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210:) had given up her career as a singer. This was proper for a gentleman's wife, but it was difficult because Eliza would have earned a substantial income as a performer. Instead, the Sheridans lived beyond their means as they entertained the gentry and nobility with Eliza's singing (in private parties) and Richard's wit. Finally, in need of funds, Richard turned to the only craft that could gain him the remuneration he desired in a short time: he began writing a play. Over the years, he had written and published essays and poems, and among his papers were numerous unfinished plays, essays and political tracts, but never had he undertaken such an ambitious project as this. In a short time, however, he completed
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For my own part, I see no reason why the author of a play should not regard a first night's audience as a candid and judicious friend attending, in behalf of the public, at his last rehearsal. If he can dispense with flattery, he is sure at least of sincerity, and even though the annotation be rude,
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The plot centres on the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be "Ensign
Beverley", a poor army officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of
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Bob Acres tells Sir Lucius that another man ("Beverley") is courting the lady of Acres' choice (Lydia, though Sir Lucius does not know this). Sir Lucius immediately declares that Acres must challenge "Beverley" to a duel and kill him. Acres goes along, and writes out a challenge note – despite his
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As the play opens, Sir
Anthony arrives suddenly in Bath. He has arranged a marriage for Jack, but Jack demurs, saying he is in love already. They quarrel violently. But Jack soon learns through the gossip of Lucy and Fag that the marriage arranged by Sir Anthony is, in fact, with Lydia. He makes a
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Lydia has two other suitors: Bob Acres (a somewhat buffoonish country gentleman), and Sir Lucius O'Trigger, an impoverished and combative Irish gentleman. Sir Lucius pays Lucy to carry love notes between him and Lydia (who uses the name "Delia"), but Lucy is swindling him: "Delia" is actually Mrs.
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Sir Lucius has also learned of the proposed marriage of Jack and Lydia, and determines to challenge Jack. He meets Jack, who, smarting from Lydia's rejection, agrees to fight him without even knowing the reason. They will meet at the same time as Acres is scheduled to fight "Beverley".
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At the duelling ground, Acres is very reluctant to fight, but Sir Lucius will have no shirking. Jack and
Faulkland arrive. Acres learns that "Beverley" is actually his friend Jack, and begs off from their duel. However, Jack is quite willing to fight Sir Lucius, and they cross swords.
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Jack's friend
Faulkland is in love with Julia, but he suffers from jealous suspicion. He is constantly fretting himself about her fidelity. Faulkland and Julia quarrel foolishly, making elaborate and high-flown speeches about true love that satirise the romantic dramas of the period.
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great show of submission to his father, and is presented to Lydia with Mrs. Malaprop's blessing. Jack confides to Lydia that he is only posing as Sir
Anthony's son. She annoys Mrs. Malaprop by loudly professing her eternal devotion to "Beverley" while rejecting "Jack Absolute".
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David informs Mrs. Malaprop, Lydia, Julia, and Sir
Anthony of the duel, and they all rush off to stop it. Sir Lucius explains the cause of his challenge, but Lydia denies any connection to him, and admits her love for Jack. Mrs. Malaprop announces that
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own rather more pacifist feelings, and the profound misgivings of his servant David. Sir Lucius leaves, Jack arrives, and Acres tells him of his intent. Jack agrees to deliver the note to "Beverley", but declines to be Acres' second.
242:? — is it me, or the matter?" Apparently, it was both. Sheridan immediately withdrew the play and in the next 11 days, rewrote the original (the Larpent manuscript) extensively, including a new preface in which he allowed:
544:, whose name is changed from the original play's "Lydia Languish" to "Lydia Lynley." The episode, telecast midway through the series' second season, was called "The Rivals" and the playwright Sheridan was given due credit.
255:, in the role of O'Trigger, the play reopened on 28 January to significant acclaim. Indeed, it became a favourite of the royal family, receiving five command performances in ten years, and also in the Colonies (it was
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as Julia
Melville. It was roundly vilified by both the public and the critics for its length, for its bawdiness and for the character of Sir Lucius O'Trigger being a meanly written role played very badly. The actor,
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Mrs. Malaprop again presents Jack to Lydia, but this time with Sir
Anthony present, exposing Jack's pose as "Beverley". Lydia is enraged by the puncturing of her romantic dreams, and spurns Jack contemptuously.
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is Delia, but Sir Lucius recoils in horror, realising that he has been hoaxed. Sir
Anthony consoles Mrs. Malaprop, Julia is reconciled to Faulkland, and Acres invites everyone to a party.
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the objections of her guardian, Mrs. Malaprop, a moralistic widow. Mrs. Malaprop is the chief comic figure of the play, thanks to her continual misuse of words that
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357:", which were believed to have healing properties. Bath society was much less exclusive than London, and hence it provides an ideal setting for the characters.
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639:. These take place in Cornwall, London, Quebec, the American colonies during both the Seven Years' War and the American Revolution, and Portugal.
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The leading character of the play was taken to be the identity of the hero of a series of historic fictional adventure books by actor/novelist
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Sheridan also apologised for any impression that O'Trigger was intended as an insult to
Ireland. Rewritten and with a new actor,
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532:'s cousin, until after Garner had left the series two seasons later). The Absolutes were renamed "Vandergelt" with
259:'s favourite play). It became a standard show in the repertoires of 19th-century companies in England and the US.
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on 17 January 1775. The story has been updated frequently, including a 1935 musical and a 1958
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was coined in reference to one of the characters in the play. She was first played by
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The Dramatic Works of Richard Brinsley Sheridan with an Introduction by Joseph Knight
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Fintan O’Toole, The Traitor's Kiss: The Life of Richard Brinsley Sheridan, 1751–1816
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at London's Kingsway Theatre in October 1935. The musical ran for 86 performances.
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The play is now considered to be one of Sheridan's masterpieces, and the term
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Levitt, John. "Bulkley née Wilford; other married name Barresford, Mary".
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Lydia Languish, a wealthy teenaged heiress, in love with "Ensign Beverley"
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was Sheridan's first play. At the time, he was a young newlywed living in
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Julia Melville, a young relation of the Absolutes, in love with Faulkland
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and fashion at the time. Wealthy, fashionable people went there to "
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produced a version which was broadcast in 1970 as part of their
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Captain Jack Absolute, his son, disguised as Ensign Beverley
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as Thomas. It was repeated on 23 December 1963 on the
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716:(Farrar, Straus & Giroux 1998), at New Criterion.
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as part of the "National Theatre of the Air" series.
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773:(online ed.). Oxford University Press.
756:. Oxford University Press. 1930. p. 10.
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375:was coined in reference to the character).
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990:The Duenna
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789:required.)
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871:YouTube
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445:Rivals!
296:baronet
190:History
170:episode
139:Setting
124:English
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