141:, which will allow both the inverted wing and the fuselage to generate lift. The pilot then holds this attitude while applying aileron input, by carefully moving the stick to either the right or the left. As the aircraft begins to roll, the pilot will need to apply the rudder in the direction of the bank, to counter adverse yaw (the tendency of the nose to yaw away from the bank). As the airplane rolls past 45 degrees of bank, it will start to lose lift and the nose will begin to drop to the plane's side, so the pilot begins to apply rudder in the opposite direction (away from the bank) to hold the nose at a constant attitude, increasing the input as the plane rolls toward 90 degrees, while, at the same time, releasing elevator input. In the wings-vertical position, the elevators should be neutral and attitude held by rudder alone, and the only lift generated at this point will be from the sides of the fuselage and the upward vector of the engine thrust.
31:
129:
145:
holding the nose attitude and keeping the plane in level flight. This is done by carefully pushing the stick forward at the same time the rudder pedal is being released. When in the completely inverted position, the rudder should be in the neutral position and the attitude maintained by elevator only. As the plane continues to roll wings-vertical, the rudder will need to slowly be applied while the elevator is relaxed, and all of this needs to be done while maintaining constant aileron input. As the plane continues the roll to wings-level, upright flight, the rudder will need to be carefully released as positive elevator is applied.
162:
upright position. In a three-point roll, the plane stops when partially inverted (120 degrees), rolls past inverted, and stops again when partially inverted (240 degrees) before continuing to roll upright. A four-point roll is accomplished by rolling 90 degrees, then rolling to 180 degrees, to 270, and then upright. A properly performed hesitation roll requires precise control and timing of the control-surface inputs to hold the plane on a straight and level flightpath.
158:
quickly release the aileron input, by moving the stick from the side to the center, while holding the elevator and rudder inputs steady to keep a level flightpath. After the hesitation, the pilot quickly moves the stick to the side, resuming the roll at the same rate. As the roll resumes, the pilot will need to continue holding the ailerons steady while cross-controlling the rudder and elevators until the next point is reached.
79:
75:
less than full) and holding it steady while constantly varying the elevator and rudder inputs, counteracting the force of gravity. Due to the difficulty of maintaining level flight while slowly rolling, the slow roll is often used as an aerobatic training-maneuver, teaching the pilot to coordinate the movements of all three surfaces (elevators, ailerons, and rudder) simultaneously.
50:; although it is not necessarily performed very slowly, it is performed slowly enough to allow the pilot to maintain balance, keeping a steady flightpath, pitch angle (nose attitude), and height (altitude) throughout the maneuver. The maneuver is performed by rolling the airplane at a controlled rate with the
161:
A hesitation roll can theoretically consist of an infinite number of stopping points during the roll, but rarely does one contain more than eight. The most common rolls are the two, three, and four-point rolls. In a two-point roll, the aircraft stops rolling when inverted, and resumes the roll to the
144:
As the aircraft begins to roll from wings-vertical to inverted, the rudder will need to be slowly relaxed to keep the airplane from veering off course. However, the nose will continue to try dropping so, as the rudder is slowly relaxed, negative elevator must be slowly applied, taking over the job of
119:
for a short time, such as 90 degrees (wings-vertical), 135 degrees (partly inverted) or 180 degrees (fully inverted). The pilot will then continue the roll to the next point, hesitating again. Such a roll may consist of any number of points, which are usually evenly spaced, with the most common being
114:
competitions and shows, displaying the pilot's ability to control the plane. Most rolls performed by fighter aircraft are slow rolls or partial slow-rolls, as opposed to an uncontrolled aileron roll, and this is especially true when flying in formation. A variation of the slow roll is the "hesitation
74:
in which an airplane makes a controlled roll by rotating about its longitudinal axis. It is performed by rolling the aircraft at a constant rate, while manipulating the control surfaces to maintain level flight. The maneuver consists of quickly moving the aileron input to a desired position (usually
106:
on both the pilot and the aircraft, from one g positive in the upright position to one g negative in the inverted, caused by gravity. At the midpoint of the roll, the pilot will be hanging upside-down by the seatbelt, and any loose debris in the cockpit will fall to the canopy or out of the plane.
148:
An improperly performed slow roll can easily result in a change in heading. Before performing the roll, the pilot will often pick a reference point on the horizon, located just above the nose of the plane. To keep a constant heading and attitude, the pilot will usually try to hold this reference
157:
A hesitation roll is executed by performing a slow roll, but stopping the roll at various angles of bank momentarily. This requires that the pilot add aileron movement to the maneuver, instead of just holding the ailerons steady. When the plane reaches the desired angle of bank, the pilot must
149:
point in a constant position over the nose as the horizon rotates around it. A slow roll can easily result in the aircraft falling out of the maneuver, so the pilot will usually need to ensure that the plane has sufficient altitude to recover if such an event occurs.
136:
A slow roll typically begins from level flight. The pilot will usually begin the roll by pitching the aircraft up slightly, generally about 5 to 20 degrees above the horizon. The purpose of the pitch-up is to create a greater
120:
the two-point, three-point, and four-point rolls. However, the difficulty in maintaining level flight at the various angles requires the pilot to fully master the slow roll before attempting a hesitation roll.
110:
The rate at which a slow roll can be performed is often determined by skill of the pilot. The better the pilot; the faster the roll can be performed. The slow roll is often used in
437:
454:
115:
roll," in which the pilot stops the roll at various "points" during the maneuver, maintaining a level flightpath at whatever
308:
293:
245:
17:
298:
46:
while keeping the aircraft flying a straight and level flightpath. A slow roll is performed more slowly than an
288:
30:
432:
205:
By
Jeffrey R. Davis, M.D., Robert Johnson, Jan Stepanek, M.D -- lippcott Williams & Wilkins 2008 Page 654
957:
449:
128:
936:
313:
480:
270:
262:
102:
are held consistent throughout the maneuver. The slow roll produces a constantly shifting load of one
238:
43:
790:
880:
406:
280:
132:
A slow roll as seen from the pilot's perspective, when in comparison with other types of rolls.
855:
905:
775:
645:
550:
303:
915:
8:
416:
386:
381:
231:
55:
725:
62:
in opposition, or "cross-controlling," to keep the plane on a steady, level flightpath.
820:
760:
745:
685:
485:
323:
71:
42:
is a roll made by an airplane, in which the plane makes a complete rotation around its
785:
695:
570:
710:
655:
600:
580:
565:
555:
545:
470:
95:
770:
520:
495:
490:
795:
750:
730:
700:
585:
500:
411:
660:
885:
850:
675:
635:
630:
615:
595:
525:
505:
138:
830:
910:
895:
860:
765:
755:
665:
442:
376:
361:
331:
951:
931:
845:
815:
780:
740:
650:
605:
510:
116:
900:
890:
840:
825:
805:
735:
720:
670:
590:
575:
351:
336:
91:
47:
875:
865:
800:
715:
640:
625:
540:
535:
530:
515:
475:
346:
341:
83:
870:
835:
810:
705:
680:
620:
396:
254:
111:
690:
610:
560:
401:
371:
99:
391:
103:
51:
366:
59:
223:
191:
Mikoyan-Gurevich MiG-21 Pilot's Flight
Operating Instructions
78:
94:, except the roll rate is typically slower, and both the
217:
By Neil David Van Sickle -- McGraw-Hill 1999Page 481
949:
239:
181:By Geza Szurovy -- McGraw-Hill 1996 Page 59
246:
232:
127:
77:
29:
14:
950:
455:International Miniature Aerobatic Club
438:Fédération Aéronautique Internationale
227:
90:The slow roll appears similar to the
356:
309:Red Bull Air Race World Championship
294:FAI European Aerobatic Championships
24:
203:Fundamentals of Aerospace Medicine
152:
82:Slow rolls being performed by the
25:
969:
299:FAI World Aerobatic Championships
65:
289:European Gliding Championships
253:
215:Van Sickle's Modern Airmanship
208:
196:
184:
172:
13:
1:
433:British Aerobatic Association
165:
450:International Aerobatic Club
123:
7:
332:Loop (inside & outside)
314:World Gliding Championships
10:
974:
481:Princess Basmah Bani Ahmad
271:List of aerobatic aircraft
924:
463:
425:
322:
279:
261:
193:By Nato -- 2008 Page 127
133:
87:
35:
397:Stall turn/hammerhead
131:
81:
33:
791:Maciej Pospieszyński
551:Giovanni De Briganti
304:FAI World Grand Prix
18:Slow roll (aviation)
958:Aerobatic maneuvers
417:Zurabatic cartwheel
179:Advanced Aerobatics
86:while in formation.
821:Betty Skelton Erde
761:Alexandr Panfierov
746:Catherine Maunoury
486:Lincoln J. Beachey
134:
88:
72:aerobatic maneuver
70:A slow roll is an
36:
27:Aircraft manoeuvre
945:
944:
916:Janusz Żurakowski
711:Alejandro Maclean
656:Svetlana Kapanina
581:Markus Feyerabend
566:Matthias Dolderer
556:Tommaso Dal Molin
546:Mario de Bernardi
471:Cecilia R. Aragon
445:
96:aircraft attitude
54:, and moving the
16:(Redirected from
965:
796:Sergey Rakhmanin
776:František Peřina
751:Yoshihide Muroya
731:Mikhail Mamistov
726:Stanisław Makula
701:Leo Loudenslager
586:Gerhard Fieseler
501:Marta Bohn-Meyer
441:
412:Whifferdill turn
248:
241:
234:
225:
224:
218:
212:
206:
200:
194:
188:
182:
176:
21:
973:
972:
968:
967:
966:
964:
963:
962:
948:
947:
946:
941:
920:
886:Frank Versteegh
851:Reinhold Tiling
786:Peter Podlunšek
696:François Le Vot
676:Anatoly Kvochur
636:Nader Jahanbani
631:Nicolas Ivanoff
616:Charlie Hillard
596:Michael Goulian
571:Wilhelm DĂĽerkop
526:Kirby Chambliss
506:Cristian Bolton
459:
421:
357:Hesitation roll
318:
275:
257:
252:
222:
221:
213:
209:
201:
197:
189:
185:
177:
173:
168:
155:
153:Hesitation roll
139:angle of attack
126:
68:
28:
23:
22:
15:
12:
11:
5:
971:
961:
960:
943:
942:
940:
939:
934:
928:
926:
922:
921:
919:
918:
913:
911:Walter Wolfrum
908:
903:
898:
896:Patty Wagstaff
893:
888:
883:
878:
873:
868:
863:
861:Sean D. Tucker
858:
853:
848:
843:
838:
833:
828:
823:
818:
813:
808:
803:
798:
793:
788:
783:
778:
773:
771:Adolphe PĂ©goud
768:
766:Ivy May Pearce
763:
758:
756:Pyotr Nesterov
753:
748:
743:
738:
733:
728:
723:
718:
713:
708:
703:
698:
693:
688:
683:
678:
673:
668:
666:Petr Kopfstein
663:
658:
653:
648:
643:
638:
633:
628:
623:
618:
613:
608:
603:
598:
593:
588:
583:
578:
573:
568:
563:
558:
553:
548:
543:
538:
533:
528:
523:
521:Mikaël Brageot
518:
513:
508:
503:
498:
496:Ladislav Bezák
493:
491:PĂ©ter Besenyei
488:
483:
478:
473:
467:
465:
461:
460:
458:
457:
452:
447:
443:Aresti Catalog
435:
429:
427:
423:
422:
420:
419:
414:
409:
404:
399:
394:
389:
384:
379:
377:Cobra maneuver
374:
369:
364:
362:Immelmann turn
359:
354:
349:
344:
339:
334:
328:
326:
320:
319:
317:
316:
311:
306:
301:
296:
291:
285:
283:
277:
276:
274:
273:
267:
265:
259:
258:
251:
250:
243:
236:
228:
220:
219:
207:
195:
183:
170:
169:
167:
164:
154:
151:
125:
122:
67:
64:
26:
9:
6:
4:
3:
2:
970:
959:
956:
955:
953:
938:
937:Radio control
935:
933:
930:
929:
927:
923:
917:
914:
912:
909:
907:
906:Neil Williams
904:
902:
899:
897:
894:
892:
889:
887:
884:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
852:
849:
847:
846:Victor Tchmal
844:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
816:Klaus Schrodt
814:
812:
809:
807:
804:
802:
799:
797:
794:
792:
789:
787:
784:
782:
781:Tom Poberezny
779:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
752:
749:
747:
744:
742:
741:Scott Manning
739:
737:
734:
732:
729:
727:
724:
722:
719:
717:
714:
712:
709:
707:
704:
702:
699:
697:
694:
692:
689:
687:
684:
682:
679:
677:
674:
672:
669:
667:
664:
662:
661:Sándor Katona
659:
657:
654:
652:
651:Jurgis Kairys
649:
647:
644:
642:
639:
637:
634:
632:
629:
627:
624:
622:
619:
617:
614:
612:
609:
607:
606:Wayne Handley
604:
602:
599:
597:
594:
592:
589:
587:
584:
582:
579:
577:
574:
572:
569:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
511:Paul Bonhomme
509:
507:
504:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
472:
469:
468:
466:
462:
456:
453:
451:
448:
444:
439:
436:
434:
431:
430:
428:
426:Organizations
424:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
388:
385:
383:
380:
378:
375:
373:
370:
368:
365:
363:
360:
358:
355:
353:
350:
348:
345:
343:
340:
338:
335:
333:
330:
329:
327:
325:
321:
315:
312:
310:
307:
305:
302:
300:
297:
295:
292:
290:
287:
286:
284:
282:
278:
272:
269:
268:
266:
264:
260:
256:
249:
244:
242:
237:
235:
230:
229:
226:
216:
211:
204:
199:
192:
187:
180:
175:
171:
163:
159:
150:
146:
142:
140:
130:
121:
118:
117:angle of bank
113:
108:
105:
101:
97:
93:
85:
80:
76:
73:
63:
61:
57:
53:
49:
45:
41:
32:
19:
901:Kermit Weeks
891:Pavel Vlasov
881:Juan Velarde
841:Chris Sperou
831:Martin Ĺ onka
826:Skip Stewart
806:Olaf Schmidt
736:Mike Mangold
721:Jerzy Makula
671:Charlie Kulp
591:Jozef Gabris
576:Walter Extra
352:Falling leaf
337:Aileron roll
281:Competitions
214:
210:
202:
198:
190:
186:
178:
174:
160:
156:
147:
143:
135:
109:
92:aileron roll
89:
69:
66:Introduction
48:aileron roll
39:
37:
876:Gabor Varga
866:Nick Turvey
856:Ferenc TĂłth
801:Amelia Reid
716:Pete McLeod
646:Steve Jones
641:Petr Jirmus
626:Bevo Howard
541:Vicki Cruse
536:Marion Cole
531:Julie Clark
516:Pip Borrman
476:Hannes Arch
347:Cuban eight
342:Barrel roll
84:Blue Angels
34:A slow roll
871:Ernst Udet
836:Gene Soucy
811:Art Scholl
706:Nancy Lynn
686:Amanda Lee
681:Nigel Lamb
621:Bob Hoover
255:Aerobatics
166:References
691:Jim LeRoy
611:Ray Hanna
601:Matt Hall
561:Glen Dell
402:Tailslide
324:Maneuvers
124:Execution
112:aerobatic
56:elevators
44:roll axis
40:slow roll
952:Category
407:Scissors
372:Lomcovak
263:Aircraft
100:altitude
52:ailerons
392:Split S
104:g-force
464:Pilots
367:Kulbit
60:rudder
925:Other
387:Spin
382:Slip
98:and
58:and
954::
932:3D
38:A
446:)
440:(
247:e
240:t
233:v
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.