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This self-portrait was executed in 1917 and reflects his negative impressions of the still ongoing war. His left hand shows what appears to be the suggestion of a wound. The head of the artist is located exactly at the intersection of the cross that can be seen through the window. The symbol of the
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cross can be seen as suggesting the artist as a martyr, while the red scarf also seems to represent his rebellion against the circumstances. He said at this time: "Humility before God is over. My religion (...) is a challenge against God, in my paintings I rebuke God for everything he did wrong."
124:, suffering a serious nervous collapse in July 1915. His view of the war had changed drastically and this is reflected in the paintings he did afterwards. In his own words, the war impressions made him want to "enclose the unspeakable things of life in... sharp, crystalline surfaces and lines".
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in 1924, but was confiscated by the Nazi regimen in 1937, during their purge of so-called
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80 cm × 60 cm (31 in × 24 in)
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enthusiastically, experienced the horrors of warfare in the
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251:Christ and the Woman Taken in Adultery
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243:Portrait of Mink with Violet Shawl
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180:Max Beckmann, Katalog der Gemälde
131:The painting was acquired by the
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92:is an oil on canvas painting by
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182:, 2 Bde., Bern, 1976 (German)
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267:Self-Portrait with Red Scarf
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178:Erhard and Barbara Göpel,
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355:Max Beckmann Gesellschaft
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323:Self-Portrait Yellow-Pink
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283:Self-Portrait in Tuxedo
133:Staatsgalerie Stuttgart
104:History and description
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360:Beckmann and Theosophy
259:Descent from the Cross
108:The physician soldier
299:Quappi in Pink Jumper
235:Young Men by the Sea
349:Minna Beckmann-Tube
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162:"Einzelansicht"
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331:Falling Man
310:(1932–1935)
302:(1932–1934)
278:(1918–1919)
114:World War I
380:Categories
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64:Dimensions
307:Departure
275:The Night
227:Paintings
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122:Flanders
72:Location
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334:(1950)
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36:Artist
120:and
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