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414:, Falstaff's ensign. After Falstaff ejects Pistol, Doll asks him about the Prince. Falstaff is embarrassed when his derogatory remarks are overheard by Hal, who is present disguised as a musician. Falstaff tries to talk his way out of it, but Hal is unconvinced. When news of a second rebellion arrives, Falstaff joins the army again, and goes to the country to raise forces. There he encounters an old school friend, Justice Shallow, and they reminisce about their youthful follies. Shallow brings forward potential recruits for the loyalist army: Mouldy, Bullcalf, Feeble, Shadow and Wart, a motley collection of rustic yokels. Falstaff and his cronies accept bribes from two of them, Mouldy and Bullcalf, not to be conscripted.
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378:, and the page cryptically informs him that the urine is healthier than the patient. Falstaff delivers one of his most characteristic lines: "I am not only witty in myself, but the cause that wit is in other men." Falstaff promises to outfit the page in "vile apparel" (ragged clothing). He then complains of his insolvency, blaming it on "consumption of the purse." They go off, Falstaff vowing to find a wife "in the stews" (i.e., the local brothels).
1250:– showing the fat knight carousing with Henry back when he was "madcap prince" Hal, but it ends abruptly when the prince makes an ominous hint that some day when he becomes King he will be banishing his old friend. Later, prior to the actual scene where Mistress Quickly describes his death, there is a fleeting close-up shot of her sadly examining the knight's now deceased body one last time before going downstairs to his followers.
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339:, he feigns death to avoid attack by Douglas. After Hal leaves both Hotspur and Falstaff on the field and being thought dead, Falstaff revives, stabs Hotspur's corpse in the thigh and claims credit for the kill. Though Hal knows better, he is merciful to Falstaff, who subsequently states that he wants to amend his life and begin "to live cleanly as a nobleman should do".
814:, which the English lost. His previous career as a soldier had earned him wide respect but he seems to have become a scapegoat after the debacle. He was among the few English military leaders to avoid death or capture during the battle, and although there is no evidence that he acted with cowardice, he was temporarily stripped of his knighthood. Fastolf appears in
1309:) representing Falstaff. In the scene immediately following Bob's first appearance in the film, Scott Favor (Keanu Reeves) – the film's version of Hal – is seen drinking from a bottle of Falstaff brand beer. Bob Pigeon's final scene in the film mirrors that of Falstaff, with Scott/Prince Hal delivering a version of the famous
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turning the subject of the conversation to the nature of the illness afflicting the King. He then adopts the pretense of being a much younger man than the Chief
Justice: "You that are old consider not the capacities of us that are young." Finally, he asks the Chief Justice for one thousand pounds to help outfit a military expedition, but is denied.
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after which Hal returns it to its owner. Hal tells the audience that he will soon abandon this life and assume his rightful high place in affairs by showing himself worthy through some (unspecified) noble exploits. Hal believes that this sudden change will gain him additional approval and earn him respect at court.
323:) has lost his authority at court and spends his time in taverns with low companions. He has become an object of scorn to the nobility and his worthiness to succeed his father is doubted. Hal's main companion in enjoying the low life is Sir John Falstaff. Fat, old, drunk, and corrupt as he is, he has a
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Hal likes
Falstaff but makes no pretence of being like him. He enjoys insulting his dissolute friend and makes sport of him. He and Poins pretend to go along with a plan by Falstaff and three friends to carry out a highway robbery, but then attack the robbers in disguise and in turn steal their loot,
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Falstaff, who has "misused the King's press damnably", by taking money from able-bodied men who wished to evade service and by keeping the wages of those he recruited who were killed in battle ("food for powder, food for powder") is obliged to play a role in the Battle of
Shrewsbury. Left on his own
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The wives meet
Falstaff, and almost immediately the "fairies" attack. After the chaos, the characters reveal their true identities to Falstaff. Although he is embarrassed, Falstaff takes the joke surprisingly well, as he sees it was what he deserved. Ford says he must pay back the 20 pounds 'Brook'
567:(including Falstaff) dumped into the river. Although this affects Falstaff's pride, his ego is surprisingly resilient. He is convinced that the wives are just playing hard to get with him, so he continues his pursuit of sexual advancement, with its attendant capital and opportunities for blackmail.
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felt him, and after an interval examined his feet and legs; he then pinched his foot hard and asked if he would feel it, and
Socrates said not. And then he felt his shins once more; and moving upwards in this way, he showed us that he was becoming cold and numb. He went on feeling him and said that
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Falstaff arrives in
Windsor very short on money. To obtain financial advantage, he decides to court two wealthy married women, Mistress Ford and Mistress Page. Falstaff decides to send the women identical love letters and asks his servants – Pistol and Nym – to deliver them to the wives. When they
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When
Falstaff arrives to meet Mistress Ford, the merry wives trick him into hiding in a laundry basket ("buck basket") full of filthy, smelly clothes awaiting laundering. When the jealous Ford returns to try and catch his wife with the knight, the wives have the basket taken away and the contents
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This all results in great embarrassment for
Falstaff. Mr. Ford poses as 'Mr. Brook' and says he is in love with Mistress Ford but cannot woo her as she is too virtuous. He offers to pay Falstaff to court her, saying that once she has lost her honour he will be able to tempt her himself. Falstaff
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Again
Falstaff goes to meet the women but Mistress Page comes back and warns Mistress Ford of her husband's approach again. They try to think of ways to hide him other than the laundry basket which he refuses to get into again. They trick him again, this time into disguising himself as Mistress
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The Lord Chief
Justice enters, looking for Falstaff. Falstaff at first feigns deafness in order to avoid conversing with him. When this tactic fails, Falstaff pretends to mistake him for someone else. As the Chief Justice attempts to question Falstaff about a recent robbery, Falstaff insists on
894:. To restore his financial position after his rejection by Hal, Falstaff is forced to marry Mistress Ursula (a character briefly mentioned by Shakespeare, whom Falstaff has "weekly" promised to marry). The play exists in two very different versions. In the first version Falstaff is drawn into
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In the final scene, Falstaff, having learned from Pistol that Hal is now King, travels to London in expectation of great rewards. But Hal rejects him, saying that he has now changed, and can no longer associate with such people. The London lowlifes, expecting a paradise of thieves under Hal's
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When the women receive the letters, each goes to tell the other, and they quickly find that the letters are almost identical. The "merry wives" are not interested in the ageing, overweight Falstaff as a suitor; however, for the sake of their own amusement and to gain revenge for his indecent
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refuse, Falstaff sacks them, and, in revenge, the men tell Ford and Page (the husbands) of Falstaff's intentions. Page is not concerned, but the jealous Ford persuades the Host of the Garter Inn to introduce him to Falstaff as a 'Master Brook' so that he can find out Falstaff's plans.
370:, Hal's and Falstaff's stories are almost entirely separate, as the two characters meet only twice and very briefly. The tone of much of the play is elegiac, focusing on Falstaff's age and his closeness to death, which parallels that of the increasingly sick king.
1427:(1796) purports to be a collection of letters written by Falstaff, provided by a descendant of Mistress Quickly's sister. She had inherited them from Mistress Quickly herself, who kept them in a drawer in the Boar's Head Tavern until her death in "August 1419".
373:
Falstaff is still drinking and engaging in petty criminality in the London underworld. He first appears, followed by a new character, a young page whom Prince Hal has assigned him as a joke. Falstaff enquires what the doctor has said about the analysis of his
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in 1935 – as a dying, heartbroken old man attended by Mistress Quickly, pathetically reliving in his mind his rejection by Henry. This was immediately followed by the actual scene from the play of Mistress Quickly describing Falstaff's death to his grieving
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It is not clear, however, if Shakespeare characterised Falstaff as he did for dramatic purposes, or because of a specific desire to satirise Oldcastle or the Cobhams. Cobham was a common butt of veiled satire in Elizabethan popular literature; he figures in
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Ford's maid's obese aunt, known as "the fat woman of Brentford". Ford tries once again to catch his wife with the knight but ends up beating the "old woman", whom he despises, and throwing her out of his house. Black and blue, Falstaff laments his bad luck.
1285:, there is a humorous scene in silhouette prior to the scene where Mistress Quickly describing his funeral, depicting Falstaff's funeral procession, with a group of soldiers staggering under the weight of his coffin (an obvious nod to the final scene in
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cannot believe his luck, and tells 'Brook' he has already arranged to meet Mistress Ford while her husband is out. Falstaff leaves to keep his appointment and Ford soliloquises that he is right to suspect his wife and that the trusting Page is a fool.
574:
Eventually the wives tell their husbands about the series of jokes they have played on Falstaff, and together they devise one last trick which ends up with the Knight being humiliated in front of the whole town. They tell Falstaff to dress as
591:
gave him and takes the Knight's horses as recompense. Eventually they all leave together and Mistress Page even invites Falstaff to come with them: "let us every one go home, and laugh this sport o'er by a country fire; Sir John and all".
1246:, as in the Olivier version is given an original scene, this time dying in his bed and attended by Mistress Quickly, while downstairs his followers share a flashback – put together from various bits from both parts of
204:. Welles, who played Falstaff in his film, considered the character "Shakespeare's greatest creation". The word "Falstaffian" has entered the English language with connotations of corpulence, jollity, and debauchery.
3332:
641:, in which Sir John "Jockey" Oldcastle appears as a dissolute companion of the young Henry. Prince Hal refers to Falstaff as "my old lad of the castle" in the first act of the play; the epilogue to
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may have become aware of the offensive representation after a public performance; he may also have learned of it while it was being prepared for a court performance (Cobham was at that time
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252:, but he has no lines, nor is it directed that he appear on stage. However, many stage and film adaptations have seen it necessary to include Falstaff for the insight he provides into
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series). In the play, the paranoid, jealous Master Ford uses the alias "Brook" to fool Falstaff, perhaps in reference to William Brooke. At any rate, the name is Falstaff in the
159:. Though primarily a comic figure, he embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the
2360:
Klein, Holger (2013). "Shakespeare und der historische: Roman Parallelen, Transformationen, Kontraste in der Henriade und bei Edith Pargeter, Denise Giardina, Robert Nye".
543:
747:, Cobham certainly possessed the influence at court to get his complaint heard quickly. Shakespeare may have included a sly retaliation against the complaint in his play
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with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is repudiated when Hal becomes king.
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on the English throne, so if Shakespeare wished to use Oldcastle to embarrass the Cobhams, he seems unlikely to have done so on religious grounds.
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842:. Notorious for a life of dissipation and debauchery somewhat similar to Falstaff, he was among the first to mention Shakespeare in his work (in
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sketched a "biography" of Falstaff based on clues drawn from plays in which the character appears, surmising, for example, that Falstaff was of
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to murder the king, but wins back Henry's favour by exposing the plot. In the second this story is dropped for a purely farcical storyline.
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his name is spelled "Falstaffe", so Shakespeare may have directly appropriated the spelling of the name he used in the earlier play.
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may also have been an inspiration for the character of Falstaff. This theory was first proposed in 1930 and has been championed by
645:, moreover, explicitly disavows any connection between Falstaff and Oldcastle: "Oldcastle died a martyr, and this is not the man."
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A Compleat History of the Lives and Robberies of the most Notorious Highway-Men, Foot-Pads, Shop-Lifts, and Cheats, of Both Sexes
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283:, writing shortly after Shakespeare's death, while many plays could not get good audiences, "let but Falstaff come, Hal,
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The character is known to have been very popular with audiences at the time, and for many years afterwards. According to
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McKenzie, Andrea (2013). "Biting the Biter: Sex, Scatology, and Satirical Inversion in Augustan Highwayman 'Lives'".
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The play focuses on Prince Hal's journey toward kingship, and his ultimate rejection of Falstaff. However, unlike
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and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays
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was probably written and performed in 1596, and the name Oldcastle had almost certainly been allowed by
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was suppressed. Shakespeare's desire to burlesque a hero of early English Protestantism could indicate
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848:), suggesting to Greenblatt that the older writer may have influenced Shakespeare's characterisation.
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Falstaff with Doll Tearsheet in the Boar's Head tavern, illustration to Act 2, Scene 4 of the play by
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was sufficiently sympathetic to Catholicism that in 1603, he was imprisoned as part of the
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who was executed for heresy and rebellion, and he was respected by many Protestants as a
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Brown, Clive (2002). "Lustigen Weiber von Windsor, Die ('The Merry Wives of Windsor')".
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Grady, Hygh (2001). "Falstaff: Subjectivity between the Carnival and the Aesthetic".
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stating in 1975 that it "may be the greatest Shakespearean film ever made, bar none".
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2795:"'Banish all the wor(l)d': Falstaff's iconoclastic threat to kingship in I Henry IV"
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The Life of Sir John Falstaff: With a Biography of the Knight from Authentic Sources
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There is a similarity in Shakespeare's description of the death of Falstaff, and in
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Maxwell, Baldwin (1930). "The Original of Sir John Falstaff: Believe It or Not".
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1184:, which was actually a 15 part series depicting Shakespeare's history plays from
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Independent Visions: A Critical Introduction to Recent Independent American Film
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plays into a single, condensed storyline, while adding a handful of scenes from
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ones, sadly recollecting his rejection by his former friend while he is dying.
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153:. Falstaff is also featured as the buffoonish suitor of two married women in
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1110:. It was directed by Johnson and staged by the Boston Shakespeare Company.
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Falstaff at Herne's Oak, from "The Merry Wives of Windsor", Act V, Scene v
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plays, set in the contemporary US, and with the character of Bob Pigeon (
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There are several works about Falstaff, inspired by Shakespeare's plays:
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Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique
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2087:. Vol. 3, no. 74. Edinburgh. 10 April 1830. pp. 216–217.
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assumptions towards them both, they pretend to respond to his advances.
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Alexander Smith (pseud.) "Sir John Falstaff a Notorious Highwayman" in
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2972:(1987). "William Shakespeare, Richard James and the House of Cobham".
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The new name "Falstaff" probably derived from the medieval knight Sir
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Doloff, Steven (2008). "Falstaff's 'Honour': Homeric Burlesque in
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to an Italian libretto by S. Manfredo Maggione that is based upon
579:" and meet them by an old oak tree in Windsor Forest (now part of
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governance, are instead purged and imprisoned by the authorities.
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1322:, which likewise consisted of Shakespeare's plays concerning the
1281:. Although Falstaff never actually appeared in the production of
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King Henry is troubled by the behaviour of his son and heir, the
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The Real Falstaff: Sir John Fastolf and the Hundred Years War
2707:(1933). "Shakespeare's Imitators in the Eighteenth Century".
2233:"Introduction: Shakespeare and the Cultures of Commemoration"
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adapted and developed the material in an earlier play called
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1915:"Wallengren, Axel 'Falstaff, fakir' (1865–1896), författare"
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1357:(combining both parts), which was videotaped and broadcast,
438:, his death is the main subject of Act 2, Scene 3, in which
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2640:(2002). "Falstaff (i) ('Falstaff, or The Three Jokes')".
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Falstaff has appeared in other works, including operas by
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and one, ev'n at the turning o' th' tide; for after I saw
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of Act II, Scene iv: Falstaff enacts the part of the king
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and get them to pinch and burn Falstaff to punish him.
129:
is a fictional character who appears in three plays by
2050:"Film View: The Undiminished Chutzpah of Orson Welles"
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character and companion to Thor, is based on Falstaff.
1330:. Just as in Olivier's and Branagh's film versions of
1077:(1985/2005), an opera with both libretto and music by
775:
anything I know, Falstaff shall die of a sweat, unless
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when the coldness reached his heart, he would be gone.
256:'s character. The most notable examples in cinema are
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Will In The World: How Shakespeare Became Shakespeare
1917:[... author] (in Swedish). Kulturportal Lund.
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felt them, and they were as cold as any stone. Then I
2245:(2, Shakespeare and the Cultures of Commemoration).
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was a 1982 theater piece adapted from Shakespeare's
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in which he is portrayed as an abject coward. In the
583:). They then dress several of the local children as
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you merry with fair Katherine of France, where, for
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clothes on his feet. I put my hand into the bed and
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out 'God, God, God!' three or four times. Now I, to
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quoth I. 'What, man, be o' good cheer!' So he cried
461:
but one way, for his nose was as sharp as a pen and
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1265:'s presentation of Shakespeare's plays concerning
779:Oldcastle died a martyr, and this is not the man.
469:comfort him, bid him he should not think of God; I
453:christom child. He parted ev'n just between twelve
451:made a finer end, and went away an it had been any
272:, both of which draw additional material from the
228:Falstaff appears in three of Shakespeare's plays:
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777:already he be killed with your hard opinions; for
771:continue the story, with Sir John in it, and make
769:much cloyed with fat meat, our humble author will
623:", a real historical personage who died in 1417.
459:and smile upon his finger's end, I knew there was
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834:It has been suggested that the dissolute writer
672:, Shakespeare's usual source for his histories.
479:felt to his knees, and so upward and upward, and
457:him fumble with the sheets and play with flowers
327:and a zest for life that captivates the Prince.
767:One word more, I beseech you: if you be not too
471:hoped there was no need to trouble himself with
463:he talked of green fields. 'How now, Sir John?'
30:"Falstaff" redirects here. For other uses, see
1334:, the Falstaff in this series appeared in the
434:Although Falstaff does not appear on stage in
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2362:AAA: Arbeiten aus Anglistik und Amerikanistik
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473:any such thoughts yet. So he bade me lay more
449:bosom, if ever man went to Arthur's bosom. He
447:Nay, sure, he's not in hell! He's in Arthur's
2556:McMahon, Michael (2004). Sidney Lamb (ed.).
2368:(2). Narr Francke Attempto Verlag: 129–159.
648:The historical Oldcastle was a knight from
610:(1896) (Falstaff with big wine jar and cup)
410:, a prostitute, who gets into a fight with
287:, the rest, you scarce shall have a room".
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3116:
3102:
2703:
2200:
1928:The Oxford Companion to English Literature
1656:
1644:
60:
2672:
2656:10.1093/gmo/9781561592630.article.O901546
2620:10.1093/gmo/9781561592630.article.O901547
2343:10.1093/gmo/9781561592630.article.O008391
2307:10.1093/gmo/9781561592630.article.O900239
2254:
2161:
2083:"Stephen Kemble and The Son of Neptune".
2028:10.1093/gmo/9781561592630.article.O009159
1800:
1788:
743:). As father-in-law to the newly widowed
27:Character in three of Shakespeare's plays
3927:Characters in The Merry Wives of Windsor
2574:
2504:
2323:
2287:
2078:(91). The Charles Lamb Society: 118–129.
1884:
1836:
1776:
1764:
921:
855:
608:Falstaff mit großer Weinkanne und Becher
598:
542:
384:
354:
302:
211:
2555:
2461:
2231:Hoenselaars, Ton; Calvo, Clara (2010).
1953:
1668:
1629:
1509:
995:in which Shakespeare and Falstaff meet.
851:
806:. The historical Fastolf fought at the
619:Shakespeare originally named Falstaff "
511:. In a description in Plato's dialogue
14:
3884:
3770:Overture to The Merry Wives of Windsor
2922:Modern Humanities Research Association
2719:Modern Humanities Research Association
2600:
2558:CliffsComplete – King Henry IV, Part I
2181:
1973:
1860:
1740:
1589:
1223:which followed in the 1982 season, by
1114:
3661:
3207:The Life and Death of King Richard II
3097:
2438:
2411:
2388:
2359:
2103:
2062:
2044:
2011:
1969:). New York: Charles Scribner's Sons.
1921:
1912:
1896:
1872:
1848:
1824:
1812:
1752:
1716:
1704:
1521:
1497:
1178:Falstaff appeared in the 1960 series
901:English lawyer and occasional writer
691:and may have been part of the reason
2673:Rosenblum, Joshua (September 2013).
2636:
1692:
207:
797:
342:
290:
24:
2575:Peterson, Jeff (7 November 2013).
2474:University of North Carolina Press
2162:Edelstein, David (16 March 1982).
1106:plays by Grey Cattell Johnson and
192:. The operas focus on his role in
25:
3943:
3050:
1395:, William Shakespeare, played by
1277:, who later played the Chorus in
1273:episodes, Falstaff was played by
737:William Brooke, 10th Baron Cobham
614:
521:, the man who gave him the poison
3869:
3744:
3067:All lines spoken by Falstaff in
2517:University of Pennsylvania Press
1965:(chapter written anonymously by
1301:is partially a retelling of the
1031:(1913), a "symphonic study" (or
829:
3555:The Famous Victories of Henry V
2389:Lyons, Bridget Gellert (1989).
2291:(2002a). "At the Boar's Head".
1681:Edinburgh Literary Journal 1830
1609:
1382:employed by the English in the
972:Die lustigen Weiber von Windsor
703:Henry Brooke, 11th Baron Cobham
662:The Famous Victories of Henry V
660:. In addition to the anonymous
638:The Famous Victories of Henry V
507:'s description of the death of
2085:The Edinburgh Literary Journal
1595:
1569:
1555:
1541:
1527:
1316:In the 2012 television series
1120:On film, Falstaff appeared in
890:, was set after the events of
481:all was as cold as any stone.
216:Mistress Page and Falstaff in
13:
1:
3902:Male Shakespearean characters
2975:The Review of English Studies
2327:(2002b). "Sir John in Love".
1913:André, Ingrid (6 July 2019).
1480:
1431:The Life of Sir John Falstaff
875:
442:delivers a memorable eulogy:
397:
145:, where he is a companion to
2508:Huntington Library Quarterly
2393:. New Brunswick and London:
2164:"Theater: Jack of all plays"
1729:Hoenselaars & Calvo 2010
845:Greene's Groats-Worth of Wit
246:. His death is mentioned in
196:, while the film adapts the
7:
2992:10.1093/res/XXXVIII.151.334
2817:10.5840/renascence200759417
2793:Caldwell, Ellen M. (2007).
1263:English Shakespeare Company
1242:, Falstaff, here played by
1081:, adapted from the text of
517:, after Socrates has drunk
406:He has a relationship with
10:
3948:
3805:The Merry Wives of Windsor
3778:The Merry Wives of Windsor
3762:The Merry Wives of Windsor
3694:The Merry Wives of Windsor
3590:The Merry Wives of Windsor
3086:The Merry Wives of Windsor
3034:Cambridge University Press
2913:The Modern Language Review
2809:Marquette University Press
2710:The Modern Language Review
1983:Cambridge University Press
1417:(London: J. Morphew, 1714)
1221:The Merry Wives of Windsor
1205:In the 1979 season of the
1198:episodes he was played by
1167:. The film, also known as
1069:The Merry Wives of Windsor
1039:, depicts Falstaff's life.
1021:The Merry Wives of Windsor
1019:. It is mostly based upon
981:The Merry Wives of Windsor
965:The Merry Wives of Windsor
949:The Merry Wives of Windsor
749:The Merry Wives of Windsor
718:The Merry Wives of Windsor
675:
594:
539:The Merry Wives of Windsor
536:
532:The Merry Wives of Windsor
427:
421:
348:
296:
243:The Merry Wives of Windsor
218:The Merry Wives of Windsor
194:The Merry Wives of Windsor
156:The Merry Wives of Windsor
29:
3932:Characters in the Henriad
3922:Fictional alcohol abusers
3907:Comedy theatre characters
3839:
3788:
3753:
3742:
3701:
3620:
3581:
3539:
3444:
3365:
3333:Henry the Fourth, Part II
3306:
3247:
3180:
3173:
3137:
2549:10.1525/hlq.2013.76.2.235
2525:10.1525/hlq.2013.76.2.235
2076:The Charles Lamb Bulletin
1364:In the 2019 Netflix film
1326:, Falstaff was played by
1253:Falstaff appeared in the
1211:series, in both parts of
1047:(1925), a short opera by
988:Le songe d'une nuit d'été
222:Pacific Repertory Theatre
178:, a "symphonic study" by
116:
108:
100:
92:
87:
77:
59:
49:
44:
32:Falstaff (disambiguation)
3029:The Fortunes of Falstaff
2844:Cooper, Stephen (2010).
2604:(2002). "Falstaff(ii)".
2395:Rutgers University Press
1991:10.1017/CBO9781139542562
1935:(7th ed.). Oxford:
1407:
1311:I know thee not, old man
1153:(1965) compiles the two
1093:
917:
909:descent and hailed from
550:, James Stephanoff, 1832
3912:Inmates of Fleet Prison
3274:Henry the Fouth, Part I
3215:King Richard the Second
3058:Henry the Fourth part 1
2984:Oxford University Press
2879:Oxford University Press
2648:Oxford University Press
2612:Oxford University Press
2335:Oxford University Press
2299:Oxford University Press
2020:Oxford University Press
1975:Brough, Robert Barnabas
1937:Oxford University Press
1451:Volstagg the Voluminous
1386:and dies in the battle.
1215:Falstaff was played by
688:Every Man in His Humour
335:during Hal's duel with
309:Johann Heinrich Ramberg
88:In-universe information
3548:Holinshed's Chronicles
2772:Falstaff: Give Me Life
2681:. Opera and Oratorio.
2439:Marek, Dan H. (2013).
2412:Lyons, Donald (1994).
2256:10.3167/cs.2010.220201
2182:Gallop, David (1975).
1435:Robert Barnabas Brough
1370:, Falstaff (played by
1065:Ralph Vaughan Williams
930:
869:
868:in Stratford-upon-Avon
795:
720:or the second part of
611:
551:
528:
501:
403:
363:
312:
225:
172:Ralph Vaughan Williams
2887:10.1093/notesj/gjn016
2063:Craik, T. W. (1995).
1389:In the comedy series
1267:The Wars of the Roses
961:Michael William Balfe
925:
859:
764:
751:(published after the
602:
546:
537:Further information:
523:
444:
428:Further information:
388:
358:
349:Further information:
306:
297:Further information:
215:
2705:Sutherland, James R.
2579:Thor: The Dark World
2465:Studies in Philology
1338:episode as well the
1298:My Own Private Idaho
1063:(1929), an opera by
991:(1850), an opera by
959:(1838), an opera by
866:Shakespeare memorial
852:Cultural adaptations
730:Master of the Revels
724:. The first part of
3897:Literary archetypes
3848:You Banbury cheese!
3689:William Shakespeare
3567:Thomas of Woodstock
3125:William Shakespeare
2848:. Pen & Sword.
2202:Greenblatt, Stephen
2186:. Clarendon Press.
2093:2027/wu.89094395365
1671:, pp. 200–232.
1647:, pp. 216–225.
1619: Epilogue/28–34
1443:(1976), a novel by
1433:(1858), a novel by
1384:Battle of Agincourt
1349:'s 2017 all-female
1328:Simon Russell Beale
1115:Film and television
886:(1766), a drama by
786:William Shakespeare
604:Eduard von Grützner
492:William Shakespeare
361:Eduard von Grützner
307:1829 watercolor by
131:William Shakespeare
82:William Shakespeare
69:: Falstaff and his
39:Fictional character
3645:Suite from Henry V
3637:At the Boar's Head
3610:Falstaff's Wedding
3602:Sir John Oldcastle
3392:Chimes at Midnight
3325:Chimes at Midnight
3266:Chimes at Midnight
3223:Richard the Second
2643:Grove Music Online
2607:Grove Music Online
2391:Chimes at Midnight
2330:Grove Music Online
2294:Grove Music Online
2168:The Boston Phoenix
2067:Falstaff's Letters
2055:The New York Times
2015:Grove Music Online
1955:Birrell, Augustine
1592:, sec. 118, p. 72.
1425:Falstaff's Letters
1287:Chimes at Midnight
1259:Michael Pennington
1150:Chimes at Midnight
1124:'s acclaimed 1944
1044:At the Boar's Head
931:
883:Falstaff's Wedding
870:
860:Falstaff, part of
840:Stephen Greenblatt
612:
581:Windsor Great Park
552:
404:
364:
319:. Hal (the future
313:
226:
189:Chimes at Midnight
151:Henry V of England
149:, the future King
3917:Fictional knights
3857:
3856:
3655:
3654:
3440:
3439:
3063:Project Gutenberg
2870:Notes and Queries
2665:978-1-56159-263-0
2629:978-1-56159-263-0
2352:978-1-56159-263-0
2316:978-1-56159-263-0
2118:The Musical Times
2037:978-1-56159-263-0
1933:Oxford Companions
1324:Wars of the Roses
1225:Richard Griffiths
666:Raphael Holinshed
577:Herne, the Hunter
498:, Act 2, Scene 3.
208:Role in the plays
127:Sir John Falstaff
124:
123:
18:Sir John Falstaff
16:(Redirected from
3939:
3874:
3873:
3865:
3821:Sir John in Love
3748:
3716:Mistress Quickly
3682:
3675:
3668:
3659:
3658:
3416:The Hollow Crown
3347:Henry IV, Part 2
3341:The Hollow Crown
3308:Henry IV, Part 2
3288:Henry IV, Part 1
3282:The Hollow Crown
3249:Henry IV, Part 1
3231:The Hollow Crown
3178:
3177:
3157:Henry IV, Part 2
3150:Henry IV, Part 1
3118:
3111:
3104:
3095:
3094:
3079:Henry IV, Part 2
3072:Henry IV, Part 1
3045:
3024:Wilson, J. Dover
3019:
2965:
2906:
2859:
2840:
2837:The Free Library
2789:
2754:
2700:
2698:
2696:
2669:
2646:(8th ed.).
2633:
2610:(8th ed.).
2597:
2595:
2593:
2571:
2552:
2501:
2458:
2435:
2422:Ballantine Books
2419:
2408:
2385:
2356:
2333:(8th ed.).
2325:Kennedy, Michael
2320:
2297:(8th ed.).
2289:Kennedy, Michael
2284:
2258:
2227:
2211:
2197:
2178:
2176:
2174:
2158:
2125:(847): 575–579.
2100:
2079:
2073:
2059:
2048:(2 March 1975).
2041:
2018:(8th ed.).
2008:
1970:
1950:
1918:
1900:
1894:
1888:
1882:
1876:
1870:
1864:
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1840:
1834:
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1810:
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1720:
1714:
1708:
1702:
1696:
1690:
1684:
1678:
1672:
1666:
1660:
1654:
1648:
1642:
1633:
1627:
1621:
1617:Henry IV, Part 2
1613:
1607:
1605: Epilogue/34
1603:Henry IV, Part 2
1599:
1593:
1587:
1581:
1573:
1567:
1563:Henry IV, Part 1
1559:
1553:
1549:Henry IV, Part 1
1545:
1539:
1535:Henry IV, Part 1
1531:
1525:
1519:
1513:
1507:
1501:
1495:
1380:military tactics
1361:played Falstaff.
1351:Donmar Warehouse
1319:The Hollow Crown
1255:Michael Bogdanov
1200:Frank Pettingell
1138:Henry IV, Part 1
1122:Laurence Olivier
1060:Sir John in Love
892:Henry IV, Part 2
817:Henry VI, Part 1
798:Sir John Fastolf
793:
790:Henry IV, Part 2
757:Henry IV, Part 1
741:Lord Chamberlain
701:sympathies, but
694:The Isle of Dogs
643:Henry IV, Part 2
499:
488:Mistress Quickly
440:Mistress Quickly
402:
399:
390:Falstaff rebuked
351:Henry IV, Part 2
344:Henry IV, Part 2
299:Henry IV, Part 1
292:Henry IV, Part 1
258:Laurence Olivier
237:Henry IV, Part 2
231:Henry IV, Part 1
136:Henry IV, Part 1
64:
42:
41:
21:
3947:
3946:
3942:
3941:
3940:
3938:
3937:
3936:
3882:
3881:
3880:
3868:
3860:
3858:
3853:
3835:
3784:
3754:Film/Television
3749:
3740:
3697:
3686:
3656:
3651:
3616:
3577:
3535:
3436:
3400:Henry the Fifth
3384:An Age of Kings
3361:
3317:An Age of Kings
3302:
3258:An Age of Kings
3243:
3199:An Age of Kings
3191:King Richard II
3169:
3133:
3122:
3053:
3048:
3022:
2968:
2930:10.2307/3736733
2909:
2862:
2856:
2843:
2792:
2786:
2766:
2760:Further reading
2757:
2727:10.2307/3715883
2694:
2692:
2666:
2630:
2591:
2589:
2568:
2455:
2445:Scarecrow Press
2432:
2405:
2353:
2317:
2238:Critical Survey
2224:
2194:
2172:
2170:
2071:
2065:"Jem White and
2038:
2001:
1947:
1903:
1895:
1891:
1883:
1879:
1871:
1867:
1859:
1855:
1847:
1843:
1835:
1831:
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1811:
1807:
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1715:
1711:
1703:
1699:
1691:
1687:
1679:
1675:
1667:
1663:
1657:Sutherland 1933
1655:
1651:
1645:Greenblatt 2004
1643:
1636:
1628:
1624:
1614:
1610:
1600:
1596:
1588:
1584:
1574:
1570:
1565: 5.4/76–169
1560:
1556:
1546:
1542:
1532:
1528:
1520:
1516:
1508:
1504:
1496:
1492:
1483:
1470:Axel Wallengren
1410:
1307:William Richert
1244:Robbie Coltrane
1232:Kenneth Branagh
1208:BBC Shakespeare
1181:An Age of Kings
1117:
1096:
993:Ambroise Thomas
941:Antonio Salieri
920:
888:William Kenrick
878:
854:
832:
808:Battle of Patay
800:
794:
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781:
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353:
347:
317:Prince of Wales
301:
295:
266:Kenneth Branagh
210:
202:The Merry Wives
161:Boar's Head Inn
73:
67:Adolf Schrödter
40:
35:
28:
23:
22:
15:
12:
11:
5:
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3878:
3855:
3854:
3852:
3851:
3843:
3841:
3837:
3836:
3834:
3833:
3829:Lone Star Love
3825:
3817:
3809:
3801:
3792:
3790:
3786:
3785:
3783:
3782:
3774:
3766:
3757:
3755:
3751:
3750:
3743:
3741:
3739:
3738:
3733:
3731:Robert Shallow
3728:
3723:
3721:Ancient Pistol
3718:
3713:
3707:
3705:
3699:
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3685:
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3551:
3543:
3541:
3537:
3536:
3534:
3533:
3531:Robert Shallow
3528:
3523:
3518:
3513:
3512:
3511:
3509:Owen Glendower
3501:
3500:
3499:
3489:
3484:
3479:
3474:
3472:Doll Tearsheet
3469:
3464:
3459:
3454:
3452:Ancient Pistol
3448:
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3090:
3089:
3082:
3075:
3065:
3052:
3051:External links
3049:
3047:
3046:
3020:
2978:. New Series.
2966:
2907:
2860:
2855:978-1848841239
2854:
2841:
2790:
2785:978-1501164132
2784:
2763:
2756:
2755:
2701:
2670:
2664:
2634:
2628:
2598:
2577:"Who's who in
2572:
2566:
2553:
2502:
2459:
2454:978-0810886681
2453:
2443:. Lanham, MD:
2436:
2431:978-0345382498
2430:
2409:
2404:978-0813513393
2403:
2386:
2357:
2351:
2321:
2315:
2285:
2247:Berghahn Books
2228:
2223:978-0393050578
2222:
2198:
2192:
2184:Plato's Phaedo
2179:
2159:
2131:10.2307/908045
2101:
2080:
2060:
2046:Canby, Vincent
2042:
2036:
2009:
2005:Cambridge Core
2000:978-1139542562
1999:
1971:
1967:George Radford
1951:
1946:978-0192806871
1945:
1925:, ed. (2009).
1919:
1909:
1902:
1901:
1889:
1877:
1865:
1853:
1841:
1829:
1827:, p. 233.
1817:
1805:
1801:Edelstein 1982
1793:
1789:Rosenblum 2013
1781:
1769:
1757:
1745:
1733:
1721:
1709:
1697:
1685:
1673:
1661:
1649:
1634:
1622:
1608:
1594:
1582:
1568:
1554:
1551: 4.2/66–67
1540:
1537: 4.2/12–13
1526:
1524:, p. 475.
1514:
1502:
1489:
1482:
1479:
1478:
1477:
1458:
1448:
1438:
1428:
1418:
1409:
1406:
1405:
1404:
1401:John Foulstuff
1397:David Mitchell
1387:
1374:) proposes to
1362:
1359:Sophie Stanton
1353:production of
1347:Phyllida Lloyd
1343:
1314:
1290:
1251:
1228:
1217:Anthony Quayle
1203:
1176:
1142:
1116:
1113:
1112:
1111:
1095:
1092:
1091:
1090:
1072:
1056:
1040:
1033:symphonic poem
1024:
1005:Giuseppe Verdi
996:
984:
968:
952:
927:Stephen Kemble
919:
916:
915:
914:
903:George Radford
899:
877:
874:
853:
850:
831:
828:
799:
796:
782:
765:
711:Arbella Stuart
699:Roman Catholic
677:
674:
621:John Oldcastle
616:
615:John Oldcastle
613:
596:
593:
534:
529:
484:
445:
425:
420:
412:Ancient Pistol
408:Doll Tearsheet
346:
341:
294:
289:
281:Leonard Digges
209:
206:
168:Giuseppe Verdi
122:
121:
118:
114:
113:
110:
106:
105:
102:
98:
97:
94:
90:
89:
85:
84:
79:
75:
74:
65:
57:
56:
47:
46:
38:
26:
9:
6:
4:
3:
2:
3944:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3892:John Falstaff
3890:
3889:
3887:
3877:
3872:
3867:
3866:
3863:
3849:
3845:
3844:
3842:
3838:
3831:
3830:
3826:
3823:
3822:
3818:
3815:
3814:
3810:
3807:
3806:
3802:
3799:
3798:
3794:
3793:
3791:
3789:Opera/Musical
3787:
3780:
3779:
3775:
3772:
3771:
3767:
3764:
3763:
3759:
3758:
3756:
3752:
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3727:
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3704:
3700:
3696:
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3683:
3678:
3676:
3671:
3669:
3664:
3663:
3660:
3647:
3646:
3642:
3639:
3638:
3634:
3631:
3630:
3626:
3625:
3623:
3621:Related music
3619:
3612:
3611:
3607:
3604:
3603:
3599:
3596:
3592:
3591:
3587:
3586:
3584:
3582:Related plays
3580:
3573:
3569:
3568:
3564:
3561:
3557:
3556:
3552:
3550:
3549:
3545:
3544:
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3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3510:
3507:
3506:
3505:
3504:Owain Glyndŵr
3502:
3498:
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3494:
3493:
3490:
3488:
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3327:
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3314:
3313:
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3309:
3305:
3298:
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3233:
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3228:
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3224:
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3216:
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3209:
3208:
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3201:
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3145:
3144:
3140:
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3132:
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3126:
3119:
3114:
3112:
3107:
3105:
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3099:
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3088:
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3074:
3073:
3069:
3068:
3066:
3064:
3060:
3059:
3055:
3054:
3043:
3039:
3035:
3032:. Cambridge:
3031:
3030:
3025:
3021:
3017:
3013:
3009:
3005:
3001:
2997:
2993:
2989:
2985:
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2822:
2818:
2814:
2810:
2806:
2802:
2801:
2796:
2791:
2787:
2781:
2777:
2776:Chelsea House
2773:
2769:
2768:Bloom, Harold
2765:
2764:
2762:
2761:
2752:
2748:
2744:
2740:
2736:
2732:
2728:
2724:
2720:
2716:
2712:
2711:
2706:
2702:
2690:
2686:
2685:
2680:
2678:
2671:
2667:
2661:
2657:
2653:
2649:
2645:
2644:
2639:
2638:Rice, John A.
2635:
2631:
2625:
2621:
2617:
2613:
2609:
2608:
2603:
2602:Parker, Roger
2599:
2588:
2587:
2582:
2580:
2573:
2569:
2567:9780544179165
2563:
2560:. IDG Books.
2559:
2554:
2550:
2546:
2542:
2538:
2534:
2530:
2526:
2522:
2518:
2514:
2510:
2509:
2503:
2499:
2495:
2491:
2487:
2483:
2479:
2475:
2471:
2467:
2466:
2460:
2456:
2450:
2446:
2442:
2437:
2433:
2427:
2423:
2418:
2417:
2410:
2406:
2400:
2396:
2392:
2387:
2383:
2379:
2375:
2371:
2367:
2363:
2358:
2354:
2348:
2344:
2340:
2336:
2332:
2331:
2326:
2322:
2318:
2312:
2308:
2304:
2300:
2296:
2295:
2290:
2286:
2282:
2278:
2274:
2270:
2266:
2262:
2257:
2252:
2248:
2244:
2240:
2239:
2234:
2229:
2225:
2219:
2215:
2210:
2209:
2203:
2199:
2195:
2193:9780198720492
2189:
2185:
2180:
2169:
2165:
2160:
2156:
2152:
2148:
2144:
2140:
2136:
2132:
2128:
2124:
2120:
2119:
2114:
2112:
2106:
2105:Elgar, Edward
2102:
2098:
2094:
2090:
2086:
2081:
2077:
2070:
2068:
2061:
2057:
2056:
2051:
2047:
2043:
2039:
2033:
2029:
2025:
2021:
2017:
2016:
2010:
2006:
2002:
1996:
1992:
1988:
1984:
1981:. Cambridge:
1980:
1976:
1972:
1968:
1964:
1960:
1956:
1952:
1948:
1942:
1938:
1934:
1930:
1929:
1924:
1920:
1916:
1911:
1910:
1908:
1907:
1898:
1893:
1886:
1885:Peterson 2013
1881:
1874:
1869:
1862:
1857:
1850:
1845:
1838:
1837:McKenzie 2013
1833:
1826:
1821:
1814:
1809:
1802:
1797:
1790:
1785:
1778:
1777:Kennedy 2002b
1773:
1766:
1765:Kennedy 2002a
1761:
1754:
1749:
1742:
1737:
1730:
1725:
1718:
1713:
1706:
1701:
1694:
1689:
1682:
1677:
1670:
1665:
1658:
1653:
1646:
1641:
1639:
1631:
1626:
1620:
1618:
1612:
1606:
1604:
1598:
1591:
1586:
1580:
1579: 2.3/9–26
1578:
1572:
1566:
1564:
1558:
1552:
1550:
1544:
1538:
1536:
1530:
1523:
1518:
1512:, p. 18.
1511:
1506:
1499:
1494:
1490:
1488:
1487:
1475:
1471:
1467:
1463:
1459:
1456:
1455:Marvel Comics
1452:
1449:
1446:
1442:
1439:
1436:
1432:
1429:
1426:
1422:
1419:
1416:
1412:
1411:
1402:
1398:
1394:
1393:
1388:
1385:
1381:
1377:
1373:
1372:Joel Edgerton
1369:
1368:
1363:
1360:
1356:
1352:
1348:
1344:
1341:
1337:
1333:
1329:
1325:
1321:
1320:
1315:
1312:
1308:
1304:
1300:
1299:
1294:
1291:
1288:
1284:
1280:
1276:
1275:Barry Stanton
1272:
1268:
1264:
1260:
1256:
1252:
1249:
1245:
1241:
1237:
1234:'s acclaimed
1233:
1229:
1226:
1222:
1218:
1214:
1210:
1209:
1204:
1201:
1197:
1193:
1190:
1187:
1183:
1182:
1177:
1174:
1173:Vincent Canby
1170:
1166:
1162:
1161:
1156:
1152:
1151:
1146:
1143:
1139:
1135:
1131:
1127:
1123:
1119:
1118:
1109:
1105:
1101:
1098:
1097:
1088:
1084:
1080:
1076:
1073:
1070:
1066:
1062:
1061:
1057:
1054:
1051:based on the
1050:
1046:
1045:
1041:
1038:
1034:
1030:
1029:
1025:
1022:
1018:
1014:
1010:
1006:
1002:
1001:
997:
994:
990:
989:
985:
982:
979:, based upon
978:
974:
973:
969:
966:
962:
958:
957:
953:
950:
946:
942:
938:
937:
933:
932:
928:
924:
912:
908:
904:
900:
897:
896:Scroop's plot
893:
889:
885:
884:
880:
879:
873:
867:
863:
858:
849:
847:
846:
841:
837:
836:Robert Greene
830:Robert Greene
827:
825:
824:
819:
818:
813:
809:
805:
791:
787:
780:
763:
761:
758:
754:
750:
746:
742:
738:
734:
733:Edmund Tilney
731:
727:
723:
719:
714:
712:
708:
704:
700:
696:
695:
690:
689:
684:
673:
671:
667:
663:
659:
655:
652:who became a
651:
650:Herefordshire
646:
644:
640:
639:
634:
630:
626:
622:
609:
605:
601:
592:
588:
586:
582:
578:
572:
568:
564:
560:
556:
549:
545:
540:
533:
527:
522:
520:
516:
515:
510:
506:
497:
493:
489:
482:
443:
441:
437:
431:
424:
419:
415:
413:
409:
395:
394:Robert Smirke
391:
387:
383:
379:
377:
371:
369:
362:
357:
352:
345:
340:
338:
332:
328:
326:
322:
318:
310:
305:
300:
293:
288:
286:
282:
277:
275:
271:
267:
263:
259:
255:
251:
250:
245:
244:
239:
238:
233:
232:
223:
219:
214:
205:
203:
199:
195:
191:
190:
186:'s 1966 film
185:
181:
177:
173:
169:
164:
162:
158:
157:
152:
148:
144:
143:
138:
137:
132:
128:
119:
115:
111:
107:
103:
99:
95:
91:
86:
83:
80:
76:
72:
68:
63:
58:
54:
53:
48:
45:John Falstaff
43:
37:
33:
19:
3827:
3819:
3811:
3803:
3795:
3777:
3768:
3760:
3736:Corporal Nym
3710:
3692:
3643:
3635:
3627:
3608:
3600:
3594:
3588:
3571:
3565:
3559:
3553:
3546:
3521:Nell Quickly
3476:
3467:Corporal Nym
3428:
3420:
3414:
3406:
3398:
3390:
3382:
3374:
3366:
3353:
3345:
3339:
3331:
3323:
3315:
3307:
3294:
3286:
3280:
3272:
3264:
3256:
3248:
3235:
3229:
3221:
3213:
3205:
3197:
3189:
3181:
3162:
3155:
3148:
3141:
3128:
3085:
3078:
3071:
3057:
3028:
2979:
2973:
2970:Taylor, Gary
2917:
2911:
2874:
2868:
2864:
2845:
2835:– via
2804:
2798:
2774:. New York:
2771:
2759:
2758:
2714:
2708:
2693:. Retrieved
2688:
2682:
2676:
2641:
2605:
2590:. Retrieved
2586:Deseret News
2584:
2578:
2557:
2512:
2506:
2469:
2463:
2440:
2415:
2390:
2365:
2361:
2328:
2292:
2242:
2236:
2214:W. W. Norton
2207:
2183:
2171:. Retrieved
2167:
2122:
2116:
2110:
2095:– via
2084:
2075:
2066:
2053:
2013:
2003:– via
1978:
1963:Obiter Dicta
1962:
1927:
1923:Birch, Dinah
1905:
1904:
1892:
1880:
1868:
1856:
1844:
1832:
1820:
1808:
1796:
1784:
1772:
1760:
1748:
1736:
1724:
1712:
1707:, p. 8.
1700:
1688:
1676:
1669:Birrell 1885
1664:
1652:
1630:Maxwell 1930
1625:
1616:
1611:
1602:
1597:
1585:
1576:
1571:
1562:
1557:
1548:
1543:
1534:
1529:
1517:
1510:McMahon 2004
1505:
1500:, p. 4.
1493:
1485:
1484:
1440:
1430:
1424:
1414:
1400:
1392:Upstart Crow
1390:
1365:
1354:
1339:
1335:
1331:
1323:
1317:
1310:
1302:
1296:
1293:Gus Van Sant
1286:
1282:
1278:
1270:
1266:
1247:
1239:
1236:1989 version
1220:
1212:
1206:
1195:
1191:
1185:
1179:
1168:
1164:
1158:
1154:
1148:
1145:Orson Welles
1137:
1134:George Robey
1129:
1103:
1099:
1086:
1082:
1079:Gordon Getty
1074:
1068:
1058:
1052:
1049:Gustav Holst
1042:
1037:Edward Elgar
1026:
1020:
1017:Arrigo Boito
998:
986:
980:
977:Otto Nicolai
970:
964:
954:
948:
934:
907:Scandinavian
891:
881:
871:
862:Ronald Gower
843:
833:
821:
815:
804:John Fastolf
801:
789:
766:
756:
752:
748:
745:Robert Cecil
725:
721:
717:
715:
692:
686:
679:
669:
661:
647:
642:
636:
632:
628:
618:
607:
589:
573:
569:
565:
561:
557:
553:
547:
531:
524:
512:
502:
495:
446:
435:
433:
422:
416:
405:
389:
380:
372:
367:
365:
343:
333:
329:
314:
291:
278:
273:
262:1944 version
254:King Henry V
247:
241:
235:
229:
227:
220:, staged by
217:
201:
193:
187:
184:Orson Welles
180:Edward Elgar
176:Otto Nicolai
165:
154:
140:
134:
126:
125:
50:
36:
2986:: 334–354.
2924:: 609–623.
2881:: 177–181.
2867:(1597–8)".
2811:: 219–245.
2519:: 235–256.
2476:: 230–232.
1861:Brough 2013
1741:Parker 2002
1590:Gallop 1975
1476:of a fakir.
1460:"Falstaff,
1421:James White
1192:Richard III
1067:based upon
823:First Folio
812:Joan of Arc
792:, Epilogue.
625:Lord Cobham
401: 1795
117:Nationality
3886:Categories
3781:(1982; TV)
3703:Characters
3526:Richard II
3497:Prince Hal
3462:Charles VI
3445:Characters
3403:(1979; TV)
3387:(1960; TV)
3336:(1979; TV)
3320:(1960; TV)
3291:(2012; TV)
3277:(1979; TV)
3261:(1960; TV)
3240:(2012; TV)
3237:Richard II
3218:(1979; TV)
3210:(1960; TV)
3202:(1960; TV)
3194:(1954; TV)
3182:Richard II
3143:Richard II
2865:1 Henry IV
2800:Renascence
2684:Opera News
2677:Plump Jack
2097:HathiTrust
1959:"Falstaff"
1897:André 2019
1873:Klein 2013
1849:Craik 1995
1825:Lyons 1994
1813:Canby 1975
1753:Elgar 1913
1717:Brown 2002
1705:Marek 2013
1522:Birch 2009
1498:Lyons 1989
1481:References
1474:asceticism
1468:of author
1445:Robert Nye
1186:Richard II
1160:Richard II
1141:followers.
1075:Plump Jack
975:(1849) by
876:Literature
683:Ben Jonson
670:Chronicles
631:plays and
147:Prince Hal
101:Occupation
78:Created by
3174:On screen
3008:0034-6551
3000:1471-6968
2962:162130449
2946:0026-7937
2938:2222-4319
2903:0029-3970
2895:1471-6941
2833:0034-4346
2825:2329-8626
2743:0026-7937
2735:2222-4319
2721:: 21–36.
2695:4 October
2541:0018-7895
2533:1544-399X
2490:0039-3738
2482:1543-0383
2374:0171-5410
2273:0011-1570
2265:1752-2293
2147:0027-4666
2139:2397-5318
1977:(2013) .
1693:Rice 2002
1466:alter ego
1464:" is the
1219:, and in
1194:; in the
1108:Bill Cain
1011:, with a
709:to place
707:Main Plot
490:, in
270:1989 film
182:, and in
112:Christian
55:character
3813:Falstaff
3797:Falstaff
3726:Bardolph
3711:Falstaff
3629:Falstaff
3487:Henry IV
3482:Fluellen
3477:Falstaff
3457:Bardolph
3430:The King
3355:The King
3296:The King
3042:6456735M
3026:(1943).
2770:(1992).
2675:"Getty:
2382:43025855
2281:41556363
2249:: 1–10.
2204:(2004).
2173:8 August
2111:Falstaff
2107:(1913).
1957:(1885).
1441:Falstaff
1423:'s book
1367:The King
1355:Henry IV
1340:Henry IV
1303:Henry IV
1271:Henry IV
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1196:Henry IV
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325:charisma
274:Henry IV
109:Religion
3876:Theatre
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1130:Henry V
1126:version
911:Norfolk
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654:Lollard
633:Henry V
595:Origins
585:fairies
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496:Henry V
436:Henry V
430:Henry V
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337:Hotspur
321:Henry V
276:plays.
249:Henry V
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