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praised Hyde's visual skills, but said, "There's no point in getting the book for your library unless you like the engravings themselves as separate works of art." He found the book a quick read in contrast to the time it took to make it, and called its "continuity" a weak point. He considered the
197:
appeared, the genre had been out of the public eye for so long that Hyde included a historical essay to orient the reader. Hyde had asked Ward to proofread this history, but the book was published without Ward's corrections—errors remained, such as
Masereel's forename given as "Hans", and a listing
89:
The story tells of the
American military evacuating villagers from a Pacific island before testing nuclear weapons. A drunken soldier attempts to rape a fisherman's wife during the evacuation, and the fisherman kills him. To avoid capture, the couple run to the forests with their child and hide.
248:. He worked on it from 1948 to 1951. Each image is 4 by 3 inches (10.2 cm Ă— 7.6 cm), centred at the top third of the page and with broad margins. The one exception is of the bomb detonating, a 7 in Ă— 6 in (18 cm Ă— 15 cm) full-page image that
327:
Man ... can tie himself up in words to the point of persuading himself that dropping atom bombs on people he's never seen is a kind of shrewd move in an exciting chess game. He needs something simpler, like pictures, to remind him of what dropping bombs on innocent people is really
397:". Reviewer Erik Hinton praised the artwork while calling the story "the progeny of historical lip-service and the hot-button anxiety of the destructivity of modern warfare", and considered Ward and others of Hyde's predecessors more proficient at the medium.
207:
Words are capable of expressing very complicated and very subtle notions ... But for directness and universal interpretation, pictures, under certain conditions, are unrivalled. It really depends on what you want to
168:
had been popular in the 1920s and 1930s, but had become rare by the 1940s. Such books tended to be melodramatic works about social injustice. Hyde was familiar with some of Ward's books and the German
252:
off the page. Hyde carved dynamic curving lines uncommon in wood engraving. Blacks overwhelms the figures they surround, and abstract images contrast with realistic detail in the flora and fauna.
61:
The wordless novel genre had flourished primarily during the 1920s and 1930s, but by the 1940s even the most prolific practitioners had abandoned it. Hyde was familiar with some such works by
77:
features dynamic curving lines uncommon in wood engraving and combines abstract imagery with realistic detail. It has gained appreciation in comics circles as a precursor to the
1034:
278:. He was not present at the book's pressing and thus was not able to correct some blocks that he had not carved deeply enough to produce satisfactory prints.
765:
357:
Comics critic Sean Rogers praised the work, particularly the pacing and action sequences, but felt it had less impact than such earlier works as
Masereel's
1008:
411:—it was marketed to book connoisseurs, a world far removed from that of consumers of cheap entertainment that comics served in the 1950s. Copies of
271:
739:
385:
1091:
953:
1063:
110:
in
England in 1914, Laurence Hyde moved with his family to Canada in 1926. They settled in Toronto in 1928, where Hyde studied art at
1155:
285:
released a deluxe facsimile edition with additional essays by Hyde and an introduction by wordless novel historian David Beronä, and
245:
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1123:
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90:
The child witnesses the death of the parents and destruction of their environment from the ensuing atomic tests.
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and the verso left blank. Rockwell Kent provided the introduction. Hyde dedicated the book to the
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visualization of the bomb's destruction of living things the strongest justification for the work.
189:(1919), which he had read in a 1949 American edition. Like his forebears in the genre, Hyde had a
175:
111:
1419:
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51:
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369:(1937). Rogers found the anti-nuclear message less effective than that of later comics such as
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on
Pacific islanders. Hyde made the book to express his anger at the US military's
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21:
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illustrations, ran a business providing advertising illustrations, and made
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in 1987. The book received an honorable mention for Best Book at the 2008
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380:
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1340:
1092:"Some PR Person On Colin Upton Speaking On Laurence Hyde April 18 (PR)"
1039:
1013:
901:
858:
873:
Northrop Frye on
Literature and Society, 1936–1989: Unpublished Papers
1227:
796:
Invaders from the North: How Canada
Conquered the Comic Book Universe
145:
for books. He attempted but gave up on two series of prints, titled
127:
119:
62:
841:
Cohen, Martin S. (April 1977). "The Novel in
Woodcuts: A Handbook".
394:
1376:
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found the book unconvincing, "a well-meaning but facile piece of
275:
142:
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has gained appreciation in comics circles as a precursor to the
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114:. His strongest artistic influences included the painter
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465:
1035:"Southern Cross, and The Magical Life of Long Tack Sam"
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183:, the form's first and most prolific practitioner, was
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179:(1926). The only work he knew of the Flemish artist
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133:From the 1930s Hyde did commercial pen-and-ink and
870:
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688:
1401:
407:in Canada, though it had no direct influence on
737:
558:
1149:
1116:Graphic Witness: Four Wordless Graphic Novels
198:of only four of Ward's six wordless novels.
1064:"The mating call of a Wessex girl ..."
985:"Southern Cross: A Novel of the South Seas"
820:Wordless Books: The Original Graphic Novels
201:
193:agenda that he expressed in his art. When
25:A nuclear test obliterates a Pacific island
1156:
1142:
919:
490:
445:a bibliographic listing for Southern Cross
425:Doug Wright Awards for Canadian Cartooning
956:Southern Cross: A Novel of the South Seas
926:Southern Cross: A Novel of the South Seas
281:The book was republished twice in 2007:
1086:
982:
923:; Beronä, David (2007). "Introduction".
709:
649:
304:
232:in 1946 motivated Hyde to make the book.
223:
97:
20:
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763:
721:
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519:
300:
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1113:
895:
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665:
619:
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471:
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258:was published in a limited edition by
130:; he corresponded with Kent and Ward.
1137:
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840:
694:
661:
531:
161:from 1942 until his 1972 retirement.
81:, though it had no direct influence.
865:
789:
766:"Plenty to say for wordless stories"
682:
546:
293:in his anthology of wordless novels
1163:
427:, accepted by Hyde's son, Anthony.
13:
1318:The Life and Times of Conrad Black
952:National Gallery of Canada staff.
14:
1461:
740:"Comics Panel: December 14, 2007"
242:nuclear tests in the Bikini Atoll
240:to express his anger at American
230:nuclear tests in the Bikini Atoll
56:nuclear tests in the Bikini Atoll
1387:
1375:
1363:
1351:
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635:National Gallery of Canada staff
1450:Nuclear testing at Bikini Atoll
983:Pantaleo, Sylvia (2008-02-08).
73:. The high-contrast artwork of
738:A.V. Club staff (2007-12-14).
730:
436:
415:joined the collections of the
1:
1009:"The Doug Wright Awards 2008"
430:
159:National Film Board of Canada
93:
50:images narrate the impact of
1182:25 Images of a Man's Passion
1114:Walker, George, ed. (2007).
843:Journal of Modern Literature
7:
1033:Rogers, Sean (2008-08-28).
1007:Rogers, Sean (2008-08-14).
896:Hinton, Erik (2008-02-07).
879:University of Toronto Press
764:Beauman, Ned (2007-12-05).
84:
16:1951 novel by Laurence Hyde
10:
1466:
1258:Prelude to a Million Years
963:National Gallery of Canada
417:National Gallery of Canada
42:(1914–1987). Published in
1281:
1226:
1171:
818:Beronä, David A. (2008).
349:in 1952, literary critic
69:, and the form's pioneer
851:Indiana University Press
246:atomic bombings in Japan
202:Creation and publication
112:Central Technical School
266:with the images on the
491:Hyde & Beronä 2007
343:
323:
244:in 1946 following the
233:
222:
103:
79:Canadian graphic novel
26:
1445:Anti-nuclear movement
1440:Comics set in Oceania
1425:Comics about politics
931:Drawn & Quarterly
325:
308:
283:Drawn & Quarterly
227:
205:
102:Laurence Hyde in 1945
101:
24:
1410:1951 Canadian novels
1311:Une semaine de bonté
559:A.V. Club staff 2007
301:Reception and legacy
118:and the printmakers
108:Kingston upon Thames
1210:Story Without Words
1096:The Comics Reporter
474:, pp. 214–215.
421:Burnaby Art Gallery
345:In a talk with the
272:Red Cross Societies
38:by Canadian artist
1265:Song Without Words
1189:Passionate Journey
935:(pages unnumbered)
389:. Comics scholar
363:(1919) or Ward's
360:Passionate Journey
324:
315:Passionate Journey
276:Society of Friends
260:Ward Ritchie Press
234:
186:Passionate Journey
153:. Hyde worked in
104:
27:
1327:
1326:
1297:He Done Her Wrong
1125:978-1-55407-270-5
1118:. Firefly Books.
944:978-1-897299-10-4
888:978-0-8020-3602-5
833:978-0-8109-9469-0
810:978-1-55002-659-7
752:on April 14, 2013
318:(1919) and other
1457:
1435:Pantomime comics
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1098:. Archived from
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1071:. Archived from
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1043:. Archived from
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1017:. Archived from
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1001:
1000:
991:. Archived from
979:
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967:. Archived from
948:
916:
914:
913:
904:. Archived from
898:"Southern Cross"
892:
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862:
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786:
784:
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774:. Archived from
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748:. Archived from
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419:in 1952 and the
341:
322:influenced Hyde.
220:
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1454:
1430:Anti-war comics
1415:Wordless novels
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1251:Wild Pilgrimage
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1165:Wordless novels
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958:, c. 1948–1951"
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664:, p. 195;
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409:Canadian comics
342:
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320:wordless novels
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295:Graphic Witness
221:
216:, Afterword to
212:
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139:wood engravings
96:
87:
17:
12:
11:
5:
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1420:1951 in comics
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1304:Southern Cross
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1173:Frans Masereel
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1090:(2010-04-18).
1084:
1062:(2007-11-25).
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1004:
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949:
943:
921:Hyde, Laurence
917:
893:
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867:Frye, Northrop
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732:
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685:, p. 314.
670:
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443:Southern Cross
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413:Southern Cross
401:Southern Cross
371:Keiji Nakazawa
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310:Frans Masereel
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291:Southern Cross
264:Japanese paper
256:Southern Cross
238:Southern Cross
218:Southern Cross
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195:Southern Cross
181:Frans Masereel
166:wordless novel
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75:Southern Cross
71:Frans Masereel
52:atomic testing
36:wordless novel
31:Southern Cross
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1102:on 2015-03-17
1101:
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1089:
1088:Spurgeon, Tom
1085:
1075:on 2014-10-06
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1047:on 2014-03-18
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1021:on 2014-03-18
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995:on 2015-04-12
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971:on 2014-03-21
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801:Dundurn Press
798:
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778:on 2014-10-06
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747:
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745:The A.V. Club
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710:Spurgeon 2010
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650:Pantaleo 2008
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1104:. Retrieved
1100:the original
1095:
1077:. Retrieved
1073:the original
1068:The Observer
1066:
1060:Sabin, Roger
1049:. Retrieved
1045:the original
1038:
1023:. Retrieved
1019:the original
1012:
997:. Retrieved
993:the original
988:
973:. Retrieved
969:the original
961:
955:
925:
910:. Retrieved
906:the original
872:
846:
842:
824:Abrams Books
819:
795:
780:. Retrieved
776:the original
771:The Guardian
769:
754:. Retrieved
750:the original
743:
722:Rogers 2008a
717:
690:
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571:Beauman 2007
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520:Rogers 2008b
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376:Barefoot Gen
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34:is the sole
30:
29:
28:
18:
1394:Visual arts
989:CM Magazine
853:: 171–195.
731:Works cited
666:Beronä 2008
620:Hinton 2008
603:Beronä 2008
588:Beronä 2008
503:Walker 2007
472:Beronä 2008
460:Beronä 2008
391:Roger Sabin
381:Gary Panter
262:in 1951 on
171:Otto NĂĽckel
67:Otto NĂĽckel
1404:Categories
1106:2014-03-21
1079:2014-03-18
1051:2013-04-04
1040:The Walrus
1025:2014-03-18
1014:The Walrus
999:2013-04-04
975:2014-03-21
912:2014-03-17
902:PopMatters
791:Bell, John
782:2015-03-21
756:2013-04-04
695:Sabin 2007
662:Cohen 1977
532:Cohen 1977
431:References
236:Hyde made
94:Background
46:, its 118
1237:Gods' Man
1228:Lynd Ward
683:Frye 2002
547:Bell 2006
395:agit-prop
289:included
191:left-wing
147:Discovery
128:Lynd Ward
120:Eric Gill
116:Paul Nash
63:Lynd Ward
1217:The City
1203:The Idea
869:(2002).
793:(2006).
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274:and the
211:—
157:for the
143:linocuts
106:Born in
85:Synopsis
1332:Portals
1290:Destiny
1272:Vertigo
1196:The Sun
965:website
859:3831165
366:Vertigo
176:Destiny
151:Macbeth
1382:Novels
1370:Comics
1358:Canada
1282:Others
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328:like.
268:recto
1120:ISBN
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164:The
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