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The Rivals

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49: 210:) had given up her career as a singer. This was proper for a gentleman's wife, but it was difficult because Eliza would have earned a substantial income as a performer. Instead, the Sheridans lived beyond their means as they entertained the gentry and nobility with Eliza's singing (in private parties) and Richard's wit. Finally, in need of funds, Richard turned to the only craft that could gain him the remuneration he desired in a short time: he began writing a play. Over the years, he had written and published essays and poems, and among his papers were numerous unfinished plays, essays and political tracts, but never had he undertaken such an ambitious project as this. In a short time, however, he completed 279: 379: 489: 475: 920: 246:
For my own part, I see no reason why the author of a play should not regard a first night's audience as a candid and judicious friend attending, in behalf of the public, at his last rehearsal. If he can dispense with flattery, he is sure at least of sincerity, and even though the annotation be rude,
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The plot centres on the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be "Ensign Beverley", a poor army officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of
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Bob Acres tells Sir Lucius that another man ("Beverley") is courting the lady of Acres' choice (Lydia, though Sir Lucius does not know this). Sir Lucius immediately declares that Acres must challenge "Beverley" to a duel and kill him. Acres goes along, and writes out a challenge note – despite his
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As the play opens, Sir Anthony arrives suddenly in Bath. He has arranged a marriage for Jack, but Jack demurs, saying he is in love already. They quarrel violently. But Jack soon learns through the gossip of Lucy and Fag that the marriage arranged by Sir Anthony is, in fact, with Lydia. He makes a
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Lydia has two other suitors: Bob Acres (a somewhat buffoonish country gentleman), and Sir Lucius O'Trigger, an impoverished and combative Irish gentleman. Sir Lucius pays Lucy to carry love notes between him and Lydia (who uses the name "Delia"), but Lucy is swindling him: "Delia" is actually Mrs.
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Sir Lucius has also learned of the proposed marriage of Jack and Lydia, and determines to challenge Jack. He meets Jack, who, smarting from Lydia's rejection, agrees to fight him without even knowing the reason. They will meet at the same time as Acres is scheduled to fight "Beverley".
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At the duelling ground, Acres is very reluctant to fight, but Sir Lucius will have no shirking. Jack and Faulkland arrive. Acres learns that "Beverley" is actually his friend Jack, and begs off from their duel. However, Jack is quite willing to fight Sir Lucius, and they cross swords.
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Jack's friend Faulkland is in love with Julia, but he suffers from jealous suspicion. He is constantly fretting himself about her fidelity. Faulkland and Julia quarrel foolishly, making elaborate and high-flown speeches about true love that satirise the romantic dramas of the period.
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great show of submission to his father, and is presented to Lydia with Mrs. Malaprop's blessing. Jack confides to Lydia that he is only posing as Sir Anthony's son. She annoys Mrs. Malaprop by loudly professing her eternal devotion to "Beverley" while rejecting "Jack Absolute".
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David informs Mrs. Malaprop, Lydia, Julia, and Sir Anthony of the duel, and they all rush off to stop it. Sir Lucius explains the cause of his challenge, but Lydia denies any connection to him, and admits her love for Jack. Mrs. Malaprop announces that
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own rather more pacifist feelings, and the profound misgivings of his servant David. Sir Lucius leaves, Jack arrives, and Acres tells him of his intent. Jack agrees to deliver the note to "Beverley", but declines to be Acres' second.
242:? — is it me, or the matter?" Apparently, it was both. Sheridan immediately withdrew the play and in the next 11 days, rewrote the original (the Larpent manuscript) extensively, including a new preface in which he allowed: 544:, whose name is changed from the original play's "Lydia Languish" to "Lydia Lynley." The episode, telecast midway through the series' second season, was called "The Rivals" and the playwright Sheridan was given due credit. 255:, in the role of O'Trigger, the play reopened on 28 January to significant acclaim. Indeed, it became a favourite of the royal family, receiving five command performances in ten years, and also in the Colonies (it was 233:
as Julia Melville. It was roundly vilified by both the public and the critics for its length, for its bawdiness and for the character of Sir Lucius O'Trigger being a meanly written role played very badly. The actor,
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Mrs. Malaprop again presents Jack to Lydia, but this time with Sir Anthony present, exposing Jack's pose as "Beverley". Lydia is enraged by the puncturing of her romantic dreams, and spurns Jack contemptuously.
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is Delia, but Sir Lucius recoils in horror, realising that he has been hoaxed. Sir Anthony consoles Mrs. Malaprop, Julia is reconciled to Faulkland, and Acres invites everyone to a party.
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the objections of her guardian, Mrs. Malaprop, a moralistic widow. Mrs. Malaprop is the chief comic figure of the play, thanks to her continual misuse of words that
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The leading character of the play was taken to be the identity of the hero of a series of historic fictional adventure books by actor/novelist
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Sheridan also apologised for any impression that O'Trigger was intended as an insult to Ireland. Rewritten and with a new actor,
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on 17 January 1775. The story has been updated frequently, including a 1935 musical and a 1958
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was coined in reference to one of the characters in the play. She was first played by
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The Dramatic Works of Richard Brinsley Sheridan with an Introduction by Joseph Knight
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Fintan O’Toole, The Traitor's Kiss: The Life of Richard Brinsley Sheridan, 1751–1816
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at London's Kingsway Theatre in October 1935. The musical ran for 86 performances.
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The play is now considered to be one of Sheridan's masterpieces, and the term
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Levitt, John. "Bulkley née Wilford; other married name Barresford, Mary".
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Lydia Languish, a wealthy teenaged heiress, in love with "Ensign Beverley"
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was Sheridan's first play. At the time, he was a young newlywed living in
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Julia Melville, a young relation of the Absolutes, in love with Faulkland
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and fashion at the time. Wealthy, fashionable people went there to "
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produced a version which was broadcast in 1970 as part of their
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Captain Jack Absolute, his son, disguised as Ensign Beverley
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as Thomas. It was repeated on 23 December 1963 on the
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as part of the "National Theatre of the Air" series.
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Another 547: 24: 1082:Plays by Richard Brinsley Sheridan 766: 463:attended one of the performances. 303:Faulkland, friend of Jack Absolute 25: 1128: 889: 697:Richard Brinsley Sheridan, A Life 588:Additional television productions 438: 27:Play by Richard Brinsley Sheridan 918: 631:Jack Absolute novels (2003–2006) 349:, a town that was legendary for 345:The play is set in 18th-century 294:Sir Anthony Absolute, a wealthy 722:(1751–1816) at Theatre History. 552:In 1962, a radio production by 315:Fag, Captain Absolute's servant 859: 841: 817: 802: 793: 744: 733: 433: 330:, Lydia's middle-aged guardian 13: 1: 1092:Plays set in the 18th century 726: 321:Thomas, Sir Anthony's servant 273: 194: 837:. 19 April 1962. p. 57. 787:UK public library membership 655:A new adaptation written by 502:The play was rewritten as a 470:television adaptation (1958) 336:Lucy, Lydia's conniving maid 217: 7: 928:public domain audiobook at 809:Rosing, Ruth Glean (1993). 688:Richard Brinsley Sheridan, 667:was due to premiere at the 32:The Rivals (disambiguation) 10: 1133: 1030:The Glorious First of June 914:Internet Broadway Database 811:Val Rosing: Musical Genius 648: 189: 29: 1056:Theatre Royal, Drury Lane 1048: 973: 967:Richard Brinsley Sheridan 720:Richard Brinsley Sheridan 665:Jack Absolute Flies Again 651:Jack Absolute Flies Again 644:Jack Absolute Flies Again 627:as Sir Anthony Absolute. 568:as Sir Anthony Absolute, 318:David, Bob Acres' servant 309:, friend of Jack Absolute 283:Bob Acres and His Servant 162:Richard Brinsley Sheridan 138: 128: 120: 110: 102: 68: 63:Richard Brinsley Sheridan 58: 46: 41: 909:​The Rivals​ 669:National Theatre, London 576:as Captain Absolute and 536:as the wealthy father. 351:conspicuous consumption 340: 225:was first performed at 1006:The School for Scandal 779:10.1093/ref:odnb/39764 709:The Scholar of Scandal 538:Patricia "Pat" Crowley 499: 485: 394: 290: 249: 92:Captain Jack Absolute 998:A Trip to Scarborough 491: 477: 385:as Lydia Languish in 381: 281: 244: 178:(see below) starring 166:Covent Garden Theatre 115:Covent Garden Theatre 90:Sir Anthony Absolute 80:Sir Lucius O'Trigger 1061:Elizabeth Ann Linley 683:Biographical sources 389:1899. Photograph by 186:, with attribution. 88:Errand boy servants 74:Miss Lydia Languish 30:For other uses, see 18:Sir Anthony Absolute 572:as Lydia Languish, 558:BBC Third Programme 453:John Robert Monsell 701:Sinclair-Stevenson 510:television series 500: 486: 395: 291: 287:Edwin Austin Abbey 285:, illustration by 145:, 'within one day' 1117:Plays set in Bath 1069: 1068: 903:Project Gutenberg 785:(Subscription or 677:Battle of Britain 673:COVID-19 pandemic 623:series, starring 609:series, starring 606:Play of the Month 564:as Mrs Malaprop, 257:George Washington 172:of the TV series 158:comedy of manners 149: 148: 133:Comedy of manners 121:Original language 16:(Redirected from 1124: 959: 952: 945: 936: 935: 922: 921: 883: 882: 880: 878: 863: 857: 856: 845: 839: 838: 821: 815: 814: 806: 800: 797: 791: 790: 782: 764: 758: 757: 748: 742: 740:Dramatis Personæ 737: 570:Fenella Fielding 548:Radio production 455:- was staged by 447:, with songs by 208:Elizabeth Linley 51: 39: 38: 21: 1132: 1131: 1127: 1126: 1125: 1123: 1122: 1121: 1072: 1071: 1070: 1065: 1044: 969: 963: 919: 892: 887: 886: 876: 874: 865: 864: 860: 847: 846: 842: 823: 822: 818: 807: 803: 798: 794: 784: 765: 761: 750: 749: 745: 738: 734: 729: 685: 653: 647: 637:Chris Humphreys 633: 590: 566:Baliol Holloway 550: 506:of the comedic 472: 457:Vladimir Rosing 441: 436: 391:Zaida Ben-Yusuf 355:take the waters 343: 276: 253:Laurence Clinch 220: 197: 192: 111:Place premiered 106:17 January 1775 97: 95: 93: 91: 89: 87: 85: 83: 81: 79: 77: 75: 73: 54: 35: 28: 23: 22: 15: 12: 11: 5: 1130: 1120: 1119: 1114: 1109: 1104: 1099: 1097:West End plays 1094: 1089: 1084: 1067: 1066: 1064: 1063: 1058: 1052: 1050: 1046: 1045: 1043: 1042: 1034: 1026: 1018: 1010: 1002: 994: 986: 977: 975: 971: 970: 962: 961: 954: 947: 939: 933: 932: 916: 905: 891: 890:External links 888: 885: 884: 858: 840: 816: 801: 792: 759: 743: 731: 730: 728: 725: 724: 723: 717: 712:, a review of 706:Brooke Allen, 704: 693: 684: 681: 649:Main article: 646: 641: 632: 629: 589: 586: 549: 546: 471: 465: 451:and lyrics by 449:Herbert Hughes 440: 439:Musical (1935) 437: 435: 432: 342: 339: 338: 337: 334: 331: 325: 322: 319: 316: 313: 310: 304: 301: 298: 275: 272: 219: 216: 196: 193: 191: 188: 147: 146: 140: 136: 135: 130: 126: 125: 122: 118: 117: 112: 108: 107: 104: 103:Date premiered 100: 99: 70: 66: 65: 60: 56: 55: 52: 44: 43: 26: 9: 6: 4: 3: 2: 1129: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1102:British plays 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1079: 1077: 1062: 1059: 1057: 1054: 1053: 1051: 1047: 1040: 1039: 1035: 1032: 1031: 1027: 1024: 1023: 1019: 1016: 1015: 1011: 1008: 1007: 1003: 1000: 999: 995: 992: 991: 987: 984: 983: 979: 978: 976: 972: 968: 960: 955: 953: 948: 946: 941: 940: 937: 931: 927: 926: 917: 915: 911: 910: 906: 904: 900: 899: 896:Full text of 894: 893: 872: 868: 862: 854: 850: 844: 836: 832: 831: 826: 820: 812: 805: 796: 788: 780: 776: 772: 771: 763: 755: 754: 747: 741: 736: 732: 721: 718: 715: 711: 710: 705: 702: 698: 695:Linda Kelly, 694: 691: 687: 686: 680: 678: 674: 670: 666: 662: 658: 652: 645: 640: 638: 628: 626: 625:Donald Sinden 622: 621: 620:Theatre Night 616: 612: 608: 607: 602: 597: 595: 592:The play was 585: 583: 579: 575: 571: 567: 563: 559: 555: 545: 543: 539: 535: 534:Neil Hamilton 531: 530:Bret Maverick 527: 526:Beau Maverick 523: 519: 515: 514: 509: 505: 498: 494: 490: 484: 480: 476: 469: 464: 462: 458: 454: 450: 446: 431: 429: 423: 419: 415: 411: 407: 403: 399: 392: 388: 384: 380: 376: 374: 373: 368: 364: 358: 356: 352: 348: 335: 332: 329: 328:Mrs. Malaprop 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 297: 293: 292: 288: 284: 280: 271: 269: 265: 260: 258: 254: 248: 243: 241: 237: 232: 228: 227:Covent Garden 224: 215: 213: 209: 205: 201: 187: 185: 181: 177: 176: 171: 167: 163: 159: 155: 154: 144: 141: 137: 134: 131: 127: 123: 119: 116: 113: 109: 105: 101: 72:Mrs Malaprop 71: 67: 64: 61: 57: 53:1795 playbill 50: 45: 40: 37: 33: 19: 1112:Comedy plays 1036: 1028: 1020: 1012: 1004: 996: 988: 981: 980: 924: 908: 897: 875:. 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Index

Sir Anthony Absolute
The Rivals (disambiguation)

Richard Brinsley Sheridan
Covent Garden Theatre
Comedy of manners
Bath
comedy of manners
Richard Brinsley Sheridan
Covent Garden Theatre
episode
Maverick
James Garner
Roger Moore
Bath
Elizabeth Linley
Covent Garden
Mary Bulkley
John Lee
Laurence Clinch
George Washington
malapropism
Jane Green

Edwin Austin Abbey
baronet
Bob Acres
Mrs. Malaprop
Bath
conspicuous consumption

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