Simone Forti - Knowledge

1038:"Rather than turning to animals for a model of 'natural' liberation, Forti came to them out of despair, a shared sense of dislocation, loneliness, and isolation. At the same time, she did not neglect their adaptability, attending closely to their moments of connection and collective recreation. She was constantly aware that their movements were shaped not only by their state of captivity but also by their inner reserves of strength. She mentions, for instance, 'the big cats' compulsive pacing at the fence, which seemed to provide a modicum of relief, and writes that it gave her 'a new view of what it was that I was doing when I was dancing.' Movement is, for the animals as well as for her, a method of control and redirected awareness: 'At times I've escaped an oppressive sense of fragmentation by plunging my consciousness into cyclical momentum.'" 90: 1165:, Pennsylvania, invited Forti to perform on their campus. Forti asked four of her workshop students at the time, K.J. Holmes, Lauri Nagel, David Rosenmiller, and David Zambrano, to perform with her at Yellow Springs. This group of five dancers formed an ensemble, Simone Forti & Troupe. The original lineup of dancers performed together until 1989, when Eric Schoefer joined the ensemble and David Rosenmiller left. Simone Forti & Troupe performed group pieces in multiple cities across the United States from 1986–1991. 1211:(2009, Project Press): "When I moved to rural Vermont, my impressions of the news began to mix together with impressions of the Milky Way and of bear tracks along the brook. The richly physical activity of gardening encourages daydream speculations and I was fascinated with the strategies of certain plants, especially the herbs, to take over their neighbors' territories." Forti lived at Mad Brook Farm for ten years, while also traveling to teach and perform. At Mad Brook Farm, Forti developed the group performance piece 1114:: "In 1985 I started developing a dance/narrative form with words and movement springing spontaneously from a common source. It's been a way for me to know what's on my mind. What's on my mind before I think it through, while it's still a wild feeling in my bones. The thoughts and images seem to flash through my motor centers and my verbal centers simultaneously, mixing and animating both speech and physical embodiment. Spatial, structural, emotional. I've come to call this 701:, Forti takes cues from animals that develop (and continually replicate) patterns of movement in response to environments of confinement. By segmenting and then repeating small passages of movement, for instance by isolating a few steps out of the flow of the elephant's many other motions, she creates an almost musical sense of pause, interval and tempo." Bryan-Wilson wrote further about this performance in the article "Simone Forti Goes to the Zoo", published in 25: 420:. Forti studied under Halprin from 1955 to 1959, during which time she contributed to early works by Halprin and around San Francisco, along with other members of the Dancer's Workshop, including A.A. Leath and John Graham. Through the Dancer's Workshop, Forti also taught children's and adult's dance workshops throughout 594:

Dancer Steve Paxton also wrote, "All I know is that this small, radical group of works by Forti was like a pebble tossed into a large, still, and complacent pond. The ripples radiated. Most notably, Forti's event happened prior to the first performance at Judson Memorial Church by the choreographers

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on April 16 and April 19, 1991. Of the live drawing, Forti wrote, "For us, the drawing of the objects was a bridge, and as we came to be intimate with the drawing, it worked as an analogy. If we could draw what we saw, we could 'body move' what we saw, with all the kinetic stimulation that can come

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review, "Simone Forti presented her first dance program in 1960 and since then has had a steadily increasing influence on post-modernist choreographers interested in exploring 'natural', or nonformalist, movement and dance." Stuart Comer, the Chief Curator of Media and Performance Art at MOMA, New

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performed live music. Banes identified some of the animals performed by a few dancers: "several performers did animal movements – including a bird (Pooh Kaye), a lion (Forti), an elephant (Sally Banes), a monkey (David Appel), three young bears (Anne Hammel, David Appel, Pooh Kaye), and lizards

2898:"HOLOPHILE, INC., The History and Development of Holography, hologram, holograms, holography, holography exhibitions, holographic images, 3-D, 3-dimensional images, Hologram, Holograms, Holography, Holography Exhibitions, Holographic Images, 3-D, 3-Dimensional Images" 1141:, Forti focuses on speaking about contemporary issues present in news media, including politics, climate change and social issues. She wrote about News Animations saying, "I've been dancing the news. Talking and dancing, being all the parts of the news." 910:, who had been Forti's housemate while working in the CalArts scene from 1970 to 1972. Forti and Van Riper were married at the end of 1974, and lived together in SoHo in a Fluxhouse Co-Operative loft on Broadway, an artist live-work complex organized by 2406:

1980-1982. Founding members of the Experimental Modern Dance Group active in New York City's Judson Church in the 1960s discuss their work. Includes archival footage of performances. Series of 7 videocassettes, VHS (New York, The Kitchen, 1983), v.

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both as a solo performance as well as a group performance, often with dancer Carmela Hermann, Claire Filmon, or Batyah Schachter, or the members of Simone Forti & Troupe, an ensemble Forti formed with four of her students in 1986.

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pieces. The book also contains photographs, poems, and drawings, as well as copied pages from Forti's journals and notebooks and has been translated into French and has been published in 2nd and 3rd editions in English.

941:"creates a sense of mutual play between the two, a sense of trust and shared exploration, relying on preferences of the moment while paying attention to the present needs of the partner." Forti and Van Riper performed 694:. Forti specifically refers to developing the movement of swinging her head back and forth and a movement called "banking" from watching polar bears' and elephants' repetitive pacing inside their enclosures. 1354:

by The Sleeves ensemble (Forti, Terrence Luke Johnson, Sarah Swenson, and Douglas Wadle). Since 2009, Forti has been represented by The Box L.A. and has had several solo exhibitions and performances there.

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as problematizing everyday or, as you call them, pedestrian movements. If you take something out of an everyday context and isolate it, then it becomes something else. Using a rope to scale a steep ramp in

1268:(Roy and Edna Disney CalArts Theater) in downtown Los Angeles as part of their annual New Original Works (NOW) Festival. With collaborators writer/improv artist Terrence Luke Johnson, dancer/choreographer 1160:

Forti continued to teach dance workshops and develop new work in her Broadway loft in the years immediately following her separation from Van Riper in 1981. In 1986, the Yellow Springs Cultural Center in

591:(2014), "it seemed that a vacuum sealed that evening for over a year until her performers could get the Judson Dance Theater up and running. Simone was its inspiration and fountainhead. We all owe her." 1092:, SVA, New York, hired Forti as an instructor of Performance Art in 1983. She continued teaching at SVA for four years, until 1987. During this period, Forti developed a new type of performance called 1249:

After this 2002 performance, Forti began attending workshops and giving performances and readings at Beyond Baroque, and developed a friendship and working relationship with writer/editor Fred Dewey,

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from the developing page now coming from our movement in itself and in its relationship to its source: a torn box, a balcony of repeating arches, a corner where steam pipes disappear into the wall."

236:(born March 25, 1935) is an American postmodern artist, dancer, choreographer, and writer. Since the 1950s, she has exhibited, performed, and taught workshops all over the world. Her innovations in 1227:

After living at Mad Brook Farm for ten years, Forti returned to Los Angeles in 1998 to be with and help care for her mother Milka. That same year, Forti began a 17-year teaching career in the

413: 1057:, about forty people performed the movement vocabulary Forti had been developing in her classes, inspired by animal movements Forti observed in zoos. Performers included David Appel, 1231:

Department of World Arts and Cultures, which included courses Beginning Improvisation, Advanced Improvisation, Advanced Choreography, and Advanced Interdisciplinary Composition.

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at the Reuben Gallery and Yoko Ono's loft were "a watershed moment when the relationship between bodies and objects, movement and sculpture, was being fundamentally rethought."

1362:, with essays by Yvonne Rainer, Steve Paxton, Fred Dewey, Robert Morris, curator Sabine Breitwieser, Meredith Morse, and Julia Bryan-Wilson, was published in 2014 by Hirmer. 929:

consisted of Van Riper playing music (typically on a saxophone) and Forti simultaneously performing movements based on her observations of animals, similar to her 1968 work,

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In 1959, Forti moved to New York with Morris. While also working as a nursery school teacher during the day, Forti enrolled in a composition and improvisation class at the

361:, Italy to Jewish parents Milka Forti (née Greunstein) and Mario Forti. In the winter of 1938, the Forti family, including Forti's older sister Anna, left Italy to escape 3665: 1474:

1976: Planet, Angel (integral hologram), Some Images (multimedia installation), Crawling With Stories, Fan Dance, Green Green, Tokyo Dance Festival (video) This (video)

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to produce a three-dimensional image that appears to move. The integral holograms Forti and Cross made together used imagery of Forti performing solo, except for

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After her divorce from Whitman, Forti accompanied her parents on a trip to Italy in 1968 and decided to stay and live in Rome. Forti began working with gallerist

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These pieces proved to be influential in both the fields of dance and visual arts, and have been performed around the world since their development. Dance critic

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1961: Slant Board, Huddle, Hangers, Platforms, Accompaniment for La Monte's 2 sounds and La Monte's 2 sounds, From Instructions, Censor, Herding, Paper Demon

468: 962: 620:, and the two married in 1962. During their six year marriage, Forti was part of Whitman's performance group and she collaborated with him on many of his 1319:

together, and Dewey gave a reading. Forti, Day, and Dewey performed and exhibited several more times together as a trio from 2009–2015, including at the

823:, CA. Forti also led unofficial workshops and dance and music jams called "Open Gardenia" on the CalArts campus. At this time, Forti began her life-long 1280:

on the Beyond Baroque Foundation imprint in 2006. The Sleeves created and performed four additional dance/theater pieces together around Los Angeles: "

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in New York with her then spouse Robert Whitman. Forti initially taught at the Villa Cabrini campus in Burbank, then at CalArts' permanent location in

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Turtles All The Way Down (performed with the members of "The Sleeves" ensemble – Terence Luke Johnson, Sarah Swenson, Douglas Wadle, and Simone Forti)

525:, for instance, evokes a typical climbing movement, but you've turned it to an isolated action that lacks a purpose, that exists just for itself." 473: 1901:. Kunstverein Publishing/Galleria Raffaella Cortese, Milano. Andrea Wiarda, Roos Gortzak, Editors. Translated by Andrea di Serego Alighieri. 2020. 4305: 1335: 312:, published by Nero Editions. She is currently represented by The Box L.A. in Los Angeles, CA, and has works in the permanent collections of the 1801:

Conversation Piece (Performed with the members of "The Sleeves" ensemble – Terence Luke Johnson, Sarah Swenson, Douglas Wadle, and Simone Forti)

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studio. Performers that night included Forti, Ruth Allphon, Marni Mahaffay, Robert Morris, Steve Paxton, Yvonne Rainer, and Carl Lehmann-Haupt.

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To Borrow Salt (performed with the members of "The Sleeves" ensemble – Terence Luke Johnson, Sarah Swenson, Douglas Wadle, and Simone Forti))

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Forti's first large-scale career retrospective exhibition took place in 2014 at the Museum der Moderne, Salzburg. An accompanying catalogue,

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While back in New York, Forti continued to research the movements of animals in captivity, as she had been doing in Rome, visiting both the

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1968: Book, Fallers, Sleep Walkers (alternatively titled as Sleepwalkers or Zoo Mantras), Largo Argentina (video), Grizzly Bears (video)

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Open Air Improvisation (performed with members of "5" group – Jeremiah Day, Carmela Hermann, Lisa Bruno, Dana Hirsch, and Simone Forti.)

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In December 2015, The Museum of Modern Art, Department of Media and Performance Art, acquired Forti's group of nine pieces known as the

3610: 378: 2576: 835:, who was also working with artists associated with CalArts. Together, Forti and Palestine developed a performance practice titled 3639: 369:

while Milka was ill. When Milka recovered, the family sailed to the United States in early 1939. The Fortis eventually settled in

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1995 - Dance Theater Workshop's New York Dance and Performance Award (also known as the "Bessie" Award) for Sustained Achievement

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Sabine Breitwieser (2014). "The Workshop Process: Sabine Breitwieser in Conversation with Simone Forti". In Sabine Breitwieser.

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Jeremiah Day, Fred Dewey, and Simone Forti traveled to London in May 2009 to attend and perform at the book launch party for

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The main idea behind the group was to develop what Forti called "land portraits" for each location in which they performed.

4453: 3497: 3424: 3249:"Fred Dewey, Mike Bonin, Pegarty Long, and Richard Modiano on the Venice Beach Poets Monument | www.veniceartscouncil.org" 808:, her future husband. The first house the artists shared was in the Los Feliz area of Los Angeles, and later in Piru, CA. 3351: 1250: 1243: 820: 305: 1144:

Forti has performed News Animations in numerous venues across the world since 1986, including a 2012 performance at the

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dancers and artists she had worked with in New York. Sargentini and Forti organized a dance and music festival in 1969,

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Patrick Steffen. "Forti On All Fours: A Talk with Simone Forti". Contact Quarterly. Vol. 37, No. 1, Winter/Spring 2012.

1276:. Forti, Johnson, Swenson, and Wadle called their small ensemble "The Sleeves", and collaboratively published the book 1176: 792:

Simone moved back to southern California in 1970, where she started living with a group of artists associated with the

416:(formerly known as the Dancer's Workshop of Marin) in 1955, Forti followed her to continue studying Halprin's work in 4297: 4256: 4222: 4207: 3186: 3161: 3013: 2851: 65: 3587:"Yoko Ono Lennon's Courage Awards for the Arts 2011: Simone Forti, Jean-Jacques Lebel, Meredith Monk, Yvonne Rainer" 4398: 793: 374: 745:

Forti performed in two more of Sargentini's festivals while going back and forth from Rome to New York, including

4438: 4358: 3809: 1382: 47: 4272: 3689: 3297: 1001: 333: 1096:, an improvisational dance practice that involves both movement and speaking. The first public performance of 874:, Forti describes several pivotal moments in her career up to that point and several of her pieces, including 4369:

Yvonne Rainer and Simone Forti on Slant Board, MoMA Audio: Judson Dance Theater: The Work is Never Done, 2017

2180:"5 Pieces: Dance Report, Dance Report, Dance Construction, Dance Construction, Instructions for a Dance". In 1162: 3530: 2462: 4423: 401:, California. The couple married there the same year and Forti began working under the name Simone Morris. 3953: 3905: 3881: 3785: 1041:

Forti's continued interest in these captive animals' movements developed into the large group performance

4073: 4049: 3977: 839:, which they have performed internationally since 1971 as an ongoing process, including a staging at the 697:

In the essay "Animate Matter: Simone Forti in Rome" (2014), art historian Julia Bryan-Wilson writes, "In

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Banes, Sally (1977). Terpsichore in Sneakers: Post-Modern Dance. Middletown: Wesleyan University Press.

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1997–2014 University of California Los Angeles, Department of World Arts and Cultures, Los Angeles, CA.

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Forti returned to New York in the spring of 1974. There, she began a relationship with artist/musician

782: 317: 3425:"Errant Bodies / sound art project space: Fred Dewey, Simone Forti, and Jeremiah Day - NewsAnimations" 2868: 1400:

2003 - Lester Horton Lifetime Achievement Award presented by the Dance Resource Center of Los Angeles

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pieces). The holograms are exhibited in cylindrical form with a light source coming from underneath.

1238:, and invited a nucleus of students that attended those workshops to perform a dance improv piece ( 1235: 421: 568:

concert as a pivotal influence on their creative direction which encouraged them to establish the

4324: 2869:"Movement Research - Critical Correspondence: Simone Forti in Conversation with Jennie Goldstein" 1207:

Forti wrote about living in East Charleston in "About the News Animations", an essay in the book

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may contain an excessive amount of intricate detail that may interest only a particular audience

4393: 4306:"Italian Touch, With a Taste of Cognac: Simone Forti and Charlemagne Palestine Reunite at MoMA" 2499: 1953:

Handbook in Motion: An Account of an Ongoing Personal Discourse and Its Manifestations in Dance

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Handbook in Motion: An Account of an Ongoing Personal Discourse and its Manifestations in Dance

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Handbook in Motion: An Account of an Ongoing Personal Discourse and its Manifestations in Dance

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The group also often incorporated live drawing into their performances, such as with the piece

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persecution. The family crossed the northern border into Switzerland, then spent six months in

285: 166: 1955:(1st ed.). Halifax, Canada: The Press of the Nova Scotia College of Art and Design. 1974. 408:, Forti enrolled in classes at the Halprin-Lathrop School, co-founded by dancer/choreographer 3473: 1451: 1149: 1089: 832: 758: 269: 4231: 3618: 1261:

would eventually be published in French and have 2nd and 3rd editions published in English.

4388: 3690:"JEREMIAH DAY/SIMONE FORTI - Jeremiah Day and Simone Forti : Small Press Distribution" 2771:

Julia Bryan-Wilson (2014). "Animate Matters: Simone Forti in Rome". In Sabine Breitwieser.

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Forti also taught a series of "Movement/Language" workshops at the Church In Ocean Park in

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Unbuttoned Sleeves (performed with Terence Luke Johnson, Sarah Swenson, and Douglas Wadle)

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Forti and Van Riper began collaborating on a dance and music performance practice, titled

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2005 - John Simon Guggenheim Memorial Foundation Fellowship: Creative Arts - Choreography

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took place at the SVA in May 1986 (this performance is alternatively titled as the first

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The integral holograms Forti and Cross made together were first exhibited in 1978 at the

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In 1962, Forti and Robert Morris separated. Forti started living and working with artist

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movement, have influenced many notable dancers and artists. Forti first apprenticed with

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Simone Forti on See Saw, MoMA Audio: Judson Dance Theater: The Work is Never Done, 2017

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The Institute for Art and Urban Resources presents Group Works by Simone Forti at P.S.1

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was developed out of Forti's observations of animals at the Rome Zoo, now known as the

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Oh, Langue (performed with Claire Filmon, Karim Zabar, Said Si Mohammed, Garrett List)

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and she met and began working with dancers that became influential in the field of

436: 390: 293: 237: 3248: 3203:"onidance.org " Modern, improvisation, and related classes offered in Los Angeles" 606:

as part of their permanent collection in the Department of Media and Performance.

3377:"'NEWS ANIMATIONS'/'NO WORDS FOR YOU SPRINGFIELD' | Project Arts Centre | Dublin" 1464: 1420: 1137:, which is also a performance that incorporates both movement and speaking. With 1070: 911: 907: 805: 481: 273: 206: 2184:

Eds. Young, La Monte, and Jackson Mac Low. New York: Something Else Press, 1963.

1973:. Vol. 34, No. 2, Summer/Fall 2009, Special Focus: Inspiration Expiration, p 17. 2548:"FACULTY: Moving On Center - School of Participatory Arts and Somatic Research" 1917:

With Day, Jeremiah. Simone Forti/Jeremiah Day. Venice, CA: Project Press. 2009.

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Turtles, Interlude, Larousse (performed with Claire Filmon and Carmela Hermann)

1610: 1272:, and musician/composer Douglas Wadle, Forti performed the dance/theater piece 970: 866:. Forti lived in Halifax for two years, from 1972 to 1974, writing and editing 801: 762: 753:(1974). Other musicians and artists that performed in these festivals included 735: 617: 337: 261: 186: 4229:

Mann, Lisa Anderson (1998). "Simone Forti". In Benbow-Pfalzgraf, Taryn (ed.).

3227: 2628: 572:, a collective of dancers, composers, and visual artists who performed at the 4382: 4368: 4363: 4148: 4124: 4097: 4025: 4001: 3929: 3857: 3833: 3761: 3737: 3542: 3509: 2924: 2721: 2474: 2379:

Steve Paxton (2014). "The Emergence of Simone Forti". In Sabine Breitwieser.

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from Robert Dunn's composition class, and they took courage from it." (2014)

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That Fish is Broke (performed with Terrence Luke Johnson and Brennan Gerard)

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1980 - U.S. National Endowment for the Arts (NEA) Choreographer's Fellowship

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Simone Forti/Jeremiah Day "News Animations"/"No Words For You, Springfield'"

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During this time, Simone wrote and performed under the name Simone Whitman.

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Foundation, ed. Fred Dewey), reprinted by Nero Editions, Rome, in 2023, and

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any relevant information, and removing excessive detail that may be against

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101 (performed with Terence Luke Johnson, Sarah Swenson, and Douglas Wadle)

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War & Variations (performed with Terrence Luke Johnson and Dale Eunson)

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2008 - Choreographers in Mentorship and Exchange (CHIME) Grant, Los Angeles

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at L'Attico in 1968. In addition, Forti performed two of her other pieces,

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1967: Face Tunes, Cloths, Elevation Tune No. 2, Song, Two At Once, Bottom

1253:'s Director at the time. In 2003, Dewey edited and published Forti's book 3586: 3202: 2602:"Review/Dance; Simone Forti and Peter Van Riper Evoke Nature in the City" 2434: 2115:"A Set of Notes Written in the Few Days Before and After New Year 1985". 1416: 1215:

with her ensemble, Simone Forti & Troupe, which was performed at the

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American postmodern artist, dancer, choreographer, and writer (born 1935)

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1988 - New York State Council on the Arts (NYSCA) Grant for Choreography

2897: 2692: 1152:, Los Angeles, CA, as part of Made in L.A. 2012: Los Angeles Biennial. 966: 958: 754: 281: 277: 4374:

The Everyday Life of Simone Forti's Dance Constructions, MoMA Magazine

2094:"Tea for Two: A Conversation Between Simone Forti and Yvonne Rainer". 1754:

Structured Improvisation (performed with Eric Schoefer and Leah Stein)

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Forti, Simone. "Animate Dancing: a practice in dance improvisation".

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Macroroots of the Contemporary: Fabio Sargentini's L'Attico 1966-1978

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1960: See Saw, Rollers (alternatively titled as Roller Boxes), Demon

1303:(2009, Project Press), a book that was developed from the exhibition 1028: 774: 621: 444: 341: 321: 3326: 3272: 3043:"News Animations by Simone Forti published in The Act V1.#3 1988-89" 851:, Prato, Italy, with Sarah Swenson interpreting in Forti's absence. 488:. During this exhibition, Robert Morris and Yvonne Rainer performed 385:. After graduating from Fairfax High School in 1953, Forti attended 1257:

on Beyond Baroque's publishing imprint, Beyond Baroque Foundation.

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wrote further about Forti's identifying with zoos animals in 2015,

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www.wirth-horn.de, Wirth & Horn - Informationssysteme GmbH -.

2665:. Halifax: The Press of the Nova Scotia College of Art and Design. 1907:. Walther König, Köln. Quinn Latimer, Roos Gortzak, Editors. 2018. 864:

The Nova Scotia Series - Source Materials of the Contemporary Arts

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in the 1950s and has since worked alongside artists and composers

2925:"Whitney Museum of American Art: Simone Forti: Striding Crawling" 1614: 1328: 1193: 824: 781:, New York, for a year, living communally and experimenting with 668:

artists at the time. Forti showed a two-evening retrospective of

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In May 1961, Forti presented a full evening of pieces she called

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Yvonne Rainer (2014). "On Simone Forti". In Sabine Breitwieser.

2098:. Vol. 15, No. 2, Spring/Summer 1990, Issues Issue 2, p 27 - 31. 1715:

Small Dance for Big Music (performed with Charlemagne Palestine)

496:(then Patty Oldenburg, Claes Oldenburg's then-spouse) performed 3401:"Nonfictions: Jeremiah Day / Simone Forti / Fred Dewey - SMMoA" 2976:"Simone Forti: Dancing at the Fence | Avalanche Magazine Index" 1991:"The Movement of Attention: An Interview with Daniel Lepkoff". 1920:

With Johnson, Terrence Luke, Sarah Swenson, and Douglas Wadle.

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1987–1994 Theater School and Center for New Dance Development.

3640:"Simone Forti Wins 2023 Golden Lion for Lifetime Achievement" 3008:. Middletown, CT: Wesleyan University Press. pp. 35–37. 2846:. Middletown, CT: Wesleyan University Press. pp. 35–36. 1870:

1972–1974 Nova Scotia College of Art and Design, Halifax, NS.

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1959–1960 Anna Halprin's Marin Dance Co-op, Marin County, CA.

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Board Game/Animal Stories (collaboration with Susan Rethorst)

3352:"JEREMIAH DAY / SIMONE FORTI | Project Arts Centre | Dublin" 3154:

Landscape of the Now: A Topography of Movement Improvisation

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1976 - New York State Council on the Arts (NYSCA) CAPS Grant

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In 1976, Van Riper introduced Forti to physicist and artist

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For You (performed with Terry O'Reilly and Peter Van Riper)

366: 2577:"MoMA | MoMA Collects: Simone Forti's Dance Constructions" 2319:

Megan Metcalf (2014). "Biography". In Sabine Breitwieser.

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1970–1972 California Institute for the Arts, Valencia, CA.

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Forti moved back to New York in August 1969 to attend the

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from 1953 to 1955. In 1955, Forti and her partner, artist

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of the 1960s, where her longtime friend and collaborator

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in San Francisco. Together, Forti and Cross made several

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at CalArts, having known Kaprow from working together on

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180 Degrees (collaboration with Joan Logue and composer

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Performance Number Nine (performed with Peter Van Riper)

1350:, the opening of which was preceded by a performance of 508:(2014, University of Chicago Press and Hirmer), curator 1930:(1st ed.). Venice, CA: Beyond Baroque Foundation. 2003. 1914:(2nd ed.). Venice, CA: Beyond Baroque Foundation. 2010. 1339: 996:, and continue to be exhibited worldwide. The hologram 564:

Steve Paxton and Yvonne Rainer have cited Forti's 1961

4352: 3474:"Simone Forti: Thinking with the body | Hirmer Verlag" 3088:"Animate Dancing: a practice in dance improvisation". 2018:

Still Moving – Contact Improv. shoptalk & dialogue

2005:"Animate Dancing: a practice in dance improvisation". 1669:

Green Mountain (Simone Forti & Troupe performance)

1467:), Red Green, Zero (performed with Terry O'Reilly and 1118:. I see it as a performance form, and as a practice." 811:

From 1970 to 1972, Forti occasionally substituted for

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While in Rome, Forti introduced Sargentini to several

3176: 3103:"Rain, Wind Can't Hinder Premiere Of Forti's 'Touch'" 1942:(2nd ed.). New York: New York University Press. 1980. 1828:

Icebergs (performed with Tashi Wada and Rae Shao-Lan)

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The Foothills (Simone Forti & Troupe performance)

664:, whose gallery, L'Attico, was a gathering point for 2073:"Great Thanks Empty Words: a tribute to John Cage". 1554:

New Dance/New Music (performed with Peter Van Riper)

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as part of their permanent collection. The hologram

2949:"permanent collection - Stedelijk Museum Amsterdam" 2112:. Vol. 15, No. 1, Winter 1990, Issues Issue 1, p 3. 1490:

Sound and Movement (performed with Peter Van Riper)

1188:In 1988, Forti bought a cabin at Mad Brook Farm in 831:. Forti began collaborating with musician/composer 796:(CalArts). Her housemates at the time were artists 427: 4230: 3229:Fred Dewey - Beyond Baroque Literary / Arts Center 1966:"Artists on L.A.". Artforum. Vol. 50, No. 2, 2011. 1586:Jackdaw Songs (performed with Peter Van Riper and 1264:In July 2005, Forti was invited to perform at the 4290:Soft Is Fast: Simone Forti in the 1960s and After 3563:"John Simon Guggenheim Foundation | Simone Forti" 1409:2011 - Yoko Ono Lennon Courage Award for the Arts 1315:. At the launch party, Forti and Day performed a 1307:, which ran from March 27 to May 3, 2008, at the 1077: 945:from 1975 to 1980, in France as well as America. 504:) with the contributions of audience members. In 472:series was publicly presented at New York City's 4380: 3076:. Vol. 19, No. 1, Winter/Spring 1994, p 13 - 21. 2693:Luca Massimo Barbero and Francesca Pola (2010). 2070:. Vol. 19, No. 1, Winter/Spring 1994, p 13 - 21. 898: 443:. These classes introduced Forti to the work of 2077:Vol. 18, No. 1, Winter/Spring 1993, p 94 - IBC. 1864:1964–1965 Temple Emanu-El School, New York, NY. 1820:Nonsense (performed with Terrence Luke Johnson) 1658:Roadcut (Simone Forti & Troupe performance) 1543:Waking the Forest (alternatively titled Molimo) 476:in December 1960, in an exhibition shared with 4325:"Forti On All Fours: a talk with Simone Forti" 3498:"'Bessies' Go to New Artists and Philip Glass" 3225: 2043:Contact Improvisation's 25th Anniversary Issue 1924:. Venice, CA: Beyond Baroque Foundation. 2006. 1885:1987–1989 American Dance Festival, Durham, NC. 1879:1983–1987 School of Visual Arts, New York, NY. 1423:for lifetime achievement in the field of dance 1246:in 2002, calling the ensemble of dancers "5". 965:(also called a multiplex hologram), a type of 862:to write a book, as part of their collection, 849:Il Centro per l'Arte Contemporanea Luigi Pecci 843:in 2014, and Vleeshal Markt in 2016. In 2021, 3471: 3092:. Vol. 26 No. 2, Summer/Fall 2001, p 32 - 39. 3032:. Vol. 26 No. 2, Summer/Fall 2001, p 32 - 39. 2009:. Vol. 26 No. 2, Summer/Fall 2001, p 32 - 39. 1450:1971: Buzzing, Illuminations (performed with 1980:writings from a Los Angeles dance journal". 1766:and the Brooklyn Adult Recorder Choir (BARC) 1563:Umi Aui Owe (performed with Peter Van Riper) 1391:1985 - Australia Council Theatre Board Award 1155: 288:and others. Forti's published books include 4202:. Hirmer for Museum der Moderne, Salzburg. 1960: 1851:Journey Dream Flower (performed with Oguri) 1601:Asymmetry 222 (performed with Steve Paxton) 244:, along with her contribution to the early 240:, including her seminal 1961 body of work, 3295: 3072:: a sketch of a dance/narrative process". 2844:Terpsichore in Sneakers: Post-Modern Dance 2526:. University of Chicago Press. pp. 15–35. 2323:University of Chicago Press. pp. 276–291. 2133:"Full Moves: thoughts on dance behavior". 2066:: a sketch of a dance/narrative process". 1876:1980–2014 Movement Research, New York, NY. 1372: 221: 1974⁠–⁠1981) 198: 1962⁠–⁠1966) 178: 1955⁠–⁠1962) 88: 4213:Day, Jeremiah, and Simone Forti. (2009). 3810:"Movement Research: MRPJ Issue 27&28" 3374: 3181:. Dublin: Project Press. pp. 92–93. 2866: 2697:. Rome: Museo D'Arte Contemporanea Roma. 2168:"Theater and Engineering-An Experiment". 2119:. Vol. 12, No. 1, Winter 1987, p 12 - 15. 1936:(3rd ed.). Vermont: self-published. 1997. 1873:1974 Mount Saint University, Halifax, NS. 1292:(2009) at The Box Gallery Chinatown, and 785:, which she wrote about in her 1974 book 742:, among others, performed and exhibited. 66:Learn how and when to remove this message 4233:International Dictionary of Modern Dance 3177:Day, and Simone Forti, Jeremiah (2009). 3151: 2775:University of Chicago Press. pp. 49–57. 2612: 2383:University of Chicago Press. pp. 59–61. 2355:University of Chicago Press. pp. 70–71. 1892: 1508:Planet in Retrograde (integral hologram) 1323:(SMMOA) in 2014 and at Errant Bodies in 1284:" (2006) at Highways Performance Space, 1069:, Nina Martin, Eric Hess, among others. 957:, who was developing pioneering work in 439:Studio, taught by educator/musicologist 4322: 4303: 4267:. New York: New York University Press. 3156:. Oxford University Press. p. 26. 3125: 2599: 2460: 2164:. No. 10, December 1974, p. 20–23. 1986:Special Focus: Activism & Community 1528:Banking (alternatively titled Bicycles) 1110:, Forti wrote about the development of 827:practice, studying with Tai Chi master 557:York, has said that the exhibitions of 4381: 4119: 4117: 4074:"Movement Research: Single Backissues" 3321: 3319: 3317: 3084: 3082: 3064: 3062: 2999: 2997: 2995: 2970: 2968: 2743: 2741: 2716: 2714: 2674: 2672: 2600:Dunning, Jennifer (October 27, 1991). 2144:. Vol. 5 No. 3/4, Spring/Summer 1980, 2126:. Vol. 11, No. 2, Spring/Summer 1986, 2041:. Vol. 23, No. 1, Winter/Spring 1998, 2016:. Vol. 26, No. 1, Winter/Spring 2001, 1661:News Animation: Mad Brook Farm (video) 1296:(2010) at Highways Performance Space. 1222: 1133:work, Forti developed her practice of 626:. Some of these performances included 373:, where Forti attended public schools 4262: 3528: 3003: 2919: 2917: 2892: 2890: 2841: 2816: 2773:Simone Forti: Thinking with the Body. 2688: 2686: 2684: 2660: 2656: 2654: 2652: 2650: 2648: 2571: 2569: 2567: 2518: 2516: 2514: 2512: 2494: 2492: 2490: 2456: 2454: 2381:Simone Forti: Thinking with the Body. 2375: 2373: 2371: 2369: 2353:Simone Forti: Thinking with the Body. 2321:Simone Forti: Thinking with the Body. 2315: 2313: 2311: 2309: 2307: 2305: 2303: 2301: 2299: 2297: 2295: 2293: 2291: 2289: 2287: 2285: 2283: 2281: 2279: 2277: 2275: 2273: 2271: 2269: 2267: 2265: 2263: 2261: 2259: 2257: 2255: 2253: 2251: 2249: 2247: 2245: 2243: 2241: 2239: 2237: 2235: 2233: 2231: 2229: 2227: 2225: 2223: 2221: 2219: 2217: 2137:. Vol. 9, No. 3, Fall 1984, p 7 - 14. 2122:"Banking: Instructions for a Dance". 2089:Movement Research Performance Journal 2082:Movement Research Performance Journal 2057:Movement Research Performance Journal 2050:Movement Research Performance Journal 2032:Movement Research Performance Journal 2025:Movement Research Performance Journal 2000:Movement Research Performance Journal 1993:Movement Research Performance Journal 1740:Be Orators (performed with Tom Young) 1723:Binding (performed with Eric Schofer) 1502:Striding/Crawling (integral hologram) 992:in New York, in an exhibition titled 294:Nova Scotia College of Art and Design 4228: 4200:Simone Forti: Thinking with the Body 2819:"The Fluxhouse Cooperatives of SoHo" 2542: 2540: 2524:Simone Forti: Thinking With The Body 2429: 2427: 2425: 2423: 2421: 2419: 2417: 2415: 2413: 2399: 2397: 2347: 2345: 2343: 2341: 2339: 2337: 2215: 2213: 2211: 2209: 2207: 2205: 2203: 2201: 2199: 2197: 2182:An Anthology of Chance Operations... 1460:1974: Bird's Dance Studies, Numbers 1360:Simone Forti: Thinking with the Body 589:Simone Forti: Thinking With the Body 18: 4114: 3314: 3079: 3059: 2992: 2965: 2738: 2711: 2669: 1984:. Vol. 33 No. 2, Summer/Fall 2008, 1839:Flowers and Vessel (performed with 1454:), Folk Dance, Hippie Gospel Songs 1244:Beyond Baroque Literary Arts Center 13: 4409:American women performance artists 4282: 4198:Breitwieser, Sabine (Ed.) (2014). 3954:"Movement Research: MRPJ Issue 14" 3906:"Movement Research: MRPJ Issue 17" 3882:"Movement Research: MRPJ Issue 18" 3786:"Movement Research: MRPJ Issue 29" 3449:"Museum der Moderne: Simone Forti" 3126:Stevens, Cynthia (June 29, 1978). 2914: 2887: 2867:Goldstein, Jennie (June 2, 2014). 2681: 2645: 2564: 2509: 2487: 2451: 2366: 1412:2015 - Anonymous Was A Woman Award 1015: 14: 4465: 4342: 4323:Steffen, Patrick (January 2012). 4304:Seibert, Brian (April 15, 2014). 4173:"Contact Quarterly - Back Issues" 4050:"Movement Research: MRPJ Issue 5" 3978:"Movement Research: MRPJ Issue 9" 3663: 2537: 2410: 2394: 2334: 2194: 2048:"Reflections on the Early Days". 1948:. New York: self-published. 1978. 1183: 1074:(Terry O'Reilly, David Taylor)." 466:Forti's first development of her 397:, left Reed College and moved to 3615:Supporting Women Artists Over 40 3349: 2629:"Broadway 1602 - Robert Whitman" 2435:"The BOX Gallery | Simone Forti" 2034:. No. 17, 1998/1999, p. 26. 994:Simone Forti: Movement Holograms 794:California Institute of the Arts 486:Happenings at the Reuben Gallery 375:Gardner Street Elementary School 23: 4165: 4141: 4090: 4066: 4042: 4018: 3994: 3970: 3946: 3922: 3898: 3874: 3850: 3826: 3802: 3778: 3754: 3730: 3706: 3682: 3657: 3632: 3603: 3579: 3555: 3522: 3490: 3465: 3441: 3417: 3393: 3368: 3343: 3289: 3265: 3241: 3219: 3195: 3170: 3145: 3119: 3095: 3035: 3022: 2941: 2860: 2835: 2810: 2786: 2765: 2621: 2593: 2506:No. 152, Spring 2015, p. 26–52. 2037:"The Feel of an Ancient Form". 1463:1975: Big Room (performed with 1383:National Endowment for the Arts 1342:gallery and daughter of artist 1177:St. Mark's Church in-the-Bowery 414:San Francisco Dancer's Workshop 218: 195: 175: 4434:Performance art in Los Angeles 4419:Pupils of Pran Nath (musician) 3429:errantbodiesspace.blogspot.com 2030:"Interview with Nina Martin". 1288:at The Unknown Theater(2007), 1002:Whitney Museum of American Art 775:Woodstock Music & Art Fair 334:Whitney Museum of American Art 1: 4449:American women choreographers 4404:American contemporary artists 4359:Simone Forti on MoMA Learning 4192: 3611:"Anonymous Was A Woman Award" 3226:Wayne Lindberg (2010-01-10), 3107:tribunedigital-chicagotribune 2461:Josephs, Susan (2006-07-16). 1762:Deep Feelers (performed with 1707:Still Life With Framing Music 1514:Harmonics (integral hologram) 1496:Movements (integral hologram) 1049:, as part of the exhibition, 1045:, first performed in 1976 at 948: 747:Festival Music and Dance U.S. 609: 583:On the exhibition of Forti's 352: 4444:Italian women choreographers 4414:American performance artists 4237:. Detroit: St. James Press. 3531:"Hortons favor modern works" 3068:Forti, Simone. "Thoughts on 2500:Simone Forti Goes to the Zoo 1995:. No. 29, 2005, p. 8–9. 1969:"The Light of the Dancing". 1520:Bug Jump (integral hologram) 1505:Figure 8 (integral hologram) 1487:Statues (video: Anne Tardos) 1385:(NEA) Grant for Choreography 777:. Forti ended up staying in 768: 751:Musica e danza contemporanea 379:John Burroughs Middle School 347: 300:(1978, self-published), and 48:Knowledge's inclusion policy 7: 4454:21st-century American women 3529:Segal, Lewis (2004-04-19). 2463:"Flipping to a new chapter" 2027:. No. 18, 1999, p. 14. 2012:"CI at World Tai Chi Day". 2002:. No. 18, 2004, p. 18. 1855: 720:Dance Flight Music Dynamite 412:. When Halprin founded the 10: 4470: 1729:Tree Improvisation (video) 1517:Huddle (integral hologram) 1511:Dancer (integral hologram) 1348:Work In A Range of Mediums 1334:Dewey introduced Forti to 1321:Santa Monica Museum of Art 1219:in New York, NY, in 1988. 937:). Sally Banes wrote that 854:In 1972, the Press of the 847:Revisted was performed at 716:Danza Volo Musica Dinamite 587:, Yvonne Rainer wrote, in 550:wrote in her October 1991 383:Fairfax Senior High School 4429:Women performance artists 4217:. Project Press, Dublin. 4215:Jeremiah Day/Simone Forti 3296:georgelugg (2013-07-18). 3253:www.veniceartscouncil.org 3179:Jeremiah Day/Simone Forti 3128:"Mad Brook Farm Lives On" 2817:admin (17 January 2014). 2091:. No. 1, 1990/1991, p 10. 2059:. No. 9, 1994, p. 2. 2023:"Young Frog Falls Over". 1836:Flag in the Water (video) 1560:Estuary: A Nature Fantasy 1301:Jeremiah Day/Simone Forti 1209:Jeremiah Day/Simone Forti 1198:back-to-the-land movement 1156:Simone Forti & Troupe 602:in New York acquired the 516:, "One could look at the 404:Soon after moving to the 157: 149: 141: 124: 99: 87: 80: 4292:. Cambridge: MIT Press. 4288:Morse, Meredith (2016). 3381:dev.projectartscentre.ie 3356:dev.projectartscentre.ie 3141:– via Google News. 2404:The Judson Dance Project 2188: 2160:"Dancing at the Fence". 1961:Articles by Simone Forti 1427: 1286:Turtles All The Way Down 316:(MOMA) in New York, the 292:(1974, The Press of the 153:Work in Postmodern Dance 4399:American choreographers 3453:www.museumdermoderne.at 3152:De Spain, Kent (2014). 3006:Terpsichore in Sneakers 2055:"A Family Tree Story". 1609:Spring (performed with 1373:Awards and achievements 1008:(1977) is owned by the 580:between 1962 and 1964. 4439:Italian choreographers 4263:Forti, Simone (1974). 3327:"Beyond Baroque Books" 3273:"Beyond Baroque Books" 2929:collection.whitney.org 2661:Forti, Simone (1974). 2552:www.movingoncenter.org 2498:Bryan-Wilson, Julia. " 2101:"Animating the News". 2080:"Far From the Front". 1905:The Bear In The Mirror 1843:and Roxanne Steinberg) 1240:Open Air Improvisation 1217:Dance Theater Workshop 933:(alternatively titled 921:(alternatively titled 680:(alternatively titled 598:In December 2015, the 574:Judson Memorial Church 506:Thinking With the Body 3004:Banes, Sally (1977). 2842:Banes, Sally (1977). 1893:Books by Simone Forti 1452:Charlemagne Palestine 1090:School of Visual Arts 833:Charlemagne Palestine 759:Charlemagne Palestine 336:in New York, and the 270:Charlemagne Palestine 4177:contactquarterly.com 4153:contactquarterly.com 4129:contactquarterly.com 4102:contactquarterly.com 4078:movementresearch.org 4054:movementresearch.org 4030:contactquarterly.com 4006:contactquarterly.com 3982:movementresearch.org 3958:movementresearch.org 3934:contactquarterly.com 3910:movementresearch.org 3886:movementresearch.org 3862:contactquarterly.com 3838:contactquarterly.com 3814:movementresearch.org 3790:movementresearch.org 3766:contactquarterly.com 3742:contactquarterly.com 2873:movementresearch.org 2753:contactquarterly.com 2726:contactquarterly.com 2618:Mann (1998), p. 285. 2108:"A Few Months Ago". 1899:L'orso allo specchio 1121:Forti has performed 902:with Peter Van Riper 860:Halifax, Nova Scotia 600:Museum of Modern Art 570:Judson Dance Theater 512:wrote about Forti's 314:Museum of Modern Art 4424:Reed College alumni 3478:www.hirmerverlag.de 2875:. Movement Research 2794:"History | CalArts" 2087:"Organic Telling". 2084:. No. 5, 1992, p 3. 1444:1969: Throat Dance 1367:Dance Constructions 1309:Project Arts Centre 1223:Work in Los Angeles 722:), in which Forti, 670:Dance Constructions 604:Dance Constructions 585:Dance Constructions 566:Dance Constructions 559:Dance Constructions 533:Dance Constructions 518:Dance Constructions 514:Dance Constructions 469:Dance Constructions 430:Dance Constructions 418:Dance Improvisation 326:Generali Foundation 242:Dance Constructions 4310:The New York Times 4265:Handbook in Motion 3502:The New York Times 2980:avalancheindex.org 2663:Handbook in Motion 2128:Space/Time Issue 2 2075:Contact Quarterly. 1922:Unbuttoned Sleeves 1294:Conversation Piece 1278:Unbuttoned Sleeves 1274:Unbuttoned Sleeves 1242:) with her at the 1033:Julia Bryan-Wilson 983:Dance Construction 969:that incorporates 963:integral holograms 892:Dance Construction 868:Handbook in Motion 787:Handbook in Motion 510:Sabine Breitwieser 357:Forti was born in 290:Handbook in Motion 4329:Contact Quarterly 3670:www.wacd.ucla.edu 3535:Los Angeles Times 3331:beyondbaroque.org 3277:beyondbaroque.org 3090:Contact Quarterly 3074:Contact Quarterly 3030:Contact Quarterly 2902:www.holophile.com 2823:FLUXUS FOUNDATION 2781:978-3-7774-2278-7 2704:978-88-370-7957-4 2532:978-3-7774-2278-7 2467:Los Angeles Times 2389:978-3-7774-2278-7 2361:978-3-7774-2278-7 2329:978-3-7774-2278-7 2142:Contact Quarterly 2135:Contact Quarterly 2124:Contact Quarterly 2117:Contact Quarterly 2110:Contact Quarterly 2103:Contact Quarterly 2096:Contact Quarterly 2068:Contact Quarterly 2039:Contact Quarterly 2014:Contact Quarterly 2007:Contact Quarterly 1982:Contact Quarterly 1971:Contact Quarterly 1910:Ed. Dewey, Fred. 1817:Zuma News (video) 1107:Contact Quarterly 1104:performance.) In 1067:Terrence O'Reilly 998:Striding/Crawling 990:Sonnabend Gallery 858:invited Forti to 578:Greenwich Village 537:Some Other Things 441:Robert Ellis Dunn 231: 230: 76: 75: 68: 4461: 4338: 4336: 4335: 4319: 4317: 4316: 4278: 4248: 4236: 4187: 4186: 4184: 4183: 4169: 4163: 4162: 4160: 4159: 4145: 4139: 4138: 4136: 4135: 4121: 4112: 4111: 4109: 4108: 4094: 4088: 4087: 4085: 4084: 4070: 4064: 4063: 4061: 4060: 4046: 4040: 4039: 4037: 4036: 4022: 4016: 4015: 4013: 4012: 3998: 3992: 3991: 3989: 3988: 3974: 3968: 3967: 3965: 3964: 3950: 3944: 3943: 3941: 3940: 3926: 3920: 3919: 3917: 3916: 3902: 3896: 3895: 3893: 3892: 3878: 3872: 3871: 3869: 3868: 3854: 3848: 3847: 3845: 3844: 3830: 3824: 3823: 3821: 3820: 3806: 3800: 3799: 3797: 3796: 3782: 3776: 3775: 3773: 3772: 3758: 3752: 3751: 3749: 3748: 3734: 3728: 3727: 3725: 3724: 3710: 3704: 3703: 3701: 3700: 3694:www.spdbooks.org 3686: 3680: 3679: 3677: 3676: 3661: 3655: 3654: 3652: 3651: 3636: 3630: 3629: 3627: 3626: 3617:. 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February 1967. 2157: 1956: 1764:Pauline Oliveros 1575:Turning in Place 1025:Central Park Zoo 1010:Stedelijk Museum 1000:is owned by the 981:(one of Forti's 856:NSCAD University 692:Bioparco di Roma 662:Fabio Sargentini 548:Jennifer Dunning 492:, and Forti and 449:Postmodern dance 437:Merce Cunningham 391:Portland, Oregon 318:Stedelijk Museum 238:Postmodern dance 222: 220: 199: 197: 179: 177: 113: 109: 107: 92: 78: 77: 71: 64: 60: 57: 51: 27: 26: 19: 4469: 4468: 4464: 4463: 4462: 4460: 4459: 4458: 4379: 4378: 4353:Video Data Bank 4345: 4333: 4331: 4314: 4312: 4285: 4283:Further reading 4275: 4245: 4195: 4190: 4181: 4179: 4171: 4170: 4166: 4157: 4155: 4147: 4146: 4142: 4133: 4131: 4123: 4122: 4115: 4106: 4104: 4096: 4095: 4091: 4082: 4080: 4072: 4071: 4067: 4058: 4056: 4048: 4047: 4043: 4034: 4032: 4024: 4023: 4019: 4010: 4008: 4000: 3999: 3995: 3986: 3984: 3976: 3975: 3971: 3962: 3960: 3952: 3951: 3947: 3938: 3936: 3928: 3927: 3923: 3914: 3912: 3904: 3903: 3899: 3890: 3888: 3880: 3879: 3875: 3866: 3864: 3856: 3855: 3851: 3842: 3840: 3832: 3831: 3827: 3818: 3816: 3808: 3807: 3803: 3794: 3792: 3784: 3783: 3779: 3770: 3768: 3760: 3759: 3755: 3746: 3744: 3736: 3735: 3731: 3722: 3720: 3712: 3711: 3707: 3698: 3696: 3688: 3687: 3683: 3674: 3672: 3662: 3658: 3649: 3647: 3638: 3637: 3633: 3624: 3622: 3609: 3608: 3604: 3595: 3593: 3585: 3584: 3580: 3571: 3569: 3561: 3560: 3556: 3547: 3545: 3527: 3523: 3514: 3512: 3496: 3495: 3491: 3482: 3480: 3470: 3466: 3457: 3455: 3447: 3446: 3442: 3433: 3431: 3423: 3422: 3418: 3409: 3407: 3399: 3398: 3394: 3385: 3383: 3375:Administrator. 3373: 3369: 3360: 3358: 3348: 3344: 3335: 3333: 3325: 3324: 3315: 3306: 3304: 3294: 3290: 3281: 3279: 3271: 3270: 3266: 3257: 3255: 3247: 3246: 3242: 3234: 3232: 3224: 3220: 3211: 3209: 3201: 3200: 3196: 3189: 3175: 3171: 3164: 3150: 3146: 3136: 3134: 3124: 3120: 3111: 3109: 3101: 3100: 3096: 3087: 3080: 3070:To Be Continued 3067: 3060: 3051: 3049: 3047:inventivity.com 3041: 3040: 3036: 3027: 3023: 3016: 3002: 2993: 2984: 2982: 2974: 2973: 2966: 2957: 2955: 2947: 2946: 2942: 2933: 2931: 2923: 2922: 2915: 2906: 2904: 2896: 2895: 2888: 2878: 2876: 2865: 2861: 2854: 2840: 2836: 2827: 2825: 2815: 2811: 2802: 2800: 2798:www.calarts.edu 2792: 2791: 2787: 2770: 2766: 2757: 2755: 2747: 2746: 2739: 2730: 2728: 2720: 2719: 2712: 2705: 2691: 2682: 2677: 2670: 2659: 2646: 2637: 2635: 2627: 2626: 2622: 2617: 2613: 2598: 2594: 2585: 2583: 2575: 2574: 2565: 2556: 2554: 2546: 2545: 2538: 2521: 2510: 2497: 2488: 2479: 2477: 2459: 2452: 2443: 2441: 2433: 2432: 2411: 2402: 2395: 2378: 2367: 2350: 2335: 2318: 2195: 2191: 2167: 2151: 2146:Focus on Sports 2064:To Be Continued 2052:. No. 14, 1997. 1998:"Years Later". 1963: 1951: 1895: 1858: 1696:To Be Continued 1652:News Animations 1465:Peter Van Riper 1457:1972: Crawling 1447:1970: Scramble 1430: 1421:Venice Biennale 1375: 1225: 1204:already lived. 1190:East Charleston 1186: 1175:, performed at 1173:To Be Continued 1163:Chester Springs 1158: 1135:News Animations 1086: 1083:News Animations 1071:Peter Van Riper 1021: 951: 912:George Maciunas 908:Peter Van Riper 904: 806:Peter Van Riper 804:, and musician 771: 614: 482:Claes Oldenburg 433: 355: 350: 310:New Book (2024) 274:Peter Van Riper 227: 224: 216: 212: 209: 207:Peter Van Riper 201: 193: 189: 181: 173: 169: 137: 120: 114: 111: 105: 103: 95: 83: 72: 61: 55: 52: 38:Please help by 37: 28: 24: 17: 12: 11: 5: 4467: 4457: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4411: 4406: 4401: 4396: 4391: 4377: 4376: 4371: 4366: 4361: 4356: 4344: 4343:External links 4341: 4340: 4339: 4320: 4301: 4284: 4281: 4280: 4279: 4273: 4260: 4249: 4244:978-1558623590 4243: 4226: 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890:, and several 802:Alison Knowles 770: 767: 763:La Monte Young 736:David Bradshaw 618:Robert Whitman 613: 608: 553:New York Times 474:Reuben Gallery 432: 426: 354: 351: 349: 346: 338:Moderna Museet 306:Beyond Baroque 262:La Monte Young 229: 228: 226: 225: 214: 210: 205: 204: 202: 191: 187:Robert Whitman 185: 184: 182: 171: 165: 164: 161: 159: 155: 154: 151: 150:Known for 147: 146: 143: 139: 138: 136: 135: 132: 128: 126: 122: 121: 115: 110:March 25, 1935 101: 97: 96: 93: 85: 84: 81: 74: 73: 31: 29: 22: 15: 9: 6: 4: 3: 2: 4466: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4402: 4400: 4397: 4395: 4394:Living people 4392: 4390: 4387: 4386: 4384: 4375: 4372: 4370: 4367: 4365: 4362: 4360: 4357: 4354: 4350: 4347: 4346: 4330: 4326: 4321: 4311: 4307: 4302: 4299: 4298:9780262033978 4295: 4291: 4287: 4286: 4276: 4270: 4266: 4261: 4258: 4257:0-8195-6160-6 4254: 4250: 4246: 4240: 4235: 4234: 4227: 4224: 4223:9781872493244 4220: 4216: 4212: 4209: 4208:9783777422787 4205: 4201: 4197: 4196: 4178: 4174: 4168: 4154: 4150: 4149:"Vol 12 No 1" 4144: 4130: 4126: 4125:"Vol 15 No 1" 4120: 4118: 4103: 4099: 4098:"Vol 15 No 2" 4093: 4079: 4075: 4069: 4055: 4051: 4045: 4031: 4027: 4026:"Vol 18 No 1" 4021: 4007: 4003: 4002:"Vol 19 No 1" 3997: 3983: 3979: 3973: 3959: 3955: 3949: 3935: 3931: 3930:"Vol 23 No 1" 3925: 3911: 3907: 3901: 3887: 3883: 3877: 3863: 3859: 3858:"Vol 26 No 1" 3853: 3839: 3835: 3834:"Vol 26 No 2" 3829: 3815: 3811: 3805: 3791: 3787: 3781: 3767: 3763: 3762:"Vol 33 No 2" 3757: 3743: 3739: 3738:"Vol 34 No 2" 3733: 3719: 3715: 3709: 3695: 3691: 3685: 3671: 3667: 3660: 3645: 3641: 3635: 3621:on 2017-08-19 3620: 3616: 3612: 3606: 3592: 3591:IMAGINE PEACE 3588: 3582: 3568: 3564: 3558: 3544: 3540: 3536: 3532: 3525: 3511: 3507: 3503: 3499: 3493: 3479: 3475: 3468: 3454: 3450: 3444: 3430: 3426: 3420: 3406: 3402: 3396: 3382: 3378: 3371: 3357: 3353: 3346: 3332: 3328: 3322: 3320: 3318: 3303: 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