603:, the latter of which has been cited as the true beginning of grunge. Local music author Clark Humphrey has attributed the rise of grunge, in large part, to the scene's "supposed authenticity", to its status as a "folk phenomenon, a community of ideas and styles that came up from the street" rather than "something a couple of packagers in a penthouse office" dreamed of, as well as Seattle's isolation from the mainstream record industry. Rebee Garofalo attributes to the unlikely rise of Seattle's alternative rock to the legacy of local rock left behind by
35:
807:, which focuses exclusively on "acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers", especially from the Middle East, North Africa, and Southeast Asia; this brought a new awareness of world music traditions to the Seattle music scene. More local experimental groups formed, such as
359:; subsequent releases came out on Etiquette, the first record label owned by the band that recorded for it. The Wailers only had one more national hit, "Mau Mau", but released a long series of regionally popular recordings. Though the Wailers were very popular in the Seattle area, they were actually from
571:
Vietnam draft in Canada. Ann met and followed him to
Vancouver. Mike was the band's original manager. Upon amnesty granted by President Carter, on January 21, 1977, Heart returned to the United States and signed with Capitol Records. Heart was inducted into the Rock and Rock Hall of Fame in April 2013.
570:
of
Bellevue, got their start in the Seattle area in local bands while still in their teens. Their fame was achieved while residing in Vancouver B.C. Canada, with their 1975 debut album Dreamboat Annie. Ann's boyfriend Mike Fisher, brother of original Heart guitarist Roger Fisher, was evading the
124:. The city and surrounding metropolitan area remains home to several influential artists, bands, labels, and venues, and is home to several symphony orchestras; and world-class choral, ballet and opera companies, as well as amateur orchestras and big-band era ensembles.
858:
groups We Paint With Sound, The Avant Garde Dogs, and the St. Bees Group, and the Mike N Dave
Channel; their "co-comprovisations" feature spontaneous co-composition, performance, and recording of a completed work on the first take.
583:
venue changed that by offering two separate shows at the same time; as a result, both hardcore and metal were frequently played on the same nights. The softening of relations between the two groups helped inspire the look and sound of
317:
Changes to local regulations in 1949 prompted a shift from "private clubs" to "restaurant-lounge combinations" which "didn't support much in the line of creative nightlife" and even helped to drive out the city's jazz nightclub scene.
693:, and the bands themselves struggled with the irony of alternative rock bands entering mainstream pop culture. Seattle grunge as national fare declined within a few years, however, beginning with the suicide of Nirvana frontman
322:
emerged in the 1940s and 1950s as one of the city's largest employers, and, according to local music historian Clark
Humphrey, helped give the city a reputation as "quiet, orderly (and) dull"; in the mid-1950s,
412:, who began performing in the city but did not gain a national reputation until moving to England. Though Hendrix had to move to England to start his recording career, the reverse also became true for the
454:
with long-time boyfriend
Gorilla Rose; Blush described this as the first punk rock in the area. The first punk concert in Seattle was the Tupperwares backed by the Telepaths at the grand premiere of
370:' "Werewolf" and "Straight Flush". The Frantics, the Wailers, and most other local rock bands in the Pacific Northwest were basically instrumental combos, with very limited vocals or none at all.
674:. Though Soundgarden failed to bring in large national audiences at the time, record executives saw enough promise to send scouts out to the major bands, many of whom signed to large labels.
332:
The early 1960s saw
Seattle become home to a local dance scene built around venues like the Trianon and Parker's. The city also became the major center for recorded popular music in the
219:
was on a world-wide tour and served as the conductor of the
Seattle Symphony as well as the New York Metropolitan Opera (and apparently an occasional gig with the Vancouver Symphony).
137:
Seattle's music history begins in the mid-19th century, when the first
European settlers arrived. In 1909, amidst the boosterism engendered by the city's first world's fair, the
148:
By the early 20th century, Seattle had an upper-class society that established an urban culture, which included music; the city's high culture was, however, shadowed by that of
533:
were affiliated with the scene, but were not considered either hardcore or punk. Also of note from this time frame is the national emergence of progressive heavy metal artists
462:
on New Years night, 1976. Tomata and
Gorilla left for Los Angeles in 1977, but a new wave of local bands emerged in their wake, congregating at a local venue called
238:
was a center for these activities; it was open twenty-four hours a day, geared towards active members of the military, featuring popular performers like the racy
529:. Other local bands included the Fags, the Refuzors, the Rejectors, and the DT's; both the Refuzors and the DT's were led by Mike Refuzor née Michael Lambert.
1061:, pp. 1–2; Humphrey does not cite a specific source for the Beecham incident, but claims that his reported words vary depend "on whose account you read".
776:, where Nirvana played some of their earliest live shows, closed in 2007, but reopened March 2009. Numerous local venues such as Neumos, the Showbox Theatre,
556:, released in late 1981 on Engram Records and regarded by music historian Stephen Tow as "a critical yardstick in the history of underground Seattle music".
196:
in 1932. E. Russell "Noodles" Smith, founder of the Dumas Club and the
Entertainers Club, was another important name in the Seattle Jazz scene of the day.
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1574:
329:
reporter Emmett Watson was asked to begin a column on Seattle's happenings, but he responded that there was nothing worth writing about.
1171:, p. 447 Garofalo also notes Seattle's isolation as a cause of the rise of a distinctive and self-sustained alternative rock scene
626:. Sub Pop was founded by Bruce Pavitt, who began with a local radio show and began releasing tapes of local bands. Radio stations like
446:
music. The earliest local alternative music scene was based around a gay glam theater group called Ze Whiz Kids, one of whose members,
579:
Prior to the mid-1980s, the local hardcore and metal scenes were often violently confrontational with each other. The opening of the
689:, Soundgarden, and other grunge bands became bestselling groups; many of their earlier fans greeted this development with cries of
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947:
223:
either described Seattle as a "cultural dustbin" or warned that it could become one. The passage of time would prove different.
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Though most of the regionally important bands in the 1960s were dominated by white men, Seattle also produced a few female
17:
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513:, who included Paul Solger of Solger, and became well known in hardcore scenes across the West Coast, and touring with
367:
145:
adopted "Seattle, the Peerless City" (words by Arthur O. Dillon; music by Glenn W. Ashley) as Seattle's official song.
442:
described the Seattle music scene of the late 1970s and early 1980s as crucial in its "vibe and ethic" which inspired
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897:, has also become a well known Seattle-based electronic music artist, known for his collaborations with the likes of
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brought a "flourishing" vice scene, where "booze, gambling and prostitution" were unchecked by "paid-off cops". The
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and including most famously the Black and Tan Club. This period produced a few local performers of note, including
138:
351:, and then mounted a series of teen dances featuring bands like the Fabulous Wailers, later to become famous as
285:
was a college student in the 1940s when he found a number of recordings of folk music about to be recycled at a
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402:
273:, who recorded his first single and made his debut television appearances and radio broadcasts in Seattle, and
493:, where touring bands from Los Angeles, New York, London and elsewhere played. Other, smaller venues included
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Even though the grunge era had faded by the late 1990s, Sub Pop records maintained a strong presence in the
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was one of Seattle's first jazz bands. By the 1920s, Seattle had also come to support a politically radical
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152:, which was then the major cultural center of the West Coast. Seattle also became an important stop for
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772:, and continues to be active in promoting independent and alternative Seattle music. Grunge-era venue
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784:, the Comet Tavern and the Sunset Tavern also continue to showcase live performances of local bands.
650:
also played a vital role. Grunge's entrance into the mainstream is usually traced to the release of
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419:, who performed in the city in the 1960s. He recorded "This Sporting Life" with Gerry Rosalie of
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and the Viceroys were both largely instrumental, with the former gaining national acclaim as a
184:, who later founded a chain of successful seafood restaurants. The Seattle jazz scene included
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505:. Hardcore punk, a loud, intense and angry form of punk, first came to Seattle in the band
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Early musical establishments of the "classical" vein included the art school founded by
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Please expand the article to include this information. Further details may exist on the
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of the brief joke band Mr. Epp and the Calculations who gained some local notoriety.
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and Wanda Brown were fixtures in the Seattle jazz scene from the 1930s to the 80s.
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scene has become well known throughout the country. Seattle-based electronic duo,
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O'Day worked with a number of local bands, several of whom had regional hits like
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There is also a significant feminist punk scene in Seattle, led by bands such as
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depot. He rescued the recordings, which became hot commodities when released by
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was an early member of the just formed black musicians' union, AFM Local 458.
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The Strangest tribe : how a group of Seattle rock bands invented grunge
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has garnered critical acclaim, particularly for their live show production.
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During the 1990s other forms of music also existed, including bands such as
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scene, signing and promoting Seattle and Northwest-regional bands such as
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1303:"Forget Flannel: Seattle's New Artistic Hope Is its Feminist Punk Scene"
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1277:"Feminist punk scene thrives in Seattle, 'laughing at the patriarchy'"
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405:, who had several hits like "David's Mood" and "Little Green Thing".
277:. Blackwell was a bandleader whose band included the instrumentalist
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105:
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1436:
The Blue Note: Seattle's Black Musician's Union, a Pictorial History
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relocated to Seattle from Arizona, bringing with them influences of
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with hits like "Tall Cool One." The Wailers first album came out on
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549:
450:, became a fixture in New York before returning in 1976 as part of
397:, a soul singer whose "Love You So" was a Top Ten hit, vocal group
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ballrooms, all of which eventually became major rock music venues.
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113:
1419:. Art Chantry (photographer) (Second ed.). Harry N. Abrams.
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164:; the city also produced a major attraction in the exotic dancer
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803:. Sun City Girls member Alan Bishop co-founded the record label
34:
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for several years in the early part of the century, as well as
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215:, which gave its first concert in 1903. From 1941 to 1943,
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Two local bands later become well-known icons of the era:
336:, and had the first American pop hit from the region with
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Jackson Street After Hours: The Roots of Jazz in Seattle
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catapulted the local scene into national fame. Nirvana,
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in 1994 and ending with Soundgarden's breakup in 1997.
552:, the Fastbacks and the Fartz contributed songs to the
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815:, and the scene attracted established groups such as
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first edition of the "Seattle Syndrome" compilation
489:, local punk centered around an old theatre called
192:, a local performer and nightclub owner who became
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227:1945–1975: Postwar era and popular music expansion
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1046:
1561:
1253:"Sublime Frequencies' Ethnopsychedelic Montages"
521:. The Fartz dissolved in 1982, just as their EP
660:in 1991, though others point to the signing of
310:challenged and changed the Jazz culture within
509:, which formed in 1980. They were followed by
408:Seattle's most famous black musical export is
261:Police officers also tolerated an after-hours
822:Seattle is also home to hip hop music, with
466:. These bands included the Enemy, the Lewd,
433:
1487:
1361:De Barros, Paul; CalderĂłn, Eduardo (1993).
1329:
1267:
1192:
1144:
1132:
933:Below is a partial list of notable venues:
768:. In 2001, KCMU changed their call sign to
723:
574:
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96:and being the origin of major bands like
80:is the largest city in the U.S. state of
1488:Tow, Stephen; Peterson, Charles (2011).
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917:and has even performed live DJ sets at
393:. The city's black music scene include
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14:
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1433:
1330:Blush, Steven; Petros, George (2001).
1273:
1216:
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909:holds annual headline performances at
1438:. Seattle, WA: Our House Publishing.
1415:Humphrey, Clark (December 17, 1999).
1390:Rockin' Out: Popular Music in the USA
544:Fifteen bands of that era, including
180:; Seattle's folk performers included
1552:March 4, 1978: The Bird Was the Word
1338:. Los Angeles, CA, US: Feral House.
1250:
84:and has long played a major role in
28:
1534:Seattle's Music & Arts Festival
1417:Loser: The Real Seattle Music Story
1334:American Hardcore: A Tribal History
1300:
668:in 1988 and their Grammy-nominated
156:tours, put on by large chains like
24:
1575:Music of the United States by city
1251:Boon, Marcus (December 12, 2006).
203:, which saw residencies from both
25:
1591:
1516:
614:The grunge scene revolved around
826:followed by artists such as the
296:Anthology of American Folk Music
33:
1162:
1112:
787:In 1993, underground cult band
139:Alaska-Yukon-Pacific Exposition
1463:Grunge : music and memory
1052:
970:List of musicians from Seattle
242:. In addition to the Showbox,
13:
1:
1492:. New York: Sasquatch Books.
1356:– via Internet Archive.
1047:De Barros & CalderĂłn 1993
985:
883:Western Washington University
588:, a term allegedly coined by
340:"Come Softly to Me" in 1959.
1365:. Seattle: Sasquatch Books.
1274:Cortes, Amber (2016-03-31).
1236:. 2021-02-24. Archived from
1017:. 2020-06-19. Archived from
618:, a record label founded by
401:and R&B instrumentalist
254:and Trianon were also major
7:
1392:. Boston: Allyn and Bacon.
980:Music of Washington (state)
975:List of songs about Seattle
963:
638:and local music press like
86:the state's musical culture
10:
1596:
1461:Strong, Catherine (2016).
1322:
326:Seattle Post-Intelligencer
127:
1388:Garofalo, Reebee (1997).
928:
881:, formed while attending
434:1975–1985: Counterculture
385:performers, most notably
88:, popularizing genres of
1555:Seattle Star (2002–2005)
1301:May, Emma (2015-11-30).
1257:electronicbookreview.com
893:DJ and record producer,
854:has flourished with the
541:, a suburb of Seattle).
426:Sax/conga drum vocalist
170:Whangdoodle Entertainers
1193:Blush & Petros 2001
1145:Blush & Petros 2001
1133:Tow & Peterson 2011
724:1997–present: Expansion
575:1985–1997: Grunge music
343:That same year, the DJ
1547:Local Music and Events
1434:Keller, David (2013).
911:The Gorge Amphitheatre
887:Bellingham, Washington
754:The Head and the Heart
44:is missing information
1465:. London: Routledge.
734:Sunny Day Real Estate
562:, fronted by sisters
527:Alternative Tentacles
501:, which later became
120:, and, most notably,
1159:, pp. vii–viii.
677:The 1991 release of
357:Golden Crest Records
143:Seattle City Council
133:1800s–1945: Founding
1542:Seattle Music Shows
1147:, pp. 263–263.
1011:"Seattle City Song"
809:Climax Golden Twins
805:Sublime Frequencies
746:Death Cab for Cutie
710:Faith & Disease
706:Kill Switch...Klick
283:Harry Everett Smith
194:Lieutenant Governor
174:American folk scene
18:Seattle music scene
915:George, Washington
852:Experimental music
774:The Crocodile Cafe
742:The Postal Service
648:City Heat Magazine
523:World Full of Hate
347:began working for
314:with great force.
267:Chinatown, Seattle
252:Odd Fellows Temple
1499:978-1-57061-787-4
1472:978-1-317-12435-1
1445:978-0-615-86781-6
1399:978-0-205-13703-9
1372:978-0-912365-86-2
1345:978-0-922915-71-2
1282:The Seattle Times
1120:"The Tupperwares"
1109:, pp. 11–12.
948:Paramount Theatre
923:Cascade Mountains
873:Today, Seattle's
801:experimental rock
474:, the Telepaths,
334:Pacific Northwest
308:African Americans
186:Jelly Roll Morton
75:
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16:(Redirected from
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1570:Music of Seattle
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958:The Vera Project
875:electronic music
778:the Vera Project
624:Jonathan Poneman
525:was released by
495:The Gorilla Room
448:Tomata du Plenty
304:Frank D. Waldron
302:Music patriarch
293:on the landmark
265:scene, based in
236:Showbox Ballroom
213:Seattle Symphony
90:alternative rock
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46:about Seattle's
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687:Alice in Chains
666:A&M Records
581:Gorilla Gardens
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482:and the Meyce.
452:the Tupperwares
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428:Gerald Brashear
275:Bumps Blackwell
244:Washington Hall
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714:Sky Cries Mary
644:Seattle Rocket
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456:Pink Flamingos
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338:the Fleetwoods
287:Salvation Army
240:Gypsy Rose Lee
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217:Thomas Beecham
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1234:The Crocodile
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1205:Garofalo 1997
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1189:
1183:, p. 47.
1182:
1181:Garofalo 1997
1177:
1170:
1169:Garofalo 1997
1165:
1158:
1157:Humphrey 1999
1153:
1146:
1141:
1135:, p. 41.
1134:
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1121:
1115:
1108:
1107:Humphrey 1999
1103:
1096:
1095:Humphrey 1999
1091:
1085:, p. 11.
1084:
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1071:Humphrey 1999
1067:
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1059:Humphrey 1999
1055:
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832:Common Market
829:
828:Blue Scholars
825:
824:Sir Mix-a-Lot
820:
818:
817:Estradasphere
814:
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547:
546:the Blackouts
542:
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531:The Fastbacks
528:
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519:Dead Kennedys
516:
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478:, Red Dress,
477:
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460:Moore Theater
457:
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438:Music author
431:
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1580:Music scenes
1526:
1489:
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1435:
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1389:
1362:
1333:
1310:. Retrieved
1306:
1296:
1285:. Retrieved
1281:
1269:
1261:the original
1256:
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1238:the original
1233:
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1019:the original
1014:
1005:
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932:
919:Kachess Lake
891:Melodic bass
872:
861:
821:
786:
738:Modest Mouse
727:
699:
678:
676:
671:Ultramega OK
669:
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647:
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620:Bruce Pavitt
613:
609:Jimi Hendrix
605:the Ventures
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568:Nancy Wilson
558:
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440:Steven Blush
437:
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417:Ian Whitcomb
414:musicologist
410:Jimi Hendrix
407:
383:country rock
380:
372:the Ventures
368:the Frantics
365:
342:
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279:Quincy Jones
260:
232:World War II
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182:Ivar Haglund
147:
136:
118:Foo Fighters
76:
63:
43:
26:
1537:Bumbershoot
1217:Strong 2016
1083:Keller 2013
1015:seattle.gov
907:Seven Lions
895:Seven Lions
797:psychedelic
793:world music
766:SixTwoSeven
762:Fleet Foxes
730:indie music
695:Kurt Cobain
691:selling out
662:Soundgarden
601:Green River
535:QueensrĂżche
491:The Showbox
476:the Beakers
468:the Mentors
353:the Wailers
271:Ray Charles
102:Soundgarden
1564:Categories
1312:2024-01-29
1287:2024-01-29
986:References
868:Childbirth
844:Macklemore
836:Oldominion
702:the Posies
515:Black Flag
485:Following
421:the Sonics
403:Dave Lewis
395:Ron Holden
211:, and the
190:Vic Meyers
154:vaudeville
82:Washington
66:March 2012
1508:756484526
1481:953862305
1454:869739663
848:Lil Mosey
782:Chop Suey
683:Pearl Jam
679:Nevermind
657:Nevermind
597:The U-Men
511:the Fartz
345:Pat O'Day
205:John Cage
162:Considine
106:Pearl Jam
58:talk page
1408:35192297
1381:28212362
1354:48658495
964:See also
840:Jake One
640:Backlash
590:Mark Arm
550:the Pudz
539:Bellevue
517:and the
487:The Bird
464:The Bird
291:Folkways
256:big band
248:Parker's
158:Pantages
114:Mudhoney
92:such as
1323:Sources
903:Tove Lo
864:TacoCat
770:KEXP-FM
652:Nirvana
616:Sub Pop
458:at the
312:Seattle
128:History
122:Nirvana
78:Seattle
1506:
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929:Venues
879:Odesza
813:Kinski
764:, and
716:, and
586:grunge
537:(from
507:Solger
444:grunge
378:band.
361:Tacoma
320:Boeing
168:. The
141:, the
94:grunge
54:scene.
560:Heart
503:Vogue
1504:OCLC
1494:ISBN
1477:OCLC
1467:ISBN
1450:OCLC
1440:ISBN
1421:ISBN
1404:OCLC
1394:ISBN
1377:OCLC
1367:ISBN
1350:OCLC
1340:ISBN
1307:VICE
901:and
866:and
846:and
811:and
799:and
795:and
646:and
642:and
636:KCMU
634:and
632:KGRG
628:KJET
622:and
607:and
599:and
566:and
499:Wrex
497:and
480:X-15
389:and
376:surf
263:jazz
207:and
160:and
50:and
48:Jazz
1525:at
913:in
885:in
664:to
654:'s
564:Ann
349:KJR
1566::
1502:.
1475:.
1448:.
1402:.
1375:.
1348:.
1305:.
1280:.
1255:.
1232:.
1039:^
1013:.
925:.
905:.
870:.
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842:,
838:,
834:,
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1510:.
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1315:.
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68:)
64:(
60:.
20:)
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