simple, but contented life.
61:
1224:
1188:
1160:
1123:
1101:
1037:
1022:
1007:
992:
970:
962:
914:
892:
862:
745:
656:
533:. Catius stops to tell Horace what he has heard. At the end Horace begs him to allow him to meet the expert himself.
1515:
820:
197:
Book 2 has eight poems, with 86, 136, 326, 95, 110, 117, 118, and 95 lines respectively (total 1083 lines).
472:
Horace, who is anxious his satires are making him unpopular, pretends to consult the famous jurist Gaius
1166:
Lowrie, Michèle, “Slander and Horse Law in Horace, Sermones 2.1,” Law and Literature 17 (2005) 405-31.
1107:
Freudenburg, Kirk. "Horace's Satiric Program and the Language of Contemporary Theory in Satires 2.1."
1735:
1745:
88:
1169:
Muecke, Frances. "Law, Rhetoric, and Genre in Horace, Satires 2.1." In: Harrison, Stephen J., ed.
659:, who was put to death by Octavian in 40 BC, about ten years before these satires were written.
1486:
792:
1453:, believed to be Horace's, can still be visited today near Licenza, some 30 miles NE of Rome.
1298:
Sharland, Suzanne (2003). "Priapus' Magic Marker: Literary Aspects of Horace, "Satire" 1.8".
452:
among the foremost poets of Rome, and lists Maecenas and his circle as his desired audience.
339:, the Peace of Brundisium (36 BC). A highpoint of the satire is a verbal contest that, as in
780:
675:
than for his lyric poetry. In the century after his death, he finds immediate successors in
1637:
1545:
1508:
1082:
1075:
Clauss, James J. "Allusion and structure in Horace Satire 2.1. The Callimachean response."
771:. (With notes, also in Latin) Orelli rev. Baiter 5th ed. 1868. Retrieved 20 September 2010.
712:
125:
8:
1714:
1061:
Bernstein, Michael André. "O Totiens Servus: Saturnalia and Servitude in Augustan Rome."
144:
1307:
1153:
Verborgene Kunst : Argumentationsstruktur und Buchaufbau in den Satiren des Horaz.
53:
1697:
1623:
1450:
1220:
1184:
1156:
1134:
1119:
1097:
1033:
1018:
1003:
988:
966:
958:
943:
928:
910:
888:
873:
858:
798:
741:
613:
601:
124:, a poet of the late 2nd century BC who wrote partly in hexameters and partly in the
655:
According to Palmer, Nasidienus is possibly to be identified with a certain general
432:
him when finally a creditor of the boor appears and drags him off to court (74–78).
170:("now I return to the matter at hand") give Horace's philosophical "conversations" (
1683:
1630:
815:
364:
he made sure that his son could enjoy the same education as an aristocrat (76–80).
50:
805:
1552:
1501:
545:
473:
160:
1208:
Sallmann, Klaus. "Satirische Technik in Horaz' Erbschleichersatire (s. 2, 5)."
987:
Translated by Joseph Solodow. Baltimore: Johns Hopkins University Press, 1994.
667:
Both in antiquity and in the Middle Ages, Horace was much better known for his
477:
121:
36:
1253:
Gowers 2012: 4 (note 22) gives 36/35 for book 1, citing DuQuesnay 1984: 20–21.
1729:
1676:
1559:
1358:
can refer both to the letters of the ABC and to the beginnings of philosophy.
1050:
Anderson, William S. "Ironic Preambles and Satiric Self-Definition in Horace
585:
11.149, where Odysseus converses with the souls of various deceased people.)
104:
1068:
Braund, Susan H. "City and Country in Roman Satire." In: Braund, S. H., ed.
920:
848:
Epodes, Satires and Epistles, in English. Also an introduction (of 5 pages)
537:
388:, to do his duty as his ancestor had done and dispose of the "king" (Latin
810:
691:
4.89). Conte (1994: 318) writes, "Over 1,000 medieval quotations from his
1690:
973:(pb) (introduction, text, translation and extensive scholarly commentary)
385:
332:
1393:
1311:
835:
1662:
1176:
957:
Warminster, England: Aris & Phillips, 1993, repr. with corr. 1997.
799:
Satires 1.5, 1.6, and 1.9 (in Latin) with vocabulary lists (in English)
530:
324:
327:
in the spring of 36 BC, in the company of the poet Virgil, his patron
1576:
762:
480:
he can still enjoy the friendship of great men while writing satire.
425:
155:
129:
1144:
Hudson, Nicola A. "Food in Roman Satire," in: Braund, Susan H., ed.
781:
Carminum, Satirarum I et II, Epodon, Epistolarum, Ars poetica, etc.
1568:
1564:
648:
605:
571:
567:
541:
511:
336:
328:
190:
1493:
1201:
Rothaus Caston, Ruth. "The Fall of the Curtain (Horace S. 2.8)."
1183:
Berkeley: University of California Press, 1966 (2nd. ed., 1982).
680:
676:
581:
536:
According to Palmer this Catius is a thinly disguised version of
409:
21:
1194:
Roberts, Michael. "Horace Satires 2.5: Restrained Indignation,"
1655:
1525:
381:
204:, no particular numerical patterns have been discovered in the
185:
57:
940:
A Translation and Interpretation of Horace’s Sermones, Book I.
752:
684:
576:
359:
With the same modesty with which he just depicted himself in
1015:
Satires of Rome: Threatening Poses from Lucilius to Juvenal.
801:. 'The Dickinson College Wiki', Retrieved 20 September 2010.
825:
1217:
Satire and the Threat of Speech: Horace's Satires, Book 1.
872:
Philadelphia, PA: University of Pennsylvania Press, 2008.
600:
Horace begins by expressing his delight with life on the
444:("I did indeed say that Lucilius' verses hobble along")
1094:
La satira e il poeta : Orazio tra Epodi e Sermones.
850:. Rev. Francis Howes 1845. Retrieved 20 September 2010.
748:. Makes more use of conjectural emendation than Borzsák.
64:. The second book was published in 30 BC as a sequel.
469:("There are those to whom I seem too harsh in satire")
844:. R. M. Millington 1869. Retrieved 20 September 2010.
723:
376:("The pus and poison of the proscribed Rupilius Rex")
1203:
Transactions of the American Philological Association
1077:
Transactions of the American Philological Association
139:
Probably equally important is the influence of Greek
120:
Horace's direct predecessor as writer of satires was
1372:"Vergil, Horace, Tibullus: three collections of ten"
950:(introduction, text, translation and interpretation)
1118:Princeton, N.J.: Princeton University Press, 1993.
857:Princeton, N.J.: Princeton University Press, 1999.
842:First book of Satires, with notes (all in English)
1482:Scholarly bibliography selected by Wilfried Stroh
1116:The Walking Muse: Horace on the Theory of Satire.
604:, which he has recently been given by his patron
1727:
1148:Exeter: University of Exeter Press, 1989, 69–87.
1072:Exeter: University of Exeter Press, 1989, 23–47.
917:(introduction, text, translation and commentary)
909:Warminster, England: Aris & Phillips, 1993.
895:(verse translation with introduction and notes).
323:Horace describes a journey he made from Rome to
49:) is a collection of satirical poems written in
1173:Oxford: Oxford University Press, 1995, 203–218.
885:Horace, Satires and Epistles; Persius, Satires.
687:still refers to him simply as "Orazio satiro" (
492:("How great a virtue it is to live on little")
102:are sometimes considered to be inferior to the
1219:Madison: University of Wisconsin Press, 2005.
1044:
1509:
1415:Damasippus is mentioned in Cicero's letters (
1133:Cambridge: Cambridge University Press, 2005.
1017:Cambridge: Cambridge University Press, 2001.
652:if the host hadn't been praising it so much.
836:Satires, Epistles, and Art of Poetry (Engl.)
1395:
639:
623:
592:
559:
521:
502:
487:
464:
439:
419:
401:
389:
371:
351:
315:
300:
285:
269:
249:
228:
171:
165:
87:(Greek for "moderation" or sticking to the
74:
68:
44:
1516:
1502:
699:have been traced, only about 250 from his
128:metre. Horace inherited from Lucilius the
1388:
1386:
1384:
1002:. Oxford: Oxford University Press, 1992.
373:Proscripti Regis Rupili pus atque venenum
184:Book 1 has ten poems, the same number as
147:of Borysthenes (c. 335–245 BC). Horace's
83:(Greek for "inner self-sufficiency") and
1366:
1364:
1297:
1131:The Cambridge Companion to Roman Satire.
855:The complete Odes and Satires of Horace.
718:
570:(Odysseus), when consulting the prophet
274:("The colleges of Syrian music girls")
20:
1728:
1381:
1271:Horace himself later coins the phrase
1497:
1361:
942:Cambridge Scholars Publishing, 2021.
526:("Where from and where to, Catius?")
1670:Dulce et decorum est pro patria mori
644:("How was dinner with Nasidienus?")
628:("I've been listening for a while")
610:The Town Mouse and the Country Mouse
510:A certain Damasippus, a follower of
455:
240:
143:in the tradition of the philosopher
1523:
1485:(in German), Munich, archived from
1146:Satire and Society in Ancient Rome.
1070:Satire and Society in Ancient Rome.
935:(introduction, text and commentary)
769:All satires book I and II, in Latin
724:Critical editions of the Latin text
662:
13:
1032:Malden, MA: Blackwell Pub., 2007.
927:Cambridge University Press, 2012.
424:("I happened to be walking on the
14:
1757:
1473:
1324:Brown 1993: 7-8; Muecke 1997: 2-5
1155:Hildesheim: Olms-Weidmann, 2004.
657:Quintus Salvius Salvidienus Rufus
154:Another inspiration was the poet
1275:(Latin for the "Golden Mean" in
977:
789:, Desprez 1828 in usum Delphini.
115:
1456:
1443:
1430:
1409:
1345:
1333:Brown 1993: 4–5; Muecke 1997: 6
899:
564:("Tell me this too, Tiresias")
290:("All singers have this vice")
73:(Latin for "conversations") or
1336:
1327:
1318:
1291:
1282:
1265:
1256:
1247:
1238:
795:, Zeune 1825 in usum Delphini.
1:
1741:1st-century BC books in Latin
1406:, 13(1), 59–77: p. 76; p. 67.
1400:: The Structure of Ambiguity"
1262:Brown 1993: 3; Muecke 1997: 1
1231:
1196:American Journal of Philology
1109:American Journal of Philology
887:London : Penguin, 2005.
753:On-line editions of Horace's
671:and the thematically-related
540:, a friend of Julius Caesar,
176:) a subtly Lucretian flavor.
1423:7.23.3): Palmer, A. (1905).
985:Latin Literature. A History.
406:("Once I was a tree trunk")
179:
7:
1045:More specialized literature
787:Satirarum Liber I & II
706:
597:("This was in my prayers")
507:("If you write so rarely")
320:("Having left great Rome")
16:Poetry collection by Horace
10:
1762:
809:The Latin Library (Latin)
740:Stuttgart: Teubner, 1995.
356:("Not because, Maecenas")
1707:
1647:
1532:
1466:. Macmillan, pp. 388–369.
1440:. Macmillan, pp. 314–315.
783:, Long and MacLeane 1853.
736:Shackleton Bailey, D. R.
394:), Rupilius Rex (33–35).
305:("Eupolis and Cratinus")
67:In the first book of his
830:, in English translation
819:Perseus Project (Latin)
215:, the first book of the
1056:Pacific Coast Philology
738:Q. Horati Flacci Opera.
733:Leipzig: Teubner, 1984.
731:Q. Horati Flacci Opera.
317:Egressum magna ... Roma
254:("How come, Maecenas")
1396:
1392:Zetzel, J. E. (1980).
1181:The Satires of Horace.
1096:Pisa: Giardini, 2001.
1092:Cucchiarelli, Andrea.
1065:13 (1986–1987) 450–74.
870:The Satires of Horace.
804:Bibliotheca Augustana
640:
624:
593:
560:
522:
503:
488:
465:
440:
420:
402:
390:
372:
352:
316:
302:Eupolis atque Cratinus
301:
287:Omnibus hoc vitium est
286:
270:
250:
229:
223:But, just as with the
172:
166:
158:, whose didactic epic
75:
69:
45:
40:
26:
1464:The Satires of Horace
1438:The Satires of Horace
1425:The Satires of Horace
1370:Leach, E. W. (1978).
1215:Schlegel, Catherine.
1085:. "Horace – A Cook?"
1083:Classen, Carl Joachim
765:, Wikisource (Latin).
719:Selected bibliography
489:Quae virtus et quanta
466:Sunt quibus in satira
24:
983:Conte, Gian Biagio.
713:Satires 2.5 (Horace)
421:Ibam forte Via Sacra
271:Ambubaiarum collegia
126:trochaic septenarius
1715:Spring of Bandusium
1462:Palmer, A. (1905).
1436:Palmer, A. (1905).
1129:Freudenburg, Kirk.
1114:Freudenburg, Kirk.
1111:111 (1990) 187–203.
1087:Classical Quarterly
1079:115 (1985) 197–206.
1013:Freudenburg, Kirk.
955:Horace, Satires II.
905:Brown, P. Michael.
853:Alexander, Sidney.
763:Sermones (Horatius)
561:Hoc quoque, Tiresia
523:Unde et quo Catius?
54:dactylic hexameters
1212:98 (1970) 178–203.
1205:127 (1997) 233–56.
1198:105 (1984) 426–33.
1028:Hooley, Daniel M.
1000:Roman Verse Satire
907:Horace, Satires I.
814:IntraText (Latin)
729:Borzsák, Stephan.
612:, based on one of
353:Non quia, Maecenas
56:by the Roman poet
27:
1723:
1722:
1698:Ut pictura poesis
1449:The remains of a
1342:Brown 1993: 91–92
1273:aurea mediocritas
1171:Homage to Horace.
1139:978-0-521-00627-9
1089:72 (1978) 333–48.
998:Braund, Susan H.
953:Muecke, Frances.
878:978-0-8122-4090-0
793:Sermonum Liber I
777:, Peerlkamp 1863.
625:Iamdudum ausculto
594:Hoc erat in votis
456:Content of book 2
441:Nempe incomposito
403:Olim truncus eram
251:Qui fit, Maecenas
241:Content of book 1
167:nunc ad rem redeo
1753:
1736:Poetry by Horace
1684:Nullius in verba
1631:Carmen Saeculare
1518:
1511:
1504:
1495:
1494:
1490:
1467:
1460:
1454:
1447:
1441:
1434:
1428:
1413:
1407:
1399:
1390:
1379:
1368:
1359:
1349:
1343:
1340:
1334:
1331:
1325:
1322:
1316:
1315:
1295:
1289:
1288:Muecke 1997: 6-7
1286:
1280:
1269:
1263:
1260:
1254:
1251:
1245:
1242:
1063:Critical Inquiry
1058:19 (1984) 36–42.
925:Satires. Book 1.
663:Literary success
643:
627:
596:
563:
525:
506:
491:
468:
443:
423:
405:
393:
375:
355:
319:
304:
289:
273:
253:
232:
175:
169:
78:
72:
48:
25:Satires (Horace)
1761:
1760:
1756:
1755:
1754:
1752:
1751:
1750:
1746:Satirical poems
1726:
1725:
1724:
1719:
1703:
1643:
1528:
1522:
1479:
1476:
1471:
1470:
1461:
1457:
1448:
1444:
1435:
1431:
1419:12.19.2, 33.1;
1414:
1410:
1391:
1382:
1378:, 7(2), 79–105.
1369:
1362:
1350:
1346:
1341:
1337:
1332:
1328:
1323:
1319:
1296:
1292:
1287:
1283:
1270:
1266:
1261:
1257:
1252:
1248:
1243:
1239:
1234:
1151:Knorr, Ortwin.
1047:
980:
902:
832:
759:
726:
721:
709:
665:
504:Si raro scribes
474:Trebatius Testa
458:
243:
182:
161:De rerum natura
118:
17:
12:
11:
5:
1759:
1749:
1748:
1743:
1738:
1721:
1720:
1718:
1717:
1711:
1709:
1705:
1704:
1702:
1701:
1694:
1687:
1680:
1673:
1666:
1659:
1651:
1649:
1645:
1644:
1642:
1641:
1634:
1627:
1620:
1556:
1549:
1536:
1534:
1530:
1529:
1521:
1520:
1513:
1506:
1498:
1492:
1491:
1475:
1474:External links
1472:
1469:
1468:
1455:
1442:
1429:
1408:
1397:Liber Sermonum
1380:
1360:
1344:
1335:
1326:
1317:
1290:
1281:
1264:
1255:
1246:
1236:
1235:
1233:
1230:
1229:
1228:
1213:
1206:
1199:
1192:
1174:
1167:
1164:
1149:
1142:
1127:
1112:
1105:
1090:
1080:
1073:
1066:
1059:
1046:
1043:
1042:
1041:
1026:
1011:
996:
979:
976:
975:
974:
951:
948:978-1527565838
936:
933:978-0521458511
918:
901:
898:
897:
896:
881:
866:
851:
845:
839:
831:
824:
823:
822:
817:
812:
807:
802:
796:
790:
784:
778:
772:
766:
758:
751:
750:
749:
734:
725:
722:
720:
717:
716:
715:
708:
705:
664:
661:
614:Aesop's fables
544:, Cicero, and
457:
454:
242:
239:
181:
178:
117:
114:
15:
9:
6:
4:
3:
2:
1758:
1747:
1744:
1742:
1739:
1737:
1734:
1733:
1731:
1716:
1713:
1712:
1710:
1706:
1700:
1699:
1695:
1693:
1692:
1688:
1686:
1685:
1681:
1679:
1678:
1677:In medias res
1674:
1672:
1671:
1667:
1665:
1664:
1660:
1658:
1657:
1653:
1652:
1650:
1646:
1640:
1639:
1635:
1633:
1632:
1628:
1626:
1625:
1621:
1618:
1614:
1610:
1606:
1602:
1598:
1594:
1590:
1586:
1582:
1578:
1574:
1570:
1566:
1562:
1561:
1557:
1555:
1554:
1550:
1547:
1543:
1542:
1538:
1537:
1535:
1531:
1527:
1519:
1514:
1512:
1507:
1505:
1500:
1499:
1496:
1489:on 2008-04-10
1488:
1484:
1483:
1478:
1477:
1465:
1459:
1452:
1446:
1439:
1433:
1426:
1422:
1418:
1412:
1405:
1401:
1398:
1389:
1387:
1385:
1377:
1373:
1367:
1365:
1357:
1353:
1348:
1339:
1330:
1321:
1313:
1309:
1305:
1301:
1300:Acta Classica
1294:
1285:
1278:
1274:
1268:
1259:
1250:
1244:Brown 1993: 3
1241:
1237:
1226:
1225:0-299-20950-4
1222:
1218:
1214:
1211:
1207:
1204:
1200:
1197:
1193:
1190:
1189:0-520-04718-4
1186:
1182:
1178:
1175:
1172:
1168:
1165:
1162:
1161:3-487-12539-0
1158:
1154:
1150:
1147:
1143:
1140:
1136:
1132:
1128:
1125:
1124:0-691-03166-5
1121:
1117:
1113:
1110:
1106:
1103:
1102:88-427-0300-1
1099:
1095:
1091:
1088:
1084:
1081:
1078:
1074:
1071:
1067:
1064:
1060:
1057:
1053:
1049:
1048:
1039:
1038:1-4051-0689-1
1035:
1031:
1030:Roman Satire.
1027:
1024:
1023:0-521-00621-X
1020:
1016:
1012:
1009:
1008:0-19-922072-7
1005:
1001:
997:
994:
993:0-8018-4638-2
990:
986:
982:
981:
978:Short surveys
972:
971:0-85668-532-1
968:
964:
963:0-85668-531-3
960:
956:
952:
949:
945:
941:
937:
934:
930:
926:
922:
921:Gowers, Emily
919:
916:
915:0-85668-530-5
912:
908:
904:
903:
894:
893:0-14-045508-6
890:
886:
883:Rudd, Niall.
882:
879:
875:
871:
868:Juster, A.M.
867:
864:
863:0-691-00428-5
860:
856:
852:
849:
846:
843:
840:
837:
834:
833:
829:
821:
818:
816:
813:
811:
808:
806:
803:
800:
797:
794:
791:
788:
785:
782:
779:
776:
773:
770:
767:
764:
761:
760:
756:
747:
746:3-519-21436-9
743:
739:
735:
732:
728:
727:
714:
711:
710:
704:
702:
698:
694:
690:
686:
682:
678:
674:
670:
660:
658:
653:
650:
645:
642:
637:
633:
629:
626:
621:
617:
615:
611:
607:
603:
602:country villa
598:
595:
590:
586:
584:
583:
578:
573:
569:
565:
562:
557:
553:
551:
547:
543:
539:
534:
532:
527:
524:
519:
515:
513:
508:
505:
500:
496:
493:
490:
485:
481:
479:
475:
470:
467:
462:
453:
451:
445:
442:
437:
433:
429:
427:
422:
417:
413:
411:
407:
404:
399:
395:
392:
387:
383:
377:
374:
369:
365:
362:
357:
354:
349:
345:
342:
338:
334:
330:
326:
321:
318:
313:
309:
306:
303:
298:
294:
291:
288:
283:
279:
275:
272:
267:
263:
261:
255:
252:
247:
238:
234:
231:
226:
221:
218:
214:
209:
207:
203:
198:
195:
193:
192:
187:
177:
174:
168:
163:
162:
157:
152:
150:
146:
142:
137:
135:
131:
127:
123:
116:Poetic models
113:
111:
107:
106:
101:
98:Although the
96:
92:
90:
86:
82:
77:
71:
65:
63:
59:
55:
52:
47:
42:
38:
34:
33:
23:
19:
1696:
1689:
1682:
1675:
1668:
1661:
1654:
1636:
1629:
1622:
1558:
1551:
1540:
1539:
1487:the original
1481:
1463:
1458:
1445:
1437:
1432:
1424:
1420:
1416:
1411:
1403:
1375:
1355:
1351:
1347:
1338:
1329:
1320:
1303:
1299:
1293:
1284:
1276:
1272:
1267:
1258:
1249:
1240:
1216:
1209:
1202:
1195:
1180:
1170:
1152:
1145:
1130:
1115:
1108:
1093:
1086:
1076:
1069:
1062:
1055:
1051:
1029:
1014:
999:
984:
954:
939:
924:
906:
900:Commentaries
884:
869:
854:
827:
754:
737:
730:
700:
696:
692:
688:
672:
668:
666:
654:
646:
641:Ut Nasidieni
635:
634:
630:
619:
618:
599:
588:
587:
580:
566:
555:
554:
549:
538:Gaius Matius
535:
528:
517:
516:
509:
498:
497:
494:
483:
482:
471:
460:
459:
449:
446:
435:
434:
430:
415:
414:
408:
397:
396:
378:
367:
366:
360:
358:
347:
346:
340:
322:
311:
310:
307:
296:
295:
292:
281:
280:
276:
265:
264:
259:
256:
245:
244:
235:
224:
222:
216:
212:
211:As with the
210:
205:
201:
199:
196:
189:
183:
159:
153:
148:
138:
134:Lathe biosas
133:
119:
109:
103:
99:
97:
93:
84:
80:
66:
62:Augustan Age
31:
30:
28:
18:
1691:Sapere aude
1638:Ars Poetica
1354:1.1.14–25;
1177:Rudd, Niall
938:Law, Andy.
683:, and even
436:Satire 1.10
200:Unlike the
1730:Categories
1663:Carpe diem
1648:Quotations
1394:"Horace's
1306:: 97–109.
1232:References
636:Satire 2.8
620:Satire 2.7
589:Satire 2.6
556:Satire 2.5
531:gastronomy
518:Satire 2.4
499:Satire 2.3
484:Satire 2.2
461:Satire 2.1
426:Sacred Way
416:Satire 1.9
398:Satire 1.8
368:Satire 1.7
348:Satire 1.6
325:Brundisium
312:Satire 1.5
297:Satire 1.4
282:Satire 1.3
266:Satire 1.2
246:Satire 1.1
1524:Works by
1427:, p. 277.
826:Horace's
552:9.15.A).
546:Trebatius
386:Liberator
180:Structure
156:Lucretius
130:hexameter
89:Just Mean
85:metriotes
81:autarkeia
1624:Epistles
1404:Arethusa
1356:elementa
1312:24595344
1279:2.10.5.)
707:See also
697:Epistles
673:Epistles
649:Maecenas
606:Maecenas
572:Tiresias
542:Octavian
512:Stoicism
478:Lucilius
337:Octavian
329:Maecenas
225:Eclogues
213:Eclogues
202:Eclogues
191:Eclogues
173:sermones
141:diatribe
122:Lucilius
70:Sermones
46:Sermones
1708:Related
1541:Satires
828:Satires
775:Satirae
757:, Latin
755:Satires
701:Carmina
693:Satires
689:Inferno
681:Juvenal
677:Persius
669:Satires
582:Odyssey
568:Ulysses
450:Satires
410:Priapus
217:Satires
206:Satires
149:Satires
100:Satires
76:Saturae
41:Saturae
32:Satires
1656:Ab ovo
1553:Epodes
1533:Poetry
1526:Horace
1352:Satire
1310:
1223:
1210:Hermes
1187:
1159:
1137:
1122:
1100:
1054:2.1."
1052:Satire
1036:
1021:
1006:
991:
969:
965:(hb).
961:
946:
931:
913:
891:
876:
861:
744:
382:Brutus
361:Satire
341:Satire
333:Antony
186:Virgil
58:Horace
1451:villa
1376:Ramus
1308:JSTOR
685:Dante
577:Homer
260:modus
51:Latin
37:Latin
1605:3.30
1593:2.14
1589:2.10
1581:1.37
1577:1.23
1573:1.11
1560:Odes
1421:Fam.
1417:Att.
1277:Odes
1221:ISBN
1185:ISBN
1157:ISBN
1135:ISBN
1120:ISBN
1098:ISBN
1034:ISBN
1019:ISBN
1004:ISBN
989:ISBN
967:ISBN
959:ISBN
944:ISBN
929:ISBN
911:ISBN
889:ISBN
874:ISBN
859:ISBN
742:ISBN
695:and
679:and
550:Att.
384:the
335:and
145:Bion
110:Odes
105:Odes
29:The
1617:4.7
1613:4.3
1609:4.1
1601:3.6
1597:3.2
1585:2.3
1569:1.5
1565:1.1
1546:2.5
703:."
579:'s
428:")
391:rex
230:rex
188:'s
43:or
1732::
1615:,
1611:,
1607:,
1603:,
1599:,
1595:,
1591:,
1587:,
1583:,
1579:,
1575:,
1571:,
1567:,
1402:.
1383:^
1374:.
1363:^
1304:46
1302:.
1179:.
923:.
638:,
622:,
616:.
591:,
558:,
520:,
501:,
486:,
463:,
438:,
418:,
400:,
370:,
350:,
314:,
299:,
284:,
268:,
248:,
112:.
39::
1619:)
1563:(
1548:)
1544:(
1517:e
1510:t
1503:v
1314:.
1227:.
1191:.
1163:.
1141:.
1126:.
1104:.
1040:.
1025:.
1010:.
995:.
880:.
865:.
258:(
35:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
