24:
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382:, the harmonious and proportionate Gothic building ( with the chapels ) was, with minor interventions, turned into the Orthodox oratory. The eastern aisle, trigonously completed, was renovated and converted into the altar area of appropriate size. Without a doubt, the original iconostasis in the obtained church was a low altar screen with a small number of icons brought from
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isolated belfry on the east side, built of hewn stone, is now preserved in the ground and first floors. Its basic size ( 7,40 X 7,20 m ), the thickness of its walls about 2,50 m and a small usable area indicate the depth of its foundations to two meters and its height of about 50 meters with a narrow pyramidal cap on top.
333:
There is a possibility that in the years around the half of the 16th century the parish church was transformed into the monastery. There is no direct evidence for this conclusion, but in the
Turkish census of 1546 three monks and a priest were recorded in Serbian Kovin, that indicates the possibility
450:
The wall paintings in the Church of the
Dormition of Mother of God and its two chapels in Serbian Kovin were painted by artists led by Teodor Simeonov from Moshopolis. The contracts that the master signed with the purchasers of the paintings are also preserved. Since the church is done in the Gothic
402:
On the foundations of an earlier, probably collapsed tower, there was built the
Baroque part of the bell tower in 1756 in two floor level with the high decorative cap on top. Together with the earlier levels the belfry has a ground floor, three floors and a cap of timber coated with copper sheeting.
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style building of rectangular base shape, dimensions of about 10 x 25 meters and with a useful floor area of about 175 m2. In the massive hewn stone walls, about 90 cm thick, there were two portals, nine two-part windows and 16 supporting pillars. Approximately from the same period dates the
386:
in Banat. Today's iconostasis with a smaller number of icons dates from 1770. Only four main icons were painted earlier, in 1746, and present the work of unknown
Russian and Ukrainian masters. Other icons, including those in unusual places below the main ones, belong to the masters from
459:, among the intertwined pillars, according to the proportion of space that up in the arches gets narrower, are symmetrically filled with frescoes of saints and Serbian rulers and saints. The joints of the columns are nicely combined and covered with smaller images of the Evangelists,
399:, side doors with icons above them and finally the main icons with the elongated medallions in the foot. In the final fourth zone there are the cross with the crucifixion, two associated icons and the icons of Apostles in the carved frames.
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that, along with the church, the monastery was already there. The (so far) reliable data from 1680 confirms the existence of the monastery on the island of Csepel. As part of the reduction of the monasteries in the time of
435:
says that the church was painted three times – in 1320 ( of which there are no surviving traces ), then in 1514 ( as for those paintings one can see only a fragment of the image of
455:
and
Serbian church painting placing them in the Gothic divided sections of the walls. The whole main church as well as the chapels, from the ground up to the top of the Gothic
679:
443:
under the parts of plaster from 1765 that fell off ) and the last time in 1765. The inscription above the southern door leading from the church into the chapel of
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the Blind is mentioned as the founder of the monastery. At the time when the monastery was founded
Hungary was being ruled by Helena instead of her underage son,
674:
447:, also tells about wall painting of the church on three occasions. In the side chapels the wall paintings were made in 1771, as can be read in the inscription.
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church with chapels and bell tower, and with it, presumably, the corresponding part of the royal landholdings. From that time on, there is on Csepel, Upper (
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According to a preserved tradition, often neglected, this monastery has a medieval heritage and appeared in the first half of the 12th century.
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in the south wall, in the doorpost of the passage between the chapel of St. John the
Baptist and the main church, painted in 1765, in which
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391:. This "developed" altar screen has several horizontal zones. The first is a parapet one and unpainted. The second comprises the
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Jedna neuobičajena tema u srpskom slikarstvu – Bogorodica između
Joakima i Ane u crkvi Uspenja Bogorodice u Srpskom Kovinu
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is 14,30 m while the overall height is 40,40 meters. Observed in the context of the
Serbian Baroque architecture, the
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315:
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506:, is an interesting and remarkable phenomenon in Serbian painting. The scene resembles the composition of
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338:, the Serbian Kovin monastery was abolished in 1777 and the small monastic brotherhood, probably led by
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70:
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The height of the masonry part of the belfry is 26,10 m, the height of the decorative cap (with the
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Josif
Stanojević, moved to the monastery of Grabovac and the Serbian Kovin church was turned into a
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style, the iconographer faced a difficult task to develop the scenes in the manner of the old
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475:. In the lower parts of the walls, between the vertical columns, the Serbian rulers, from
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Initially, at the end of the 13th century, the church was a larger one-nave
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In the time after the year of 1440, after the church had been given to the
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belongs to the group of rare towers completely separated from the church.
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The inscription on a bronze plate embedded into the southern wall of the
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and all surrounding villages. Those who escaped moved to the inland of
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St. Unmercenary Physicians and Wonderworkers Cosmas and Damian
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in Hungary again gained the status of the monastery, led by
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346:. After more than two centuries, this great shrine of
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Christian monasteries established in the 12th century
590:Živopis crkve Uspenja u Srpskom Kovinu ( Rackeve-u )
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592:, Zbornik Matice srpske za društvene nauke 23,
675:12th-century Serbian Orthodox church buildings
262:had besieged and for the first time conquered
270:on two occasions and devastated and robbed
310:) Kovin, with the church dedicated to the
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685:Serbian Orthodox monasteries in Hungary
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286:. On October 10, 1440, Hungarian king
219:, in the center of the little town of
290:gave to the Kovin migrants the Early
211:. It is situated 40 km south of
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525:List of Serbian Orthodox monasteries
487:, are aligned in their actual size.
28:Serb Orthodox Church From Year 1487.
647:, Niš i vizantija, Zbornik radova,
13:
14:
706:
247:, and the wife of Hungarian king
243:, the daughter of the Prefect of
98:, the daughter of the Prefect of
559:Pravoslavni manstir Srpski Kovin
316:Nativity of St. John the Baptist
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22:
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630:
599:
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71:The Dormition of Mother of God
1:
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278:and reached to the island of
195:) is the oldest monastery in
614:Spomenici Budimske eparhije
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690:Serb communities in Hungary
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427:Virgin Mary and her parents
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10:
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312:Dormition of Mother of God
266:in 1439, they crossed the
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502:prayerfully address the
314:with the chapels of the
329:Abbot Andrej Pandurović
209:Serbian Orthodox Church
183:Serbian Kovin monastery
42:Serbian Kovin Monastery
17:Serbian Kovin Monastery
695:Architecture in Serbia
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395:with 14 medallions of
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34:Monastery information
445:St. John the Baptist
354:Andrej Pandurović.
215:, on the island of
199:and one of the two
156:47.1605°N 18.9430°E
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264:Smederevo Fortress
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571:978-86-85869-36-5
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485:Prince Lazar
481:Emperor Uroš
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372:Early Gothic
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358:Architecture
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292:Gothic style
257:
245:Raška Uroš I
241:Queen Helena
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229:Srpski Kovin
182:
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100:Raška Uroš I
96:Queen Helena
67:Dedicated to
62:12th century
437:Virgin Mary
393:Royal Doors
201:monasteries
159: /
134:Coordinates
59:Established
669:Categories
531:References
473:Archangels
389:Moshopolis
366:Royal door
258:After the
147:18°56′35″E
144:47°09′38″N
92:Founder(s)
453:Byzantine
288:Vladislav
187:Hungarian
39:Full name
594:Novi Sad
563:Novi Sad
514:See also
461:Apostles
419:Frescoes
407:and the
397:Prophets
213:Budapest
111:Location
618:Beograd
520:Ráckeve
496:Joachim
477:Nemanja
465:Martyrs
433:narthex
304:Serbian
296:Serbian
282:on the
276:Hungary
253:Geza II
249:Bela II
235:History
225:Serbian
221:Ráckeve
205:Diocese
203:in the
197:Hungary
192:Ráckeve
127:Hungary
115:Ráckeve
78:Diocese
655:
651:2007.
624:
620:1990.
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565:2009.
508:Deisis
504:Virgin
492:fresco
469:Angels
457:vaults
441:Christ
413:belfry
344:parish
308:Srpski
300:Gornji
284:Danube
280:Csepel
268:Danube
217:Csepel
124:
87:People
596:1959.
439:with
409:cross
405:apple
384:Kovin
380:Serbs
352:Abbot
348:Serbs
272:Kovin
260:Turks
48:Order
653:ISBN
622:ISBN
567:ISBN
500:Anna
498:and
490:The
483:and
471:and
318:and
181:The
106:Site
82:Buda
649:Niš
479:to
231:).
175:Yes
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539:^
467:,
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