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Smalls Paradise

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318:, Smalls regularly showcased revues which featured the club's permanent staff of entertainers. Ed Smalls commissioned original music for the stage productions of the night club. Smalls Paradise was the only major Harlem night spot which was owned by an African-American and was racially integrated. The other clubs admitted only white patrons unless the person was an African-American celebrity. Smalls previously had some success in attracting a racially mixed clientele at his Sugar Cane Club with the quality entertainment and waiters who danced while balancing trays of drinks and sang during floor shows. Beginning with the opening of Smalls Paradise, Smalls had his waiters dance the Charleston while serving guests; patrons were also served drinks by waiters on roller skates. 602: 447: 415: 502: 1704: 1667: 1557: 1456: 1414: 1361: 1320: 1018: 634: 346: 45: 458:, who had wanted to own a night club, was able to purchase Smalls Paradise with business partner Pete McDougall in 1961. After purchasing the club, Chamberlain spent up to 18 hours a day at Smalls Paradise, as a celebrity host and learning the night club business. He renamed the venue Big Wilt's Smalls Paradise and changed the club's style of music from jazz to rhythm and blues for economic reasons. One of the first performers at Big Wilt's Smalls Paradise was 498:. Since Tuesday nights were exceptionally slow at Big Wilt's Smalls Paradise, the club looked for a way to bring in more business. Someone came up with the idea to hold Twist dance contests on Tuesday evenings and the club's weekly contest started in December 1961. A hostess for the Paris night club, the Blue Note, visited Big Wilt's Smalls Paradise shortly after the contest began; she was there to learn the Twist and take the dance back to the Paris club, 303: 36: 342:. Entertainers from both the Cotton Club and Connie's Inn made appearances at the event with the permission of the clubs' management. Ed Smalls was doing well enough at the time of the club's tenth year in business to greatly expand the Smalls Paradise floor space by moving the club's bar upstairs. Smalls continued to expand the club on street level, opening his Orchid Room in 1942. 687:. The plot revolves around Ed Smalls' singer drawing record crowds at Smalls Paradise until the singer receives his draft notice. Smalls begins auditions to try to replace his star vocalist. A little-known young man with a following tries to audition for Smalls, but is turned away. One of the young man's ardent fans then persuades Smalls to give him an audition. Actor 206:, and renamed Big Wilt's Smalls Paradise. Many well known musicians, both white and African-American, appeared at the club over the years and often came to Smalls after their evening engagements to jam with the Smalls Paradise band. The club was responsible for promoting popular dances such as the Charleston, the 226:
Entrepreneur Ed Smalls owned a small venue in Harlem, the Sugar Cane Club, from 1917 to 1925, which catered primarily to local residents. When Smalls opened Smalls Paradise in the basement of an office building at 2294 Seventh Avenue, he envisioned a night club which would not exclude his neighbors
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Smalls Paradise had no cover charge and stayed open longer than most of the others, including the Cotton Club. At Smalls Paradise, patrons could also reserve a seat at the club by paying a yearly fee. Many regular visitors of Harlem's night clubs also found the food better at Smalls Paradise than at
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By 1983, the club was known as the New Smalls Paradise. This version of Smalls Paradise offered everything from music and dancing to craft shows and political speeches. By 1986, the club, which was the longest-operating night club in Harlem, had fallen vacant. Before its closure it had undergone a
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had also found their way to the night club for the Tuesday night contest. Those participating in the contest were patrons of Big Wilt's Smalls Paradise. The only dance professionals doing the twist at the club were Mama Lou Parks and the Parkettes, who were there to provide lessons to novices. The
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appeared in print, his publisher held a twist party for him at Baldwin's favorite night club, Smalls Paradise. The guest list included many of Baldwin's friends as well as literary figures. Despite the fact that many in-town celebrities were also invited, some of those who were not on the guest
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By the early 1970s, it was necessary to revamp Big Wilt's Smalls Paradise once more. Some of the club's patrons were using the night spot for illicit activities, such as drug dealing. The night club was cleared of those engaging in undesirable activities. Changes in the entertainment policy
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played, Chamberlain was greeting royalty, as well as various show business and political figures. Big Wilt's Smalls Paradise saw over 250,000 guests in the year since its weekly Twist contest began. The club was continually at capacity on Tuesday evenings until it closed at
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played at Big Wilt's in December 1961. Smalls Paradise had been a place for African-American baseball players to gather during the time it was owned by Tommy Smalls. Under Chamberlain's ownership, it now became a place where African-American basketball players would meet.
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Radio to have twice weekly broadcasts from the club. During Ed Small's ownership of the club, he organized many gala charity events which were held at Smalls Paradise with the proceeds donated to help the needy of the Harlem community. One memorable gala in 1931 featured
670:. The entire group was credited as "Smalls Paradise Entertainers" and not by individual names. The film's plot involved a group of Pullman porters who decided to hold a benefit for one of their own. The ten-minute film was shot at the Atlantic Avenue station of the 353:
In the early 1930s, a female singer with Charlie Johnson's band arranged an audition with the band for a young hopeful at Smalls Paradise. When the girl was asked what key she sang in, she replied that she did not know, and the audition was unsuccessful. This was
621:, planned to completely renovate the building and add three floors to it. Further plans for the building were to lease the structure for 50 years to the New York Board of Education to house its Thurgood Marshall Academy and to lease space for an 430:, Smalls also organized rock 'n' roll shows held at New York area theaters. He held a grand opening gala at the club on December 13, 1955, which was attended by many prominent people in the music industry. A special guest was baseball star 180:, Smalls Paradise was the only one of the well-known Harlem night clubs to be owned by an African-American and integrated. Other major Harlem night clubs admitted only white patrons unless the person was an African-American celebrity. 565:
was on the way out. A few days later, the group received a call from Big Wilt's, asking if they would be able to fill in for a last-minute performance cancellation at the club. Even though this was to be a one-night performance, the
401:; a pro-McCarthy group circulated a newsletter labeling Du Bois, Einstein and others connected with the dinner as being pro-Communist. When the Essex House canceled the banquet, it was held at Smalls Paradise. 227:
but would also be attractive to New Yorkers who lived in the city's downtown area. Smalls arranged a lavish gala for the club's opening on October 26, 1925, which was attended by almost 1,500 people. Though
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agreed to play at Big Wilt's. The engagement was extended substantially, with the group winning praise from the club's talent manager, along with an invitation to play at Big Wilt's anytime.
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came with a crew to film the twisting at the night spot for broadcast in the UK and journalists from many foreign newspapers visited to take photos and file news stories. Delegates from the
577:, a guest at Big Wilt's Smalls Paradise, began heckling a female vocalist onstage. When the vocalist challenged Jackson by asking her to do better. Jackson accepted the dare by singing 187:
or roller-skated as they delivered orders to customers. Waiters were also known to vocalize during the club's floor shows. Unlike most of the Harlem clubs which closed between 3 and 4
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students arrived in New York hoping to make a musical impression. They auditioned at Big Wilt's Smalls Paradise but were turned down by one of the owners who believed the music genre
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was a frequent patron of Harlem's night clubs for some years. Van Vechten had been a guest at Ed Smalls' Sugar Cane Club as well as at Smalls Paradise. Van Vechten's 1926 novel,
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in the novel. After the book was published, Smalls' employees were offended enough by Van Vechten's portrayal of Harlem to bar Van Vechten from the night club permanently.
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Smalls Paradise circa 1942. Upper left: the Clover Bar moved upstairs in 1936, Upper right:the Orchid Room, opened circa 1942 Bottom: front of the club and the marquee.
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Smalls Paradise played a role in popularizing the Madison in 1960, but the night club's burst of popularity in the early 1960s came from the later dance craze, the
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in 1925, with Wooding and his band performing in the revue for a year. Wooding and his orchestra left the revue to perform in Europe and South America until 1927.
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A photo of the original marquee shows no apostrophe. Other material, such as this postcard produced to promote the club and a news story, show other variations.
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In 1932, Elmer Snowden with his Smalls Paradise band and some of the club's entertainers, were hired by Warner Brothers to star in a film short called
283:, whose band played at the Smalls Paradise Sunday matinees, would often jam with the Johnson band after he had finished his nightly performance at the 2556: 1617: 3074: 2582: 1684: 3420: 581:. This was Jackson's first public appearance as a singer; she was hired for an engagement within two weeks of stepping onto the stage at Smalls. 526:
Tuesday night twist contest brought patrons in limousines from downtown just as the entertainment at Smalls Paradise had done years before. As
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recording contract in 1934, Waller was in need of sidemen to record with. Playing in the house band at Smalls Paradise were Harry Dial and
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and his orchestra were heard by a Russian impresario; Leonidoff promptly hired Wooding and his musicians for a European tour with the
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The structure was purchased by the Abyssinian Development Corporation. The nonprofit corporation, affiliated with the
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transition from a jazz to a disco club. Just prior to the club's demise, the New York Swing Dance Society brought the
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in late 1955. Tommy Smalls, known as "Dr. Jive", was an early enthusiast of rock 'n' roll. Like his contemporary,
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and his musicians, who remained as the "house band" for ten years. The members of Johnson's band included
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and it is the only recording of these musicians playing together; this group produced no records together.
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recalled that he began playing at the club as a teenager (in the late 1950s), and would often play until 4
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restaurant. The school opened in 2004; all traces of Smalls Paradise were wiped out with the renovation.
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am, Smalls was open all night, offering a breakfast dance which featured a full floor show beginning at 6
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am. Many people had to be turned away each week because they did not have the necessary reservations.
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By the late 1950s, Smalls Paradise was in trouble as it had lost substantial business. Basketball star
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either The Cotton Club or Connie's Inn. While most of the night spots shut their doors between 3 and 4
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Smalls Paradise celebrated its fourth anniversary in 1929 and by 1930, it began an arrangement with
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A number of white jazz musicians regularly performed at the club alongside blacks. Jazz guitarist
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celebrated his 83rd birthday at Smalls Paradise on February 23, 1951. The banquet, sponsored by
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Smalls Paradise two major competitors, the Cotton Club and Connie's Inn, both closed in 1933.
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scandal. Smalls was dismissed from WWRL following his arrest. He later went to work for
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The Collected Works of Langston Hughes: Essays on art, race, politics, and world affairs
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Vaudeville old & new: an encyclopedia of variety performances in America, Volume 1
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The entertainment at Smalls Paradise was not limited to the stage; waiters danced the
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Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America
633: 2312:"Postings: Former Smalls' Paradise in Harlem; Nightclub Site To Riff Into A School" 1186:"NEIGHBORHOOD REPORT: HARLEM; For a Onetime Jazz Palace, Nostalgia and Controversy" 688: 647: 455: 378: 203: 202:(no relation) in 1955. It was later owned by Harlem businessman Pete McDougal and 22: 802:
Both Smalls and Freed were later arrested and charged in connection with the 1959
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Peppermint Twist: The Mob, the Music, and the Most Famous Dance Club of the '60s
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and the Vilmac Room was built for those who preferred to dance to a disco beat.
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African American Films Through 1959: A Comprehensive, Illustrated Filmography
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Federico Garcia Lorca mentions Smalls paradise in "Un poeta en Nueva York".
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often came to Smalls Paradise to jam with the house band for the joy of it.
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Founder and long-time owner Ed Smalls sold the club to popular disc jockey
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After 23 years as the owner of the night club, Ed Smalls sold the club to
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was in effect, patrons were able to bring their own liquor or purchase
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The former site of Smalls Paradise; Thurgood Marshall Academy in 2014.
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Jazz on Film: The Complete Story of the Musicians and Music Onscreen
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Steppin' on the Blues: The Visible Rhythms of African American Dance
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after 1923 and Connie's Inn was owned by George and Connie Immerman.
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am. After the clubs closed, he would then join guitarists such as
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All Music Guide to Soul: The Definitive Guide to R&B and Soul
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The Jazz Revolution: Twenties America & the Meaning of Jazz
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am with a floor show of up to 30 dancers and a full jazz band.
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Like the other large and successful night clubs in Harlem, the
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at 134th Street, it opened in 1925 and was owned by Ed Smalls
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Wilt, 1962: The Night of 100 Points and the Dawn of a New Era
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Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930
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Smalls Paradise. Founder Ed Smalls is seen at upper right.
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Voices of the Jazz Age: Profiles of Eight Vintage Jazzmen
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radio program from the club shortly after his ownership.
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Thurgood Marshall Academy for Learning and Social Change
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Historically African-American theaters and music venues
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Sunday Afternoon With Babs Gonzalez at Small's Paradise
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was a frequent visitor to Smalls Paradise. With a new
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Edwin Alexander Smalls; 1882–1976). At the time of the
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Encyclopedia of the Harlem Renaissance, Volume 2 K-Y
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Selvin, Joel; Johnson, John Jr.; Cami, Dick (2012).
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American Musicians II: Seventy-One Portraits in Jazz
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Uppity: My Untold Story About The Games People Play
2203:. Johnson Publishing Company: 62. August 30, 1973. 2097: 2061: 1827:. Johnson Publishing Company: 63. August 24, 1961. 1801: 1498: 1208: 933: 762:. Smalls died at the age of 92 on October 13, 1974. 3522:Flashbacks: A Twenty-Year Diary of Article Writing 3315: 2365: 2267: 864: 3313: 2173:. Johnson Publishing Company: 62. April 5, 1973. 2055: 2028: 1863: 1777:. Johnson Publishing Company: 63. March 9, 1961. 887: 3606: 2752:Gigs: Jazz and the Cabaret Laws in New York City 677:Smalls Paradise was the subject of a 1945 film, 3435: 1607: 1595: 1183: 780:The Cotton Club was owned by New York gangster 326:am, Smalls Paradise began breakfast dances at 6 262:. While performing at Smalls Paradise in 1925, 3539: 2474: 1724:. Johnson Publishing Company: 56. 1972-03-23. 1264: 1243: 927: 25:in Lower Manhattan, which opened in the 1990s. 3410: 2939: 2731:Who's who of Jazz: Storyville to Swing Street 1919: 1426: 1147: 828: 826: 16:Jazz nightclub in Harlem, Manhattan, New York 3056: 1516: 991:"Smalls Paradise to Observe 4th Anniversary" 2340: 985: 983: 3035: 2263: 2261: 1492: 964:. Harlem World Magazine. January 6, 2014. 823: 513:doing the Twist at Smalls Paradise in 1962 489: 3239: 3088: 2233: 1881: 1857: 1468: 1097: 1085: 754:Smalls, a former elevator operator from 418:Tommy Smalls and fan club members in 1956 393:and others, was originally to be held at 3540:Wintz, Gary D.; Finkelman, Paul (2004). 3518: 3486: 3389: 3340:The Jazz Age: Popular Music in the 1920s 3281: 3260: 2748: 2695: 2663: 2513: 2436: 2298: 2153: 2091: 1948: 1946: 1944: 1942: 1940: 1757: 1293:"New Revue at Smalls Paradise Next Week" 1135: 1073: 980: 810:. 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Located in the basement of 2294 14: 3651: 3413:"The Jukebox: The Newest Shuffle" 3163:from the original on July 5, 2021 2559:from the original on May 13, 2011 2533:from the original on July 5, 2021 2495:from the original on July 5, 2021 2456:from the original on July 5, 2021 2403:from the original on July 5, 2021 2353:from the original on May 28, 2015 2280:from the original on July 5, 2021 2246:from the original on May 24, 2015 2215:from the original on July 5, 2021 2177:from the original on July 5, 2021 2135:from the original on July 5, 2021 2010:from the original on July 5, 2021 1972:from the original on July 5, 2021 1839:from the original on July 5, 2021 1789:from the original on July 5, 2021 1687:from the original on July 5, 2021 1650:from the original on July 5, 2021 1540:from the original on July 5, 2021 1536:. 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December 17, 1955. p. 9. 1555: 1454: 1412: 1359: 1318: 1016: 404: 235:liquor from the club's waiters. 221: 43: 34: 3592:from the original on 2021-07-05 3560:from the original on 2021-07-05 3507:from the original on 2021-07-05 3487:Williams, Iain Cameron (2002). 3411:Time magazine (April 4, 1960). 3357:from the original on 2021-07-05 3302:from the original on 2021-07-05 3282:Robinson, Louie (August 1964). 3228:from the original on 2016-03-28 3196:from the original on 2021-07-05 3130:from the original on 2021-07-05 3077:from the original on 2016-03-29 3024:from the original on 2021-07-05 2992:from the original on 2021-07-05 2960:from the original on 2016-03-29 2928:from the original on 2021-07-05 2833:from the original on 2021-07-05 2801:from the original on 2021-07-05 2769:from the original on 2016-03-28 2716:from the original on 2021-07-05 2684:from the original on 2021-07-05 2623: 2597: 2571: 2545: 2519: 2468: 2442: 2389: 2334: 2304: 2234:Page, Tim (September 8, 1983). 2227: 2189: 2159: 2109: 2056:Selvin, Johnson & Cami 2012 2029:Selvin, Johnson & Cami 2012 1984: 1887: 1813: 1763: 1736:from the original on 2021-07-05 1710: 1673: 1632: 1563: 1522: 1420: 1393:. 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Oxford University Press. 2908:Eckman, Fern Marja (2014). 2702:. Hal Leonard Corporation. 2696:Bogdonav, Vladimir (2003). 10: 3656: 3519:Williams, John A. (2016). 3113:James Baldwin: A Biography 2889:"Twist is Universal Mania" 2664:Balliett, Whitney (2006). 2656: 2631:"Live at Small's Paradise" 2605:"Live At Small's Paradise" 1265:Wintz & Finkelman 2004 1244:Wintz & Finkelman 2004 928:Wintz & Finkelman 2004 756:Charleston, South Carolina 517:By the beginning of 1962, 156:), was a nightclub in the 20: 3375:. Bloomsbury Publishing. 3004:Hughes, Langston (2002). 2581:. Blue Note Discography. 2555:. Blue Note Discography. 2477:"Museums, Societies, etc" 2397:"Smash Your Baggage cast" 1148:Feather & Gitler 1999 1052:: CS1 maint: unfit URL ( 619:Abyssinian Baptist Church 340:Bill "Bojangles" Robinson 135: 120: 110: 71: 58: 54: 42: 33: 3546:. Taylor & Francis. 3490:Underneath a Harlem Moon 3261:Richards, Larry (2005). 3208:Ogren, Kathy J. (1992). 3089:Kirschner, Bill (2005). 2819:. Taylor & Francis. 1517:Jerome & Taylor 2005 741: 731:Live at Small's Paradise 646:Photographer and writer 549:list crashed the party. 3620:Nightclubs in Manhattan 3493:. Bloomsbury Academic. 3440:. Macfadden Publishing. 3390:Thompson, Dave (2001). 3284:"Big Man, Big Business" 3176:Malone, Jacqui (1996). 3110:Leeming, David (2015). 2978:. Grove/Atlantic, Inc. 2972:Gill, Jonathan (2011). 2845:Dance, Stanley (2001). 2781:Clarke, Donald (2009). 2749:Chevigny, Paul (2005). 2527:"It Happened in Harlem" 490:Dances renew popularity 3453:Cite journal requires 3369:Shipton, Ayln (2010). 2813:Cullen, Frank (2007). 2728:Chilton, John (1985). 1610:"Swept Away. Dr. Jive" 1571:"Alan Freed Biography" 1534:The Pittsburgh Courier 1530:"Izzy Rowe's Notebook" 1493:Jasen & Jones 2013 643: 606: 514: 451: 419: 395:New York's Essex House 350: 307: 3572:Yanow, Scott (2004). 3337:Shaw, Arnold (1989). 2866:Deffaa, Chip (1992). 2270:"Goodbye to All That" 1681:"Disc Jockey Roundup" 1573:. Rock Hall of Fame. 680:It Happened in Harlem 672:Long Island Rail Road 639:It Happened in Harlem 636: 604: 585:brought in acts like 579:Don't Play It No More 504: 449: 417: 348: 305: 95:40.81528°N 73.94417°W 3630:Jazz clubs in Harlem 3466:White, Bill (2011). 2450:"Smash Your Baggage" 1596:TV Radio Mirror 1956 717:, Jimmy Smith (1958) 557:In 1968, a group of 507:Jackie "Moms" Mabley 3525:. Open Road Media. 3246:. Crown/Archetype. 2887:Ebony (June 1962). 2318:. August 26, 2001. 2082:, pp. 165–166. 2058:, pp. 127–128. 1614:New York Daily News 1519:, pp. 159–160. 1429:"Harlem Night Life" 1234:, p. 271, 323. 1150:, pp. 706–707. 1100:, pp. 154–155. 559:Tuskegee University 387:Mary McLeod Bethune 100:40.81528; -73.94417 91: /  67:Manhattan, New York 30: 3615:Harlem Renaissance 2848:The World of Swing 1920:Time magazine 1960 668:Smash Your Baggage 644: 629:In popular culture 607: 515: 452: 420: 351: 308: 178:Harlem Renaissance 28: 3585:978-1-6177-4701-4 3553:978-1-5795-8458-0 3532:978-1-5040-3303-9 3500:978-0-8264-5893-3 3479:978-0-4465-6418-2 3403:978-0-8793-0629-8 3382:978-1-4411-6780-4 3350:978-0-1950-6082-9 3329:978-1-2500-1353-8 3274:978-0-7864-2274-6 3253:978-0-3075-4938-9 3221:978-0-19-507479-6 3189:978-0-2520-6508-8 3123:978-1-6287-2469-1 3102:978-0-1951-8359-7 3070:978-0-8135-4098-6 3049:978-1-1355-0972-9 3017:978-0-8262-1394-5 2985:978-0-8021-9594-4 2953:978-0-1998-8640-1 2921:978-1-5907-7321-5 2879:978-0-2520-6258-2 2858:978-0-3068-1016-9 2851:. Da Capo Press. 2826:978-0-4159-3853-2 2794:978-0-7867-3087-2 2787:. Da Capo Press. 2762:978-0-4153-4700-6 2741:978-0-306-80243-0 2734:. Da Capo Press. 2709:978-0-8793-0744-8 2677:978-1-5780-6834-0 2516:, pp. 90–91. 2481:New York Magazine 2236:"Going Out Guide" 2046:, pp. 38–42. 1884:, pp. 18–19. 1760:, pp. 62–64. 1483:, pp. 76–77. 1162:, pp. 58–59. 1138:, pp. 66–67. 685:All-American News 306:Ed Smalls in 1931 269:Chocolate Kiddies 143: 142: 3647: 3600: 3598: 3597: 3568: 3566: 3565: 3536: 3515: 3513: 3512: 3483: 3462: 3456: 3451: 3449: 3441: 3432: 3430: 3428: 3407: 3386: 3365: 3363: 3362: 3333: 3321: 3310: 3308: 3307: 3278: 3257: 3236: 3234: 3233: 3204: 3202: 3201: 3172: 3170: 3168: 3138: 3136: 3135: 3106: 3085: 3083: 3082: 3053: 3032: 3030: 3029: 3000: 2998: 2997: 2968: 2966: 2965: 2936: 2934: 2933: 2904: 2883: 2862: 2841: 2839: 2838: 2809: 2807: 2806: 2777: 2775: 2774: 2745: 2724: 2722: 2721: 2692: 2690: 2689: 2651: 2650: 2648: 2646: 2627: 2621: 2620: 2618: 2616: 2601: 2595: 2594: 2592: 2590: 2575: 2569: 2568: 2566: 2564: 2549: 2543: 2542: 2540: 2538: 2523: 2517: 2511: 2505: 2504: 2502: 2500: 2472: 2466: 2465: 2463: 2461: 2446: 2440: 2434: 2428: 2422: 2413: 2412: 2410: 2408: 2393: 2387: 2381: 2375: 2369: 2363: 2362: 2360: 2358: 2338: 2332: 2331: 2329: 2327: 2308: 2302: 2296: 2290: 2289: 2287: 2285: 2265: 2256: 2255: 2253: 2251: 2231: 2225: 2224: 2222: 2220: 2193: 2187: 2186: 2184: 2182: 2163: 2157: 2151: 2145: 2144: 2142: 2140: 2113: 2107: 2101: 2095: 2089: 2083: 2077: 2071: 2065: 2059: 2053: 2047: 2041: 2032: 2026: 2020: 2019: 2017: 2015: 1988: 1982: 1981: 1979: 1977: 1950: 1935: 1929: 1923: 1917: 1911: 1910: 1908: 1906: 1891: 1885: 1879: 1873: 1867: 1861: 1855: 1849: 1848: 1846: 1844: 1817: 1811: 1805: 1799: 1798: 1796: 1794: 1767: 1761: 1755: 1746: 1745: 1743: 1741: 1714: 1708: 1707: 1706: 1700: 1694: 1692: 1677: 1671: 1670: 1669: 1663: 1657: 1655: 1644:The New York Age 1636: 1630: 1629: 1627: 1625: 1605: 1599: 1593: 1587: 1586: 1584: 1582: 1567: 1561: 1560: 1559: 1553: 1547: 1545: 1526: 1520: 1514: 1508: 1502: 1496: 1490: 1484: 1478: 1472: 1466: 1460: 1459: 1458: 1452: 1446: 1444: 1433:The New York Age 1424: 1418: 1417: 1416: 1410: 1404: 1402: 1391:The New York Age 1383: 1377: 1371: 1365: 1364: 1363: 1357: 1351: 1349: 1338:The New York Age 1330: 1324: 1323: 1322: 1316: 1310: 1308: 1297:The New York Age 1289: 1283: 1277: 1268: 1262: 1247: 1241: 1235: 1229: 1223: 1217: 1206: 1205: 1203: 1201: 1181: 1175: 1169: 1163: 1157: 1151: 1145: 1139: 1133: 1127: 1126: 1124: 1122: 1113:. Red Hot Jazz. 1107: 1101: 1095: 1089: 1083: 1077: 1071: 1058: 1057: 1051: 1043: 1041: 1039: 1028: 1022: 1021: 1020: 1014: 1008: 1006: 995:The New York Age 987: 978: 977: 975: 973: 958: 952: 946: 931: 925: 910: 909: 907: 905: 885: 879: 873: 862: 861: 859: 857: 830: 811: 800: 794: 791: 785: 778: 772: 769: 763: 752: 689:George Wiltshire 648:Carl Van Vechten 534: 477: 456:Wilt Chamberlain 442:Wilt Chamberlain 379:W. E. B. Du Bois 329: 325: 204:Wilt Chamberlain 194: 190: 160:neighborhood of 154:Smalls' Paradise 150:Small's Paradise 131: 129: 106: 105: 103: 102: 101: 96: 92: 89: 88: 87: 84: 47: 38: 31: 27: 23:Smalls Jazz Club 3655: 3654: 3650: 3649: 3648: 3646: 3645: 3644: 3605: 3604: 3603: 3595: 3593: 3586: 3563: 3561: 3554: 3533: 3510: 3508: 3501: 3480: 3454: 3452: 3443: 3442: 3426: 3424: 3404: 3383: 3360: 3358: 3351: 3330: 3305: 3303: 3275: 3254: 3231: 3229: 3222: 3199: 3197: 3190: 3166: 3164: 3133: 3131: 3124: 3103: 3080: 3078: 3071: 3050: 3027: 3025: 3018: 2995: 2993: 2986: 2963: 2961: 2954: 2931: 2929: 2922: 2880: 2859: 2836: 2834: 2827: 2804: 2802: 2795: 2772: 2770: 2763: 2742: 2719: 2717: 2710: 2687: 2685: 2678: 2659: 2654: 2644: 2642: 2629: 2628: 2624: 2614: 2612: 2603: 2602: 2598: 2588: 2586: 2577: 2576: 2572: 2562: 2560: 2551: 2550: 2546: 2536: 2534: 2525: 2524: 2520: 2512: 2508: 2498: 2496: 2473: 2469: 2459: 2457: 2448: 2447: 2443: 2435: 2431: 2423: 2416: 2406: 2404: 2395: 2394: 2390: 2382: 2378: 2370: 2366: 2356: 2354: 2339: 2335: 2325: 2323: 2310: 2309: 2305: 2297: 2293: 2283: 2281: 2266: 2259: 2249: 2247: 2232: 2228: 2218: 2216: 2197:"New York Beat" 2195: 2194: 2190: 2180: 2178: 2167:"New York Beat" 2165: 2164: 2160: 2152: 2148: 2138: 2136: 2117:"New York Beat" 2115: 2114: 2110: 2102: 2098: 2090: 2086: 2078: 2074: 2066: 2062: 2054: 2050: 2042: 2035: 2027: 2023: 2013: 2011: 1992:"New York Beat" 1990: 1989: 1985: 1975: 1973: 1952: 1951: 1938: 1930: 1926: 1918: 1914: 1904: 1902: 1893: 1892: 1888: 1880: 1876: 1868: 1864: 1856: 1852: 1842: 1840: 1821:"New York Beat" 1819: 1818: 1814: 1806: 1802: 1792: 1790: 1771:"New York Beat" 1769: 1768: 1764: 1756: 1749: 1739: 1737: 1716: 1715: 1711: 1701: 1690: 1688: 1679: 1678: 1674: 1664: 1653: 1651: 1638: 1637: 1633: 1623: 1621: 1606: 1602: 1594: 1590: 1580: 1578: 1569: 1568: 1564: 1554: 1543: 1541: 1528: 1527: 1523: 1515: 1511: 1503: 1499: 1491: 1487: 1479: 1475: 1467: 1463: 1453: 1442: 1440: 1425: 1421: 1411: 1400: 1398: 1385: 1384: 1380: 1372: 1368: 1358: 1347: 1345: 1332: 1331: 1327: 1317: 1306: 1304: 1291: 1290: 1286: 1278: 1271: 1267:, p. 1121. 1263: 1250: 1242: 1238: 1230: 1226: 1218: 1209: 1199: 1197: 1182: 1178: 1170: 1166: 1158: 1154: 1146: 1142: 1134: 1130: 1120: 1118: 1109: 1108: 1104: 1096: 1092: 1084: 1080: 1072: 1061: 1045: 1044: 1037: 1035: 1030: 1029: 1025: 1015: 1004: 1002: 989: 988: 981: 971: 969: 960: 959: 955: 947: 934: 930:, p. 1120. 926: 913: 903: 901: 886: 882: 874: 865: 855: 853: 832: 831: 824: 820: 815: 814: 808:Polydor Records 801: 797: 792: 788: 779: 775: 770: 766: 753: 749: 744: 697: 658:The Black Venus 631: 599: 555: 553:After the Twist 545:Another Country 532: 492: 486:for breakfast. 475: 444: 412: 407: 383:Albert Einstein 327: 323: 256:Sidney De Paris 240:Charlie Johnson 224: 192: 188: 146:Smalls Paradise 127: 125: 99: 97: 93: 90: 85: 82: 80: 78: 77: 66: 50: 29:Smalls Paradise 26: 17: 12: 11: 5: 3653: 3643: 3642: 3637: 3632: 3627: 3622: 3617: 3602: 3601: 3584: 3569: 3552: 3537: 3531: 3516: 3499: 3484: 3478: 3463: 3455:|journal= 3433: 3408: 3402: 3387: 3381: 3366: 3349: 3334: 3328: 3311: 3288:Ebony Magazine 3279: 3273: 3258: 3252: 3237: 3220: 3205: 3188: 3173: 3140: 3122: 3107: 3101: 3086: 3069: 3054: 3048: 3033: 3016: 3001: 2984: 2969: 2952: 2937: 2920: 2905: 2893:Ebony Magazine 2884: 2878: 2863: 2857: 2842: 2825: 2810: 2793: 2778: 2761: 2746: 2740: 2725: 2708: 2693: 2676: 2660: 2658: 2655: 2653: 2652: 2622: 2596: 2570: 2544: 2518: 2506: 2467: 2441: 2439:, p. 195. 2429: 2427:, p. 314. 2414: 2388: 2386:, p. 314. 2376: 2364: 2347:New York Times 2333: 2316:New York Times 2303: 2291: 2274:New York Times 2257: 2240:New York Times 2226: 2188: 2158: 2156:, p. 356. 2146: 2108: 2096: 2094:, p. 112. 2084: 2072: 2060: 2048: 2033: 2031:, p. 128. 2021: 1983: 1936: 1934:, p. 442. 1924: 1912: 1895:"Here and Now" 1886: 1882:Pomerantz 2010 1874: 1862: 1858:Pomerantz 2010 1850: 1812: 1810:, p. 395. 1800: 1762: 1747: 1709: 1697:Newspapers.com 1672: 1660:Newspapers.com 1631: 1600: 1588: 1562: 1550:Newspapers.com 1521: 1509: 1507:, p. 337. 1497: 1495:, p. 401. 1485: 1473: 1471:, p. 246. 1469:Kirschner 2005 1461: 1449:Newspapers.com 1435:. p. 10. 1419: 1407:Newspapers.com 1378: 1376:, p. 263. 1366: 1354:Newspapers.com 1325: 1313:Newspapers.com 1284: 1269: 1248: 1246:, p. 910. 1236: 1224: 1207: 1190:New York Times 1176: 1164: 1152: 1140: 1128: 1102: 1098:Kirschner 2005 1090: 1088:, p. 271. 1086:Kirschner 2005 1078: 1059: 1023: 1011:Newspapers.com 979: 953: 932: 911: 894:New York Times 880: 878:, p. 271. 863: 821: 819: 816: 813: 812: 795: 786: 773: 764: 746: 745: 743: 740: 739: 738: 728: 718: 710: 696: 693: 683:, produced by 630: 627: 598: 595: 575:Millie Jackson 554: 551: 542:'s 1962 novel 523:United Nations 491: 488: 480:Wes Montgomery 443: 440: 411: 408: 406: 403: 356:Billie Holiday 252:Jimmy Harrison 223: 220: 148:(often called 141: 140: 137: 133: 132: 122: 118: 117: 112: 108: 107: 75: 69: 68: 60: 56: 55: 52: 51: 48: 40: 39: 15: 9: 6: 4: 3: 2: 3652: 3641: 3638: 3636: 3633: 3631: 3628: 3626: 3623: 3621: 3618: 3616: 3613: 3612: 3610: 3591: 3587: 3581: 3577: 3576: 3570: 3559: 3555: 3549: 3545: 3544: 3538: 3534: 3528: 3524: 3523: 3517: 3506: 3502: 3496: 3492: 3491: 3485: 3481: 3475: 3471: 3470: 3464: 3460: 3447: 3439: 3434: 3422: 3418: 3414: 3409: 3405: 3399: 3395: 3394: 3388: 3384: 3378: 3374: 3373: 3367: 3356: 3352: 3346: 3342: 3341: 3335: 3331: 3325: 3322:. Macmillan. 3320: 3319: 3312: 3301: 3297: 3293: 3289: 3285: 3280: 3276: 3270: 3267:. McFarland. 3266: 3265: 3259: 3255: 3249: 3245: 3244: 3238: 3227: 3223: 3217: 3213: 3212: 3206: 3195: 3191: 3185: 3181: 3180: 3174: 3162: 3158: 3154: 3150: 3146: 3141: 3129: 3125: 3119: 3115: 3114: 3108: 3104: 3098: 3094: 3093: 3087: 3076: 3072: 3066: 3062: 3061: 3055: 3051: 3045: 3042:. Routledge. 3041: 3040: 3034: 3023: 3019: 3013: 3009: 3008: 3002: 2991: 2987: 2981: 2977: 2976: 2970: 2959: 2955: 2949: 2945: 2944: 2938: 2927: 2923: 2917: 2913: 2912: 2906: 2902: 2898: 2894: 2890: 2885: 2881: 2875: 2871: 2870: 2864: 2860: 2854: 2850: 2849: 2843: 2832: 2828: 2822: 2818: 2817: 2811: 2800: 2796: 2790: 2786: 2785: 2779: 2768: 2764: 2758: 2755:. Routledge. 2754: 2753: 2747: 2743: 2737: 2733: 2732: 2726: 2715: 2711: 2705: 2701: 2700: 2694: 2683: 2679: 2673: 2669: 2668: 2662: 2661: 2640: 2636: 2632: 2626: 2610: 2606: 2600: 2584: 2580: 2574: 2558: 2554: 2548: 2532: 2528: 2522: 2515: 2514:Richards 2005 2510: 2494: 2490: 2486: 2482: 2478: 2471: 2455: 2451: 2445: 2438: 2437:Balliett 2006 2433: 2426: 2421: 2419: 2402: 2398: 2392: 2385: 2380: 2374:, p. 60. 2373: 2368: 2352: 2348: 2344: 2337: 2321: 2317: 2313: 2307: 2301:, p. 53. 2300: 2299:Chevigny 2005 2295: 2279: 2275: 2271: 2264: 2262: 2245: 2241: 2237: 2230: 2214: 2210: 2206: 2202: 2198: 2192: 2176: 2172: 2168: 2162: 2155: 2154:Bogdonav 2003 2150: 2134: 2130: 2126: 2122: 2118: 2112: 2106:, p. 61. 2105: 2100: 2093: 2092:Thompson 2001 2088: 2081: 2076: 2069: 2064: 2057: 2052: 2045: 2040: 2038: 2030: 2025: 2009: 2005: 2001: 1997: 1993: 1987: 1971: 1967: 1963: 1959: 1955: 1949: 1947: 1945: 1943: 1941: 1933: 1928: 1921: 1916: 1900: 1896: 1890: 1883: 1878: 1871: 1866: 1860:, p. 17. 1859: 1854: 1838: 1834: 1830: 1826: 1822: 1816: 1809: 1804: 1788: 1784: 1780: 1776: 1772: 1766: 1759: 1758:Robinson 1964 1754: 1752: 1735: 1731: 1727: 1723: 1719: 1713: 1705: 1698: 1686: 1682: 1676: 1668: 1661: 1649: 1645: 1641: 1635: 1619: 1615: 1611: 1604: 1598:, p. 14. 1597: 1592: 1576: 1572: 1566: 1558: 1551: 1539: 1535: 1531: 1525: 1518: 1513: 1506: 1501: 1494: 1489: 1482: 1477: 1470: 1465: 1457: 1450: 1438: 1434: 1430: 1423: 1415: 1408: 1396: 1392: 1388: 1382: 1375: 1370: 1362: 1355: 1343: 1339: 1335: 1329: 1321: 1314: 1302: 1298: 1294: 1288: 1282:, p. 67. 1281: 1276: 1274: 1266: 1261: 1259: 1257: 1255: 1253: 1245: 1240: 1233: 1228: 1222:, p. 74. 1221: 1216: 1214: 1212: 1195: 1191: 1187: 1180: 1174:, p. 42. 1173: 1168: 1161: 1156: 1149: 1144: 1137: 1136:Williams 2002 1132: 1116: 1112: 1106: 1099: 1094: 1087: 1082: 1075: 1074:Williams 2016 1070: 1068: 1066: 1064: 1055: 1049: 1033: 1027: 1019: 1012: 1000: 996: 992: 986: 984: 967: 963: 957: 951:, p. 86. 950: 945: 943: 941: 939: 937: 929: 924: 922: 920: 918: 916: 899: 895: 891: 884: 877: 872: 870: 868: 851: 847: 843: 839: 835: 829: 827: 822: 809: 805: 799: 790: 783: 777: 768: 761: 760:Robert Smalls 757: 751: 747: 736: 732: 729: 726: 725:Babs Gonzales 722: 719: 716: 715: 711: 708: 704: 703: 699: 698: 692: 690: 686: 682: 681: 675: 673: 669: 664: 661: 659: 655: 654: 653:Nigger Heaven 649: 641: 640: 635: 626: 624: 620: 615: 613: 603: 594: 592: 588: 582: 580: 576: 571: 569: 564: 560: 550: 547: 546: 541: 540:James Baldwin 536: 529: 524: 520: 512: 508: 503: 499: 497: 487: 485: 481: 473: 468: 465: 461: 457: 448: 439: 437: 433: 429: 425: 416: 405:New ownership 402: 400: 396: 392: 388: 384: 380: 376: 371: 369: 368:Herman Autrey 365: 361: 357: 347: 343: 341: 336: 331: 319: 317: 313: 304: 300: 298: 294: 290: 286: 285:Hot Feet Club 282: 281:Elmer Snowden 279:Banjo player 277: 275: 271: 270: 265: 261: 260:Sidney Bechet 257: 253: 249: 245: 241: 236: 234: 230: 222:Early history 219: 217: 213: 209: 205: 201: 196: 186: 181: 179: 175: 171: 167: 166:New York City 163: 159: 155: 151: 147: 138: 134: 123: 119: 116: 113: 109: 104: 76: 74: 70: 65: 61: 57: 53: 46: 41: 37: 32: 24: 19: 3594:. 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Index

Smalls Jazz Club


7th Avenue
Coordinates
40°48′55″N 73°56′39″W / 40.81528°N 73.94417°W / 40.81528; -73.94417
Ed Smalls
Harlem
Manhattan
New York City
Adam Clayton Powell Jr. Boulevard
Harlem Renaissance
Charleston
Tommy Smalls
Wilt Chamberlain
Madison
Twist
Thurgood Marshall Academy for Learning and Social Change
Prohibition
bootlegged
Charlie Johnson
Jabbo Smith
Benny Carter
Jimmy Harrison
Sidney De Paris
Sidney Bechet
Sam Wooding
Chocolate Kiddies
Berlin
Elmer Snowden

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