Knowledge

Stage Directors and Choreographers Society

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choreographers throughout every phase of their careers. SDCF supports the building of a theatrical community that reflects the cultural, racial, and gender diversity of the nation by creating opportunities for artists of all backgrounds to bring their full, authentic selves to their work as creative leaders in the theatre. Guided by SDCF’s core values, the organization creates access to the field for early- and mid- career directors and choreographers; facilitates much-needed connection amongst artists and with the public; and offers unique platforms to honor the field’s artistic leaders. SDCF’s vison is achieved through programs such as the Professional Development Program, the Lloyd Richards New Futures Residency, public panels, podcasts, and networking opportunities. Awards at SDCF include the Mr. Abbott Award, Gordon Davidson Award, Joe. A Callaway Awards, Zelda Fichandler Award, Barbara Whitman Award, and Breakout Award.
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available to them, was deployed in fall 2019. A second survey, deployed in June 2020, included questions exploring the financial and emotional impact of the COVID-19 pandemic, the field’s response to the calls for racial justice, and the resources needed to reopen the industry in an equitable, just, and sustainable way. In the third phase of the project, SDC analyzed the race, ethnicity, and gender demographics of the Membership in the SDC database in connection with the SDC contracts filed across jurisdictions—including Broadway, Off-Broadway, and LORT (League of Resident Theatres)—over a five-year period.
411:(AGMA) and an Expert Medical Advisory Panel (Dr. Mark Cunningham-Hill, Dr. Steven J. Anderson, and Dr. Laurie S. Welch) to develop safety protocols for employers to ensure artists are protected when returning to work. This successful collaboration led to the publication of the acclaimed AGMA/SDC Return to Stage and Performing Arts Playbook (currently in its fourth revision); ongoing Special Guidance Updates; and a COVID-19 response webinar series. In February, 2022, 42: 237: 203: 721: 435: 449: 327:
In order to become a Member of SDC, you must apply for Membership via their online application on their website. The full Member initiation fee is $ 2,000 and the annual dues are $ 240. (Payments plans are available for the full Member initiation fee.) The Associate Member initiation fee is $ 325 and
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Associate Members may not file contracts unless compelled to by the union security provisions in an employer's collectively bargained agreement. Associate Members benefit from their association with SDC as a declaration of their professional standing within the theatrical community. Associate Members
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contracts with producers, creating the national standards for stage direction and choreography. SDC’s Executive Board consists of 34 directors and choreographers working across the country. Twenty-nine Board members serve at-large and five Board members serve as Regional Representatives, charged with
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Throughout the pandemic, SDC has been steadfast in its endeavor to elevate the profile of stage directors and choreographers by setting new standards for the capture of live stage productions, including fair compensation, prominent billing, collaboration with the Camera Director, and consultation on
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SDC also provides Tier, Regional Commercial, Development, and Special contracts to protect Members who wish to work for theatres or producers not covered by or referenced to one of the above-mentioned Collectively Bargained Agreements. In addition, SDC negotiates Independent Producer Agreements with
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Professional stage directors and choreographers become Members of SDC in order to unite with one another, collectively bargain for better terms and working conditions, and be legally protected in their work. SDC collectively bargains agreements with employers, creating the national standards for the
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SDC has tackled the complex issue of intellectual property rights with such cases as Gerald Gutierrez‘s The Most Happy Fella (1994), Joe Mantello‘s Love! Valour! Compassion! (1997), and John Rando and John Carrafa‘s Urinetown (2006). These cases signified major achievements in the Union’s fight for
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Members are required to file contracts for all work as theatrical directors and choreographers. Full Members enjoy all the protections of contract filing, may participate in the negotiation of collectively bargained agreements, vote in Union elections and referendums, and can qualify for health and
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At the beginning of the pandemic, the SDC Executive Board established a “Capture Committee” in response to increased remote work and capture activity. The Union created the new “Remote Work Contract” and “Digital Stage Production Agreement” to ensure that its Members had access to Union protection
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All Members can engage in the national conversation about the crafts of direction and choreography through SDC Journal, stay up-to-date on Union business through the SDC monthly E-News, attend Membership Meetings, receive national discounts and offers on goods and services, and reserve conference
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In 1962, when Bob Fosse withheld his services on a production of Little Me, Broadway producers were forced to recognize the Union. In a case against producer Jay Julien, litigated for eight years and decided in 1975, SDC won the important distinction that its Members are employees. This landmark
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Founded in 1965, Stage Directors and Choreographers Foundation (SDCF), the nonprofit of SDC, is the only service organization in the U.S. with a sole focus of providing resources to directors and choreographers. Its mission is to celebrate, develop, and support professional stage directors and
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In October 2020, SDC and SDCF released On the Edge: The Lives and Livelihoods of Stage Directors and Choreographers…A Next Stage Report, a two-year, three-phased research project that examined the lives and livelihoods of stage directors and choreographers before and amid the COVID-19 crisis.
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During the Next Stage project’s first two phases, SDC worked with the Network for Culture & Arts Policy (NCAP) to design and deploy comprehensive surveys for distribution to SDC’s Membership. A first survey, concerning how directors and choreographers earn a living and what resources are
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captured material prior to distribution. Due to SDC’s efforts, since March 2020, SDC Members have earned more than $ 1.2 million in compensation for electronic capture activity. More than $ 250,000 in benefit contributions have been made to the SDC-League Pension and Health Funds.
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individual theatres, some of which reference a collectively bargained agreement listed above, while others are unique to a specific organization such as Steppenwolf, Chicago Shakespeare Theatre, New York Stage and Film, or The Eugene O’Neill Theater Center, to name a few.
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when working in the digital realm. SDC engaged with its bargaining partners to ensure SDC Members employed for digital productions received SDC coverage, regardless of which union contracts the actors received (Equity, SAG-AFTRA, or none).
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SDC covers the employment of directors and choreographers under Collectively Bargained Agreements in the following jurisdictions: Broadway, National Tours, Off-Broadway, Association of Non-Profit Theatre Companies in New York City (ANTC),
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serving the interests of their region as part of their Executive Board service. Regional Reps are voted on by the entire Membership. SDC’s regions include Northeast, Southeast, Central, Western, and Northwest.
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the annual dues are $ 75. Since 2005, when Membership classifications were first reported, the percentage of total membership considered “Associate Members” has grown from 18% to TK%, TK of the Union.
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In recent years, SDC has expanded its jurisdiction to cover the employment of Fight Choreographers and Associate/Resident Directors and Choreographers in several of the above jurisdictions.
297:(LORT), Council of Resident Stock Theatres (CORST), Traditional Summer Sock (TSS), New England Area Theatre (NEAT), Regional Musical Theatre (RMT), and Outdoor Musical Stock (OMS). 352:(1907–1983) along with TK others who united to create a theatrical labor union devoted to empowering stage directors and choreographers. Among the other founders were Abe Burrows, 181:
Currently, the President of the Executive Board is Evan Yionoulis and the Union’s Executive Director is Laura Penn. SDC is based in NYC, where it has been based since 2015.
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According to SDC’s reports to the Department of Labor, the union is composed of “Members” and “Associate Members,” with the latter ineligible to vote in the Union.
525: 376:. Shepard Traube was elected as the first President of the Executive Board. Since then, there have been TK other presidents and executive directors of the Union. 940: 415:
announced that they engaged the same team of scientists as public health consultants—thereby creating more consistency in safety protocols across the industry.
1010: 687: 388: 995: 904: 614: 349: 852: 815: 955: 834: 796: 118: 595: 1015: 739: 1005: 162:), is an independent national labor union established in 1959, representing theatrical directors and choreographers working on 872:"SDC & SDCF Announce 'On the Edge: The Lives and Livelihoods of Stage Directors and Choreographers…A Next Stage Report'" 566: 549: 490: 320:
may contact the SDC Contract Affairs Department with any employment questions they have about their individual agreements.
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decision was a tremendous victory for the Union and set the precedent on which SDC continues to base its existence.
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SDCF also publishes "The Journal for Stage Directors and Choreographers" and "The Stage Directors Handbook."
905:"Unions For Stage Singers, Dancers, Directors & Choreographers Issue "Playbook" For Safe Return To Work" 630:"Stage Directors and Choreographers Society (SDC) and The Off-Broadway League Reach New 4-year Agreement" 294: 467: 722:"Donald Byrd to be Presented With Stage Directors and Choreographers Foundation Gordon Davidson Award" 652:"Stage Directors and Choreographers Society Reflects on One Year Since Its First Remote Work Contract" 1000: 941:"What We Learned When the 12 Largest Entertainment Unions Gathered to Discuss the COVID-19 Pandemic" 249: 215: 440: 174: 688:"Stage Directors and Choreographers Foundation to Distribute Over $ 300,000 to SDC Members" 669: 553: 8: 835:"Stage Directors Union Joins Advocacy Coalition DPE in Move Toward Political Engagement" 596:"SDC Ratifies Contracts & Announces Executive Board Election Results - The AndyGram" 170:, and in various resident, regional, and stock theatres throughout the United States. 163: 245: 211: 703:"Director Julie Taymor Gets 'Mr. Abbott' Nod From Directors & Choreographers" 454: 373: 357: 353: 989: 84: 69: 956:"Broadway unions raise concerns on health insurance, the return of theater" 615:"Spider-Man Producers Failed to Post Bond for SDC Members, Arbitrator Says" 507: 167: 853:"SDC Releases Sobering Study of Directors', Choreographers' Livelihoods" 384:
directorial and choreographic intellectual property rights recognition.
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Graphs are unavailable due to technical issues. There is more info on
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pension coverage through the SDC-League Pension and Health Funds.
816:"SSDC Union Renamed as Stage Directors and Choreographers Society" 923:"AGMA & SDC Engage Medical Experts on COVID-19, Reopening" 434: 448: 797:"SHEPARD TRAUBE, 76, IS DEAD; STAGE PRODUCER AND DIRECTOR" 978: 133: 430: 289:employment of stage directors and choreographers. 480: 407:In response to COVID-19, SDC collaborated with the 567:"Everything You Need To Know About Actors' Unions" 768:"Nominations Open for 2022 Barbara Whitman Award" 987: 389:Department for Professional Employees, AFL–CIO 1011:Theatrical organizations in the United States 890:"LORT Contracts: Everything You Need to Know" 581:"LORT Contracts: Everything You Need to Know" 156:Society of Stage Directors and Choreographers 18:Society of Stage Directors and Choreographers 782:"Jon Rua Honored With SDCF Breakout Award" 674:Stage Directors and Choreographers Society 530:Stage Directors and Choreographers Society 512:Stage Directors and Choreographers Society 148:Stage Directors and Choreographers Society 40: 34:Stage Directors and Choreographers Society 115:Evan Yionoulis, Executive Board President 996:1959 establishments in the United States 14: 988: 953: 869: 794: 719: 700: 649: 541: 539: 645: 643: 902: 784:. American Theatre. 3 February 2022. 593: 550:Office of Labor-Management Standards 491:Office of Labor-Management Standards 348:SDC was founded in 1959 by director 230: 196: 832: 536: 24: 813: 795:Fraser, C. Gerald (25 July 1983). 701:Gerard, Jeremy (19 October 2017). 640: 25: 1032: 970: 927:American Guild of Musical Artists 612: 409:American Guild of Musical Artists 402: 331: 1016:Trade unions established in 1959 833:Cox, Gordon (21 February 2017). 627: 447: 433: 235: 201: 102:665 ("associate members") (2013) 947: 933: 915: 896: 882: 863: 845: 826: 807: 788: 774: 760: 746: 732: 713: 694: 680: 662: 324:room space in the SDC office. 67:321 West 44th Street, Suite 804 954:Huston, Caitlin (6 May 2020). 903:Robb, David (26 August 2020). 621: 606: 587: 573: 559: 518: 500: 307: 227:Finances (US records; ×$ 1000) 13: 1: 1006:Entertainment industry unions 473: 7: 426: 295:League of Resident Theatres 10: 1037: 468:Directors Guild of America 463:Actors' Equity Association 413:Actors’ Equity Association 343: 184: 497:submitted March 31, 2014. 128: 106: 94: 76: 63: 48: 39: 32: 552:. File number 000-071. ( 387:In 2016, SDC joined the 280:     274:     268:     262:     493:. File number 061-385. 441:Organized labour portal 193:Membership (US records) 670:"Apply for Membership" 546:US Department of Labor 487:US Department of Labor 175:collectively bargains 154:), formerly known as 1021:Broadway (Manhattan) 594:McGibbon, Andrew C. 121:, Executive Director 100:1,978 (full members) 870:Rabinowitz, Chloe. 720:Rabinowitz, Chloe. 650:Rabinowitz, Chloe. 282: Disbursements 29: 859:. 16 October 2020. 801:The New York Times 707:Deadline Hollywood 166:, National Tours, 27: 876:BroadwayWorld.com 820:BroadwayWorld.com 726:BroadwayWorld.com 656:BroadwayWorld.com 634:BroadwayWorld.com 270: Liabilities 257: 256: 223: 222: 144: 143: 16:(Redirected from 1028: 1001:Broadway theatre 982: 981: 979:Official website 964: 963: 951: 945: 944: 937: 931: 930: 919: 913: 912: 900: 894: 893: 886: 880: 879: 867: 861: 860: 857:AMERICAN THEATRE 849: 843: 842: 830: 824: 823: 811: 805: 804: 792: 786: 785: 778: 772: 771: 764: 758: 757: 750: 744: 743: 736: 730: 729: 717: 711: 710: 698: 692: 691: 684: 678: 677: 666: 660: 659: 647: 638: 637: 625: 619: 618: 613:JONES, KENNETH. 610: 604: 603: 591: 585: 584: 577: 571: 570: 563: 557: 543: 534: 533: 522: 516: 515: 508:"Evan Yionoulis" 504: 498: 484: 457: 452: 451: 443: 438: 437: 283: 281: 277: 275: 271: 269: 265: 263: 239: 238: 231: 205: 204: 197: 140: 137: 135: 87: 72:, New York 10036 59: 57: 44: 30: 26: 21: 1036: 1035: 1031: 1030: 1029: 1027: 1026: 1025: 986: 985: 977: 976: 973: 968: 967: 952: 948: 939: 938: 934: 921: 920: 916: 901: 897: 888: 887: 883: 868: 864: 851: 850: 846: 831: 827: 814:Varley, Eddie. 812: 808: 793: 789: 780: 779: 775: 766: 765: 761: 752: 751: 747: 738: 737: 733: 718: 714: 699: 695: 686: 685: 681: 668: 667: 663: 648: 641: 626: 622: 611: 607: 592: 588: 579: 578: 574: 565: 564: 560: 544: 537: 524: 523: 519: 506: 505: 501: 485: 481: 476: 453: 446: 439: 432: 429: 405: 346: 334: 310: 286: 285: 284: 279: 278: 273: 272: 267: 266: 261: 260: 258: 253: 240: 236: 229: 224: 219: 206: 202: 195: 187: 132: 124: 109: 101: 97: 90: 83: 68: 55: 53: 35: 23: 22: 15: 12: 11: 5: 1034: 1024: 1023: 1018: 1013: 1008: 1003: 998: 984: 983: 972: 971:External links 969: 966: 965: 946: 932: 914: 895: 881: 862: 844: 825: 806: 787: 773: 759: 745: 731: 712: 693: 679: 661: 639: 628:Wild, Stephi. 620: 605: 586: 572: 558: 535: 517: 499: 478: 477: 475: 472: 471: 470: 465: 459: 458: 455:Theatre portal 444: 428: 425: 404: 403:SDC + COVID-19 401: 374:Stuart Vaughan 358:Agnes de Mille 354:Harold Clurman 350:Shepard Traube 345: 342: 333: 332:SDC Foundation 330: 309: 306: 276: Receipts 259: 255: 254: 243: 241: 234: 225: 221: 220: 209: 207: 200: 191: 190: 189: 188: 186: 183: 142: 141: 130: 126: 125: 123: 122: 116: 112: 110: 107: 104: 103: 98: 95: 92: 91: 89: 88: 80: 78: 74: 73: 65: 61: 60: 50: 46: 45: 37: 36: 33: 9: 6: 4: 3: 2: 1033: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 993: 991: 980: 975: 974: 961: 960:Broadway News 957: 950: 942: 936: 928: 924: 918: 910: 906: 899: 891: 885: 877: 873: 866: 858: 854: 848: 840: 836: 829: 821: 817: 810: 802: 798: 791: 783: 777: 769: 763: 755: 749: 741: 735: 727: 723: 716: 708: 704: 697: 689: 683: 675: 671: 665: 657: 653: 646: 644: 635: 631: 624: 616: 609: 601: 597: 590: 582: 576: 568: 562: 555: 551: 547: 542: 540: 531: 527: 521: 513: 509: 503: 496: 492: 488: 483: 479: 469: 466: 464: 461: 460: 456: 450: 445: 442: 436: 431: 424: 420: 416: 414: 410: 400: 396: 392: 390: 385: 381: 377: 375: 371: 367: 363: 359: 355: 351: 341: 338: 329: 325: 321: 317: 313: 305: 302: 298: 296: 290: 251: 250:MediaWiki.org 247: 242: 233: 232: 228: 217: 216:MediaWiki.org 213: 208: 199: 198: 194: 182: 179: 176: 171: 169: 165: 161: 157: 153: 149: 139: 131: 127: 120: 117: 114: 113: 111: 105: 99: 93: 86: 85:United States 82: 81: 79: 75: 71: 66: 62: 51: 47: 43: 38: 31: 19: 959: 949: 935: 926: 917: 908: 898: 892:. 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Playbill. 308:Composition 246:Phabricator 212:Phabricator 990:Categories 474:References 370:Elia Kazan 366:Hanya Holm 119:Laura Penn 108:Key people 362:Bob Fosse 96:Members 909:Deadline 427:See also 164:Broadway 77:Location 70:New York 839:Variety 344:History 248:and on 214:and on 185:Purpose 136:.sdcweb 129:Website 54: ( 49:Founded 554:Search 495:Report 372:, and 173:SDC 146:The 138:.org 56:1959 52:1959 160:SDC 152:SDC 134:www 28:SDC 992:: 958:. 925:. 907:. 874:. 855:. 837:. 818:. 799:. 724:. 705:. 672:. 654:. 642:^ 632:. 598:. 556:) 548:, 538:^ 528:. 510:. 489:, 368:, 364:, 360:, 356:, 962:. 929:. 911:. 878:. 841:. 822:. 803:. 728:. 709:. 676:. 658:. 636:. 602:. 532:. 514:. 252:. 218:. 158:( 150:( 58:) 20:)

Index

Society of Stage Directors and Choreographers

New York
United States
Laura Penn
www.sdcweb.org
Broadway
Off-Broadway
collectively bargains
Phabricator
MediaWiki.org
Phabricator
MediaWiki.org
League of Resident Theatres
Shepard Traube
Harold Clurman
Agnes de Mille
Bob Fosse
Hanya Holm
Elia Kazan
Stuart Vaughan
Department for Professional Employees, AFL–CIO
American Guild of Musical Artists
Actors’ Equity Association
icon
Organized labour portal
icon
Theatre portal
Actors' Equity Association
Directors Guild of America

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