17:
569:
116:, it was long suggested that Paolo may have had some part in supervising the effort or have been part of the family that commissioned the manuscript. However, more recent evidence about the biography and in particular poor finances of Paolo has his connection to financing the manuscript unlikely. The manuscript was owned by renowned organist Antonio Squarcialupi in the middle of the 15th century, then by his nephew, and then passed into the estate of
56:
It consists of 216 parchment folios, organized by composer, with each composer's section beginning with a portrait of the composer richly illuminated in gold, red, blue and purple. The manuscript is in good condition, and musical pieces are complete. Included in the codex are 146 complete pieces by
101:, since they are labeled as such and include his portrait; the usual presumption by scholars is that Paolo's music was not ready at the time the manuscript was compiled, since he was away from Florence until 1409. There is also a section marked out for
598:
605:
112:, probably around 1410–1415. Because the same unidentified family seal appears on the first folio of the manuscript and on the portrait page of
478:
739:
255:
871:
201:
Kurt von
Fischer/Gianluca d'Agostino, "Sources, MS, Italian Polyphony, 1325-1420", Grove Music Online ed. L. Macy (Accessed June 24, 2005),
881:
591:
876:
135:, organist of Santa Maria del Fiore." On the following pages, added later, are humanistic poems in praise of Squarcialupi.
248:
109:
216:
196:
150:: there are 353 in all, and they can be dated to the period from 1340 to 1415. Notably absent are Italian pieces by
117:
861:
241:
125:
36:
634:
704:
572:
43:
in the early 15th century. It is the single largest primary source of music of the 14th-century
Italian
155:
97:, and smaller amounts of music by others. It contains 16 blank folios, intended for the music of
16:
886:
827:
124:
in the early 16th century. At the end of the 18th century, it passed into the ownership of the
355:
82:
840:
834:
781:
264:
167:
50:
417:
66:
866:
422:
391:
340:
132:
8:
809:
753:
732:
697:
473:
386:
285:
143:
121:
62:
795:
690:
483:
412:
360:
320:
305:
94:
90:
78:
802:
774:
725:
676:
547:
407:
402:
350:
310:
212:
192:
102:
74:
70:
58:
21:
583:
432:
396:
366:
345:
184:
151:
113:
98:
86:
760:
655:
641:
518:
513:
25:
228:
154:, a northerner transplanted into Italy, and the more innovative compositions of
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662:
542:
147:
855:
627:
531:
315:
108:
The manuscript was almost certainly compiled in
Florence at the monastery of
718:
711:
648:
767:
683:
669:
537:
457:
191:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
172:
427:
138:
All of the compositions in the codex are secular songs in
Italian:
524:
45:
40:
491:
233:
139:
497:
131:
The first folio in the codex states: "This book is owned by
202:
39:, Med. Pal. 87) is an illuminated manuscript compiled in
613:
229:
La Trobe
University Library Medieval Music Database
853:
189:The New Grove Dictionary of Music and Musicians
599:
249:
278:
211:. New York, W.W. Norton & Co., 1978.
606:
592:
256:
242:
15:
854:
587:
237:
872:15th-century illuminated manuscripts
13:
263:
178:
133:Antonio di Bartolomeo Squarcialupi
14:
898:
882:Medieval music manuscript sources
614:Medieval music manuscript sources
222:
568:
567:
126:Biblioteca Medicea Laurenziana
118:Giuliano di Lorenzo de' Medici
37:Biblioteca Medicea Laurenziana
1:
877:Music illuminated manuscripts
635:British Library, Add MS 29987
705:Llibre Vermell de Montserrat
7:
161:
10:
903:
187:, "Antonio Squarcialupi,"
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558:
506:
466:
445:
379:
333:
298:
271:
156:Antonio Zachara da Teramo
105:which contains no music.
110:Santa Maria degli Angeli
828:Ars cantus mensurabilis
356:Gherardello da Firenze
83:Gherardello da Firenze
28:
862:Music of the Trecento
841:The Berkeley Treatise
835:De Mensurabili Musica
203:(subscription access)
168:Music of the Trecento
120:, who gave it to the
20:Illustration showing
19:
562:Also music theorist*
423:Philippus de Caserta
392:Antonello da Caserta
341:Andreas de Florentia
49:(also known as the "
810:Worcester Fragments
754:Robertsbridge Codex
733:Old Hall Manuscript
698:Laudario di Cortona
670:Florence Manuscript
387:Bartolino da Padova
286:Marchetto da Padova
207:Richard H. Hoppin,
122:Biblioteca Palatina
63:Bartolino da Padova
796:Trinity Carol Roll
789:Squarcialupi Codex
453:Squarcialupi Codex
418:Niccolò da Perugia
413:Grazioso da Padova
361:Lorenzo da Firenze
321:Vincenzo da Rimini
306:Giovanni da Cascia
95:Vincenzo da Rimini
91:Giovanni da Cascia
79:Lorenzo da Firenze
67:Niccolò da Perugia
33:Squarcialupi Codex
29:
849:
848:
803:Winchester Troper
775:Selden Carol Book
726:Montpellier Codex
691:King's Manuscript
677:Las Huelgas Codex
581:
580:
548:Renaissance music
441:
440:
408:Giovanni Mazzuoli
403:Matteo da Perugia
375:
374:
351:Francesco Landini
329:
328:
311:Jacopo da Bologna
294:
293:
103:Giovanni Mazzuoli
75:Jacopo da Bologna
71:Andrea da Firenze
59:Francesco Landini
22:Francesco Landini
894:
782:Codex SpeciálnĂk
608:
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433:Zacara da Teramo
397:Johannes Ciconia
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367:Paolo da Firenze
346:Donato da Cascia
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185:Kurt von Fischer
152:Johannes Ciconia
114:Paolo da Firenze
99:Paolo da Firenze
87:Donato da Cascia
51:Italian ars nova
902:
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845:
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761:Roman de Fauvel
656:Engelberg Codex
642:Chantilly Codex
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519:Portative organ
514:Landini cadence
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479:Caccia (musica)
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179:Further reading
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89:, 12 pieces by
26:portative organ
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316:Maestro Piero
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719:Modena Codex
717:
712:Magnus Liber
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668:
661:
654:
649:Codex Faenza
647:
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490:
452:
279:Predecessors
208:
188:
137:
130:
107:
55:
44:
32:
30:
867:1410s books
768:Rossi Codex
684:Ivrea Codex
538:Early music
482: [
458:Rossi Codex
446:Manuscripts
173:Rossi Codex
35:(Florence,
856:Categories
24:playing a
428:Sant Omer
272:Composers
144:madrigals
573:Category
525:Ars nova
507:See also
474:Madrigal
162:See also
85:, 15 by
81:, 16 by
77:, 17 by
73:, 28 by
69:, 29 by
65:, 36 by
61:, 37 by
46:Trecento
41:Florence
740:Psalter
492:Ballata
140:ballata
93:, 6 by
820:Theory
620:Scores
467:Genres
215:
195:
146:, and
498:Motet
486:]
148:cacce
213:ISBN
193:ISBN
53:").
31:The
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